{ "objects" : [ { "embark_ID" : 13527, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13527", "Disp_Access_No" : "2002.2387", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ceres Changing Stellio into a Lizard, after Jan van de Velde", "Alt_Title" : "", "Obj_Title" : "Ceres Changing Stellio into a Lizard, after Jan van de Velde", "Series_Title" : "", "Disp_Maker_1" : "William Outgertsz. Akersloot", "Sort_Artist" : "Akersloot, William Outgertsz.", "Disp_Dimen" : "21.1 cm x 16 cm (8 5/16 in. x 6 5/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In Ovid’s Metamorphoses, after the abduction of Proserpina, her mother, Ceres, lit a torch with the fires of Etna and set out to find her. Reaching the house of an old woman, she slaked her thirst with such avidness that a boy, Stellio, mocked her. Furious, Ceres cast grain at him, transforming him into a lizard. The subject, a metaphor of the elements and processes of nature, was popular around the turn of the century in Holland. Here, Akersloot was interpreting a design by Jan van de Velde and drawing inspiration from a nocturnal engraving by Hendrik Goudt, but bringing his own charming observation and miniaturist’s touch. The print is very rare, and effective only in such a fine impression. Most of Akersloot’s plates are reproductive of portrait paintings. Steinberg acquired an equally rare and fine impression of his Amalia, Princess of Solms with Her Children. 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This print is one of a series that reproduces six of the twelve Prophets and Sibyls in the pendentives of the Sistine Chapel. Their immediate inspiration, including choice of subject and format came, however, from Giorgio Ghisi’s grand series of a few years earlier.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1344.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1344.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1344.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1344.tif", "IsPrimary" : "1", "_SurrogateID" : "1776", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2087", "Disp_Access_No" : "2002.757", "_AccNumSort1" : "", "Disp_Create_DT" : "1532", "_Disp_Start_Dat" : "1532", "_Disp_End_Date" : "1532", "Disp_Title" : "Marcus Curtius", "Alt_Title" : "", "Obj_Title" : "Marcus Curtius", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "15.3 cm x 10.6 cm (6 in. x 4 3/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In a legend recounted by the ancient Roman historian Livy, Marcus Curtius at the instruction of an oracle leapt on horseback into a chasm that had opened in the forum in order to save the city. Exaggerating the antique flavor, Aldegrever has juxtaposed this emblem of sacrifice with a group of five female nudes and, evident in this extraordinary impression, imparted the plasticity of statuary to the whole scene. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.757.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.757.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.757.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.757.tif", "IsPrimary" : "1", "_SurrogateID" : "2076", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12827", "Disp_Access_No" : "2002.1325", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : 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cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.157-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.157-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.157-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.157-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6577", "Image_Type" : "Digital image", "Photo_Credit" : "", 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"49.4 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Michelangelo created three highly finished drawings of mythological subjects as gifts for Tommaso de’ Cavalieri, a young Roman nobleman with whom he had fallen in love. Preserved in the English royal collection at Windsor Castle, The Fall of Phaeton shows Jupiter striking down Apollo’s son, who had dared take the reins of the his father’s chariot, the sun, but was unable to control it. His sisters mourn below. Famed for their inventiveness and craft, these “presentation drawings” were each engraved by Beatrizet. This impression is so brilliant that it conveys not just the composition but the sculptural forms and lustrous surface of the drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund and through the generosity of Faith and Dewayne Perry, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.25.tif", "IsPrimary" : "1", "_SurrogateID" : "5361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13109", "Disp_Access_No" : "2002.1734", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rape of Ganymede, after 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Actual stagings of the kind, thin in narrative but spectacular in effect, entertained during the intermissions in the most sophisticated musical performances of the late 16th century. A staple at the Medici court, these intermezzi are the ancestors of modern opera, if not a recent trend on Broadway. The largest and most elaborate etchings of Callot’s maturity attain a fully Baroque light and movement, but persist in the compositional structures, moreover the spirit of sheer entertainment, of these intermezzi. The Temptation of Saint Anthony is the most extravagant and celebrated.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1849.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1849.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1849.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1849.tif", "IsPrimary" : "1", "_SurrogateID" : "1865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2077", "Disp_Access_No" : "2002.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Saturn and Phylira, after Rosso Fiorentino, from the Loves of the Gods", "Alt_Title" : "", "Obj_Title" : "Saturn and Phylira, after Rosso Fiorentino, from the Loves of the Gods", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "17.9 cm x 13.5 cm (7 1/16 in. x 5 5/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Newly arrived in Rome, Caraglio was charged by a certain Baviera, the manager of Raphael’s printmaking enterprise, with engraving a series of twenty loves of the gods, mostly after drawings by Perino del Vaga, but with two by Rosso Fiorentino. One of these is the rare subject of the union between Saturn in the form of a horse and the nymph Philyra, which produced the centaur Chiron. A generation later, Vasari wrote that the series was “engraved with such skill that it has always been prized.” Wickedly erotic and extremely stylized, it is today regarded as a capital work of early Mannerism. In the early 19th-century, the great cataloguer Bartsch would add that impressions from the series “are extremely rare.” The Steinberg Collection includes six. The Saturn and Philyra is lacking entirely from the collections of the Metropolitan and British Museum, and this impression is finer than the one in Vienna’s Albertina. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.137.tif", "IsPrimary" : "1", "_SurrogateID" : "1779", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11063", "Disp_Access_No" : "1994.34", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1526-1527", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1527", "Disp_Title" : "Council of the Gods, after Raphael", "Alt_Title" : "", "Obj_Title" : "Council of the Gods, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "38.8 cm x 55.5 cm (15 1/4 in. x 21 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is an interpretation of one of the two principal compositions on the vault of the Loggia di Psiche, 1517, in the Villa Farnesina, Rome.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.34.tif", "IsPrimary" : "1", "_SurrogateID" : "3628", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17323", "Disp_Access_No" : "2005.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Diogenes, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Diogenes, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Ugo da Carpi", "Sort_Artist" : "Carpi, Ugo da", "Disp_Dimen" : "47.7 cm x 35 cm (18 3/4 in. x 13 3/4 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from four blocks, printed in blue-green", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from four blocks, printed in blue-green", "Info_Page_Comm" : "From the moment of its creation, this has been the most celebrated woodcut of sixteenth-century Italy. Diogenes was the ancient Greek philosopher for whom the pursuit of virtue was the sole good. Here he appears as a heroic figure before the wooden barrel in which he lived, the billowing drape his only clothing and the plucked chicken a reference to his mocking of Plato’s definition of man as “a featherless biped.” Equally striking is the mastery of technique in which separate blocks were printed in successively darker tones to suggest modeling. In no work of the kind was the cutting more virtuoso, the printing better coordinated, or the scale more audacious. Ugo da Carpi was the first and greatest master of chiaroscuro woodcut in Italy. Active in Venice as an illustrator, he learned the technique from the circulation of early German examples. Going to Rome in 1516, he turned to reproducing Raphael’s drawings in brush and wash with white heightening. With its Michelangelesque form, suave rhythms, and improbable grace, Diogenes depends on a lost drawing of Parmigianino’s period in Rome. Surely it was the challenge of interpreting his difficult and utterly personal style that brought da Carpi to the unequaled heights of this print. Diogenes was reprinted through the sixteenth century in various colors and with increasing coarseness. Extremely rare, the blue-green scheme and clarity of this impression correspond to the earliest printings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2717", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2372", "Disp_Access_No" : "2002.1750", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "Aeneas and His Family Fleeing Troy, after Federico Barocci", "Alt_Title" : "Aeneas Bearing Anchises, after Barocci", "Obj_Title" : "Aeneas and His Family Fleeing Troy, after Federico Barocci", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "40.2 cm x 52.4 cm (15 13/16 in. x 20 5/8 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "52.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print depends upon a modello by Barocci and represents the height of Agostino’s virtuosity with a burin. Exceptionally rich, this impression belongs to a very early, previously undescribed state. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1750.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1750.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1750.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1750.tif", "IsPrimary" : "1", "_SurrogateID" : "1842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2338", "Disp_Access_No" : "2002.165", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Mercury and the Three Graces, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "Mercury and the Three Graces, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "20.1 cm x 25.7 cm (7 15/16 in. x 10 1/8 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.165.tif", "IsPrimary" : "1", "_SurrogateID" : "1816", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1746", "Disp_Access_No" : "G1970.5.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "Moyenne affiche pour l'Aurore", "Alt_Title" : "[Average Poster for the Theater]", "Obj_Title" : "Moyenne affiche pour l'Aurore", "Series_Title" : "", "Disp_Maker_1" : "Eugène Carrière", "Sort_Artist" : "Carrière, Eugène", "Disp_Dimen" : "147.5 cm x 108.3 cm (58 1/16 in. x 42 5/8 in.)", "Disp_Height" : "147.5 cm", "Disp_Width" : "108.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chromolithograph", "Support" : "", "Disp_Medium" : "Chromolithograph", "Info_Page_Comm" : "Eugène Carrière established a career as a Naturalist painter before the rise of Symbolism, but his work became increasingly dreamlike after his involvement with the group. Carrière reduced his color palette and depicted figures in a spare, stylized fashion, excluding details of setting, time, and even identity to focus on emotion. Here, a generalized figure raises its hands to its head, pressing on its temples as if overwhelmed by feelings echoed in the swirling background. Carrière’s emotive image reflects his interest in universal, primal forces acting on both humans and nature. Though his work grew ever more suggestive, Carrière remained committed to the politics of his time. This poster was designed as an advertisement for "L’Aurore [The Dawn]," a leftist daily newspaper that covered literary, artistic, and social issues.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.5.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.5.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.5.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.5.23.tif", "IsPrimary" : "1", "_SurrogateID" : "6195", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3171", "Disp_Access_No" : "1996.174", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Hercules and Omphale, after François Lemoyne", "Alt_Title" : "", "Obj_Title" : "Hercules and Omphale, after François Lemoyne", "Series_Title" : "", "Disp_Maker_1" : "Laurent Cars", "Sort_Artist" : "Cars, Laurent", "Disp_Dimen" : "40 cm x 30.2 cm (15 3/4 in. x 11 7/8 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.174.tif", "IsPrimary" : "1", "_SurrogateID" : "4786", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17259", "Disp_Access_No" : "2004.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Hercules and Omphale, after François Lemoyne", "Alt_Title" : "", "Obj_Title" : "Hercules and Omphale, after François Lemoyne", "Series_Title" : "", "Disp_Maker_1" : "Laurent Cars", "Sort_Artist" : "Cars, Laurent", "Disp_Dimen" : "38.9 cm x 28.5 cm (15 5/16 in. x 11 1/4 in.)", "Disp_Height" : "38.9 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.167.tif", "IsPrimary" : "1", "_SurrogateID" : "4797", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3172", "Disp_Access_No" : "1996.175", "_AccNumSort1" : "", "Disp_Create_DT" : "1728", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1728", "Disp_Title" : "Hercules and Omphale, after François Lemoyne", "Alt_Title" : "", "Obj_Title" : "Hercules and Omphale, after François Lemoyne", "Series_Title" : "", "Disp_Maker_1" : "Laurent Cars", "Sort_Artist" : "Cars, Laurent", "Disp_Dimen" : "40 cm x 29.8 cm (15 3/4 in. x 11 3/4 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.175.tif", "IsPrimary" : "1", "_SurrogateID" : "4787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11245", "Disp_Access_No" : "2002.172", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1651", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1651", "Disp_Title" : "Circe with Companions of Ulysses Changed into Animals", "Alt_Title" : "", "Obj_Title" : "Circe with Companions of Ulysses Changed into Animals", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "23.5 cm x 32.5 cm (9 1/4 in. x 12 13/16 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "32.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Circe renders the sorceress of the Odyssey as a contemplative shepherdess amid an aptly individualized flock. Animal subjects were especially popular in Genoa, largely due to the city’s contacts with the Netherlands, and Castiglione had an aptitude for them. (A comparable painting by his son and follower Francesco is exhibited nearby.) 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"Goltzius, Hendrick", "Disp_Dimen" : "35.5 cm x 24.8 cm (14 in. x 9 3/4 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1054.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1054.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1054.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1054.tif", "IsPrimary" : "1", "_SurrogateID" : "7233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2347", "Disp_Access_No" : "2002.2173.3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1592", "_Disp_Start_Dat" : "1592", "_Disp_End_Date" : "1592", "Disp_Title" : "Apollo Belvedere, after the Antique", "Alt_Title" : "", "Obj_Title" : "Apollo Belvedere, after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.5 cm x 29.3 cm (16 5/16 in. x 11 9/16 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By the end of the 16th century the interest in antique sculpture had begun to take a more literal, archaeological form. Quintessential examples include Hendrick Goltzius’s series of Roman Statues. The prints he completed for an unfinished set were based on drawings of many sculptures that he had made during his first and only trip to Italy—a pilgrimage that was becoming the standard for artists from all over Europe. This print shows an unprecedented attention to detail and exactness in form and plasticity. More broadly, Goltzius’s series is symptomatic of the emergence of a canon of ancient sculpture that would transform the public’s understanding, as well as the ways artists were educated, for centuries to come. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "11126", "Rel_Obj_Title" : "The Farnese Hercules" },{ "Rel_Obj_ID" : "2346", "Rel_Obj_Title" : "Commodus as Hercules, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "1910", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2359", "Disp_Access_No" : "2002.2171", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Pygmalion and Galatea", "Alt_Title" : "", "Obj_Title" : "Pygmalion and Galatea", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "32.2 cm x 21.5 cm (12 11/16 in. x 8 7/16 in.)", "Disp_Height" : "32.2 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2171.tif", "IsPrimary" : "1", "_SurrogateID" : "1908", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11126", "Disp_Access_No" : "2002.2173.1/3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591-1592", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1592", "Disp_Title" : "The Farnese Hercules", "Alt_Title" : "", "Obj_Title" : "The Farnese Hercules", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "42.2 cm x 30.4 cm (16 5/8 in. x 11 15/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "30.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print depicts one of the most famous statues of antiquity, the monumental Hercules in the Roman collection of the noble Farnese family. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. While published only in 1617, they are capital, and justly celebrated, examples of the artist’s mature style, with virtuoso cutting, rigorous system, and extraordinary plasticity. Through this technique, Goltzius succeeded in conveying both the powerful form and lofty ethos of the prototypes. The Collection includes the complete set of the “Three Antique Roman Statues” in splendid impressions", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "2347", "Rel_Obj_Title" : "Apollo Belvedere, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "1909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12593", "Disp_Access_No" : "2002.1025", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Juno", "Alt_Title" : "", "Obj_Title" : "Juno", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "32.3 cm x 25.1 cm (12 11/16 in. x 9 7/8 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "25.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1025.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1025.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1025.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1025.tif", "IsPrimary" : "1", "_SurrogateID" : "7199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13457, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13457", "Disp_Access_No" : "2002.2292", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1592", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1597", "Disp_Title" : "The Marriage Balance, plate 2 from the Series of Six Proverbs, after Karel van Mander", "Alt_Title" : "", "Obj_Title" : "The Marriage Balance, plate 2 from the Series of Six Proverbs, after Karel van Mander", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Hendrick Goltzius", "Sort_Artist" : "Goltzius, Workshop of Hendrick", "Disp_Dimen" : "24.2 cm x 16.9 cm (9 1/2 in. x 6 5/8 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "As humanism advanced in Europe, the idea that companionship was an important aspect of marriage spread. In the Marriage Balance, Karl van Mander reacts to this novel idea by insisting on the "traditional" function of marriage, which was economic. The inscription at the bottom reads, "Neither love nor virtue, but only a dowry weighed out fairly in the scales makes a stable marriage . . ." The fact that this image was printed in several states by different publishers and with translations from the Latin into Dutch and English suggests that the principle it illustrates held wide currency. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2292.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2292.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2292.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2292.tif", "IsPrimary" : "1", "_SurrogateID" : "6327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2453", "Disp_Access_No" : "2002.2365", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Alt_Title" : "", "Obj_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Goudt", "Sort_Artist" : "Goudt, Hendrik", "Disp_Dimen" : "19.8 cm x 21.9 cm (7 13/16 in. x 8 5/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ovid’s Metamorphoses relates the story of Philemon and Baucis, an old couple who despite poverty lavished hospitality on Jupiter and Mercury, disguised as travelers. Offered any reward by the gods, they asked to die together, so when the moment arrived, were transformed into intertwined trees. Elsheimer’s painting rendered the initial scene as contemporary genre with striking artificial illumination. Goudt’s translation, typical of his prints, approximates its tonal range and incipient naturalism through especially fine and dense burin work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2365.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2365.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2365.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2365.tif", "IsPrimary" : "1", "_SurrogateID" : "1932", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19439", "Disp_Access_No" : "2009.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Alt_Title" : "", "Obj_Title" : "Jupiter and Mercury in the House of Philemon and Baucis, after Adam Elsheimer", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Goudt", "Sort_Artist" : "Goudt, Hendrik", "Disp_Dimen" : "21.6 cm x 23 cm (8 1/2 in. x 9 1/16 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "23 cm", "Dimen_Extent" : "", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.33.tif", "IsPrimary" : "1", "_SurrogateID" : "5576", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10953", "Disp_Access_No" : "P1963.4.151/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Perseus and Andromeda, after Paolo Veronese, plate 151 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Ca", "Alt_Title" : "", "Obj_Title" : "Perseus and Andromeda, after Paolo Veronese, plate 151 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Louis Jacob", "Sort_Artist" : "Jacob, Louis", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.151-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.151-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.151-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.151-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6571", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2832", "Disp_Access_No" : "2002.1124", "_AccNumSort1" : "", "Disp_Create_DT" : "1652", "_Disp_Start_Dat" : "1652", "_Disp_End_Date" : "1652", "Disp_Title" : "Mercury Killing Argus", "Alt_Title" : "", "Obj_Title" : "Mercury Killing Argus", "Series_Title" : "", "Disp_Maker_1" : "Jacob Jordaens", "Sort_Artist" : "Jordaens, Jacob", "Disp_Dimen" : "23 cm x 25.2 cm (9 1/16 in. x 9 15/16 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Through most of his career, Jordaens's involvement with printmaking was limited to reproductive engraving in the style of the Rubens school. In the 1650s, however, he himself etched some plates in an open, Italian manner. The Blanton had previously acquired a unique, working counterproof of this print –– an impression taken from another while its ink is still damp, so that the composition returns to its direction on the plate, thus helping the artist to imagine and make further changes. Now, this splendid impression makes clear all the corrections and additions that Jordaens drew on that counterproof. Mercury’s dispatch of the thousand-eyed Argus, who had been sent by Juno to protect Europa from the amorous advances of Jupiter, was the subject of several paintings by Jordaens.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1124.tif", "IsPrimary" : "1", "_SurrogateID" : "1758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2830, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2830", "Disp_Access_No" : "1997.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1652", "_Disp_Start_Dat" : "1652", "_Disp_End_Date" : "1652", "Disp_Title" : "Mercury Killing Argus", "Alt_Title" : "", "Obj_Title" : "Mercury Killing Argus", "Series_Title" : "", "Disp_Maker_1" : "Jacob Jordaens", "Sort_Artist" : "Jordaens, Jacob", "Disp_Dimen" : "23.3 cm x 25.8 cm (9 3/16 in. x 10 3/16 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "25.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, counterproof with pen and brown and black ink and white heightening", "Support" : "", "Disp_Medium" : "Etching, counterproof with pen and brown and black ink and white heightening", "Info_Page_Comm" : "Jordaens frequently treated the story of Mercury and Argus, drawn from an episode in Ovid's Metamorphoses (I, 568 - 721). In this print, Mercury has drawn his sword and is about to slay Argus after having lulled the watchful giant to sleep with stories and flute playing. The moral lesson of this tale is a warning about the consequences of lowering one's defenses against lust and other vices. This etching is one of the very few prints executed by Jordaens himself; many more were engraved by others after Jordaens's drawings and paintings. The Collection includes two impressions: a fine impression of the print's first state, and a counterproof -- an offset taken from another, freshly inked impression -- of an undescribed state that preceded the first and, through extensive working in pen, two colors of ink, and white heightening, prepared the changes to the plate that are then evident in the first state. Nearly as much a drawing as a print, this unique counterproof is an extraordinary demonstration of working procedure in an Old Master print.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.51.tif", "IsPrimary" : "1", "_SurrogateID" : "1688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10972", "Disp_Access_No" : "P1963.4.171/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Flaying of Marsyas, after Paolo Veronese, plate 171 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabin", "Alt_Title" : "", "Obj_Title" : "Flaying of Marsyas, after Paolo Veronese, plate 171 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Francois Joullain", "Sort_Artist" : "Joullain, Francois", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.171-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.171-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.171-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.171-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6591", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10958", "Disp_Access_No" : "P1963.4.156/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Mercury and Herse, after Paolo Veronese, plate 156 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabine", "Alt_Title" : "", "Obj_Title" : "Mercury and Herse, after Paolo Veronese, plate 156 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Francois Joullain", "Sort_Artist" : "Joullain, Francois", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.156-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.156-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.156-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.156-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6576", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2931", "Disp_Access_No" : "G1970.8.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1662", "_Disp_Start_Dat" : "1662", "_Disp_End_Date" : "1662", "Disp_Title" : "Mercure et Argus [Mercury and Argus]", "Alt_Title" : "", "Obj_Title" : "Mercure et Argus [Mercury and Argus]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "15.8 cm x 21.85 cm (6 1/4 in. x 8 5/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "21.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.53.tif", "IsPrimary" : "1", "_SurrogateID" : "4866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2244, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2244", "Disp_Access_No" : "2002.1747", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Marco Angolo del Moro", "Sort_Artist" : "Moro, Marco Angolo del", "Disp_Dimen" : "27.5 cm x 40.8 cm (10 13/16 in. x 16 1/16 in.)", "Disp_Height" : "27.5 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "god, the ancient Roman emperor Augustus was shown a vision of the Virgin and Child in heaven. Marco Angolo del Moro developed their figures with grand rhetoric and grace despite their small scale, and immersed them in a panoramic landscape that refers to those of Titian and Campagnola. His etchings are the most sophisticated in design and technique of the school of Verona. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1747.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1747.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1747.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1747.tif", "IsPrimary" : "1", "_SurrogateID" : "1841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13124", "Disp_Access_No" : "2002.1763", "_AccNumSort1" : "", "Disp_Create_DT" : "1696", "_Disp_Start_Dat" : "1696", "_Disp_End_Date" : "1696", "Disp_Title" : "Mercury and a Man Pointing Out Jupiter's Eagle, from Varij propectus sylvestres [Various Wooded Landscapes]", "Alt_Title" : "", "Obj_Title" : "Mercury and a Man Pointing Out Jupiter's Eagle, from Varij propectus sylvestres [Various Wooded Landscapes]", "Series_Title" : "Varij prospectus sylvestres [Various Wooded Landscapes]", "Disp_Maker_1" : "Crescenzio Onofri", "Sort_Artist" : "Onofri, Crescenzio", "Disp_Dimen" : "40.4 cm x 53 cm (15 7/8 in. x 20 7/8 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "53 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1763.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1763.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1763.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1763.tif", "IsPrimary" : "1", "_SurrogateID" : "1845", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12673, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12673", "Disp_Access_No" : "2002.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Toilet of Venus, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Toilet of Venus, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Willem Panneels", "Sort_Artist" : "Panneels, Willem", "Disp_Dimen" : "16.7 cm x 9.8 cm (6 9/16 in. x 3 7/8 in.)", "Disp_Height" : "16.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is after a painting by Rubens in the Liechtenstein Museum, Vienna. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5922", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12025", "Disp_Access_No" : "2002.218", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Erminia Finding the Wounded Tancred, after Guercino", "Alt_Title" : "", "Obj_Title" : "Erminia Finding the Wounded Tancred, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Pasqualini", "Sort_Artist" : "Pasqualini, Giovanni Battista", "Disp_Dimen" : "26.1 cm x 31.4 cm (10 1/4 in. x 12 3/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "31.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Especially due to the interest in his drawings, Guercino maintained a team of printmakers to reproduce his designs. Oliviero Gatti was the first to approximate the artist’s graphic virtuosity or to convey the sensuousness of his early paintings. The most prolific and important, Gatti’s pupil Pasqualini, dedicated his entire career to such interpretations. This vivid impression reproduces a painting of the same year with a scene from Tasso’s Jerusalem Freed. A painting of similar style, the Penitent Magdalene, is on view in the Blanton's European galleries The Steinberg Collection includes numerous prints from Guercino’s immediate circle as well as later translations of his drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.218.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.218.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.218.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.218.tif", "IsPrimary" : "1", "_SurrogateID" : "1912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2099", "Disp_Access_No" : "2002.934", "_AccNumSort1" : "", "Disp_Create_DT" : "1539", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1539", "Disp_Title" : "Medea Giving Jason Her Household Gods as a Token of her Faith", "Alt_Title" : "", "Obj_Title" : "Medea Giving Jason Her Household Gods as a Token of her Faith", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "11.6 cm x 7.2 cm (4 9/16 in. x 2 13/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "7.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.934.tif", "IsPrimary" : "1", "_SurrogateID" : "2092", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5031", "Disp_Access_No" : "2002.1989", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Flutiste et trois femmes nues [Flutist and Three Nude Women], plate 11 from Suite Vollard", "Alt_Title" : "", "Obj_Title" : "Flutiste et trois femmes nues [Flutist and Three Nude Women], plate 11 from Suite Vollard", "Series_Title" : "Suite Vollard", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "33.9 cm x 44.8 cm (13 3/8 in. x 17 5/8 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "44.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1989.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1989.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1989.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1989.tif", "IsPrimary" : "1", "_SurrogateID" : "1883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10243, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10243", "Disp_Access_No" : "2002.1987", "_AccNumSort1" : "", "Disp_Create_DT" : "1933-1934", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1934", "Disp_Title" : "Minotaure aveugle guidé par une fillette dans la nuit [Blind Minotaur Guided by a Young Girl in the Night], plate 97 from the Suite Vollard", "Alt_Title" : "", "Obj_Title" : "Minotaure aveugle guidé par une fillette dans la nuit [Blind Minotaur Guided by a Young Girl in the Night], plate 97 from the Suite Vollard", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "34 cm x 44 cm (13 3/8 in. x 17 5/16 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint and drypoint", "Support" : "", "Disp_Medium" : "Aquatint and drypoint", "Info_Page_Comm" : "Blind Minotaur is one of the most celebrated images in a suite of one hundred that Pablo Picasso produced between 1930 and 1937 for the dealer Ambroise Vollard. Having exhausted Analytical and Synthetic Cubism, and after repeated visits to Italy where he explored ancient art, Picasso entered a classical phase. Focusing on the expressive potential of line, he reinterpreted ancient myths, such as that of the Minotaur, which for him represented the ideal union between man and beast, a combination at once passionate and conflicted. In this, the last image in a series of fifteen sheets treating the theme, the once powerful beast has been deprived of his sight and is dependent on a little girl for direction. Here Picasso has depicted the protagonist, who in earlier images seduced beautiful women, as enfeebled, while transforming the lovely female into a compassionate guide. The energetic line has been replaced by rich, velvety black surroundings, bright day turning into inky night. Vollard died in a car accident before he could have the suite printed. It remained unpublished in its entirety until 1950, when another dealer, who had acquired the plates during the war, had them printed and signed by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Blanton web use only.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1987.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1987.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1987.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1987.tif", "IsPrimary" : "1", "_SurrogateID" : "1882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3706", "Disp_Access_No" : "1992.292", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "The Laocoön, after a Roman copy of a Hellenistic statue, 2nd century B.C.", "Alt_Title" : "", "Obj_Title" : "The Laocoön, after a Roman copy of a Hellenistic statue, 2nd century B.C.", "Series_Title" : "", "Disp_Maker_1" : "Francesco Piranesi", "Sort_Artist" : "Piranesi, Francesco", "Disp_Dimen" : "94.2 cm x 67.9 cm (37 1/16 in. x 26 3/4 in.)", "Disp_Height" : "94.2 cm", "Disp_Width" : "67.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Friends of the Archer M. Huntington Art Gallery, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.292.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.292.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.292.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.292.tif", "IsPrimary" : "1", "_SurrogateID" : "3666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16939", "Disp_Access_No" : "2003.123", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1636", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1641", "Disp_Title" : "Bacchanal of the Andrians, after Titian", "Alt_Title" : "", "Obj_Title" : "Bacchanal of the Andrians, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Andrea Podestà", "Sort_Artist" : "Podestà, Giovanni Andrea", "Disp_Dimen" : "34.7 cm x 45.7 cm (13 11/16 in. x 18 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The painting is one of the three mythologies that Titian contributed to the decoration of the studio of Duke Alfonso d’Este at Ferrara between 1518 and 1523. In 1598 the paintings passed to the Aldobrandini family in Rome, where Podestà etched this interpretation. In 1639 two of the three were offered to Philip IV of Spain, where they remain in the Prado. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.123.tif", "IsPrimary" : "1", "_SurrogateID" : "2115", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12421", "Disp_Access_No" : "2002.723", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Rape of Europa", "Alt_Title" : "", "Obj_Title" : "Rape of Europa", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Paul Prud'hon", "Sort_Artist" : "Prud'hon, Pierre-Paul", "Disp_Dimen" : "18.5 cm x 27.1 cm (7 5/16 in. x 10 11/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Prud’hon bridged the divide between neoclassicist and romantic styles, mastering both the linear conception of the former and the expressive handling of the latter. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.723.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.723.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.723.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.723.tif", "IsPrimary" : "1", "_SurrogateID" : "2072", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19423", "Disp_Access_No" : "2009.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1550", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1555", 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of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11849", "Disp_Access_No" : "2002.11", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ariadne (Cleopatra), after the Antique", "Alt_Title" : "", "Obj_Title" : "Ariadne (Cleopatra), after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "10.4 cm x 17.3 cm (4 1/8 in. x 6 13/16 in.)", "Disp_Height" : "10.4 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" 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"Dance of Two Cupids and Seven Children, after Raphael", "Alt_Title" : "", "Obj_Title" : "Dance of Two Cupids and Seven Children, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "11.8 cm x 16.2 cm (4 5/8 in. x 6 3/8 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.7.tif", "IsPrimary" : "1", "_SurrogateID" : "2071", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15", "Disp_Access_No" : "1985.70", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515-1516", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1516", "Disp_Title" : "Quos Ego [Neptune Calming the Tempest], after Raphael", "Alt_Title" : "", "Obj_Title" : "Quos Ego [Neptune Calming the Tempest], after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "42.2 cm x 32.6 cm (16 5/8 in. x 12 13/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "32.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is an interpretation of a lost drawing that recreated an ancient Roman tablet with narrative scenes carved in low relief.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.70.tif", "IsPrimary" : "1", "_SurrogateID" : "5347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11049", "Disp_Access_No" : "2002.1709", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515-1516", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1516", "Disp_Title" : "Galatea, after Raphael", "Alt_Title" : "", "Obj_Title" : "Galatea, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "39.5 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Galatea, Raphael’s fresco of 1511-12 in the villa of Agostino Chigi, was the most calculated and harmonious recasting of ancient myth into the new classical style. Initially disseminated through Raimondi’s engraving, “one of his most beautiful and rare” (Bartsch), the composition also became one of the most influential in Western art. Despite later strengthening with ink, this impression is probably the finest in this country. The Collection includes some 30 engravings by, or contemporary copies after, Raimondi. 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"https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.8.tif", "IsPrimary" : "1", "_SurrogateID" : "1124", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.8.tif", "IsPrimary" : "0", "_SurrogateID" : "2082", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11850, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11850", "Disp_Access_No" : "2002.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ariadne (Cleopatra), after the Antique", "Alt_Title" : "", "Obj_Title" : "Ariadne (Cleopatra), after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "9.5 cm x 17.3 cm (3 3/4 in. x 6 13/16 in.)", "Disp_Height" : "9.5 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Source for reclining figure in rear of 2002.2060, de Bry after HS Beham", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.12.tif", "IsPrimary" : "1", "_SurrogateID" : "6022", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11004", "Disp_Access_No" : "2002.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1522", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1522", "Disp_Title" : "Hercules and Antaeus, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Hercules and Antaeus, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.7 cm x 21.2 cm (12 1/16 in. x 8 3/8 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Early in the 16th century artists tended to use motifs from antique sculpture with relative freedom, reflecting a more developed sense of historical continuity. For example, Marcantonio Raimondi’s Hercules and Antaeus is inspired by a marble sculpture that, lacking Antaeus’s head and Hercules’s legs, lay on its side at the Belvedere Courtyard. In the print the group has not only been imaginatively restored by the engraver, but also brought to life. 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d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet, the elder", "Sort_Artist" : "Ravenet, the elder, Simon Francois", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.173-178.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1414.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1414.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1414.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1414.tif", "IsPrimary" : "1", "_SurrogateID" : "3703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1414.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1414.tif", "PreviewPath" : 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His paintings are Caravaggesque in essence but given to unusual subjects, pungent interpretations, and an irregular stylization that owes something to his Spanish origins. His human content is so broad and unflinching that it approaches Rembrandt’s. And his stunningly pure palette and singularly textured brushwork equal the painterliness of Italian virtuosi like Dominico Fetti and Bernardo Strozzi. Etching was an occasional but very concentrated activity for Ribera. His earliest plates, made upon his arrival in Naples in 1616, are swift and energetic sketches of a fairly conventional sort. His major plates, all of the 1620s, rephrase subjects of paintings with exquisitely sensitive drawing, richly varied textures, and the same terribly moving expression. Drunken Silenus elaborates upon a painting of 1626 (Capodimonte, Naples). Its subject is the inebriation of the son of Pan, a Roman agricultural divinity who acted as guardian of the young Bacchus. A frequent pretext for showing the consequences of abandoning reason, the myth is pushed here toward a burlesque of bulging bellies and laughing asses. The etched version is his largest plate, the most similar to a painting, and the most carefully developed. Especially in this exceptionally early impression, Ribera is revealed as an absolute master of the technique. The collection includes thirteen etchings by Ribera, most of his printed oeuvre. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The 1989 Friends of the Archer M. Huntington Art Gallery Purchase", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.24.tif", "IsPrimary" : "1", "_SurrogateID" : "1494", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12034", "Disp_Access_No" : "2002.233", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1663-1664", "_Disp_Start_Dat" : "1663", "_Disp_End_Date" : "1664", "Disp_Title" : "Jason and the Dragon", "Alt_Title" : "", "Obj_Title" : "Jason and 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"Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2125.tif", "IsPrimary" : "1", "_SurrogateID" : "1904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11127", "Disp_Access_No" : "1989.58", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591-1593", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1593", "Disp_Title" : "Angelica and Medoro, after Carlo Caliari", "Alt_Title" : "", "Obj_Title" : "Angelica and Medoro, after Carlo Caliari", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "31.2 cm x 41.2 cm (12 5/16 in. x 16 1/4 in.)", "Disp_Height" : "31.2 cm", "Disp_Width" : "41.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.58.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.58.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.58.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.58.tif", "IsPrimary" : "1", "_SurrogateID" : "6562", 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"Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2175.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2175.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2175.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2175.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "1911", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19604", "Disp_Access_No" : "2010.97", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1795", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1794", "Disp_Title" : "Death of Hector, after 17th century Italian drawing", "Alt_Title" : "", "Obj_Title" : "Death of Hector, after 17th century Italian drawing", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys", "Sort_Artist" : "Saint-Morys, Charles Paul Jean-Baptiste de Bourgevin Vialart de", "Disp_Dimen" : "21.9 cm x 29 cm (8 5/8 in. x 11 7/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "sheet", "Medium" : "Monotype", "Support" : "", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver in honor of Cheryl Snay, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.97.tif", "IsPrimary" : "1", "_SurrogateID" : "8170", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3528", "Disp_Access_No" : "1995.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Cupid and Psyche, after François Boucher", "Alt_Title" : "", "Obj_Title" : "Cupid and Psyche, after François Boucher", "Series_Title" : "", "Disp_Maker_1" : "Jean-Claude-Richard de Saint-Non", "Sort_Artist" : "Saint-Non, Jean-Claude-Richard de", "Disp_Dimen" : "29.4 cm x 36.7 cm (11 9/16 in. x 14 7/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint printed in brown", "Support" : "", "Disp_Medium" : "Etching and aquatint printed in brown", "Info_Page_Comm" : "Jean-Claude-Richard de Saint-Non’s innovations in the field of printmaking rank him as one of the most important amateurs of the eighteenth century. In 1765 he worked with professional printmaker Jean-Baptiste Delafosse to devise the new method of aquatint, which could reproduce the broad tones of wash drawings with a consistency that had eluded engraving and other experiments to that point. This sheet is one of only four known impressions of his earliest attempts in the new medium. It faithfully reproduces François Boucher’s sensuous pen-and-wash technique. Saint-Non produced four other aquatints after Boucher in 1766, but it is believed that Boucher discouraged their publication and distribution, which accounts for their rarity. A younger son in a wealthy family, Saint-Non was destined for the priesthood, but his avid interest in art led him to take only minor orders. He traveled extensively throughout Europe, meeting Jean-Honoré Fragonard at the Académie de France in Rome. Saint-Non used his friend’s drawings made after the Italian masters as the source for his volume of engravings of selected masterpieces in Italy. On the basis of his substantial collection, his patronage of contemporary artists, and his important innovations in printmaking, the Académie Royale de Peinture et de la Sculpture elected Saint-Non an honorary member. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.21.tif", "IsPrimary" : "0", "_SurrogateID" : "1654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11068", "Disp_Access_No" : "1995.73", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1528", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1533", "Disp_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Alt_Title" : "", "Obj_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Series_Title" : "", "Disp_Maker_1" : "Gabriel Salmon", "Sort_Artist" : "Salmon, Gabriel", "Disp_Dimen" : "29.8 cm x 41 cm (11 3/4 in. x 16 1/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut (printed on one sheet)", "Support" : "", "Disp_Medium" : "Woodcut (printed on one sheet)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.73.tif", "IsPrimary" : "1", "_SurrogateID" : "4894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8098", "Disp_Access_No" : "2002.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1540's", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Minerva and the Muses", "Alt_Title" : "", "Obj_Title" : "Minerva and the Muses", "Series_Title" : "", "Disp_Maker_1" : "Andrea Schiavone (Andrea Meldolla)", "Sort_Artist" : "Schiavone (Andrea Meldolla), Andrea", "Disp_Dimen" : "23.2 cm x 16.8 cm (9 1/8 in. x 6 5/8 in.)", "Disp_Height" : "23.2 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.73.tif", "IsPrimary" : "1", "_SurrogateID" : "2074", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12669, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12669", "Disp_Access_No" : "2002.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620-1625", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1625", "Disp_Title" : "Rape of Prosperine, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Rape of Prosperine, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Pieter Claesz Soutman", "Sort_Artist" : "Soutman, Pieter Claesz", "Disp_Dimen" : "22.7 cm x 33.5 cm (8 15/16 in. x 13 3/16 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "33.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1107.tif", "IsPrimary" : "1", "_SurrogateID" : "5919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3747", "Disp_Access_No" : "1990.172", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "Clizia (Clytie), after Annibale Carracci (Francois Perrier?)", "Alt_Title" : "", "Obj_Title" : "Clizia (Clytie), after Annibale Carracci (Francois Perrier?)", "Series_Title" : "", "Disp_Maker_1" : "Vittoria Speranza", "Sort_Artist" : "Speranza, Vittoria", "Disp_Dimen" : "60.1 cm x 51 cm (23 11/16 in. x 20 1/16 in.)", "Disp_Height" : "60.1 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Peg Delamater, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.172.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.172.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.172.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.172.tif", "IsPrimary" : "1", "_SurrogateID" : "5455", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12565, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12565", "Disp_Access_No" : "2002.980", "_AccNumSort1" : "", "Disp_Create_DT" : "1650s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Drunken Silenus", "Alt_Title" : "", "Obj_Title" : "Drunken Silenus", "Series_Title" : "", "Disp_Maker_1" : "Johann Christoph Storer", "Sort_Artist" : "Storer, Johann Christoph", "Disp_Dimen" : "20.2 cm x 26.9 cm (7 15/16 in. x 10 9/16 in.)", "Disp_Height" : "20.2 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Drunken Silenus is Storer's most developed original print and one of the few conventional etchings in 17th-century Lombardy. The principal character, the aging, corpulent human in Bacchus’s entourage, is propped upon the god’s leopard, plied with drink, and mocked with a crown of grape leaves. The general composition and certain motifs recall Ribera’s grand etching of the same subject. But the arbitrary rhythms, the ominous atmosphere, and the distorted forms, together conveying intense but unspecific feeling, pertain to Lombard painting of the period", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2095", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2055", "Disp_Access_No" : "2002.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1516", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1516", "Disp_Title" : "Venus and Cupid, after Raphael", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "17.9 cm x 13.2 cm (7 1/16 in. x 5 3/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "13.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.26.tif", "IsPrimary" : "1", "_SurrogateID" : "4878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2105", "Disp_Access_No" : "1997.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1542", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1542", "Disp_Title" : "The Rape of Hippodamia, after Rosso Fiorentino", "Alt_Title" : "", "Obj_Title" : "The Rape of Hippodamia, after Rosso Fiorentino", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "36 cm x 48.5 cm (14 3/16 in. x 19 1/8 in.)", "Disp_Height" : "36 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.7.tif", "IsPrimary" : "1", "_SurrogateID" : "4897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3467", "Disp_Access_No" : "2002.1664", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "48.9 cm x 61 cm (19 1/4 in. x 24 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print reproduces Richard Wilson’s celebrated painting The Destruction of Niobe’s Children of 1759–1760 (Yale Center for British Art, New Haven, Connecticut). It established Woollett’s reputation as the finest line engraver in eighteenth-century England, earning his publisher, John Boydell, a significant income. The museum possesses forty-four engravings by Woollett, most from a collection formed by a direct descendent, David Woollett. The scene, taken from Greek mythology, shows the Theban queen, Niobe, punished for her excessive pride by Apollo and Diana, who are in the process of slaying her seven sons and daughters. Woollett achieved the range of tones and textures that contributes to the sense of violence in this scene by first etching parts of the plate to various depths, then engraving the rest of the image. So effective was this technique in depicting the stormy setting that a contemporary of Woollett dubbed him “the first Landscape Engraver in the World.” King George III later appointed him Engraver in Ordinary, and Benjamin West gave him the commission to reproduce his own masterpiece, The Death of General Wolfe of 1770 (National Gallery, Ottawa). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1664.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1664.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1664.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1664.tif", "IsPrimary" : "1", "_SurrogateID" : "5319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3466", "Disp_Access_No" : "2002.1663", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Alt_Title" : "", "Obj_Title" : "The Destruction of Niobe's Children, after Richard Wilson", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "45 cm x 58 cm (17 11/16 in. x 22 13/16 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : " This print reproduces Richard Wilson’s celebrated painting The Destruction of Niobe’s Children of 1759–1760 (Yale Center for British Art, New Haven, Connecticut). It established Woollett’s reputation as the finest line engraver in eighteenth-century England, earning his publisher, John Boydell, a significant income. The museum possesses forty-four engravings by Woollett, most from a collection formed by a direct descendent, David Woollett. The scene, taken from Greek mythology, shows the Theban queen, Niobe, punished for her excessive pride by Apollo and Diana, who are in the process of slaying her seven sons and daughters. Woollett achieved the range of tones and textures that contributes to the sense of violence in this scene by first etching parts of the plate to various depths, then engraving the rest of the image. So effective was this technique in depicting the stormy setting that a contemporary of Woollett dubbed him “the first Landscape Engraver in the World.” King George III later appointed him Engraver in Ordinary, and Benjamin West gave him the commission to reproduce his own masterpiece, The Death of General Wolfe of 1770 (National Gallery, Ottawa). 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