{ "objects" : [ { "embark_ID" : 16752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16752", "Disp_Access_No" : "2003.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Pintura [Painting]", "Alt_Title" : "", "Obj_Title" : "Pintura [Painting]", "Series_Title" : "", "Disp_Maker_1" : "Roberto Aizenberg", "Sort_Artist" : "Aizenberg, Roberto", "Disp_Dimen" : "99.4 cm x 74.3 cm (39 1/8 in. x 29 1/4 in.)", "Disp_Height" : "99.4 cm", "Disp_Width" : "74.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas, mounted on board", "Disp_Medium" : "Oil on canvas, mounted on board", "Info_Page_Comm" : "While never at the center of the mainstream of Argentine art, Roberto Aizenberg was still influential and respected in that world. Despite a flourishing experimental literary scene, Buenos Aires never produced a fully fledged Surrealist movement in the visual arts, making Aizenberg perhaps the closest thing to an Argentine Surrealist. He developed a unique painting technique, applying wet-on-wet oils onto canvas that he mounted on hard board. The result was a series of paintings that glow with a characteristic interior light, recalling Renaissance panels in their clearly defined detail and luminosity. Aizenberg’s subjects were often strange cityscapes punctuated with towers, and Pintura is a radiant example from that body of work. The light emerging from behind the towers here has an ominous quality, suggesting either a smog-filled urban sunset or perhaps a more otherworldly presence.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 2003", "Copyright_Type" : "ALL", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2131", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14642", "Disp_Access_No" : "1987.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Homenaje a Pallière A [Homage to Pallière A]", "Alt_Title" : "[Homage to Pallière]", "Obj_Title" : "Homenaje a Pallière A [Homage to Pallière A]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "129.8 cm x 149.5 cm (51 1/8 in. x 58 7/8 in.)", "Disp_Height" : "129.8 cm", "Disp_Width" : "149.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, oil and charcoal on canvas", "Support" : "canvas", "Disp_Medium" : "Acrylic, oil and charcoal on canvas on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. David Guss and the Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.76.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.76.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.76.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.76.tif", "IsPrimary" : "1", "_SurrogateID" : "6416", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15121", "Disp_Access_No" : "1977.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Mediodía [Noontime]", "Alt_Title" : "[Mediodía]", "Obj_Title" : "Mediodía [Noontime]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Berni", "Sort_Artist" : "Berni, Antonio", "Disp_Dimen" : "198.7 cm x 199 cm (78 1/4 in. x 78 3/8 in.)", "Disp_Height" : "198.7 cm", "Disp_Width" : "199 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "Antonio Berni was one of the great painters of social themes and critical commentary in the twentieth century. Although less known internationally, his work merits comparison with that of the Mexican Muralists. Unlike the Muralists, Berni was never part of a large government-sponsored art program. And while he remained committed to themes of social justice shared with the Muralists, he adopted a range of different artistic styles, from his experiments with Surrealism and Socialist Realism in the 1930s, to his subversion of Pop art in the 1960s and 1970s. Like many Latin American artists, Berni moved to New York in the 1970s, escaping political uncertainty and persecution at home in Argentina. He painted Mediodía in New York, and while the subject is clearly Argentine (the sign is in Spanish), the treatment of the professionally painted advertising sign indicates his awareness of American and European Pop art. However, the stark contrast between the brightly colored sign advertising new cars and the humble black and white used in depicting the workers who produce those consumer goods shows an explicit political conscience missing in much American Pop art of the period.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1977", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1166", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14076", "Disp_Access_No" : "G1971.3.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Private Chamber ", "Alt_Title" : "[Cámara privada]", "Obj_Title" : "Private Chamber ", "Series_Title" : "", "Disp_Maker_1" : "Marcelo Bonevardi", "Sort_Artist" : "Bonevardi, Marcelo", "Disp_Dimen" : "99.2 cm x 140.1 cm (39 1/16 in. x 55 3/16 in.)", "Disp_Height" : "99.2 cm", "Disp_Width" : "140.1 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic and wood", "Support" : "canvas", "Disp_Medium" : "Acrylic and wood on canvas", "Info_Page_Comm" : "Private Chamber is a flat rectangular canvas with a painted finish similar to the walls of an ancient ruin. It has two niches into which wood carvings are placed––one a sort of totemic figure and the other a conglomeration of abstract geometric shapes. Like that of Gonzalo Fonseca, Bonevardi’s work evokes a mysterious ancient world that is the source of a collective consciousness or a fragment of a parallel reality. The spaces in Bonevardi’s works suggest in their absence the mysterious or unknown, resembling architectural elements such as arches, doorways, and sculptural niches. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.7.tif", "IsPrimary" : "1", "_SurrogateID" : "6347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13878", "Disp_Access_No" : "P1976.10.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Large Decoy [Reclama grande]", "Alt_Title" : "Señuelo grande", "Obj_Title" : "Large Decoy [Reclama grande]", "Series_Title" : "", "Disp_Maker_1" : "Marcelo Bonevardi", "Sort_Artist" : "Bonevardi, Marcelo", "Disp_Dimen" : "228.6 cm x 193 cm x 10.2 cm (90 in. x 76 in. x 4 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "193 cm", "Dimen_Extent" : "Canvas", "Medium" : "Rhoplex acrylic medium, dry pigments, and Dex-o-Tex cement on burlap and wood with wood objects", "Support" : "", "Disp_Medium" : "Rhoplex acrylic medium, dry pigments, and Dex-o-Tex cement on burlap and wood with wood objects", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1976.10.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1976.10.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1976.10.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1976.10.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14101", "Disp_Access_No" : "G1971.3.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Superficie activada núm. 2 [Activated Surface no. 2]", "Alt_Title" : "Activated Surface No. 2", "Obj_Title" : "Superficie activada núm. 2 [Activated Surface no. 2]", "Series_Title" : "", "Disp_Maker_1" : "Ary Brizzi", "Sort_Artist" : "Brizzi, Ary", "Disp_Dimen" : "170.5 cm x 168.9 cm (67 1/8 in. x 66 1/2 in.)", "Disp_Height" : "170.5 cm", "Disp_Width" : "168.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Ary Brizzi’s geometric paintings are elegant, technically rigorous, and conversant with Kinetic and Op art of the 1960s. At the time, Brizzi painted compositions of thin parallel bands that generated optical vibrations. In this example, the subtle color gradations and precise change in trajectory of the blue, black, and gold lines suggest two mirrored shapes that seem to overlap in a shallow space. Brizzi’s use of a diamond-shaped canvas and vibrating cerulean blues enhances the dynamism of this piece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.12-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.12-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.12-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.12-old.tif", "IsPrimary" : "0", "_SurrogateID" : "6353", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.12.tif", "IsPrimary" : "1", "_SurrogateID" : "14274", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13923", "Disp_Access_No" : "P1970.6.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Gran tensión no. 2 [Great Tension no. 2]", "Alt_Title" : "Great Tension No. 2", "Obj_Title" : "Gran tensión no. 2 [Great Tension no. 2]", "Series_Title" : "", "Disp_Maker_1" : "Ary Brizzi", "Sort_Artist" : "Brizzi, Ary", "Disp_Dimen" : "150 cm x 150 cm (59 1/16 in. x 59 1/16 in.)", "Disp_Height" : "150 cm", "Disp_Width" : "150 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1970", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.6.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.6.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.6.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.6.2.tif", "IsPrimary" : "1", "_SurrogateID" : "9094", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17375", "Disp_Access_No" : "2005.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Tres casas [Three Houses]", "Alt_Title" : "", "Obj_Title" : "Tres casas [Three Houses]", "Series_Title" : "", "Disp_Maker_1" : "Alejandro Corujeira", "Sort_Artist" : "Corujeira, Alejandro", "Disp_Dimen" : "190 cm x 190 cm (74 13/16 in. x 74 13/16 in.)", "Disp_Height" : "190 cm", "Disp_Width" : "190 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "The subtle and sensitive use of paint in Corujeira’s work draws attention to the surface and to the trace of the artist’s hand. The simplicity and minimalism of the composition do not generate a hard-edged mathematical and rational experience. Instead we see each individual brushstroke and hesitation, drawing attention to the uncertainty and fragility of the human experience. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fundación José Felix Llopis, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.32.tif", "IsPrimary" : "1", "_SurrogateID" : "2788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14970", "Disp_Access_No" : "1983.110", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Paris", "Alt_Title" : "", "Obj_Title" : "Paris", "Series_Title" : "", "Disp_Maker_1" : "Delia Cugat", "Sort_Artist" : "Cugat, Delia", "Disp_Dimen" : "74.8 cm x 94.5 cm (29 7/16 in. x 37 3/16 in.)", "Disp_Height" : "74.8 cm", "Disp_Width" : "94.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.110.tif", "IsPrimary" : "1", "_SurrogateID" : "3301", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19661, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19661", "Disp_Access_No" : "2011.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Mordisquito [The Bite]", "Alt_Title" : "", "Obj_Title" : "Mordisquito [The Bite]", "Series_Title" : "", "Disp_Maker_1" : "Beto De Volder", "Sort_Artist" : "De Volder, Beto", "Disp_Dimen" : "200 cm x 131.1 cm (78 3/4 in. x 51 5/8 in.)", "Disp_Height" : "200 cm", "Disp_Width" : "131.1 cm", "Dimen_Extent" : "sight", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gustavo Bruzzone, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.37.tif", "IsPrimary" : "1", "_SurrogateID" : "8464", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13938", "Disp_Access_No" : "P1970.1.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Sociedad de consumo [Consumer Society]", "Alt_Title" : "[Consumer Society]", "Obj_Title" : "Sociedad de consumo [Consumer Society]", "Series_Title" : "", "Disp_Maker_1" : "Jorge Demirjián", "Sort_Artist" : "Demirjián, Jorge", "Disp_Dimen" : "151.7 cm x 204 cm (59 3/4 in. x 80 5/16 in.)", "Disp_Height" : "151.7 cm", "Disp_Width" : "204 cm", "Dimen_Extent" : "Frame", "Medium" : "Acrylic and graphite", "Support" : "canvas", "Disp_Medium" : "Acrylic and graphite on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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His work of the period already showed an interest in the tension between strict geometry and more tactile expressions. Then in 1963 he moved to New York, where he began to use metal foil to emboss signs and manhole covers for inclusion in his work, thus introducing elements from the real world while still keeping a commitment to formal geometry. Here he has placed the foil manhole cover among a jumble of letters and numbers embossed from street signs. The whole has an urban, gritty feel, but the arrangement of the elements in the image also recalls the Argentine national flag, a reference that is underscored by the title, which comes from the national anthem: "Al gran pueblo argentino, salud! [Good health to the Great Argentine People!]." To complete the quoted reference, the word salud ("good health") appears written out along the bottom of the painting. While the overall somber mood of this work may seem to suggest a difficult or complex relationship to his homeland, the artist has denied any overt political intention in his work. 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Huntington Museum Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "construction", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.59.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.59.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.59.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.59.1-3_3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "3397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13924", "Disp_Access_No" : "P1970.6.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Tres figuras [Three Figures]", "Alt_Title" : "Three Figures", "Obj_Title" : "Tres figuras [Three Figures]", "Series_Title" : "", "Disp_Maker_1" : "Ricardo Garabito", "Sort_Artist" : "Garabito, Ricardo", "Disp_Dimen" : "120.9 cm x 121.2 cm (47 5/8 in. x 47 11/16 in.)", "Disp_Height" : "120.9 cm", "Disp_Width" : "121.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Garabito's Three Figures is typical of much of his work, with a disquieting quality similar to much surrealist painting that is difficult to pinpoint. It is an image of a man, probably a businessman or other affluent person, depicted in a subtly mocking way. His figure is repeated several times, suggesting that people of his social class are all the same. Some critics have posited that this work might possibly have homoerotic undertones, however this theme is much more overt in many of Garabito’s other works.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.6.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.6.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.6.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.6.1.tif", "IsPrimary" : "1", "_SurrogateID" : "6334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14938", "Disp_Access_No" : "1983.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "El ombú [Ombú Tree]", "Alt_Title" : "Ombú Tree", "Obj_Title" : "El ombú [Ombú Tree]", "Series_Title" : "", "Disp_Maker_1" : "Nicolás García Uriburu", "Sort_Artist" : "García Uriburu, Nicolás", "Disp_Dimen" : "93.7 cm x 63.85 cm (36 7/8 in. x 25 1/8 in.)", "Disp_Height" : "93.7 cm", "Disp_Width" : "63.85 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil and gritty binder", "Support" : "embossed canvas", "Disp_Medium" : "Oil and gritty binder on embossed canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1967, Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.30.tif", "IsPrimary" : "1", "_SurrogateID" : "1286", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13882", "Disp_Access_No" : "P1975.27.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Cámera anegada [Flooded Chamber]", "Alt_Title" : "", "Obj_Title" : "Cámera anegada [Flooded Chamber]", "Series_Title" : "", "Disp_Maker_1" : "Hector Giuffré", "Sort_Artist" : "Giuffré, Hector", "Disp_Dimen" : "199.4 cm x 199.4 cm (78 1/2 in. x 78 1/2 in.)", "Disp_Height" : "199.4 cm", "Disp_Width" : "199.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.27.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.27.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.27.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.27.5.tif", "IsPrimary" : "1", "_SurrogateID" : "3028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16913", "Disp_Access_No" : "2003.108", "_AccNumSort1" : "", "Disp_Create_DT" : "2000", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2000", "Disp_Title" : "Buenos Aires (I Used to Love that Suicide World)", "Alt_Title" : "", "Obj_Title" : "Buenos Aires (I Used to Love that Suicide World)", "Series_Title" : "", "Disp_Maker_1" : "Diego Gravinese", "Sort_Artist" : "Gravinese, Diego", "Disp_Dimen" : "121.3 cm x 152.4 cm (47 3/4 in. x 60 in.)", "Disp_Height" : "121.3 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "sight", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "While Photorealism is usually explained as a uniquely American artistic style, it has also had important contributions in Latin America. Gravinese, a young artist from Argentina, is a leading figure within the contemporary re-birth of this style. The precise realism of this painting, based on a photograph, is contradicted by the loose, gestural marks on the surface, which remind the viewer that this is a painting, not a photograph. This work was painted while the artist was in New York, and the title refers to his nostalgia for Buenos Aires’s frantic nightlife. The photograph of a frozen suspended image, and its animated surface, recall the bitter-sweet experience of nostalgia, memory, and longing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.108.tif", "IsPrimary" : "1", "_SurrogateID" : "2105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14031", "Disp_Access_No" : "G1975.35.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1964", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1969", "Disp_Title" : "X en la calle 13 [X on 13th Street]", "Alt_Title" : "(X on 13th Street)", "Obj_Title" : "X en la calle 13 [X on 13th Street]", "Series_Title" : "", "Disp_Maker_1" : "Sarah Grilo", "Sort_Artist" : "Grilo, Sarah", "Disp_Dimen" : "101.8 cm x 102 cm (40 1/16 in. x 40 3/16 in.)", "Disp_Height" : "101.8 cm", "Disp_Width" : "102 cm", "Dimen_Extent" : "Canvas", "Medium" : "Mixed media", "Support" : "canvas", "Disp_Medium" : "Mixed media on canvas", "Info_Page_Comm" : ""X en la calle 13" reflects Sarah Grilo’s experiences of living in New York City during the 1960s. This period marks an important transition in her work as she moved away from her earlier geometric paintings focused on color harmonies. Here, she mixed the techniques of Informalism with the use of language to suggest the graffiti and splashes of color one finds on a gritty urban wall. Her operation is somewhat paradoxical since it is the walls themselves that acquire the look of abstract paintings over time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jordan Metzger, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.35.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.35.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.35.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.35.1.tif", "IsPrimary" : "1", "_SurrogateID" : "3024", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13883, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13883", "Disp_Access_No" : "P1975.27.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "De cualquier manera [In Any Way]", "Alt_Title" : "In Any Way", "Obj_Title" : "De cualquier manera [In Any Way]", "Series_Title" : "", "Disp_Maker_1" : "María Helguera", "Sort_Artist" : "Helguera, María", "Disp_Dimen" : "84.4 cm x 89.2 cm (33 1/4 in. x 35 1/8 in.)", "Disp_Height" : "84.4 cm", "Disp_Width" : "89.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.27.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.27.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.27.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.27.4.tif", "IsPrimary" : "1", "_SurrogateID" : "9101", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15142", "Disp_Access_No" : "1977.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Efigie I [Effigy I]", "Alt_Title" : "", "Obj_Title" : "Efigie I [Effigy I]", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Hlito", "Sort_Artist" : "Hlito, Alfredo", "Disp_Dimen" : "149.6 cm x 99.8 cm (58 7/8 in. x 39 5/16 in.)", "Disp_Height" : "149.6 cm", "Disp_Width" : "99.8 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.118.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.118.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.118.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.118.tif", "IsPrimary" : "1", "_SurrogateID" : "3069", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14047", "Disp_Access_No" : "G1974.18.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Espectro IV [Spectrum IV]", "Alt_Title" : "Specter No. IV", "Obj_Title" : "Espectro IV [Spectrum IV]", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Hlito", "Sort_Artist" : "Hlito, Alfredo", "Disp_Dimen" : "99.7 cm x 81.3 cm (39 1/4 in. x 32 in.)", "Disp_Height" : "99.7 cm", "Disp_Width" : "81.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the mid-1940s, Hlito co-founded the Asociación Arte Concreto-Invención [Association of Concrete-Invention Art] in Buenos Aires. The Asociación promoted an extreme, Marxist-based, “hard-edge” type of abstract art, so it is perhaps surprising to find this sensual and subtle painting by the same artist. However, Hlito had become disillusioned with strict geometrical abstraction when he first traveled to Europe and saw that Piet Mondrian’s paintings, viewed close up, were actually full of expressive and hesitant brushwork. From this moment on, he abandoned the harsh lines and impersonal geometry of his previous works, and began to concentrate on the individual brush stroke and the visible trace of the human hand. Espectro IV is an extreme example of that experimentation. Hlito created a hazy, dreamlike effect by juxtaposing individual brushstrokes that at a distance appear to shimmer. But the painting is still completely abstract, with not even a suggestion of forms. The oval shape around the edge of the canvas could be a reference back to the early abstract works of modernist pioneers Pablo Picasso, Georges Braque, and Mondrian, who often used this oval frame within a rectangle—a sign perhaps of Hlito’s attempt to recover and reexamine the origins of abstract painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1974", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.18.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.18.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.18.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.18.13.tif", "IsPrimary" : "1", "_SurrogateID" : "4040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18811", "Disp_Access_No" : "2007.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Buscando precios [Searching for Prices]", "Alt_Title" : "", "Obj_Title" : "Buscando precios [Searching for Prices]", "Series_Title" : "", "Disp_Maker_1" : "Benito Laren", "Sort_Artist" : "Laren, Benito", "Disp_Dimen" : "83.2 cm x 178.3 cm (32 3/4 in. x 70 3/16 in.)", "Disp_Height" : "83.2 cm", "Disp_Width" : "178.3 cm", "Dimen_Extent" : "sight", "Medium" : "Holographic paper, mirror and acrylic", "Support" : "glass", "Disp_Medium" : "Holographic paper, mirror and acrylic on glass", "Info_Page_Comm" : "This work was originally commissioned for the grocery store El Tigre (The Tiger), which is located in San Nicolás, a small city five hundred miles inland from Buenos Aires. Local products, the city hall, and the main church of San Nicolás flank the central animal figure. The consumer goods pictured throughout allude both to the grocery store’s advertisements and reproductions of manufactured objects by Pop artist Andy Warhol. Characteristic of Laren’s technique, this work combines holographic paper, acrylic paint, and a variety of glittering elements placed on the back of the glass pane. The artist removed the work from the store in 1991 (at the owner’s request) and transported it to the Argentine Consulate in New York City. Before the artist donated Searching for Prices to the Blanton Museum of Art, it remained in New York, virtually out of view, for more than fifteen years.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14853", "Disp_Access_No" : "1985.172", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Paisaje del silencio [Landscape of Silence]", "Alt_Title" : "Landscape of Silence", "Obj_Title" : "Paisaje del silencio [Landscape of Silence]", "Series_Title" : "", "Disp_Maker_1" : "Juan Carlos Liberti", "Sort_Artist" : "Liberti, Juan Carlos", "Disp_Dimen" : "52.7 cm x 72.5 cm (20 3/4 in. x 28 9/16 in.)", "Disp_Height" : "52.7 cm", "Disp_Width" : "72.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ricardo Pau-Llosa, 1985", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.172.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.172.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.172.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.172.tif", "IsPrimary" : "1", "_SurrogateID" : "4948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14091", "Disp_Access_No" : "G1971.3.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Pintura generativa [Generative Painting]", "Alt_Title" : "Generative Painting", "Obj_Title" : "Pintura generativa [Generative Painting]", "Series_Title" : "", "Disp_Maker_1" : "Eduardo Mac Entyre", "Sort_Artist" : "Mac Entyre, Eduardo", "Disp_Dimen" : "79.7 cm x 79.6 cm (31 3/8 in. x 31 5/16 in.)", "Disp_Height" : "79.7 cm", "Disp_Width" : "79.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.31.tif", "IsPrimary" : "1", "_SurrogateID" : "2969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14092", "Disp_Access_No" : "G1971.3.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Corredor [Runner]", "Alt_Title" : "Runner", "Obj_Title" : "Corredor [Runner]", "Series_Title" : "", "Disp_Maker_1" : "Rómulo Macció", "Sort_Artist" : "Macció, Rómulo", "Disp_Dimen" : "29.8 cm x 29.8 cm (11 3/4 in. x 11 3/4 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.29.tif", "IsPrimary" : "1", "_SurrogateID" : "6350", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14030", "Disp_Access_No" : "G1975.35.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Por dentro y por fuera [Inside and Outside]", "Alt_Title" : "Inside and Outside", "Obj_Title" : "Por dentro y por fuera [Inside and Outside]", "Series_Title" : "", "Disp_Maker_1" : "Rómulo Macció", "Sort_Artist" : "Macció, Rómulo", "Disp_Dimen" : "162 cm x 129.7 cm (63 3/4 in. x 51 1/16 in.)", "Disp_Height" : "162 cm", "Disp_Width" : "129.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Rómulo Macció continues to explore the theme of existential duality in his 1965 work Por dentro y por fuera [Inside and Outside]. Here Macció juxtaposes a large indigenous visage against a monochromatic figure. The face emerging from the central portion is rendered three-dimensional through modulation in tonality. The solid presence is emphatically stressed by the arrow which functions as a nose for the mask. This in turn contrasts with the flat rendering of the surface and the agressive pallette of the composition. Here again Macció seems to suggest dualism in his view of reality, a prominent concern with the New Figuration group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jordan Metzger, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.35.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.35.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.35.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.35.2.tif", "IsPrimary" : "1", "_SurrogateID" : "3025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13921", "Disp_Access_No" : "P1970.6.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Relaciones y norelaciones [Relations and No Relations]", "Alt_Title" : "Relations and Nonrelations", "Obj_Title" : "Relaciones y norelaciones [Relations and No Relations]", "Series_Title" : "", "Disp_Maker_1" : "Rómulo Macció", "Sort_Artist" : "Macció, Rómulo", "Disp_Dimen" : "172 cm x 152.4 cm (67 11/16 in. x 60 in.)", "Disp_Height" : "172 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.6.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.6.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.6.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.6.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2541", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13909", "Disp_Access_No" : "P1973.11.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Vivir: a los saltos [To Live: By Leaps and Bounds]", "Alt_Title" : "[To Live: By Leaps and Bounds]", "Obj_Title" : "Vivir: a los saltos [To Live: By Leaps and Bounds]", "Series_Title" : "", "Disp_Maker_1" : "Rómulo Macció", "Sort_Artist" : "Macció, Rómulo", "Disp_Dimen" : "183.2 cm x 183 cm (72 1/8 in. x 72 1/16 in.)", "Disp_Height" : "183.2 cm", "Disp_Width" : "183 cm", "Dimen_Extent" : "Frame", "Medium" : "Acrylic, tempera and/or poster paint, and pencil", "Support" : "particle board", "Disp_Medium" : "Acrylic, tempera and/or poster paint, and pencil on particle board", "Info_Page_Comm" : "Rómulo Macció’s title for this painting implies both a positive call to action and an ironic critique of mass media and consumer society. The central rectangle recalls a television screen, and the influence of popular media was indeed one of the hotly debated political issues of the 1960s. He interrupts the composition—as commercials interrupt a seamless television show—to suggest a sinister presence lurking behind our everyday lives. Macció’s incorporation of masks and deformed faces adds to the painting’s sense of horror and may reflect the currency of Jean-Paul Sartre’s philosophical ideas of existentialism in Buenos Aires.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1973", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1973.11.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1973.11.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1973.11.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1973.11.2.tif", "IsPrimary" : "1", "_SurrogateID" : "2545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1973.11.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1973.11.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1973.11.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1973.11.2.tif", "IsPrimary" : "0", "_SurrogateID" : "2725", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14414", "Disp_Access_No" : "1991.413", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "[Untitled]", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Estuardo Maldonado", "Sort_Artist" : "Maldonado, Estuardo", "Disp_Dimen" : "89 cm x 59.8 cm (35 1/16 in. x 23 9/16 in.)", "Disp_Height" : "89 cm", "Disp_Width" : "59.8 cm", "Dimen_Extent" : "Canvas", "Medium" : "Encaustic", "Support" : "canvas", "Disp_Medium" : "Encaustic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Ecuadorian", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.413.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.413.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.413.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.413.tif", "IsPrimary" : "1", "_SurrogateID" : "6362", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14305", "Disp_Access_No" : "1999.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Total Paintant", "Alt_Title" : "", "Obj_Title" : "Total Paintant", "Series_Title" : "", "Disp_Maker_1" : "Fabian Marcaccio", "Sort_Artist" : "Marcaccio, Fabian", "Disp_Dimen" : "254 cm x 609.6 cm (100 in. x 240 in.)", "Disp_Height" : "254 cm", "Disp_Width" : "609.6 cm", "Dimen_Extent" : "Outer dimension", "Medium" : "GO inks on Tyvek, oil and acrylic paint, silicone, poli-optics on aluminum structure", "Support" : "", "Disp_Medium" : "GO inks on Tyvek, oil and acrylic paint, silicone, poli-optics on aluminum structure", "Info_Page_Comm" : "Grounded in several disciplines, Fabian Marcaccio’s hybrid work incorporates painting, printmaking and digitizing techniques, photography, architecture, science fiction, and social theory in a sophisticated and incredibly dynamic synthesis. Rococo in their physical form, his “paintants,” or mutant paintings, aim to subvert the traditional conventions of late modernist painting by representing linguistic, poetic, political, existential, formal, and spatial realities in one cacophonous expression. Tautly stretched over hidden braces that intermittently push the surface of the work out toward the viewer, these vibrant constructions suggest complex systems that could interact in unpredictable ways. Total Paintant confounds the logic of how we usually look at a painting and challenges every assumption about what we expect to find within seemingly static works of art. Macro to micro and back again, Marcaccio’s discrete clusters of imagery, like little theaters of activity, spread virus-like across the work’s panoramic expanse. By offering us this analogue to the flux, speed, and daily intensity of contemporary life, the New York–based artist stakes a claim to the relevance—indeed the urgency—of art as a necessary discourse. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1999", "Copyright_Type" : "All but merchandise. Request must be made for merchandise use.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.89.tif", "IsPrimary" : "1", "_SurrogateID" : "1724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14048", "Disp_Access_No" : "G1974.18.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "[Sin título]", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Fernando Maza", "Sort_Artist" : "Maza, Fernando", "Disp_Dimen" : "116.5 cm x 154.5 cm (45 7/8 in. x 60 13/16 in.)", "Disp_Height" : "116.5 cm", "Disp_Width" : "154.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fernando Maza lived in New York from 1960 to 1973, where he produced a series of shaped paintings featuring the old-fashioned typset numbers and letters that were arranged by hand when creating a mass-produced text. Instead of setting these types into a printing matrix, Maza depicted them as sculptures in a landscape crowded with monuments. Displaced from any text that gives them linguistic meaning, these isolated signs can be seen as memorials to the very beginning of the communication age.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1974", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.18.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.18.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.18.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.18.10.tif", "IsPrimary" : "0", "_SurrogateID" : "3000", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.18.10-2019.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.18.10-2019.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.18.10-2019.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.18.10-2019.tif", "IsPrimary" : "1", "_SurrogateID" : "18855", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13908, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13908", "Disp_Access_No" : "P1973.11.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Cerrado por brujería [Closed for Witchcraft]", "Alt_Title" : "[Closed for Sorcery]", "Obj_Title" : "Cerrado por brujería [Closed for Witchcraft]", "Series_Title" : "", "Disp_Maker_1" : "Luis Felipe Noé", "Sort_Artist" : "Noé, Luis Felipe", "Disp_Dimen" : "199.6 cm x 249.7 cm (78 9/16 in. x 98 5/16 in.)", "Disp_Height" : "199.6 cm", "Disp_Width" : "249.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil and collage", "Support" : "canvas", "Disp_Medium" : "Oil and collage on canvas", "Info_Page_Comm" : "The notion of chaos as the primary state of the universe has been an ongoing concern in Luis Felipe Noé’s art. In 1962, Noé understood chaos as a tension between opposite forces. In a bold, expressionistic style he presents a Catholic prelate in a dominant position above talking heads trapped in a black grid. As the nation’s official religion, Catholicism played a complex role in shaping Argentine society. A controversial 1963 law assigned the Church the function of rating plays and films for the Argentine public. The red cross here is an ambiguous symbol, offering comfort to the alienated while enforcing through censorship officially sanctioned Western and Christian values.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1973", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1973.11.3_2017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1973.11.3_2017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1973.11.3_2017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1973.11.3_2017.tif", "IsPrimary" : "1", "_SurrogateID" : "15810", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14377", "Disp_Access_No" : "1994.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1970–1971", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1971", "Disp_Title" : "La ciudad [The City]", "Alt_Title" : "[The City]", "Obj_Title" : "La ciudad [The City]", "Series_Title" : "", "Disp_Maker_1" : "Noe Nojechowiz", "Sort_Artist" : "Nojechowiz, Noe", "Disp_Dimen" : "100.3 cm x 65.4 cm (39 1/2 in. x 25 3/4 in.)", "Disp_Height" : "100.3 cm", "Disp_Width" : "65.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.109.tif", "IsPrimary" : "1", "_SurrogateID" : "4818", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.109.tif", "IsPrimary" : "0", "_SurrogateID" : "4822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.109.tif", "IsPrimary" : "0", "_SurrogateID" : "4875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15139", "Disp_Access_No" : "1977.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Ambiguas vecindades [Ambiguous Neighborhoods]", "Alt_Title" : "Ambiguous Neighborhoods", "Obj_Title" : "Ambiguas vecindades [Ambiguous Neighborhoods]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Ocampo", "Sort_Artist" : "Ocampo, Miguel", "Disp_Dimen" : "127 cm x 152.5 cm (50 in. x 60 1/16 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "152.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of St. Joe Minerals Corporation, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.25.tif", "IsPrimary" : "1", "_SurrogateID" : "8867", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14088", "Disp_Access_No" : "G1971.3.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Lawrence of Arabia", "Alt_Title" : "", "Obj_Title" : "Lawrence of Arabia", "Series_Title" : "", "Disp_Maker_1" : "Miguel Ocampo", "Sort_Artist" : "Ocampo, Miguel", "Disp_Dimen" : "130.5 cm x 97.5 cm (51 3/8 in. x 38 3/8 in.)", "Disp_Height" : "130.5 cm", "Disp_Width" : "97.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.37.tif", "IsPrimary" : "1", "_SurrogateID" : "4962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15020", "Disp_Access_No" : "1982.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Trilce II", "Alt_Title" : "", "Obj_Title" : "Trilce II", "Series_Title" : "", "Disp_Maker_1" : "César Paternosto", "Sort_Artist" : "Paternosto, César", "Disp_Dimen" : "166.3 cm x 166.3 cm x 10.5 cm (65 1/2 in. x 65 1/2 in. x 4 1/8 in.)", "Disp_Height" : "166.3 cm", "Disp_Width" : "166.3 cm", "Dimen_Extent" : "HLW", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "César Paternosto began his career as a hard-edge geometric artist, but in the late 1970s he set out to research ancient American sources of geometrical abstraction. Traveling throughout the Andean region of northern Argentina, Peru, and Bolivia, he studied and acquired scholarly expertise about traditional textiles and Inca stonework, finding in them a source of artistic inspiration. This painting, titled in homage to Peruvian César Vallejo’s 1922 book of poetry "Trilce," exemplifies Paternosto’s artworks after his Andean travels. The four parallel lines, stacked symmetrically in the center, reference the symbolism of numbers within Andean culture, while the earthy monochrome evokes the texture of stone or sand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17177", "Disp_Access_No" : "2004.129.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Pintura abstracta: Rust, Gold, Black", "Alt_Title" : "", "Obj_Title" : "Pintura abstracta: Rust, Gold, Black", "Series_Title" : "", "Disp_Maker_1" : "César Paternosto", "Sort_Artist" : "Paternosto, César", "Disp_Dimen" : "107.9 cm x 106.7 cm (42 1/2 in. x 42 in.)", "Disp_Height" : "107.9 cm", "Disp_Width" : "106.7 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "In 1970, soon after moving to New York from Buenos Aires, César Paternosto began a series of paintings in which he explored, literally, the limits of the painted surface by leaving the front of the canvas white and painting forms on the edge of the stretcher. These works were a synthesis of earlier Argentine explorations into the sculptural possibilities of painting (by the Madí group in the 1940s) and more recent American developments in Minimalism. By 1974 he was making multipart paintings, such as Pintura abstracta, in which the white wall between the panels further complicates the physical and sculptural presence of the work. To look at this work, the viewer has to physically move around it, reconstructing a composition that cannot be seen from a single viewpoint. Although responding to Minimalism, Paternosto was also making a claim for the continued relevance of painting by rejecting the industrial materials favored by his American peers. Pintura abstracta was one of Paternosto’s last paintings in this stark style; when a 1977 trip to Peru and Bolivia opened his eyes to a more ancient tradition of abstract art in Inca stonework and textiles, he embarked on a long and fruitful investigation into the pre-Columbian sources of abstraction.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Cecilia Buzio de Torres, 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.129.1-3_3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.129.1-3_3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.129.1-3_3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.129.1-3_3-3.tif", "IsPrimary" : "0", 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"Peluffo, Martha", "Disp_Dimen" : "115 cm x 88.3 cm (45 1/4 in. x 34 3/4 in.)", "Disp_Height" : "115 cm", "Disp_Width" : "88.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "There are no inscriptions on back of canvas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.117.tif", "IsPrimary" : "1", "_SurrogateID" : "6360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14413", "Disp_Access_No" : "1991.418", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Dos diagonales [Two Diagonals]", "Alt_Title" : "Two Diagonals", "Obj_Title" : "Dos diagonales [Two Diagonals]", "Series_Title" : "", "Disp_Maker_1" : "Rogelio Polesello", "Sort_Artist" : "Polesello, Rogelio", "Disp_Dimen" : "161 cm x 161 cm (63 3/8 in. x 63 3/8 in.)", "Disp_Height" : "161 cm", "Disp_Width" : "161 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", 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: "49.5 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic automotive lacquer", "Support" : "canvas", "Disp_Medium" : "Acrylic automotive lacquer on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.41.tif", "IsPrimary" : "1", "_SurrogateID" : "2412", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15063", "Disp_Access_No" : "1981.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "The Unending Story [Historia sin fin]", "Alt_Title" : "[Historia sin fin]", "Obj_Title" : "Historia sin fin [The Unending Story]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "158 cm x 214.7 cm (62 3/16 in. x 84 1/2 in.)", "Disp_Height" : "158 cm", "Disp_Width" : "214.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, silkscreen, drawing, and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic, silkscreen, drawing, and collage on canvas", "Info_Page_Comm" : "Liliana Porter’s art is traversed by a deep concern for language, which shapes works like this one in unexpected ways. Her favorite writer is her compatriot Jorge Luis Borges, known for blurring the line between reality and illusion in his stories. Porter plays with this idea by combining two-dimensional images with three-dimensional objects glued onto the canvas, the latter demanding close observation to be perceived as volumetric. She further challenges our perception of the real by visually quoting another writer, Lewis Carroll. The main character in "Alice in Wonderland" grapples with a confusing dreamlike world she found on the other side of the mirror. Such interest in language also shaped the way Porter arranged objects on the canvas, as if they were a sentence written on a page whose corner lifts slightly near the bottom edge. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Barbara Duncan Fund in memory of Rocío Duncan, 1981", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "1", "_SurrogateID" : "1192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "0", "_SurrogateID" : "4222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17584", "Disp_Access_No" : "2005.154.1/3-3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Estructura (3 panels)", "Alt_Title" : "", "Obj_Title" : "Estructura (3 panels)", "Series_Title" : "", "Disp_Maker_1" : "Alejandro Puente", "Sort_Artist" : "Puente, Alejandro", "Disp_Dimen" : "190 cm x 160 cm x 200 cm (74 13/16 in. x 63 in. x 78 3/4 in.)", "Disp_Height" : "190 cm", "Disp_Width" : "160 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Margaret McDermott in honor of Barbara Duncan, and Judy S. and Charles W. Tate, 2005", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.154.1-3_3-3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.154.1-3_3-3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.154.1-3_3-3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2005.154.1-3_3-3.TIF", "IsPrimary" : "1", "_SurrogateID" : "10023", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15017", "Disp_Access_No" : "1982.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Serie de llamas núm. 2, díptico [Llama Series No. 2, Diptych]", "Alt_Title" : "Llama Series No. 2, Diptych", "Obj_Title" : "Serie de llamas núm. 2, díptico [Llama Series No. 2, Diptych]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "245 cm x 243.8 cm x 8.9 cm (96 7/16 in. x 96 in. x 3 1/2 in.)", "Disp_Height" : "245 cm", "Disp_Width" : "243.8 cm", "Dimen_Extent" : "HLW", "Medium" : "Acrylic paint, modeling paste, and sand on burlap", "Support" : "", "Disp_Medium" : "Acrylic paint, modeling paste, and sand on burlap", "Info_Page_Comm" : "Miguel Angel Ríos’s works reference landscapes and cultural traditions of his homeland in rural Catamarca via formal motifs of late Modernism. While living in New York City, Ríos created a monochromatic grid from highly abstracted images of the llama, an animal essential to the Andean way of life. Catamarca once formed the southernmost reach of the Inca empire, and Ríos’s llamas may evoke ancient pictograms or the patterning of local textiles made from the animal’s wool. Within the Post-Minimalist grid, the llamas also suggest a negotiation of Ríos’s identity between cultures and an implicit critique of the Eurocentric biases underlying artistic Modernism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.188.tif", "IsPrimary" : "1", "_SurrogateID" : "13146", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14355", "Disp_Access_No" : "1996.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Caí con mi padre por el espacio, enamorado locamente de la Tierra II [I Fell with My Father Through Space, Madly in Love with the Earth II]", "Alt_Title" : "", "Obj_Title" : "Caí con mi padre por el espacio, enamorado locamente de la Tierra II [I Fell with My Father Through Space, Madly in Love with the Earth II]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Ríos", "Sort_Artist" : "Ríos, Miguel Angel", "Disp_Dimen" : "426 cm x 426 cm (167 11/16 in. x 167 11/16 in.)", "Disp_Height" : "426 cm", "Disp_Width" : "426 cm", "Dimen_Extent" : "Outer dimension", "Medium" : "Mixed media", "Support" : "canvas", "Disp_Medium" : "Mixed media on canvas", "Info_Page_Comm" : "In this painting, Miguel Angel Ríos establishes a dialogue with David Shapiro, a poet and art historian. Ríos cites his poem “To the Earth,” dedicated to the well-known art historian Meyer Schapiro, and quotes the first and last lines, both in English and in Spanish. The poem begins with father and son falling through space towards our planet, and then continues with a meditation on how artists from different parts of the world create art, until it ends with the safe landing of their space module in Texas. Ríos interprets the poet’s journey by turning the canvas into Earth itself. Its enormity is circumscribed by the lines of the poem written on its edges, and its surface animated by the colors of ancient deserts. Numerous marks and pictographs seem to claim Earth for its indigenous artists, who loved it first.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1996", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.187.tif", "IsPrimary" : "0", "_SurrogateID" : "1669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.187-2019-install.tif", "ThumbnailPath" : 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"", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.124.tif", "IsPrimary" : "1", "_SurrogateID" : "5841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14082", "Disp_Access_No" : "G1971.3.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Pintura II [Painting II]", "Alt_Title" : "Painting II", "Obj_Title" : "Pintura II [Painting II]", "Series_Title" : "", "Disp_Maker_1" : "Josefina Robirosa", "Sort_Artist" : "Robirosa, Josefina", "Disp_Dimen" : "49.8 cm x 40 cm (19 5/8 in. x 15 3/4 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Barbara Duncan, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.3.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.3.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.3.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.3.45.tif", "IsPrimary" : "1", "_SurrogateID" : "5843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15140, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15140", "Disp_Access_No" : "1977.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Filles de Kilimanjaro III (Miles Davis) ", "Alt_Title" : "", "Obj_Title" : "Filles de Kilimanjaro III (Miles Davis) [Girls of Kilimanjaro III (Miles Davis)]", "Series_Title" : "", "Disp_Maker_1" : "Kazuya Sakai", "Sort_Artist" : "Sakai, Kazuya", "Disp_Dimen" : "200.6 cm x 200 cm (79 in. x 78 3/4 in.)", "Disp_Height" : "200.6 cm", "Disp_Width" : "200 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Kazuya Sakai’s internationalism (he was born in Argentina of Japanese parents and lived in Argentina, Japan, Mexico, and the United States) has ironically obscured his contribution to Latin American art. Few art histories mention him, perhaps because he is too difficult to categorize. Not only did Sakai move all over the world, but his activities included painting, teaching, translating, and lecturing on everything from Zen Buddhism to experimental music. Sakai’s painting started with an informal, expressive abstraction, somewhat influenced by Japanese calligraphy. By 1965, when he moved to Mexico, he had adopted the more “hard-edge” abstraction visible in Filles de Kilimanjaro III. In Mexico City he was the graphic designer for Plural magazine, where he worked alongside the poet Octavio Paz and an influential group of intellectuals. Then in 1977 Sakai moved to Texas, teaching at the University of Texas at Austin and the University of North Texas at Dallas. Filles de Kilimanjaro reflects Sakai’s passionate interest in jazz (the title pays homage to a Miles Davis album of the same name). Although the deliberate composition and structure are far from the improvisation of jazz, the overall “funkiness” of the painting recalls the popular culture of the 1970s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1977", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.21.tif", "IsPrimary" : "1", "_SurrogateID" : "1161", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13902", "Disp_Access_No" : "P1974.4.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Miles Davis, A Tribute to Jack Johnson (II) Right Off", "Alt_Title" : "", "Obj_Title" : "Miles Davis, A Tribute to Jack Johnson (II) Right Off", "Series_Title" : "", "Disp_Maker_1" : "Kazuya Sakai", "Sort_Artist" : "Sakai, Kazuya", "Disp_Dimen" : "154.5 cm x 109.1 cm (60 13/16 in. x 42 15/16 in.)", "Disp_Height" : "154.5 cm", "Disp_Width" : "109.1 cm", "Dimen_Extent" : "Frame", "Medium" : "Acrylic on raw canvas", "Support" : "", "Disp_Medium" : "Acrylic on raw canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1974", "Copyright_Type" : "ALL", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1974.4.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1974.4.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1974.4.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1974.4.2.tif", "IsPrimary" : "1", "_SurrogateID" : "2550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13884", "Disp_Access_No" : "P1975.27.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Retrato [Portrait]", "Alt_Title" : "Portrait", "Obj_Title" : "Retrato [Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Hugo Alberto Sbernini", "Sort_Artist" : "Sbernini, Hugo Alberto", "Disp_Dimen" : "158.6 cm x 158.6 cm (62 7/16 in. x 62 7/16 in.)", "Disp_Height" : "158.6 cm", "Disp_Width" : "158.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1975.27.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1975.27.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1975.27.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1975.27.2.tif", "IsPrimary" : "1", "_SurrogateID" : "3026", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14411, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14411", "Disp_Access_No" : "1991.420", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "El académico [The Academic]", "Alt_Title" : "The Academic", "Obj_Title" : "El académico [The Academic]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Seguí", "Sort_Artist" : "Seguí, Antonio", "Disp_Dimen" : "150 cm x 150.2 cm (59 1/16 in. x 59 1/8 in.)", "Disp_Height" : "150 cm", "Disp_Width" : "150.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil and industrial lacquer", "Support" : "canvas", "Disp_Medium" : "Oil and industrial lacquer on canvas", "Info_Page_Comm" : "Antonio Seguí moved to Paris in 1963 and shared a studio with Romulo Macció. They had in common an interest in expressionistic figuration, which Seguí pursued for the rest of his career. “El académico” is part of a gallery of ironic portraits produced in the early 1960s, through which Seguí challenged authority figures. Here, a learned man seems to hold court on a throne-like chair. The clear labeling and his unsettled expression suggests that he is no longer an agent validating knowledge, but an historical subject put on display. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1991", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.420.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.420.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.420.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.420.tif", "IsPrimary" : "1", "_SurrogateID" : "3354", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13936", "Disp_Access_No" : "P1970.12.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Napoleón", "Alt_Title" : "", "Obj_Title" : "Napoleón", "Series_Title" : "", "Disp_Maker_1" : "Antonio Seguí", "Sort_Artist" : "Seguí, Antonio", "Disp_Dimen" : "131 cm x 99 cm (51 9/16 in. x 39 in.)", "Disp_Height" : "131 cm", "Disp_Width" : "99 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Seguí’s Napoleón is from the earliest period of his career. Other paintings in this series depict influential members of society such as academics, generals, bankers, and members of the clergy, resembling cartoonish monsters with distorted and multiplied facial features. Here Seguí portrays Napoleon as an unsavory and hypocritical figure with a terribly distorted, four-eyed face. The rest of the figure is painted in an a gestural manner suggestive of chaotic forces or of strong emotions such as anger. Similar to the works of artists in the Otra Figuración movement in Argentina, in this work Seguí expresses a post-war existential angst and cynicism regarding the importance of political leaders in society", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.12.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.12.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.12.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.12.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2529", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13907", "Disp_Access_No" : "P1973.11.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Retrato de Kato [Portrait of Kato]", "Alt_Title" : "Portrait of Kato", "Obj_Title" : "Retrato de Kato [Portrait of Kato]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Seguí", "Sort_Artist" : "Seguí, Antonio", "Disp_Dimen" : "194.6 cm x 130.1 cm (76 5/8 in. x 51 1/4 in.)", "Disp_Height" : "194.6 cm", "Disp_Width" : "130.1 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1973", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1973.11.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1973.11.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1973.11.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1973.11.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2995", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14060", "Disp_Access_No" : "G1973.12.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Arco viejo [Old Arch]", "Alt_Title" : "Old Arch", "Obj_Title" : "Arco viejo [Old Arch]", "Series_Title" : "", "Disp_Maker_1" : "Carlos Silva", "Sort_Artist" : "Silva, Carlos", "Disp_Dimen" : "79.7 cm x 79.7 cm (31 3/8 in. x 31 3/8 in.)", "Disp_Height" : "79.7 cm", "Disp_Width" : "79.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Carlos Silva is one of Latin America’s finest, though lesser known, Optical artists. Unlike other artists who first trained as graphic designers, Silva did not appropriate the clear compositions and bright colors of commercial design. Instead his paintings possess a certain mystery and a strongly sensuous quality. In Arco viejo Silva drew the oval shapes that make up the central area in pencil by hand. The delicate hesitation in the pencil marks creates a certain tension with the overall dynamic of the work in all its space-age composition. Silva seems to be suggesting that art is still essentially a human activity, one that cannot be replicated by machines. Another difference between Silva’s painting and the repetitive patterns of much Op art can be seen in the orange margin along the top and right-hand sides of the canvas. The orange color implies a fading light source, like a sunset, further complicating the already complicated three-dimensional effect of the painting.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1973", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1973.12.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1973.12.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1973.12.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1973.12.14.tif", "IsPrimary" : "1", "_SurrogateID" : "2437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14059", "Disp_Access_No" : "G1973.12.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Untitled", "Alt_Title" : "[Sin título]", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Clorindo Testa", "Sort_Artist" : "Testa, Clorindo", "Disp_Dimen" : "133 cm x 132.9 cm (52 3/8 in. x 52 5/16 in.)", "Disp_Height" : "133 cm", "Disp_Width" : "132.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil and graphite", "Support" : "canvas", "Disp_Medium" : "Oil and graphite on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1973", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1973.12.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1973.12.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1973.12.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1973.12.15.tif", "IsPrimary" : "1", "_SurrogateID" : "2986", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14058", "Disp_Access_No" : "G1973.12.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Caída de conciencia [Loss of Consciousness]", "Alt_Title" : "Loss of Consciousness", "Obj_Title" : "Caída de conciencia [Loss of Consciousness]", "Series_Title" : "", "Disp_Maker_1" : "Jorge de la Vega", "Sort_Artist" : "Vega, Jorge de la", "Disp_Dimen" : "130.6 cm x 110.4 cm (51 7/16 in. x 43 7/16 in.)", "Disp_Height" : "130.6 cm", "Disp_Width" : "110.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil, glass, and fabric", "Support" : "canvas", "Disp_Medium" : "Oil, glass, and fabric on canvas", "Info_Page_Comm" : "Jorge de la Vega relied on experimental techniques to generate an imaginary universe populated by monstrous beasts and distorted figures. The poetic title of this work is a pun on the common Spanish expression "toma de conciencia" [becoming aware]. It suggests that existence becomes conflicted by our inability to resolve the contradictions between gaining and losing awareness. De la Vega seems inspired by existentialism as he literally splits the self in two, using collaged linen to represent a male figure and its distorted double. This elongated image was created by rubbing linen directly over the wrinkled canvas. The resulting copy was then stretched and glued onto the surface of the work. The figure and his elongated doppelgänger float in close proximity, but their relationship remains unsettled.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1973", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1973.12.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1973.12.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1973.12.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1973.12.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2438", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14029", "Disp_Access_No" : "G1975.36.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Go Go Go", "Alt_Title" : "", "Obj_Title" : "Go Go Go", "Series_Title" : "", "Disp_Maker_1" : "Jorge de la Vega", "Sort_Artist" : "Vega, Jorge de la", "Disp_Dimen" : "195.6 cm x 163 cm (77 in. x 64 3/16 in.)", "Disp_Height" : "195.6 cm", "Disp_Width" : "163 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "The impact of American Pop art led to a change in de la Vega's artistic production. He adopted new acrylic techniques, beginning a series of psychedelic paintings that included Go Go Go. He also changed his iconography, filling his work with images of distorted men and women with allusions to the worlds of television, advertising, and consumer society. In this work, the female figure becomes a multi-headed, distorted monstrosity rendered in large, flat areas of color typical of silkscreen, a format frequently used by Andy Warhol and thus associated with Pop art. 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Huntington Museum Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.6.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.6.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.6.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.6.3.tif", "IsPrimary" : "1", "_SurrogateID" : "6333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14392", "Disp_Access_No" : "1992.297", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "El rey de terracotta [The King of Terracotta]", "Alt_Title" : "[The King of Terracota]", "Obj_Title" : "El rey de terracotta [The King of Terracotta]", "Series_Title" : "", "Disp_Maker_1" : "Andrés Waissman", "Sort_Artist" : "Waissman, Andrés", "Disp_Dimen" : "196.3 cm x 147.3 cm (77 5/16 in. x 58 in.)", "Disp_Height" : "196.3 cm", "Disp_Width" : "147.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Julio A. Aranovich, 1992", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.297.tif", "IsPrimary" : "1", "_SurrogateID" : "2704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }