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Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16754, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16754", "Disp_Access_No" : "2003.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "39.2 cm x 31.5 cm (15 7/16 in. x 12 3/8 in.)", "Disp_Height" : "39.2 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint, engraving and roulette", "Support" : "", "Disp_Medium" : "Etching, drypoint, engraving and roulette", "Info_Page_Comm" : "Known for his exquisite landscapes and genre scenes, Jean-Jacques de Boissieu also made a number of portraits. This late self-portrait shows his debt to the seventeenth-century Dutch masters, notably Rembrandt and Adriaen van Ostade. Posed casually in a compressed space, the instruments of his trade arrayed in the foreground, the artist appears with his elbow resting on a closed book as he holds up a copperplate with a portrait of his wife. In a later state, after her death, this portrait was replaced with a landscape. In postrevolutionary France Boissieu was a paragon of the bourgeois amateur artist. By the time he made this self-portrait, he had established himself as one of the best reproductive printmakers in the country. Collectors prized his original etchings for their sensitive handling of light and their rich textures, as did the artists engaged in the Etching Revival in the mid-nineteenth century, such as Charles Meryon and Félix Braquemond. This is one of nine Boissieu prints in the museum’s collection, part of a distinguished group of etchings by late eighteenth-century amateurs, such as Jean-Pierre Norblin and Marcenay de Guy, who pursued pure, personal etching at a time when engraving and other complex reproductive techniques dominated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.6.tif", "IsPrimary" : "1", "_SurrogateID" : "2133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12666, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12666", "Disp_Access_No" : "2002.1104", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Bust of Caesar, plate 9 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique", "Alt_Title" : "", "Obj_Title" : "Bust of Caesar, plate 9 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Boetius Adams Bolswert", "Sort_Artist" : "Bolswert, Boetius Adams", "Disp_Dimen" : "35.5 cm x 25.5 cm (14 in. x 10 1/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is from a series of twelve engravings by different printmakers after Ruben's drawings of antique marble sculptures. Rubens completed this project in 1638 but likely started it several years earlier, seeing that Boetius Adams Bolswert contributed this print to the series before his death is 1633.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1104.tif", "IsPrimary" : "1", "_SurrogateID" : "5916", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8092", "Disp_Access_No" : "1996.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1530's", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Self-Portrait, after Raphael", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.2 cm x 18.5 cm (11 1/8 in. x 7 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print interprets the figure traditionally identified as Raphael himself in the artist’s Double-Portrait of circa 1518, today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.111.tif", "IsPrimary" : "1", "_SurrogateID" : "8209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4674, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4674", "Disp_Access_No" : "1995.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "The Black Silk Dress (Anaïs)", "Alt_Title" : "", "Obj_Title" : "The Black Silk Dress (Anaïs)", "Series_Title" : "", "Disp_Maker_1" : "Gerald Leslie (Eli) Brockhurst", "Sort_Artist" : "Brockhurst, Gerald Leslie (Eli)", "Disp_Dimen" : "33.9 cm x 24.2 cm (13 3/8 in. x 9 1/2 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Hailed as a "young Botticelli", Brockhurst studied carefully the work of the Italian renaissance artists. He excelled at portraits of women as in this example of his wife who poses for him in an elaborate dress and flamboyant hat in the manner of a fifteenth-century aristocrat, a perfect excuse to display his talent and skill at producing precise lines and meticulous modeling. He taught himself etching and regarded each of his prints as an experiment. These "experiments," rich in virtuoso detail and arabesques, helped to extend the etching revival well into the twentieth century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.111.tif", "IsPrimary" : "1", "_SurrogateID" : "4743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11512", "Disp_Access_No" : "G1966.2.80", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Pat Ford", "Alt_Title" : "", "Obj_Title" : "Pat Ford", "Series_Title" : "", "Disp_Maker_1" : "Paul Cadmus", "Sort_Artist" : "Cadmus, Paul", "Disp_Dimen" : "34.3 cm x 28.6 cm (13 1/2 in. x 11 1/4 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.80.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.80.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.80.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.80.tif", "IsPrimary" : "1", "_SurrogateID" : "6317", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2624", "Disp_Access_No" : "2002.534", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Claude Deruet et son fils [Claude Deruet and his Son]", "Alt_Title" : "", "Obj_Title" : "Claude Deruet et son fils [Claude Deruet and his Son]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "28.8 cm x 17 cm (11 5/16 in. x 6 11/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.534.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.534.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.534.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.534.tif", "IsPrimary" : "1", "_SurrogateID" : "4192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13165", "Disp_Access_No" : "2002.1848", "_AccNumSort1" : "", "Disp_Create_DT" : "1623", "_Disp_Start_Dat" : "1623", "_Disp_End_Date" : "1623", "Disp_Title" : "Le Prince de Phalsbourg", "Alt_Title" : "", "Obj_Title" : "Le Prince de Phalsbourg", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "28.4 cm x 33.6 cm (11 3/16 in. x 13 1/4 in.)", "Disp_Height" : "28.4 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1848.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1848.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1848.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1848.tif", "IsPrimary" : "1", "_SurrogateID" : "4183", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11095", "Disp_Access_No" : "2002.1312", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "Mutius Scaevola, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Mutius Scaevola, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Campi", "Sort_Artist" : "Campi, Antonio", "Disp_Dimen" : "13.3 cm x 11.5 cm (5 1/4 in. x 4 1/2 in.)", "Disp_Height" : "13.3 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Parmigianino’s art was an essential ingredient in the eclectic, sophisticated style of painting developed by several members of the Campi family in mid sixteenth-century Cremona. Its influence is especially clear in the early work of Antonio Campi, and manifests itself in his production of a number of woodcuts after designs by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1312.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1312.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1312.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1312.tif", "IsPrimary" : "1", "_SurrogateID" : "1774", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4284", "Disp_Access_No" : "2002.1964", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Alphonse Daudet", "Alt_Title" : "", "Obj_Title" : "Alphonse Daudet", "Series_Title" : "", "Disp_Maker_1" : "Eugène Carrière", "Sort_Artist" : "Carrière, Eugène", "Disp_Dimen" : "50.5 cm x 39 cm (19 7/8 in. x 15 3/8 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Carrière trained first as a commercial lithographer, then studied at the Ecole des Beaux-Arts. After three failed attempts at winning the Prix de Rome, he abandoned the official art establishment. He met Symbolist writers and developed a style of painting and printmaking that was equivalent to their evocative and dreamlike manner in literature. This is the first in a series of portrait prints depicting his contemporaries. Working with tusche -- ink brushed onto the lithographic stone -- he scraped and scratched the surface to achieve a form that simultaneously emerges from and dissolves into the velvety ground. Alphonse Daudet (1840-1897) was a novelist often compared with the British author Charles Dickens. His Christ-like features were not lost on the writer and critic Edmond de Goncourt (1822-1896), who called it “A portrait of Daudet crucified.” . ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1964.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1964.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1964.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1964.tif", "IsPrimary" : "1", "_SurrogateID" : "1878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11228", "Disp_Access_No" : "1997.47.11/16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Head of a Young Man with His Head Lowered, from the Small Heads with Oriental Headdresses", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man with His Head Lowered, from the Small Heads with Oriental Headdresses", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "10.9 cm x 8.2 cm (4 5/16 in. x 3 1/4 in.)", "Disp_Height" : "10.9 cm", "Disp_Width" : "8.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Castiglione assimilated Rembrandt's dense, scribbly lines to produce rich textures and a range of dark tonalities. Two series of imaginary studies, traditionally called “oriental heads,” additionally reflect Rembrandt’s interest in physiognomy. 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Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.64.tif", "IsPrimary" : "1", "_SurrogateID" : "1662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3137", "Disp_Access_No" : "1997.200", "_AccNumSort1" : "", "Disp_Create_DT" : "1707", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1707", "Disp_Title" : "Charles de la Fosse, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Charles de la Fosse, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "36.8 cm x 26.5 cm (14 1/2 in. x 10 7/16 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.200.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.200.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.200.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.200.tif", "IsPrimary" : "1", "_SurrogateID" : "5195", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3136", "Disp_Access_No" : "1997.199", "_AccNumSort1" : "", "Disp_Create_DT" : "1707", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1707", "Disp_Title" : "François Girardon, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "François Girardon, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "51.8 cm x 38.9 cm (20 3/8 in. x 15 5/16 in.)", "Disp_Height" : "51.8 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.199.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.199.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.199.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.199.tif", "IsPrimary" : "1", "_SurrogateID" : "5194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. 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Van Dyck painted stop-out varnish on the left and right edges of the plate to prevent acid from biting. Halfway through the etching process he removed the plate from the acid bath, added more varnish, and etched the plate again. The deeper bite resulted in thicker lines. Painter, draftsman and tapestry designer, Snellinck was also a successful art dealer. He is depicted with a strong, proud stance and a focused gaze. Van Dyck shows him as a general, alluding to the subject matter, battle scenes and historical, for which he is best known.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "1760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12687", "Disp_Access_No" : "2002.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.1 cm x 15.3 cm (9 1/2 in. x 6 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Momper gestures to the rocky landscape in the background, signaling his reputation as an accomplished landscape painter during the transition from Mannerism to Realism.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", 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The Collection includes uniformly superb impressions of all ten plates. Goltzius and his followers, the so-called Haarlem Mannerists, brought engraving to a new level of technical accomplishment, syntactic organization, and descriptive range. Their work was little considered by art historians and out of fashion with most collectors until the 1970s. By that time, Steinberg had gathered scores of choice works. 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Coornhert", "Alt_Title" : "", "Obj_Title" : "Dirck Volkertsz. Coornhert", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "42.2 cm x 32.3 cm (16 5/8 in. x 12 11/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2174.tif", "IsPrimary" : "1", "_SurrogateID" : "7270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3651", "Disp_Access_No" : "2002.1661", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Alt_Title" : "", "Obj_Title" : "Sir Joshua Reynolds, after Joshua Reynolds", "Series_Title" : "", "Disp_Maker_1" : "Valentine Green", "Sort_Artist" : "Green, Valentine", "Disp_Dimen" : "49.3 cm x 38.5 cm (19 7/16 in. x 15 3/16 in.)", "Disp_Height" : "49.3 cm", "Disp_Width" : "38.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1661.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1661.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1661.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1661.tif", "IsPrimary" : "1", "_SurrogateID" : "1822", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7463, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7463", "Disp_Access_No" : "1982.505.3/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Delacroix, from Artist Series", "Alt_Title" : "", "Obj_Title" : "Delacroix, from Artist Series", "Series_Title" : "", "Disp_Maker_1" : "Red Grooms", "Sort_Artist" : "Grooms, Red", "Disp_Dimen" : "38 cm x 28 cm (14 15/16 in. x 11 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.505.3-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.505.3-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.505.3-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.505.3-10.tif", "IsPrimary" : "1", "_SurrogateID" : "4756", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3111", "Disp_Access_No" : "2002.2540", "_AccNumSort1" : "", "Disp_Create_DT" : "1694", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1694", "Disp_Title" : "Ferdinand de Tolede, Duke of Albe, after Adriaen van der Werff", "Alt_Title" : "", "Obj_Title" : "Ferdinand de Tolede, Duke of Albe, after Adriaen van der Werff", "Series_Title" : "", "Disp_Maker_1" : "Pieter Stevens van Gunst", "Sort_Artist" : "Gunst, Pieter Stevens van", "Disp_Dimen" : "32.1 cm x 19 cm (12 5/8 in. x 7 1/2 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10752", "Disp_Access_No" : "1983.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1960–1975", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1975", "Disp_Title" : "Miguel Hernández", "Alt_Title" : "", "Obj_Title" : "Miguel Hernández", "Series_Title" : "", "Disp_Maker_1" : "Carlos Hermosilla Alvarez", "Sort_Artist" : "Hermosilla Alvarez, Carlos", "Disp_Dimen" : "53.1 cm x 38.8 cm (20 7/8 in. x 15 1/4 in.)", "Disp_Height" : "53.1 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Joel and Liliana Rosenthal, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Chilean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.61.tif", "IsPrimary" : "1", "_SurrogateID" : "7068", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7575", "Disp_Access_No" : "1983.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Pope John XXIII", "Alt_Title" : "", "Obj_Title" : "Pope John XXIII", "Series_Title" : "", "Disp_Maker_1" : "Carlos Hermosilla Alvarez", "Sort_Artist" : "Hermosilla Alvarez, Carlos", "Disp_Dimen" : "55 cm x 38.8 cm (21 5/8 in. x 15 1/4 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving", "Support" : "", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Joel and Liliana Rosenthal, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Chilean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.62.tif", "IsPrimary" : "1", "_SurrogateID" : "7064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16627", "Disp_Access_No" : "2002.2846", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "William Hogarth Painting the Comic Muse", "Alt_Title" : "", "Obj_Title" : "William Hogarth Painting the Comic Muse", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "57.4 cm x 45.6 cm (22 5/8 in. x 17 15/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "45.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1060.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1060.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1060.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1060.tif", "IsPrimary" : "1", "_SurrogateID" : "6844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2576", "Disp_Access_No" : "2002.1112", "_AccNumSort1" : "", "Disp_Create_DT" : "1630", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Peter Paul Rubens, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Peter Paul Rubens, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Willem Panneels", "Sort_Artist" : "Panneels, Willem", "Disp_Dimen" : "15.2 cm x 11.4 cm (6 in. x 4 1/2 in.)", "Disp_Height" : "15.2 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1112.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1112.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1112.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1112.tif", "IsPrimary" : "1", "_SurrogateID" : "5923", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19525", "Disp_Access_No" : "2010.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1730", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "Adrien Marius, after Jan Muller", "Alt_Title" : "", "Obj_Title" : "Adrien Marius, after Jan Muller", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "12.1 cm x 7.1 cm (4 3/4 in. x 2 13/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "7.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.32.tif", "IsPrimary" : "1", "_SurrogateID" : "8158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6084", "Disp_Access_No" : "1995.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Buste de profil (Portrait of Jacqueline)", "Alt_Title" : "", "Obj_Title" : "Buste de profil (Portait of Jacqueline)", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "65.5 cm x 50.5 cm (25 13/16 in. x 19 7/8 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "50.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on zinc", "Support" : "", "Disp_Medium" : "Lithograph on zinc", "Info_Page_Comm" : "Picasso worked in close collaboration with Mourlot’s workshop of master printers, challenging their expertise at every turn. A member of the workshop recalled, “Picasso looked, listened, did the opposite of what he learnt, and it worked.” In this way, Picasso used the flexible and variable qualities of the stone to prove that lithography was an art form of its own. He did not employ lithographs as sketches for other works, but as outlets for pure creative energy giving us a direct insight into the artistic process. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase from the Severin Wunderman Collection Fund, 1995", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.58.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.58.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.58.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.58.tif", "IsPrimary" : "1", "_SurrogateID" : "1660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5854", "Disp_Access_No" : "1989.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Untitled, plate 25 from Prosper Mérimée's Carmen", "Alt_Title" : "", "Obj_Title" : "Untitled, plate 25 from Prosper Mérimée's Carmen", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "32.5 cm x 25.3 cm (12 13/16 in. x 9 15/16 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint (before steel facing)", "Support" : "", "Disp_Medium" : "Drypoint (before steel facing)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Richard Gonzalez, 1989", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.99.tif", "IsPrimary" : "1", "_SurrogateID" : "5369", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11418", "Disp_Access_No" : "P1961.91", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Camille Pissarro", "Sort_Artist" : "Pissarro, Camille", "Disp_Dimen" : "32.7 cm x 22.5 cm (12 7/8 in. x 8 7/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unlike others of the Impressionists who had to be coaxed into making prints and then usually made only copies of their paintings, Pissarro embraced etching early as a means of producing original work. Along with Degas and Manet, Pissarro was one of the first members of the Société des Aquafortistes and later of the Société des peintres-graveurs. He experimented with and exploited the medium's inherent qualities as in this self-portrait made when he was sixty years old. Having gone through his pointillist phase, the artist returned to a more impressionistic style with his face emerging from the dense, inky blackness. He used the expressive potential of the etched line to convey the coarseness of his beard, the wizened face, the knowing eyes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.91.tif", "IsPrimary" : "1", "_SurrogateID" : "4463", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12664, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12664", "Disp_Access_No" : "2002.1102", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "Bust of Emperor Nero, plate 12 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique", "Alt_Title" : "", "Obj_Title" : "Bust of Emperor Nero, plate 12 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "34.5 cm x 24.6 cm (13 9/16 in. x 9 11/16 in.)", "Disp_Height" : "34.5 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is from a series of twelve engravings by different printmakers after Rubens' drawings of antique marble sculptures. The Bust of Emperor Nero is after a pen drawing by Rubens in the Fogg Art Museum, Cambridge, Mass. Rubens' drawing and Pontius' print are after an unidentified marble sculpure that was part of Rubens' antiquities collection acquired after Sir Dudley Carleton in 1618.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1102.tif", "IsPrimary" : "1", "_SurrogateID" : "5914", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8304", "Disp_Access_No" : "2001.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1623", "_Disp_Start_Dat" : "1623", "_Disp_End_Date" : "1623", "Disp_Title" : "Double Portrait of Peter Paul Rubens and Anthony van Dyck, after Anthony van Dyck and Erasmus Quellinius", "Alt_Title" : "", "Obj_Title" : "Double Portrait of Peter Paul Rubens and Anthony van Dyck, after Anthony van Dyck and Erasmus Quellinius", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "35.8 cm x 45.4 cm (14 1/8 in. x 17 7/8 in.)", "Disp_Height" : "35.8 cm", "Disp_Width" : "45.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This double portrait features Rubens and his pupil Anthony van Dyck, who went on to achieve comparable fame and success to Rubens’s. Van Dyck employed the same team of reproductive engravers, including Schelte Adams Bolswert and Paulus Pontius, to interpret many of his painted compositions. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.51.tif", "IsPrimary" : "1", "_SurrogateID" : "4104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3396", "Disp_Access_No" : "2002.2337", "_AccNumSort1" : "", "Disp_Create_DT" : "1753", "_Disp_Start_Dat" : "1753", "_Disp_End_Date" : "1753", "Disp_Title" : "Homer, after Girolamo Troppa", "Alt_Title" : "", "Obj_Title" : "Homer, after Girolamo Troppa", "Series_Title" : "", "Disp_Maker_1" : "Valentin Daniel Preisler", "Sort_Artist" : "Preisler, Valentin Daniel", "Disp_Dimen" : "38.7 cm x 28.8 cm (15 1/4 in. x 11 5/16 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2337.tif", "IIIF_URL": 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domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.67.tif", "IsPrimary" : "1", "_SurrogateID" : "8224", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11916", "Disp_Access_No" : "2002.87", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pierre Arétin, 1525", "Alt_Title" : "", "Obj_Title" : "Pierre Arétin, 1525", "Series_Title" : "", "Disp_Maker_1" : "Reproduction after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Reproduction after Marcantonio", "Disp_Dimen" : "34.5 cm x 23.8 cm (13 9/16 in. x 9 3/8 in.)", "Disp_Height" : "34.5 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Photogravure of an engraving", "Support" : "", "Disp_Medium" : "Photogravure of an engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.87.tif", "IsPrimary" : "1", "_SurrogateID" : "5959", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2694", "Disp_Access_No" : "G1966.2.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "Jan Uytenbogaert, the Receiver General", "Alt_Title" : "", "Obj_Title" : "Jan Uytenbogaert, the Receiver General", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "25.4 cm x 20.6 cm (10 in. x 8 1/8 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Uytenbogaert was Receiver General of Holland–the country's tax collector. He is shown having just weighed a bag of gold and entered it in a ledger. This imrpession, probably printed in the 18th century, has lost much of its depth and texture.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.84.tif", "IsPrimary" : "1", "_SurrogateID" : "2309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2812", "Disp_Access_No" : "1987.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1651", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1651", "Disp_Title" : "Clement de Jonghe, Printseller", "Alt_Title" : "", "Obj_Title" : "Clement de Jonghe, Printseller", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.1 cm x 16.5 cm (8 5/16 in. x 6 1/2 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin", "Info_Page_Comm" : "De Jonghe was a prominent printseller in Amsterdam. Although he did not publish any works by Rembrandt, he assembled a large collection of the etchings. His inventory was the first catalogue of the artist's work. While this impression was printed after numerous changes to the plate, it is still beautifully varied in tone and suggestive in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.87.tif", "IsPrimary" : "1", "_SurrogateID" : "3790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16617", "Disp_Access_No" : "2002.2839", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1634", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1639", "Disp_Title" : "Self-Portrait Wearing a Soft Cap (The Three Mustaches)", "Alt_Title" : "", "Obj_Title" : "Self-Portrait Wearing a Soft Cap (The Three Moustaches)", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "8.7 cm x 7.1 cm (3 7/16 in. x 2 13/16 in.)", "Disp_Height" : "8.7 cm", "Disp_Width" : "7.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Self-portraiture was at the core of Rembrandt’s art. His studies of his own appearance, unusual enough in number, in their play with guises, and in their variety of formats, transcend any convention in their visible probing of the self. In turn, they prepared a vocabulary to express the inner workings of other personalities and, more universally, the inclinations of the soul. Both the astonishing individuality and general humanity of Rembrandt’s personages arise from, and were rehearsed through, this activity. Rembrandt explored self-portraiture in sustained campaigns. The most intensive and experimental occurred among the late paintings and among the early etchings. Never formally published or reprinted, these prints were created for the artist’s own satisfaction and are therefore among his rarest. Here he presents himself in a rakish cap, ever sensitive but quite confident. It is the most direct and emotionally mature of the first campaign. The early self-portraits were no less experimental in technique. Their incredible spontaneity, economy, and of course size suggest the most intimate sketches. Along with some related portraits, these prints represent the most radical expression to date of the conceptual and procedural relation between etching and drawing. In this sense, they also predict Rembrandt’s accomplishments as the greatest master of etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Blanton Ball Purchase, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2839.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2839.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2839.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2839.tif", "IsPrimary" : "1", "_SurrogateID" : "2013", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1986.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Nude, Frida Kahlo", "Alt_Title" : "", "Obj_Title" : "Nude, Frida Kahlo", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "57.5 cm x 42 cm (22 5/8 in. x 16 9/16 in.)", "Disp_Height" : "57.5 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This intimate black-and-white print differs in almost every way from the colorful epic murals that made Diego Rivera famous, yet its clear, sure, curvaceous lines are characteristic of his style. Relatively detailed in the foreground and sketchy in the background, the lines build a delicate structure. The modeling, concentrated at the center and foreground, solidifies the head in a way that contrasts with the rest of the drawing. Rivera took advantage of the fine texture of the lithographic stone to create even, soft tones that reveal the curves of the body and the yielding mattress, adding to the picture’s atmosphere of sensuous pleasure. Whereas Rivera’s public works treat heroic themes of Mexico’s past, present, and future, the subject matter here is intimate. The artist had married Frida Kahlo in 1929, so they were newlyweds when he made this print. Kahlo’s parents called it the marriage of an elephant and a dove: he was 44, hefty, and famous; she was 23, petite, not-yet-famous, and feisty. With obvious admiration, Rivera shows Kahlo as both dainty and strong.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.103.tif", "IsPrimary" : "1", "_SurrogateID" : "7136", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4949", "Disp_Access_No" : "1986.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "Self Portrait", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "46.8 cm x 35.1 cm (18 7/16 in. x 13 13/16 in.)", "Disp_Height" : "46.8 cm", "Disp_Width" : "35.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph (black with tan tint stone)", "Support" : "", "Disp_Medium" : "Lithograph (black with tan tint stone)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.92.tif", "IsPrimary" : "1", "_SurrogateID" : "7131", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4950, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4950", "Disp_Access_No" : "1986.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Desnudo de Lola Olmedo [Nude, Lola Olmedo or Nude with Long Hair]", "Alt_Title" : "", "Obj_Title" : "Desnudo de Lola Olmedo [Nude, Lola Olmedo or Nude with Long Hair]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "50.9 cm x 38.5 cm (20 1/16 in. x 15 3/16 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "38.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.96.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.96.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.96.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.96.tif", "IsPrimary" : "1", "_SurrogateID" : "7134", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4948", "Disp_Access_No" : "1986.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "46.7 cm x 35.4 cm (18 3/8 in. x 13 15/16 in.)", "Disp_Height" : "46.7 cm", "Disp_Width" : "35.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with gray tint stone", "Support" : "", "Disp_Medium" : "Lithograph with gray tint stone", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.95.tif", "IsPrimary" : "1", "_SurrogateID" : "7133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1986.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "52 cm x 37.2 cm (20 1/2 in. x 14 5/8 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "37.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.94.tif", "IsPrimary" : "1", "_SurrogateID" : "5963", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4934", "Disp_Access_No" : "1986.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "51.1 cm x 38.4 cm (20 1/8 in. x 15 1/8 in.)", "Disp_Height" : "51.1 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.93.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.93.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.93.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.93.tif", "IsPrimary" : "1", "_SurrogateID" : "7132", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5035", "Disp_Access_No" : "1985.173", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Portrait of Barbara Dunbar in Profile", "Alt_Title" : "", "Obj_Title" : "Portrait of Barbara Dunbar in Profile", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "40.8 cm x 28.7 cm (16 1/16 in. x 11 5/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.173.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.173.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.173.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.173.tif", "IsPrimary" : "1", "_SurrogateID" : "1318", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2404", "Disp_Access_No" : "2002.2713", "_AccNumSort1" : "", "Disp_Create_DT" : "1605", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1605", "Disp_Title" : "Mechti Kuli Beg", "Alt_Title" : "", "Obj_Title" : "Mechti Kuli Beg", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "28 cm x 20.3 cm (11 in. x 8 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Mechti Kuli Beg was ambassador of the king of Persia to the court of Rudolf II at Prague. Sadeler’s engraving, part of the inscription explains, was based upon his own drawing from life. The print has a pronounced oriental flavor, not just because of the costume and Persian inscription, but due to the slight flattening of the bust and broadening of the arch that create a more uniform pattern. The portrayal is equally distinguished by its specific and sympathetic characterization of a non-European personality. In both regards, the print is unusual in Western art much before the mid 19th century. Its circumstance, to judge from the presence and prominence of the ambassador’s native tongue, was his commission of a work to be circulated both in Europe and at home. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2713.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2713.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2713.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2713.tif", "IsPrimary" : "1", "_SurrogateID" : "1974", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2396", "Disp_Access_No" : "2002.1648", "_AccNumSort1" : "", "Disp_Create_DT" : "1603", "_Disp_Start_Dat" : "1603", "_Disp_End_Date" : "1603", "Disp_Title" : "Rudolph II, after Hans von Aachen", "Alt_Title" : "", "Obj_Title" : "Rudolph II, after Hans von Aachen", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "35.7 cm x 27.4 cm (14 1/16 in. x 10 13/16 in.)", "Disp_Height" : "35.7 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving, pricked for transfer", "Support" : "", "Disp_Medium" : "Engraving, pricked for transfer", "Info_Page_Comm" : "The slave at lower right has been pricked from transfer.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pricking for transfer indicates re-use of lower figures.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1648.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1648.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1648.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1648.tif", "IsPrimary" : "1", "_SurrogateID" : "1815", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17186", "Disp_Access_No" : "2004.136", "_AccNumSort1" : "", "Disp_Create_DT" : "1772", "_Disp_Start_Dat" : "1772", "_Disp_End_Date" : "1772", "Disp_Title" : "Self-Portrait, after Maurice-Quentin de La Tour", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Maurice-Quentin de La Tour", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "33.6 cm x 25.9 cm (13 1/4 in. x 10 3/16 in.)", "Disp_Height" : "33.6 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence A. Lawver, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.136.tif", "IsPrimary" : "1", "_SurrogateID" : "3740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3362, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3362", "Disp_Access_No" : "2002.1915", "_AccNumSort1" : "", "Disp_Create_DT" : "1744", "_Disp_Start_Dat" : "1744", "_Disp_End_Date" : "1744", "Disp_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "54.2 cm x 39.6 cm (21 5/16 in. x 15 9/16 in.)", "Disp_Height" : "54.2 cm", "Disp_Width" : "39.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Schmidt was the last major figure in the long tradition of French portrait prints. Following the virtuoso but superficial engravings of early century, and competing with the lively but less substantial etchings of its middle years, Schmidt’s portraits reintegrated brilliant cutting and penetrating characterization. While this combination recalls the work of the founders of the tradition, Nanteuil and Edelinck, his touch was more severe and his surfaces harder. This engraving, after Rigaud’s portrait of the painter Mignard, is considered his masterpiece. It culminated his activity in Paris (1736-44) and won his admission to the Royal Academy. The style of later, governmental engraving for currency and postage stamps derives from the works of Schmidt and his teacher, Wille. 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The fifteen months of internal exile that followed proved artistically fruitful. Siqueiros worked on many easel paintings and prints, including two portraits of Emiliano Zapata: an oil painting and this lithograph. Based on a famous photograph of the agrarian revolutionary leader, Siqueiros’s "Zapata" is as monumental and massive as the mountains that surround him. The lithograph was produced through the Weyhe Gallery in New York, an institution that helped introduce the work of the Mexican muralists to the U.S. public. Zapata remains a resonant figure among revolutionary groups in southern Mexico.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1359.tif", "IsPrimary" : "1", "_SurrogateID" : "1778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2455", "Disp_Access_No" : "2002.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1613", "_Disp_Start_Dat" : "1613", "_Disp_End_Date" : "1613", "Disp_Title" : "Count of Canossa, after Michelangelo", "Alt_Title" : "", 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2546.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2546.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2546.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2546.tif", "IsPrimary" : "1", "_SurrogateID" : "5936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2797", "Disp_Access_No" : "1997.421", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Maximilian I, after Peter Paul Rubens (?), plate 33 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Alt_Title" : "", "Obj_Title" : "Maximilian I, after Peter Paul Rubens (?), plate 33 from Counts and Countesses of Holland, Zeeland, and West-Frisia", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "48 cm x 36 cm (18 7/8 in. x 14 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.421.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.421.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.421.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.421.tif", "IsPrimary" : "1", "_SurrogateID" : "5934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13639", "Disp_Access_No" : "2002.2551", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham van der Hulst, Vice Admiral of Holland", "Alt_Title" : "", "Obj_Title" : "Abraham van der Hulst, Vice Admiral of Holland", "Series_Title" : "", "Disp_Maker_1" : "Jan de Visscher", "Sort_Artist" : "Visscher, Jan de", "Disp_Dimen" : "44.5 cm x 30 cm (17 1/2 in. x 11 13/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2551.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2551.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2551.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2551.tif", "IsPrimary" : "1", "_SurrogateID" : "1960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12667, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12667", "Disp_Access_No" : "2002.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "Brutus, plate 10 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique", "Alt_Title" : "", "Obj_Title" : "Brutus, plate 10 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after the Antique ", "Series_Title" : "", "Disp_Maker_1" : "Lucas Vorsterman, the elder", "Sort_Artist" : "Vorsterman, the elder, Lucas", "Disp_Dimen" : "28.1 cm x 19.4 cm (11 1/16 in. x 7 5/8 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is from a series of twelve engravings by different printmakers after Rubens' drawings of antique marble sculptures. Brutus is after a pen drawing by Rubens now in the Hermitage, St. Petersburg. Rubens' drawing and the print are after an unidentified marble sculpture that was probably part of Rubens' antiquities collection acquired from Sir Dudley Carleton in 1618.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1806", "Disp_Access_No" : "1985.58.7/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Rebel Without a Cause (James Dean), from Ads", "Alt_Title" : "", "Obj_Title" : "Rebel Without a Cause (James Dean), from Ads", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "96.5 cm x 96.5 cm (38 in. x 38 in.)", "Disp_Height" : "96.5 cm", "Disp_Width" : "96.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint printed in nine colors from nine screens", "Support" : "", "Disp_Medium" : "Screenprint printed in nine colors from nine screens", "Info_Page_Comm" : "Warhol employs the visual structure of mass media communication to comment upon the cultural and economic forces underlying the circulation of words and images. In Rebel Without a Cause, the artist appropriates and transforms a James Dean poster selling Hollywood and a nostalgia for 1950s America to a Hong Kong audience. His overlay of caustic, neon colors heightens the visual potency of both the image and the ideograms, at the same time it underscores the youthful alienation and rugged individualism embodied by James Dean's film character and promoted as quintessentially American.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.58.7-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.58.7-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.58.7-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.58.7-10.tif", "IsPrimary" : "1", "_SurrogateID" : "2840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1801", "Disp_Access_No" : "1985.58.2/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Blackglama (Judy Garland), from Ads", "Alt_Title" : "", "Obj_Title" : "Blackglama (Judy Garland), from Ads", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "96.5 cm x 96.5 cm (38 in. x 38 in.)", "Disp_Height" : "96.5 cm", "Disp_Width" : "96.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint printed in seventeen colors from twelve screens", "Support" : "", "Disp_Medium" : "Screenprint printed in seventeen colors from twelve screens", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.58.2-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.58.2-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.58.2-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.58.2-10.tif", "IsPrimary" : "1", "_SurrogateID" : "2839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19578", "Disp_Access_No" : "2010.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Rubens and Family, after Jacob Jordaens", "Alt_Title" : "", "Obj_Title" : "Rubens and Family, after Jacob Jordaens", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "63.4 cm x 47.8 cm (24 15/16 in. x 18 13/16 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "In 1779 the famous collection of Old Masters formed by the great English statesman Robert Walpole was sold by his descendents to Catherine the Great of Russia. To record what was regarded as a departing national treasure, the publisher John Boydell commissioned a series of mezzotints after the collection’s most important paintings. Named for Walpole’s residence, the Houghton Gallery was one of the major print projects in late eighteenth century Britain. Noted for its subject and geniality, Jordaens’s painting remains in the Hermitage, St. Petersburg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.79.tif", "IsPrimary" : "1", "_SurrogateID" : "7259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2388", "Disp_Access_No" : "1991.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1600", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Marie de' Medici, Queen of France", "Alt_Title" : "", "Obj_Title" : "Marie de' Medici, Queen of France", "Series_Title" : "", "Disp_Maker_1" : "Jan Wierix", "Sort_Artist" : "Wierix, Jan", "Disp_Dimen" : "40.2 cm x 29 cm (15 13/16 in. x 11 7/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Among Wierix's original works is this portrait of Marie de' Medici commemorating her marriage to Henry IV of France in 1600. Henry, the leader of the Protestants in France during the wars of religion, converted to Catholicism in 1593, partly to secure his place on the throne, and finally received absolution from the pope in 1595. His marriage to the daughter of the grand duke of Tuscany, an advisor to the pope, signaled to the governments of Europe France's reconciliation with Rome and a political alliance with the duke. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.7.tif", "IsPrimary" : "1", "_SurrogateID" : "6202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12665", "Disp_Access_No" : "2002.1103", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "So-Called Cicero, plate 8 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after The Antique", "Alt_Title" : "", "Obj_Title" : "So-Called Cicero, plate 8 from Twelve Famous Greek and Roman Men, after Peter Paul Rubens, after The Antique", "Series_Title" : "", "Disp_Maker_1" : "Jan Witdoeck", "Sort_Artist" : "Witdoeck, Jan", "Disp_Dimen" : "35.7 cm x 25.1 cm (14 1/16 in. x 9 7/8 in.)", "Disp_Height" : "35.7 cm", "Disp_Width" : "25.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is from a series of twelve engravings by different printmakers after Rubens' drawings of antique marble sculptures. The sculpure source and Rubens' drawing for this print are unknown. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1103.tif", "IsPrimary" : "1", "_SurrogateID" : "5915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12668", "Disp_Access_No" : "2002.1106", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Peter Paul Rubens, after William Pether, after Anthony van Dyck", "Alt_Title" : "", "Obj_Title" : "Peter Paul Rubens, after William Pether, after Anthony van Dyck", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "24.3 cm x 18.8 cm (9 9/16 in. x 7 3/8 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1106.tif", "IsPrimary" : "1", "_SurrogateID" : "5918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4293", "Disp_Access_No" : "G1966.2.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paul Verlaine II, from Pan", "Alt_Title" : "", "Obj_Title" : "Paul Verlaine II, from Pan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "37.1 cm x 27.6 cm (14 5/8 in. x 10 7/8 in.)", "Disp_Height" : "37.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Verlaine was a recognized leader of Symbolism, and his blatant, extra-marital, affair with poet Arthur Rimbaud epitomized the decadent lifestyle. After their violent break-up and an eighteen-month jail sentence, Verlaine converted to Catholicism. His behavior in public, however, remained eccentric. His poetry in the 1890s was highly erotic and many of his earlier works were celebrated in new editions and anthologies. In 1894 his colleagues named him the “Prince of Poets,” two years before his death at the age of 52.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.89.tif", "IsPrimary" : "1", "_SurrogateID" : "4943", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4389", "Disp_Access_No" : "2002.1580", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "August Strindberg", "Alt_Title" : "", "Obj_Title" : "August Strindberg", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "44.9 cm x 32.6 cm (17 11/16 in. x 12 13/16 in.)", "Disp_Height" : "44.9 cm", "Disp_Width" : "32.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The sitter in this portrait is the great Swedish modernist whose plays delve the tensions between the sexes and more broadly between social rule and individual psychology. Rendered by his compatriot, Zorn, both at the height of their fame, the etching is a striking cultural document. 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Renan (1823-1892) was born to a Breton woman, raised Catholic, and educated in seminaries with the intention of becoming a priest. The more he learned of his faith, however, the more doubtful of it he became. Renan was best known for his book The Life of Christ, a positivist biography of Jesus as an historical figure, which infuriated the Catholic Church. He was liberal in his politics and supported democratic forms of government. In 1882, he defined a nation as a group of people living together who “have done great things together and want to do more.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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"Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.48.4-19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.48.4-19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.48.4-19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.48.4-19.tif", "IsPrimary" : "1", "_SurrogateID" : "8698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3534", "Disp_Access_No" : "2002.1514", "_AccNumSort1" : "", "Disp_Create_DT" : "1767", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1767", "Disp_Title" : "Count Henry van de Berghe, after Paulus Pontius, after Anthony van Dyck", "Alt_Title" : "", "Obj_Title" : "Count Henry van de Berghe, after Paulus Pontius after 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"Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1518.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1518.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1518.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1518.tif", "IsPrimary" : "1", "_SurrogateID" : "8987", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18960", "Disp_Access_No" : "2008.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1739", "_Disp_Start_Dat" : "1739", "_Disp_End_Date" : "1739", "Disp_Title" : "William Harvey, after Bemmel, from Thomas Birch's The Heads of Illustrious Persons of Great Britain", "Alt_Title" : "", "Obj_Title" : "William Harvey, after Bemmel, from Thomas Birch's The Heads of 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The cartouche and the attributes in the foreground—texts, the caduces, and a plate with a diagram of the circulatory system—are the invention of the French illustrator Hubert-François-Bourguignon Gravelot. Birch’s Illustrious Persons is one of the best known publications of the period in Britain. Gravelot’s designs mark the arrival of rococo forms in British printmaking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.7.tif", "IsPrimary" : "1", "_SurrogateID" : "9092", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3568", "Disp_Access_No" : "1999.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Camille de Boissieu", "Alt_Title" : "", "Obj_Title" : "Camille de Boissieu", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "24.2 cm x 18 cm (9 1/2 in. x 7 1/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a loving memorial tribute by Boissieu to his brother, a doctor, Camille de Boissieu, who died in the year the artist created the print. Camille had an illustrious career before his untimely death at age thirty-six. He received his doctorate from Montpellier in 1755, and was distinguished for his devotion during an epidemic that ravished Mâcon in 1768. In 1769, his book on antiseptics was published, and his book on heating and cooling methods (probably based on the humors) was published post-mortem in 1772. Jean-Jacques de Boissieu was a pioneer of the return to pure, painterly etching in the late eighteenth century. This is a rare image, printed in a small edition, it was obviously intended for an intimate circle of family and close friends. The lack of a printed inscription further indicates that it was intended for a small audience to whom its subject and context needed no explanation ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.18.tif", "IsPrimary" : "1", "_SurrogateID" : "9075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11365", "Disp_Access_No" : "1999.19", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1818", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1823", "Disp_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Alt_Title" : "", "Obj_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Series_Title" : "", "Disp_Maker_1" : "Pierre Vafflard", "Sort_Artist" : "Vafflard, Pierre", "Disp_Dimen" : "43.2 cm x 57.6 cm (17 in. x 22 11/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.19.tif", "IsPrimary" : "1", "_SurrogateID" : "9076", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11980", "Disp_Access_No" : "2002.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Portrait of Titian", "Alt_Title" : "", "Obj_Title" : "Portrait of Titian", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "31.9 cm x 23.2 cm (12 9/16 in. x 9 1/8 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The engraving reproduces the Self-Portrait of circa 1550, today in Berlin", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.166.tif", "IsPrimary" : "1", "_SurrogateID" : "9341", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17679", "Disp_Access_No" : "2005.164", "_AccNumSort1" : "", "Disp_Create_DT" : "1803", "_Disp_Start_Dat" : "1803", "_Disp_End_Date" : "1803", "Disp_Title" : "John Heaviside, after Johann Zoffany", "Alt_Title" : "", "Obj_Title" : "John Heaviside, after Johann Zoffany", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "55.1 cm x 40.6 cm (21 11/16 in. x 16 in.)", "Disp_Height" : "55.1 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "As noted in the inscription, Heaviside was Royal surgeon to George III. He holds a human heart, while a spine rests in the jar behind him. These refer not only to his profession but to the well-known collection of anatomy and natural history that he assembled in his London home. Established and supported by a distinguished Texas physician and board member of the Texas Medical Association, the Ware Collection contains some 120 prints of medical imagery.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11538", "Disp_Access_No" : "1990.82", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1932-1934", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1934", "Disp_Title" : "Sam", "Alt_Title" : "", "Obj_Title" : "Sam", "Series_Title" : "", "Disp_Maker_1" : "Constance Forsyth", "Sort_Artist" : "Forsyth, Constance", "Disp_Dimen" : "20.7 cm x 14.3 cm (8 1/8 in. x 5 5/8 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "14.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Robert Selby, 1990", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.82.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.82.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.82.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1990.82.TIF", "IsPrimary" : "1", "_SurrogateID" : "9437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6266", "Disp_Access_No" : "1991.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Arthur Rimbaud", "Alt_Title" : "", "Obj_Title" : "Arthur Rimbaud", "Series_Title" : "", "Disp_Maker_1" : "Jacques Villon", "Sort_Artist" : "Villon, Jacques", "Disp_Dimen" : "27.3 cm x 20.3 cm (10 3/4 in. x 8 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.81.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.81.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.81.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.81.TIF", "IsPrimary" : "1", "_SurrogateID" : "10028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }