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E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6538", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4247", "Disp_Access_No" : "2001.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "Honoré Daumier", "Alt_Title" : "", "Obj_Title" : "Honoré Daumier", "Series_Title" : "", "Disp_Maker_1" : "Marcellin Gilbert Desboutin", "Sort_Artist" : "Desboutin, Marcellin Gilbert", "Disp_Dimen" : "35.8 cm x 26.7 cm (14 1/8 in. x 10 1/2 in.)", "Disp_Height" : "35.8 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photogravure with drypoint", "Support" : "", "Disp_Medium" : "Photogravure with drypoint", "Info_Page_Comm" : "Here, the artist elaborates upon a photogravure that was adapted from Nadar’s well known portrait of the great satirist. 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Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.65.tif", "IsPrimary" : "1", "_SurrogateID" : "4802", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17237", "Disp_Access_No" : "2004.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "Monument to Gaetano Gandolfi", "Alt_Title" : "", "Obj_Title" : "Monument to Gaetano Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Mauro Gandolfi", "Sort_Artist" : "Gandolfi, Mauro", "Disp_Dimen" : "55.3 cm x 42.5 cm (21 3/4 in. x 16 3/4 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.153.tif", "IsPrimary" : "1", "_SurrogateID" : "2784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1749, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1749", "Disp_Access_No" : "1982.520", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Libert, from Le Café Concert", "Alt_Title" : "", "Obj_Title" : "Libert, from Le Café Concert", "Series_Title" : "", "Disp_Maker_1" : "Henri-Gabriel Ibels", "Sort_Artist" : "Ibels, Henri-Gabriel", "Disp_Dimen" : "43.5 cm x 31.7 cm (17 1/8 in. x 12 1/2 in.)", "Disp_Height" : "43.5 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.520.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.520.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.520.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.520.tif", "IsPrimary" : "1", "_SurrogateID" : "4702", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1748", "Disp_Access_No" : "1982.518", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Kahn Hill, from Le Café Concert", "Alt_Title" : "", "Obj_Title" : "Kahn Hill, from Le Café Concert", "Series_Title" : "", "Disp_Maker_1" : "Henri-Gabriel Ibels", "Sort_Artist" : "Ibels, Henri-Gabriel", "Disp_Dimen" : "43.4 cm x 31.5 cm (17 1/16 in. x 12 3/8 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.518.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.518.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.518.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.518.tif", "IsPrimary" : "1", "_SurrogateID" : "4701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3952", "Disp_Access_No" : "1998.216", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Charles Émile Jacque", "Sort_Artist" : "Jacque, Charles Émile", "Disp_Dimen" : "27.4 cm x 18.7 cm (10 13/16 in. x 7 3/8 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "One of the unsung heroes of the etching revival and of the realist movement overall, Jacque was among the earliest artists to return to etching in the second quarter of the nineteenth century. His first etching in 1830 was a copy of a head after Rembrandt, and one can read in his own brooding self-portrait a debt to the seventeenth-century master. He initially worked in a small scale most closely associated with book illustration, and he concentrated his attention on barnyard scenes and farm animals. Before Maxime Lalanne wrote his treatise on etching in 1866 that was to prove so influential, Jacque had published a series of short articles on the subject in Magasin pittoresque in 1852.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.216.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.216.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.216.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.216.tif", "IsPrimary" : "1", "_SurrogateID" : "4445", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8851", "Disp_Access_No" : "2000.260", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Berthe Morisot", "Alt_Title" : "", "Obj_Title" : "Berthe Morisot", "Series_Title" : "", "Disp_Maker_1" : "Edouard Manet", "Sort_Artist" : "Manet, Edouard", "Disp_Dimen" : "27.1 cm x 22.3 cm (10 11/16 in. x 8 3/4 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Berthe Morisot met Édouard Manet at the Louvre in 1867, and they became immediate friends. Six years later she married Manet’s younger brother Eugène. Morisot and Édouard maintained a close friendship, and he made many portraits of her. Manet based two lithographs and this etching on his oil painting, Berthe Morisot with a Bouquet of Violets (1872, Musée d’Orsay, Paris). The lithographs closely resemble the painting, while the etching has a nervous energy. Morisot’s dropped right shoulder gives the impression of her leaning forward, adding intensity. In this second state of the etching, Manet darkened the entire figure by etching the plate again, creating more dramatic lighting on Morisot’s face.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.260.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.260.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.260.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.260.tif", "IsPrimary" : "1", "_SurrogateID" : "5555", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4040", "Disp_Access_No" : "2000.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Bust of Baudelaire", "Alt_Title" : "", "Obj_Title" : "Bust of Baudelaire", "Series_Title" : "", "Disp_Maker_1" : "Edouard Manet", "Sort_Artist" : "Manet, Edouard", "Disp_Dimen" : "32 cm x 21.7 cm (12 5/8 in. x 8 9/16 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.261.tif", "IsPrimary" : "1", "_SurrogateID" : "4724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.261.tif", "IsPrimary" : "0", "_SurrogateID" : "4737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11404", "Disp_Access_No" : "G1966.2.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1881", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1881", "Disp_Title" : "Portrait of Whistler in White Ducks", "Alt_Title" : "", "Obj_Title" : "Portrait of Whistler in White Ducks", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Menpes", "Sort_Artist" : "Menpes, Mortimer", "Disp_Dimen" : "33.95 cm x 25.55 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "25.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint and chine collé", "Support" : "", "Disp_Medium" : "Drypoint and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81.tif", "IsPrimary" : "1", "_SurrogateID" : "6315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8200", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8201", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8822, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8822", "Disp_Access_No" : "1998.334", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Benvenuto Cellini in His Studio, after Robert Fleury", "Alt_Title" : "", "Obj_Title" : "Benvenuto Cellini in His Studio, after Robert Fleury", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Mouilleron and Karl Bodmer", "Sort_Artist" : "Mouilleron and Karl Bodmer, Adolphe", "Disp_Dimen" : "31.6 cm x 24 cm (12 7/16 in. x 9 7/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swiss", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.334.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.334.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.334.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.334.tif", "IsPrimary" : "1", "_SurrogateID" : "6295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11418", "Disp_Access_No" : "P1961.91", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Camille Pissarro", "Sort_Artist" : "Pissarro, Camille", "Disp_Dimen" : "32.7 cm x 22.5 cm (12 7/8 in. x 8 7/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unlike others of the Impressionists who had to be coaxed into making prints and then usually made only copies of their paintings, Pissarro embraced etching early as a means of producing original work. Along with Degas and Manet, Pissarro was one of the first members of the Société des Aquafortistes and later of the Société des peintres-graveurs. He experimented with and exploited the medium's inherent qualities as in this self-portrait made when he was sixty years old. Having gone through his pointillist phase, the artist returned to a more impressionistic style with his face emerging from the dense, inky blackness. He used the expressive potential of the etched line to convey the coarseness of his beard, the wizened face, the knowing eyes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.91.tif", "IsPrimary" : "1", "_SurrogateID" : "4463", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11916", "Disp_Access_No" : "2002.87", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pierre Arétin, 1525", "Alt_Title" : "", "Obj_Title" : "Pierre Arétin, 1525", "Series_Title" : "", "Disp_Maker_1" : "Reproduction after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Reproduction after Marcantonio", "Disp_Dimen" : "34.5 cm x 23.8 cm (13 9/16 in. x 9 3/8 in.)", "Disp_Height" : "34.5 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Photogravure of an engraving", "Support" : "", "Disp_Medium" : "Photogravure of an engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.87.tif", "IsPrimary" : "1", "_SurrogateID" : "5959", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1016", "Disp_Access_No" : "1979.45.5/9", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Yvette Guilbert in the Song 'A Menilmontant', plate 4 from Yvette Guilbert (Série anglaise [The English Series]) ", "Alt_Title" : " ", "Obj_Title" : "Yvette Guilbert in the Song 'A Menilmontant', plate 4 from Yvette Guilbert (Série anglaise [The English Series]) ", "Series_Title" : "", "Disp_Maker_1" : "Henri de Toulouse-Lautrec", "Sort_Artist" : "Toulouse-Lautrec, Henri de", "Disp_Dimen" : "49.8 cm x 37.5 cm (19 5/8 in. x 14 3/4 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "37.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with tint-stone", "Support" : "", "Disp_Medium" : "Lithograph with tint-stone", "Info_Page_Comm" : "Yvette Guilbert was a star of the café-concerts of the 1890s. 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Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.89.tif", "IsPrimary" : "1", "_SurrogateID" : "4943", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4277", "Disp_Access_No" : "G1966.2.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Ernest Renan", "Alt_Title" : "", "Obj_Title" : "Ernest Renan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "34.6 cm x 48.5 cm (13 5/8 in. x 19 1/8 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Zorn’s stark portrait marked the death of an intellectual who had done much to secularize France. Renan (1823-1892) was born to a Breton woman, raised Catholic, and educated in seminaries with the intention of becoming a priest. The more he learned of his faith, however, the more doubtful of it he became. Renan was best known for his book The Life of Christ, a positivist biography of Jesus as an historical figure, which infuriated the Catholic Church. He was liberal in his politics and supported democratic forms of government. In 1882, he defined a nation as a group of people living together who “have done great things together and want to do more.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Swedish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.66.tif", "IsPrimary" : "1", "_SurrogateID" : "4942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11365", "Disp_Access_No" : "1999.19", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1818", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1823", "Disp_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Alt_Title" : "", "Obj_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Series_Title" : "", "Disp_Maker_1" : "Pierre Vafflard", "Sort_Artist" : "Vafflard, Pierre", "Disp_Dimen" : "43.2 cm x 57.6 cm (17 in. x 22 11/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.19.tif", "IsPrimary" : "1", "_SurrogateID" : "9076", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17679, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17679", "Disp_Access_No" : "2005.164", "_AccNumSort1" : "", "Disp_Create_DT" : "1803", "_Disp_Start_Dat" : "1803", "_Disp_End_Date" : "1803", "Disp_Title" : "John Heaviside, after Johann Zoffany", "Alt_Title" : "", "Obj_Title" : "John Heaviside, after Johann Zoffany", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "55.1 cm x 40.6 cm (21 11/16 in. x 16 in.)", "Disp_Height" : "55.1 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "As noted in the inscription, Heaviside was Royal surgeon to George III. He holds a human heart, while a spine rests in the jar behind him. These refer not only to his profession but to the well-known collection of anatomy and natural history that he assembled in his London home. Established and supported by a distinguished Texas physician and board member of the Texas Medical Association, the Ware Collection contains some 120 prints of medical imagery.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }