{ "objects" : [ { "embark_ID" : 9895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9895", "Disp_Access_No" : "1982.763", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Chihuahua", "Alt_Title" : "", "Obj_Title" : "Chihuahua", "Series_Title" : "", "Disp_Maker_1" : "Carlos Alvarado Lang", "Sort_Artist" : "Alvarado Lang, Carlos", "Disp_Dimen" : "19.7 cm x 28.8 cm (7 3/4 in. x 11 5/16 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.763.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.763.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.763.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.763.tif", "IsPrimary" : "1", "_SurrogateID" : "6862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5319", "Disp_Access_No" : "1982.781", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Street Row", "Alt_Title" : "", "Obj_Title" : "Street Row", "Series_Title" : "", "Disp_Maker_1" : "Luis Arenal", "Sort_Artist" : "Arenal, Luis", "Disp_Dimen" : "50.2 cm x 32.7 cm (19 3/4 in. x 12 7/8 in.)", "Disp_Height" : "50.2 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.781.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.781.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.781.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.781.tif", "IsPrimary" : "1", "_SurrogateID" : "6897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1207, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1207", "Disp_Access_No" : "2001.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Light and Shade, Taxco", "Alt_Title" : "", "Obj_Title" : "Light and Shade, Taxco", "Series_Title" : "", "Disp_Maker_1" : "John Taylor Arms", "Sort_Artist" : "Arms, John Taylor", "Disp_Dimen" : "36.1 cm x 41.6 cm (14 3/16 in. x 16 3/8 in.)", "Disp_Height" : "36.1 cm", "Disp_Width" : "41.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2001", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.95.tif", "IsPrimary" : "1", "_SurrogateID" : "4793", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13528", "Disp_Access_No" : "2002.2389", "_AccNumSort1" : "", "Disp_Create_DT" : "1652", "_Disp_Start_Dat" : "1652", "_Disp_End_Date" : "1652", "Disp_Title" : "The Burning of Amsterdam Town Hall, 9 June, 1652", "Alt_Title" : "", "Obj_Title" : "The Burning of Amsterdam Town Hall, 9 June, 1652", "Series_Title" : "", "Disp_Maker_1" : "Jan de Baen", "Sort_Artist" : "Baen, Jan de", "Disp_Dimen" : "28.5 cm x 34.7 cm (11 1/4 in. x 13 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Not just the seat of local government, the medieval Town Hall of Amsterdam had been the subject of innumerable works of art, from the early etchings of realistic urban views by Claes Visscher, to the poetic architectural paintings of Pieter Saenredam. During the night of 9 June 1652, with work already underway on a new town hall, the old one burned to the ground. The event became emblematic of the passing of the old order and the end of the vibrant first period of Dutch nationalism. De Baen’s etching combines the immediacy of a chronicle report with the visual appeal of a conventional fine print. It is a precocious example of the function, even aspects of the style, of modern news and documentary photography. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2389.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2389.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2389.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2389.tif", "IsPrimary" : "1", "_SurrogateID" : "1936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4325", "Disp_Access_No" : "G1971.4.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Old Jail, from the series Etchings of Glasgow", "Alt_Title" : "", "Obj_Title" : "Old Jail, from the series Etchings of Glasgow", "Series_Title" : "", "Disp_Maker_1" : "Sir Muirhead Bone", "Sort_Artist" : "Bone, Sir Muirhead", "Disp_Dimen" : "16.2 cm x 29.5 cm (6 3/8 in. x 11 5/8 in.)", "Disp_Height" : "16.2 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "Etchings of Glasgow was Bone's first series of etchings and is indicative of his reliance on the work of the eighteenth-century Italian printmaker Giovanni Battista Piranesi, and more recent predecessors Charles Meryon and J.A.M. Whistler. Old Jail is the second scene from the series of six. With its diminutive rag pickers and muck rakers in the foreground and the looming prison as a backdrop, Bone, like Meryon before him, shows us the sinister underbelly of modern society. Alphonse Legros thought it so successful that he presented it to the Musée du Luxembourg, the museum of contemporary art in Paris, for their collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1971", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Scottish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.4.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.4.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.4.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.4.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4456", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17258", "Disp_Access_No" : "2004.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1839", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1839", "Disp_Title" : "Hôtel de Cluny, Paris", "Alt_Title" : "", "Obj_Title" : "Hôtel de Cluny, Paris", "Series_Title" : "", "Disp_Maker_1" : "Thomas Shotter Boys", "Sort_Artist" : "Boys, Thomas Shotter", "Disp_Dimen" : "36.4 cm x 53.9 cm (14 5/16 in. x 21 1/4 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "53.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Color lithographs are usually made with one stone for each color. This poses a challenge for artists who have to envision a complex blending of tones, and for printers who then have to register or align the sheet perfectly on each stone. Thomas Shotter Boys and his printer, Charles Hullmandel, perfected the process, using four or five stones, which carefully superimposed and juxtaposed colors to create a full chromatic range and the delicacy of a watercolor. Their work established a completely new standard for color printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.166.tif", "IsPrimary" : "1", "_SurrogateID" : "3679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5631, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5631", "Disp_Access_No" : "1982.818", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "El puente de Nonoalco, or El puente y el tilichero [The Bridge of Nonoalco or The Bridge and the Peddler]", "Alt_Title" : "The Bridge of Nonoalco or The Bridge and the Peddler", "Obj_Title" : "El puente de Nonoalco, or El puente y el tilichero [The Bridge of Nonoalco or The Bridge and the Peddler]", "Series_Title" : "", "Disp_Maker_1" : "Angel Bracho", "Sort_Artist" : "Bracho, Angel", "Disp_Dimen" : "49.5 cm x 64.8 cm (19 1/2 in. x 25 1/2 in.)", "Disp_Height" : "49.5 cm", "Disp_Width" : "64.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.818.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.818.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.818.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.818.tif", "IsPrimary" : "1", "_SurrogateID" : "7121", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11940", "Disp_Access_No" : "2002.117", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Castel Sant' Angelo", "Alt_Title" : "", "Obj_Title" : "Castel Sant'Angelo", "Series_Title" : "", "Disp_Maker_1" : "Ambrogio Brambilla", "Sort_Artist" : "Brambilla, Ambrogio", "Disp_Dimen" : "16.4 cm x 10.9 cm (6 7/16 in. x 4 5/16 in.)", "Disp_Height" : "16.4 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.117.tif", "IsPrimary" : "1", "_SurrogateID" : "7008", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13234", "Disp_Access_No" : "2002.1974", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "La Place des Martyres et la Taverne du Bagne", "Alt_Title" : "", "Obj_Title" : "La Place des Martyres et la Taverne du Bagne", "Series_Title" : "", "Disp_Maker_1" : "Félix Buhot", "Sort_Artist" : "Buhot, Félix", "Disp_Dimen" : "39.4 cm x 51.6 cm (15 1/2 in. x 20 5/16 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "51.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint, aquatint and roulette", "Support" : "", "Disp_Medium" : "Etching, drypoint, aquatint and roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1974.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1974.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1974.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1974.tif", "IsPrimary" : "1", "_SurrogateID" : "5558", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11194", "Disp_Access_No" : "2002.557", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1634", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1639", "Disp_Title" : "Les Supplices [The Punishments]", "Alt_Title" : "", "Obj_Title" : "Les Supplices [The Punishments]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "10.7 cm x 21.6 cm (4 3/16 in. x 8 1/2 in.)", "Disp_Height" : "10.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In the work of Callot, everyday subjects were elaborated and ennobled through elegant design and etching that, with the use of a hard ground, affects the ideal appearance of engraving. Les supplices, a famous plate from his latest activity, presents a series of vignettes of contemporary corporal punishment. It becomes, however, universal through the panoramic urban setting, remove from individual reaction, and refined touch. The Steinberg Collection counts more than 150 prints by Callot, with some, like this, of considerable rarity and great quality. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.557.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.557.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.557.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.557.tif", "IsPrimary" : "1", "_SurrogateID" : "2062", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3349", "Disp_Access_No" : "2002.249", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "House with the Inscription", "Alt_Title" : "", "Obj_Title" : "House with the Inscription", "Series_Title" : "", "Disp_Maker_1" : "Antonio Canal, called Canaletto", "Sort_Artist" : "Canaletto, Antonio Canal, called", "Disp_Dimen" : "31.5 cm x 22.5 cm (12 3/8 in. x 8 7/8 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.249.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.249.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.249.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.249.tif", "IsPrimary" : "1", "_SurrogateID" : "1955", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11291", "Disp_Access_No" : "1980.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1741-1744", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1744", "Disp_Title" : "Portico with a Lantern", "Alt_Title" : "", "Obj_Title" : "Portico with a Lantern", "Series_Title" : "", "Disp_Maker_1" : "Antonio Canal, called Canaletto", "Sort_Artist" : "Canaletto, Antonio Canal, called", "Disp_Dimen" : "38.6 cm x 46.4 cm (15 3/16 in. x 18 1/4 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "46.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.51.tif", "IsPrimary" : "1", "_SurrogateID" : "4531", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.51.tif", "IsPrimary" : "0", "_SurrogateID" : "4551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5232", "Disp_Access_No" : "1982.869.1/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "El amor y el crimen [Love and Crime], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Alt_Title" : "", "Obj_Title" : "El amor y el crimen [Love and Crime], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "23.5 cm x 19 cm (9 1/4 in. x 7 1/2 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. Chávez Morado reflects his pessimistic view of the growing metropolis in a series of unsettling vignettes set in dark streets. Outside a theatre, musicians perform by the light of the passing cars. Police are about to storm a peaceful meeting. A seductive woman waits by the door of a one-star hotel. A man leaves the scene of a hideous crime. Under the cover of night, we discover the dark side of modernity. Signs of modern life are everywhere, yet the harsh contrast of black and white and the seedy subjects recall the gritty aesthetic of film noir rather than the utopian optimism of much of the works created in Mexico in the previous decade.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.869.1-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.869.1-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.869.1-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.869.1-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5234", "Disp_Access_No" : "1982.869.3/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Por esas calles [By Those Streets], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Alt_Title" : "", "Obj_Title" : "Por esas calles [By Those Streets], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "23.5 cm x 19 cm (9 1/4 in. x 7 1/2 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. 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Signs of modern life are everywhere, yet the harsh contrast of black and white and the seedy subjects recall the gritty aesthetic of film noir rather than the utopian optimism of much of the works created in Mexico in the previous decade.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.869.3-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.869.3-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.869.3-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.869.3-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5233", "Disp_Access_No" : "1982.869.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "La conspiración [Conspiracy], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Alt_Title" : "", "Obj_Title" : "La conspiración [Conspiracy], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "23.5 cm x 18.7 cm (9 1/4 in. x 7 3/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. 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Signs of modern life are everywhere, yet the harsh contrast of black and white and the seedy subjects recall the gritty aesthetic of film noir rather than the utopian optimism of much of the works created in Mexico in the previous decade.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.869.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.869.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.869.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.869.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5235", "Disp_Access_No" : "1982.869.4/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "La salida del teatro [The Theatre's Exit], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Alt_Title" : "", "Obj_Title" : "La salida del teatro [The Theatre's Exit], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "23.5 cm x 18.7 cm (9 1/4 in. x 7 3/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. 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Signs of modern life are everywhere, yet the harsh contrast of black and white and the seedy subjects recall the gritty aesthetic of film noir rather than the utopian optimism of much of the works created in Mexico in the previous decade.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.869.4-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.869.4-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.869.4-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.869.4-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5015", "Disp_Access_No" : "1992.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "New York Night", "Alt_Title" : "", "Obj_Title" : "New York Night", "Series_Title" : "", "Disp_Maker_1" : "Howard Cook", "Sort_Artist" : "Cook, Howard", "Disp_Dimen" : "40.9 cm x 47.2 cm (16 1/8 in. x 18 9/16 in.)", "Disp_Height" : "40.9 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.54.tif", "IsPrimary" : "1", "_SurrogateID" : "1621", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19556, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19556", "Disp_Access_No" : "2010.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Alt_Title" : "", "Obj_Title" : "Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome", "Series_Title" : "", "Disp_Maker_1" : "Richard Cooper, Jr.", "Sort_Artist" : "Cooper, Jr., Richard", "Disp_Dimen" : "52.8 cm x 58.3 cm (20 13/16 in. x 22 15/16 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "58.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.63.tif", "IsPrimary" : "1", "_SurrogateID" : "8222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17678", "Disp_Access_No" : "2005.163", "_AccNumSort1" : "", "Disp_Create_DT" : "1820", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1820", "Disp_Title" : "Very Unpleasant Weather", "Alt_Title" : "", "Obj_Title" : "Very Unpleasant Weather", "Series_Title" : "", "Disp_Maker_1" : "George Cruikshank", "Sort_Artist" : "Cruikshank, George", "Disp_Dimen" : "24.9 cm x 39.4 cm (9 13/16 in. x 15 1/2 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.163.tif", "IsPrimary" : "1", "_SurrogateID" : "8334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4324", "Disp_Access_No" : "2002.1581", "_AccNumSort1" : "", "Disp_Create_DT" : "1901", "_Disp_Start_Dat" : "1901", "_Disp_End_Date" : "1901", "Disp_Title" : "La Place de Saint-Georges, 1899", "Alt_Title" : "", "Obj_Title" : "La Place de Saint-Georges", "Series_Title" : "", "Disp_Maker_1" : "Maurice Delcourt", "Sort_Artist" : "Delcourt, Maurice", "Disp_Dimen" : "40.7 cm x 25.8 cm (16 in. x 10 3/16 in.)", "Disp_Height" : "40.7 cm", "Disp_Width" : "25.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Color woodcut", "Support" : "", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "Maurice Delcourt began as a painter and book illustrator. His first woodcut was published in the journal L’Ymagier in 1895, and in the late 1890s he issued large independent prints of his color woodcuts. These works were cut with a knife on endgrain boxwood and then overprinted with color blocks inked with gelatin colors. An impression of La Place Saint-Georges appeared in L’Estampe nouvelle in 1899 and was exhibited at the Salon of the Société nationale des Beaux-Arts in 1901. Delcourt broke from the tradition of three-dimensional modeling by juxtaposing flat areas of black and white and using expressive curved lines to depict a communicant and her mother in mourning (at left) passing by two elegant young women in the Place Saint Georges.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1581.tif", "IsPrimary" : "1", "_SurrogateID" : "1808", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16931", "Disp_Access_No" : "2003.124", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "La perspective du Pont Neuf de Paris [View of the Pont Neuf in Paris]", "Alt_Title" : "", "Obj_Title" : "La perspective du Pont Neuf de Paris [View of the Pont Neuf in Paris]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "36.4 cm x 69.4 cm (14 5/16 in. x 27 5/16 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "69.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The finest professional etcher in seventeenth-century Italy, Stefano della Bella brought high Baroque style, rich invention, and subtle hand to the interpretation of contemporary and genre subjects. Jacques Callot inspired his interests and early service to the Medici. While working in Rome in the 1630s, he studied art broadly. In Paris in the 1640s, under the patronage of the Cardinal Mazarin and the Duc de Richelieu, he was further influenced by Dutch etching. His late series transcends their genre to achieve real painterliness and anticipate aspects of eighteenth-century etching. This is the masterpiece of della Bella’s period in Paris. The Pont Neuf was the city’s first modern bridge and a popular meeting place. The near ground is a microcosm of French society, from royal carriages and strolling lovers to ruffians and stray animals. At the center of the bridge presides a statue of Henri IV, who had seen the structure completed in 1604. Beyond spreads a westward panorama of the heart of Paris, its monuments identified in the key below. Apparent only in such early impressions, the whole is pervaded by a heavy atmosphere and animated by a sparkling light. Combining genre scene, historical print, and topographic view, it is an extended metaphor of France itself. The collection contains 111 etchings and three fine drawings by della Bella. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Ross, by exchange, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.124.tif", "IsPrimary" : "1", "_SurrogateID" : "2781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4428", "Disp_Access_No" : "1993.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Strand with Sky", "Alt_Title" : "", "Obj_Title" : "Strand with Sky", "Series_Title" : "", "Disp_Maker_1" : "Francis Dodd", "Sort_Artist" : "Dodd, Francis", "Disp_Dimen" : "41.7 cm x 29 cm (16 7/16 in. x 11 7/16 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint with etching", "Support" : "", "Disp_Medium" : "Drypoint with etching", "Info_Page_Comm" : "Dodd was one of the most skilled and discriminating masters of the later etching revival. This view of London's St.-Mary-le-Strand is considered the finest of his more than one hundred architectural subjects. It approaches the work of Charles Meryon in strength of composition and characterization, and that of Whistler in personality of touch and printing. A brilliant impression, with the burr of the drypoint fresh and its contrasts stunning, it complements two fine impressions of portraits by Dodd in the collection's extensive material from the revival.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.87.tif", "IsPrimary" : "1", "_SurrogateID" : "4720", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.87.tif", "IsPrimary" : "0", "_SurrogateID" : "4733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13305", "Disp_Access_No" : "2002.2084", "_AccNumSort1" : "", "Disp_Create_DT" : "1560", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Plate from Scenographiae, Sive Perspectivae, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "Plate from Scenographiae, Sive Perspectivae, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "20.8 cm x 25.8 cm (8 3/16 in. x 10 3/16 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "25.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2084.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2084.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2084.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2084.tif", "IsPrimary" : "1", "_SurrogateID" : "8303", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3987", "Disp_Access_No" : "1996.287", "_AccNumSort1" : "", "Disp_Create_DT" : "1855", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1855", "Disp_Title" : "La rue de la Vieille Lanterne", "Alt_Title" : "", "Obj_Title" : "La rue de la Vieille Lanterne", "Series_Title" : "", "Disp_Maker_1" : "Gustave (Paul Gustave Louis Christophe) Doré", "Sort_Artist" : "Doré, Gustave (Paul Gustave Louis Christophe)", "Disp_Dimen" : "51.1 x 34.8 cm (20 1/8 x 13 11/16 in.)", "Disp_Height" : "51.1 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Doré revived the Romantic language in printmaking to commemorate the death of the great Romantic poet, Gérard de Nerval. Lithography became the favored printmaking technique of the Romantics because the tonal variations and quickness in line allowed expression of the artist’s personality. Doré, in his operatic fashion, interprets the poet Nerval’s suicide which took place in the Rue de la Vieille Lanterne. In the image, Death pulls the soul from Nerval’s dead body toward Heaven, announcing the entry by blowing a horn. Gérard de Nerval was a French Romantic poet whose use of dreams and fantasies exhibit the interrelation of the real and supernatural worlds. The loss of his mother at a young age and the death of his true love, Jenny Colon, were two events that upset his already unstable mental health. During his most creative period in the early-1850s, Nerval was institutionalized at least eight times for severe mental disorders. The work he produced, such as Aurélia (1853-54) and Les Chimères (1854), are at once lyrical and complex. His tortured existence ended when he hung himself from a lamppost in the rue de la Vieille Lanterne in Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.287.tif", "IsPrimary" : "1", "_SurrogateID" : "2817", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10228", "Disp_Access_No" : "1982.897", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Washday in the Tenement", "Alt_Title" : "", "Obj_Title" : "Washday in the Tenement", "Series_Title" : "", "Disp_Maker_1" : "Francisco Dosamantes", "Sort_Artist" : "Dosamantes, Francisco", "Disp_Dimen" : "37.8 cm x 48 cm (14 7/8 in. x 18 7/8 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1972; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.897.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.897.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.897.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.897.tif", "IsPrimary" : "1", "_SurrogateID" : "6904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5750", "Disp_Access_No" : "1982.919", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Puerto [Port]", "Alt_Title" : "", "Obj_Title" : "Puerto [Port]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "48 cm x 31 cm (18 7/8 in. x 12 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.919.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.919.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.919.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.919.tif", "IsPrimary" : "1", "_SurrogateID" : "6907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5751", "Disp_Access_No" : "1982.1240", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Untitled (Subway Turnstile)", "Alt_Title" : "", "Obj_Title" : "Untitled (Subway Turnstile)", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "31.5 cm x 48.2 cm (12 3/8 in. x 19 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "48.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1240.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1240.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1240.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1240.tif", "IsPrimary" : "1", "_SurrogateID" : "6911", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5746", "Disp_Access_No" : "1982.910", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "El subterráneo [Subway]", "Alt_Title" : "The Subway", "Obj_Title" : "El subterráneo [Subway]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "31.5 cm x 48.8 cm (12 3/8 in. x 19 3/16 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "48.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.910.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.910.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.910.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.910.tif", "IsPrimary" : "1", "_SurrogateID" : "6905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10291", "Disp_Access_No" : "1982.908", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Alt_Title" : "Oaxacan Couple", "Obj_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.8 cm x 49.8 cm (25 1/2 in. x 19 5/8 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesús Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially engaged art collective. In this lithograph, the artist reflects on the growth pf urban Mexico in the 1930s and 1940s. As the population and the number of vehicles transporting them increased, so did the need for automatic traffic lights, which Mexico City began installing in the 1930s. Here Escobedo seems to contrast this conspicuous sign of modern living, the electric traffic light, with the appearance of an Indigenous couple, dressed in traditional clothes. The older rhythms of life seemed forever altered by a set of electric signs regulating their movements through the public space.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.908.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.908.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.908.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.908.tif", "IsPrimary" : "1", "_SurrogateID" : "7098", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5748", "Disp_Access_No" : "1982.916", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "El tren elevado [The Elevated Train]", "Alt_Title" : "The Elevated Train", "Obj_Title" : "El tren elevado [The Elevated Train]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "31.7 cm x 47.6 cm (12 1/2 in. x 18 3/4 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "47.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.916.tif", "IsPrimary" : "1", "_SurrogateID" : "1263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5749, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5749", "Disp_Access_No" : "1982.917", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Barcos en el puente de Brooklyn [Boats at the Brooklyn Bridge]", "Alt_Title" : "Boats at the Brooklyn Bridge", "Obj_Title" : "Barcos en el puente de Brooklyn [Boats at the Brooklyn Bridge]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "31.1 cm x 47.6 cm (12 1/4 in. x 18 3/4 in.)", "Disp_Height" : "31.1 cm", "Disp_Width" : "47.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. 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"https://webkiosk.gallerysystems.com/Objects-1/info/3968", "Disp_Access_No" : "1994.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Tourelle, Rue de la Tixanderie [House with a Turret, Rue de la Tixanderie], from Eaux-fortes sur Paris [Etchings of Paris]", "Alt_Title" : "", "Obj_Title" : "Tourelle, Rue de la Tixanderie [House with a Turret, Rue de la Tixanderie], from Eaux-fortes sur Paris [Etchings of Paris]", "Series_Title" : "", "Disp_Maker_1" : "Charles Méryon", "Sort_Artist" : "Méryon, Charles", "Disp_Dimen" : "31.7 cm x 19.9 cm (12 1/2 in. x 7 13/16 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "19.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by the Dean's Associates of the College of Fine Arts and the Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.27.tif", "IsPrimary" : "1", "_SurrogateID" : "4443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17057", "Disp_Access_No" : "2003.148", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Le Petit pont, Paris", "Alt_Title" : "", "Obj_Title" : "Le Petit pont, Paris", "Series_Title" : "", "Disp_Maker_1" : "Charles Méryon", "Sort_Artist" : "Méryon, Charles", "Disp_Dimen" : "26.9 cm x 20.2 cm (10 9/16 in. x 7 15/16 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etching was especially suited to the obsessive detail and subjective feeling that were the hallmark of Charles Méryon’s work. In the first original etching from his principal work, the Eaux-fortes sur Paris [Etchings of Paris], Méryon transformed a familiar view of the city into something vaguely menacing, not only reflecting his delicate state of mind, but also prefiguring modern ambivalence about the urban experience. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase from the Jack S. Blanton Curatorial Endowment and through the generosity of Susan Thomas, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.148.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.148.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.148.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.148.tif", "IsPrimary" : "1", "_SurrogateID" : "3056", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11824", "Disp_Access_No" : "1995.81", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1930's", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Manhattan", "Alt_Title" : "", "Obj_Title" : "Manhattan", "Series_Title" : "", "Disp_Maker_1" : "William Meyerowitz", "Sort_Artist" : "Meyerowitz, William", "Disp_Dimen" : "30.3 cm x 25.2 cm (11 15/16 in. x 9 15/16 in.)", "Disp_Height" : "30.3 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Plate", "Medium" : "Etching (1930) and aquatint from two plates, colored à la poupée", "Support" : "", "Disp_Medium" : "Etching (1930) and aquatint from two plates, colored à la poupée", "Info_Page_Comm" : "For more than seventy years, William Meyerowitz was a vital presence in the culture of New York. A Russian immigrant who settled as a young man on the city’s Lower East Side, he studied painting with William Merritt Chase and etching with Charles Mielatz at the National Academy of Design. A talented musician, he supported himself during this period by singing baritone in the Metropolitan Opera chorus. By the 1920s he had arrived at his mature artistic style, which integrated the personalized touch of the American Impressionists, the vivid palette of the Fauves, and the compositional structures of the European avant-garde. He is best known for his innovations in color printing, involving multiple runs, multiple plates, and complex inkings. Manhattan, one of his preferred subjects in the 1930s, is among the most imposing and vibrant of his color prints. Setting exacting standards for himself, Meyerowitz created his own etching plates, mixed his own inks, and printed all of his works himself, manifesting a truly extraordinary commitment to a lifelong practice. The collection’s 136 prints, including many in multiple states and different color schemes, form the most important holding of Meyerowitz’s etched work. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Girard Jackson, 1995", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.81.tif", "IsPrimary" : "1", "_SurrogateID" : "2707", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5864", "Disp_Access_No" : "1982.1043", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Circo ambulante [Strolling Acrobatic Troupe]", "Alt_Title" : "Strolling Acrobatic Troupe", "Obj_Title" : "Circo ambulante [Strolling Acrobatic Troupe]", "Series_Title" : "", "Disp_Maker_1" : "Francisco Mora", "Sort_Artist" : "Mora, Francisco", "Disp_Dimen" : "50.8 cm x 33.3 cm (20 in. x 13 1/8 in.)", "Disp_Height" : "50.8 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1972; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1043.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1043.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1043.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1043.tif", "IsPrimary" : "1", "_SurrogateID" : "6829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4335", "Disp_Access_No" : "2000.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Österreich auf der Weltausstellung, Paris 1900 [Austria at the International World's Fair, Paris 1900]", "Alt_Title" : "", "Obj_Title" : "Österreich auf der Weltausstellung, Paris 1900 [Austria at the International World's Fair, Paris 1900]", "Series_Title" : "", "Disp_Maker_1" : "Alphonse Mucha", "Sort_Artist" : "Mucha, Alphonse", "Disp_Dimen" : "98.5 cm x 68 cm (38 3/4 in. x 26 3/4 in.)", "Disp_Height" : "98.5 cm", "Disp_Width" : "68 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Though Alphonse Mucha insisted, “Art is eternal, it cannot be new,” his work displays many hallmarks of the Art Nouveau style: curving lines, organic motifs, and a flattened, decorative quality. As a successful commercial artist in turn-of-the-century Paris, Mucha received numerous commissions in advance of the 1900 Paris World’s Fair. This poster was ordered by the Austro-Hungarian Rail Ministry to advertise travel by train to the Fair from Austria. In Mucha’s design, a young male figure unveils a female figure, representing “Paris revealing Austria to the world.” Mucha also created the pavilion décor for Bosnia and Herzegovina, which the Austro-Hungarian Empire had recently annexed; this project left the Czech-born artist conflicted. More than fifty million people attended the 1900 Paris World’s Fair. It featured an exhibition surveying the last ten years of international art, including Symbolist artists Rodolphe Bresdin, Eugène Carrière, Fernand Khnopff, Gustave Moreau, Odilon Redon, and Carlos Schwabe. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John S. and Patricia A. Corcoran, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Czech", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.86.tif", "IsPrimary" : "1", "_SurrogateID" : "1732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6024", "Disp_Access_No" : "1982.1051", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Untitled", "Alt_Title" : "Scavengers", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Rafael Navarro Baraja", "Sort_Artist" : "Navarro Baraja, Rafael", "Disp_Dimen" : "32.5 cm x 25.35 cm (12 13/16 in. x 10 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "25.35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1051.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1051.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1051.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1051.tif", "IsPrimary" : "1", "_SurrogateID" : "6833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1734", "Disp_Access_No" : "1982.1057", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Waiting for Charcoal", "Alt_Title" : "", "Obj_Title" : "Waiting for Charcoal", "Series_Title" : "", "Disp_Maker_1" : "Isidoro Ocampo", "Sort_Artist" : "Ocampo, Isidoro", "Disp_Dimen" : "44 cm x 29.5 cm (17 5/16 in. x 11 5/8 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linoleum cut", "Support" : "", "Disp_Medium" : "Linoleum cut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1057.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1057.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1057.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1057.tif", "IsPrimary" : "1", "_SurrogateID" : "6836", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5397", "Disp_Access_No" : "1982.1070", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Salida 2 [Exit 2]", "Alt_Title" : "Exit 2", "Obj_Title" : "Salida 2 [Exit 2]", "Series_Title" : "", "Disp_Maker_1" : "Isidoro Ocampo", "Sort_Artist" : "Ocampo, Isidoro", "Disp_Dimen" : "65 cm x 49.8 cm (25 9/16 in. x 19 5/8 in.)", "Disp_Height" : "65 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1070.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1070.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1070.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1070.tif", "IsPrimary" : "1", "_SurrogateID" : "7111", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7455", "Disp_Access_No" : "1982.687", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Londrés 1952—4000 personas", "Alt_Title" : "London 1952--4000 Persons", "Obj_Title" : "Londrés 1952—4000 personas", "Series_Title" : "", "Disp_Maker_1" : "Catalina Parra", "Sort_Artist" : "Parra, Catalina", "Disp_Dimen" : "111.7 cm x 77.4 cm (44 in. x 30 1/2 in.)", "Disp_Height" : "111.7 cm", "Disp_Width" : "77.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photo screenprint", "Support" : "", "Disp_Medium" : "Photo screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ronald Christ, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Chilean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.687.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.687.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.687.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.687.tif", "IsPrimary" : "0", "_SurrogateID" : "1248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17385", "Disp_Access_No" : "2004.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1754", "_Disp_Start_Dat" : "1754", "_Disp_End_Date" : "1754", "Disp_Title" : "Veduta del Ponte e Castello Sant' Angelo [View of the Bridge and the Castel S. Angelo], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Veduta del Ponte e Castello Sant' Angelo [View of the Bridge and the Castel S. Angelo], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "47.3 cm x 67.4 cm (18 5/8 in. x 26 9/16 in.)", "Disp_Height" : "47.3 cm", "Disp_Width" : "67.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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