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Adoration of the Shepherds (?)", "Alt_Title" : "", "Obj_Title" : "Study for the Adoration of the Shepherds (?)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "6.83 cm x 7.14 cm (2 11/16 in. x 2 13/16 in.)", "Disp_Height" : "6.83 cm", "Disp_Width" : "7.14 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.837.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.837.tif", 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Huntington Museum Fund, 1984", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.76.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.76.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.76.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.76.tif", "IsPrimary" : "1", "_SurrogateID" : "3376", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8221", "Disp_Access_No" : "1997.396", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Study for an Allegorical Frontispiece", "Alt_Title" : "", "Obj_Title" : "Study for an 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The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.836.tif", "IsPrimary" : "1", "_SurrogateID" : "5732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16183", "Disp_Access_No" : "2017.851", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lucretia", "Alt_Title" : "", "Obj_Title" : "Lucretia", "Series_Title" : "", 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domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.850.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.850.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.850.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.850.tif", "IsPrimary" : "1", "_SurrogateID" : "5724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15962", "Disp_Access_No" : "2017.861", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Three Nudes", "Alt_Title" : "", "Obj_Title" : "Studies of Three Nudes", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, 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"Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11810", "Disp_Access_No" : "1996.185", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "Vase with Two Tritons Embracing, after Enneamond-Alexandre Petitot (recto); Victory with a Putto (verso)", "Alt_Title" : "", "Obj_Title" : "Vase with Two Tritons Embracing, after Enneamond-Alexandre Petitot (recto); Victory with a Putto (verso)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Milanese", "Sort_Artist" : "Anonymous Milanese", "Disp_Dimen" : "21.5 cm x 16.4 cm (8 7/16 in. x 6 7/16 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "16.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink and gray wash over graphite (recto); graphite (verso)", "Support" : "", "Disp_Medium" : "Pen and black ink and gray wash over graphite (recto); graphite (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.185_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.185_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.185_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.185_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "7007", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.185_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.185_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.185_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.185_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "7006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15886", "Disp_Access_No" : "2017.852", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1480s", "_Disp_Start_Dat" : "1480", "_Disp_End_Date" : "1480", "Disp_Title" : "A Monk and a Pope Reading", "Alt_Title" : "", "Obj_Title" : "A Monk and a Pope Reading", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Milanese", "Sort_Artist" : "Anonymous Milanese", "Disp_Dimen" : "11.2 cm x 18.6 cm (4 7/16 in. x 7 5/16 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "18.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over traces of black chalk on ochre prepared paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over traces of black chalk on ochre prepared paper", "Info_Page_Comm" : "This is a very rare and telling example of late 15th-century Milanese drfatsman-ship. The figures’ simple geometry, complicated surfaces, implicit illusionism, inscrutable expression, and, not least, development almost exclusively through wash and extensive heightening are all characteristic of an indigenous tradition. That tradition carries from the late medieval model book -- and despite Leonardo da Vinci’s introduction of the Florentine system of draftsmanship -- through Bramantino and Gaudenzio Ferrari at the beginning of the 16th century to its self-conscious reassertion by the painter-theorist Giovan Paolo Lomazzo at its end. This drawing was previously attributed to Vincenzo Foppa, the first major figure of the modern Milanese school, but bears no particular relation to his work. Much more cognate are the eccentric description, agitated personalities, and specific morphology in Bernardo Butinone’s paintings of the 1480s. If the hooded, seemingly monochrome habits identify these monks as Franciscans, then the pope would be Sixtus IV (fl. 1471-84). Whether a preliminary design or more likely a record of a motif, perhaps for a library, the drawing must correspond to one of the many new Observant foundations of the time in Lombardy. 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Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.872.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.872.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.872.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.872.tif", "IsPrimary" : "1", "_SurrogateID" : "4740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16066", "Disp_Access_No" : "2017.873", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Proserpina", 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The University of Texas at Austin, Gift of Mark Fehrs Haukohl and the Haukohl Family, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.216.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.216.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.216.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.216.tif", "IsPrimary" : "1", "_SurrogateID" : "6998", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16164", "Disp_Access_No" : "2017.1139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690", "_Disp_Start_Dat" : "1685", "_Disp_End_Date" : "1695", "Disp_Title" : "Mercury Leading Geography", "Alt_Title" : "Study for Mercury Leading Geography", "Obj_Title" : "Mercury Leading Geography", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "29.6 cm x 26.1 cm (11 5/8 in. x 10 1/4 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown and gray washes over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown and gray washes over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Rooted in the Genoese school, shaped by a long collaboration with Gianlorenzo Bernini, and inspired specially by Correggio, Baciccio’s style is the most complete expression of the High Baroque in painting. Overwhelming in their illusionism and ecstatic in their spirituality, his frescoes, above all in the Gesù (1672–1683), represent the culmination of Roman ceiling painting. Similarly, his altarpieces, mythological works, and portraits are incomparable in their robust sensuousness and vibrant color. This is a study for an engraved frontispiece in the most important atlas of the period in Rome. Although less known for such projects, Baciccio was a successful designer of book illustration. Surprising on this scale, the undulating rhythm and the intertwined form evoke his monumental decoration. At the same time, the composition is conditioned by the diagonal scheme of the conventional late Baroque. The space is more measured in construction, like that of classical landscape. The attitudes and behavior too seem more systematically conceived and carefully staged. This tempering of Baciccio’s characteristic exuberance would have facilitated the design’s translation into engraving. But it is also symptomatic of his late concessions to academic style. Baciccio’s work is represented in the museum by a portrait painting, two oil sketches, and three other drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1139.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1139.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1139.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1139.tif", "IsPrimary" : "1", "_SurrogateID" : "3329", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15905", "Disp_Access_No" : "2017.1138", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Young Man", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "14.4 cm x 10.9 cm (5 11/16 in. x 4 5/16 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on blue antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk on blue antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1138.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1138.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1138.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1138.tif", "IsPrimary" : "1", "_SurrogateID" : "5726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8438", "Disp_Access_No" : "1987.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1670s", "_Disp_Start_Dat" : "1670", "_Disp_End_Date" : "1670", "Disp_Title" : "Study of the Head of a Young Woman and Hands", "Alt_Title" : "", "Obj_Title" : "Study of the Head of a Young Woman and Hands (Recto); Study of Arms (Verso)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "28.4 cm x 24.6 cm (11 3/16 in. x 9 11/16 in.)", "Disp_Height" : "28.4 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk with traces of white chalk on beige antique laid paper ", "Support" : "", "Disp_Medium" : "Red chalk with traces of white chalk on beige antique laid paper ", "Info_Page_Comm" : "In this group of studies Baciccio’s skillful use of red chalk shows its range. Lines in the young woman’s hair curve and curl like clouds or rapids, light and shadow play out in cross-hatched lines in the lower hand, and color imbues the studies with subtle warmth. This variety points to how the drawing was made and for what purpose. At first glance, the head and lower hand look like they are part of the same figure, with another hand awkwardly reaching for her mouth. A closer look at scale, placement, and cropping reveals that this is probably the left half of a larger sheet of studies from a sketchbook that Baciccio worked from all sides. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the 1987 Friends of the Archer M. Huntington Art Gallery", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.16.tif", "IsPrimary" : "1", "_SurrogateID" : "6292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16108", "Disp_Access_No" : "2017.1143", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Dream of Joseph", "Alt_Title" : "", "Obj_Title" : "The Dream of Joseph", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "27.2 cm x 30.3 cm (10 11/16 in. x 11 15/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Info_Page_Comm" : "Baciccio’s incomparably fluid and brilliantly colored style represented the principle alternative to the academic manner that dominated late century Roman painting. His monumental frescoes, famously that of the vault of the Church of the Gesù, mark the emergence of an important strain of late Baroque decoration. Contemporary with those frescoes, as well as the Collection’s painting of Rinaldo and Armida, this drawing conveys the essence of Baciccio’s style in its dramatic space, rhythmic animation. and lavish technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1143.tif", "IsPrimary" : "1", "_SurrogateID" : "5208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16185", "Disp_Access_No" : "2017.886", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "The Madonna and Child in Glory", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child in Glory", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Badaracco", "Sort_Artist" : "Badaracco, Giuseppe", "Disp_Dimen" : "31.75 cm x 36.83 cm (12 1/2 in. x 14 1/2 in.)", "Disp_Height" : "31.75 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.886.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.886.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.886.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.886.tif", "IsPrimary" : "1", "_SurrogateID" : "5878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.888.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.888.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.888.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.888.tif", "IsPrimary" : "1", "_SurrogateID" : "5729", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16023", "Disp_Access_No" : "2017.892", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Finding of Moses", "Alt_Title" : "", "Obj_Title" : "The Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "21.6 cm x 29.9 cm (8 1/2 in. x 11 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Support" : "", "Disp_Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.892.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.892.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.892.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.892.tif", "IsPrimary" : "1", "_SurrogateID" : "6452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16074", "Disp_Access_No" : "2017.889", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Finding of Moses", "Alt_Title" : "", "Obj_Title" : "Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "26.7 cm x 37.2 cm (10 1/2 in. x 14 5/8 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "37.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and pen and brown ink and brush and gray wash and white heightening on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and pen and brown ink and brush and gray wash and white heightening on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.889.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.889.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.889.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.889.tif", "IsPrimary" : "1", "_SurrogateID" : "5860", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3643", "Disp_Access_No" : "2001.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "Standing Male Nude", "Alt_Title" : "", "Obj_Title" : "Standing Male Nude", "Series_Title" : "", "Disp_Maker_1" : "Pompeo Girolamo Batoni or Studio", "Sort_Artist" : "Batoni or Studio, Pompeo Girolamo", "Disp_Dimen" : "53.1 cm x 40 cm (20 7/8 in. x 15 3/4 in.)", "Disp_Height" : "53.1 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on blue prepared antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on blue prepared antique laid paper", "Info_Page_Comm" : "At the peak of his career, Batoni was one of the most accomplished and celebrated painters not just in Rome but across Europe. Steeped in the study of antique statuary and the classical tradition in painting, from Raphael through Reni, Batoni developed an especially ordered, polished, rhetorically precise version of academic late Baroque draftsmanship. Study of models from life became standard artistic practice and took its conventional forms in the 18th century. Batoni’s are exceptionally sound in structure but sensitive to surface properties. Even more than for most artists, they represent the foundation of his style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.72.tif", "IsPrimary" : "1", "_SurrogateID" : "4107", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16277", "Disp_Access_No" : "2017.898", "_AccNumSort1" : "", "Disp_Create_DT" : "1746", "_Disp_Start_Dat" : "1746", "_Disp_End_Date" : "1746", "Disp_Title" : "Studies of Figures for the 'Fall of Simon Magus' (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Studies of Figures for the 'Fall of Simon Magus' (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Pompeo Batoni", "Sort_Artist" : "Batoni, Pompeo", "Disp_Dimen" : "41.1 cm x 26.9 cm (16 3/16 in. x 10 9/16 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks with traces of black chalk on blue antique laid paper (Recto); Red, white, and black chalks", "Support" : "", "Disp_Medium" : "Red and white chalks with traces of black chalk on blue antique laid paper (Recto); Red, white, and black chalks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.898-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.898-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.898-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.898-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5896", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.898-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.898-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.898-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.898-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6460", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15966", "Disp_Access_No" : "2017.904", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "An Assumption", "Alt_Title" : "", "Obj_Title" : "An Assumption", "Series_Title" : "", "Disp_Maker_1" : "Circle of Antonio Bellucci", "Sort_Artist" : "Bellucci, Circle of Antonio", "Disp_Dimen" : "19.05 cm x 27.31 cm (7 1/2 in. x 10 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.904.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.904.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.904.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.904.tif", "IsPrimary" : "1", "_SurrogateID" : "5734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17833, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17833", "Disp_Access_No" : "2017.906", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Birth of Venus", "Alt_Title" : "", "Obj_Title" : "Birth of Venus", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giulio Benso", "Sort_Artist" : "Benso, Attributed to Giulio", "Disp_Dimen" : "51.5 cm x 40 cm (20 1/4 in. x 15 3/4 in.)", "Disp_Height" : "51.5 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This work is inspired by Cambiaso's large, autonomous drawings of the early 1560s. The hand is more controlled and refined than is typical for Benso. Distinctive are the loose brushstrokes in the reflections. It and several other drawings of identical characteristics have recently been attributed to one Bartolomeo Gagliardo, about whom little is known. Given the egregious quality of these drawings and their proximity to the virtuoso Benso, a cautious attribution to him remains preferable. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.906.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.906.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.906.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.906.tif", "IsPrimary" : "1", "_SurrogateID" : "4741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17245", "Disp_Access_No" : "2004.161", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Alt_Title" : "", "Obj_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giulio Benso", "Sort_Artist" : "Benso, Giulio", "Disp_Dimen" : "29.2 cm x 22.1 cm (11 1/2 in. x 8 11/16 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash (recto)", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash (recto)", "Info_Page_Comm" : "Long after other Genoese artists had turned from Cambiaso's style, Benso adhered to its principles. His monumental fresco decoration is exceptionally systematic in organization and rigorous in perspective. And his drawings insist upon extreme stylization and exaggerated calligraphy. With its underlying geometry, ornamental line, and broad wash, this sheet is characteristic. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.161.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.161.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.161.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.161.tif", "IsPrimary" : "1", "_SurrogateID" : "3079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15980", "Disp_Access_No" : "2017.911", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Section of a Cupola with Putti holding Festoons", "Alt_Title" : "", "Obj_Title" : "A Section of a Cupola with Putti holding Festoons", "Series_Title" : "", "Disp_Maker_1" : "Circle of Gian Lorenzo Bernini", "Sort_Artist" : "Bernini, Circle of Gian Lorenzo", "Disp_Dimen" : "19.69 cm x 27.31 cm (7 3/4 in. x 10 3/4 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, the reverse with an elevation", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, the reverse with an elevation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.911.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.911.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.911.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.911.tif", "IsPrimary" : "1", "_SurrogateID" : "5829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16131", "Disp_Access_No" : "2017.941", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Appearance of Saint Peter to Saints Lucy and Agatha", "Alt_Title" : "Study for the ‘Appearance of Saint Peter to Saints Lucy and Agatha’", "Obj_Title" : "Study for the ‘Appearance of Saint Peter to Saints Lucy and Agatha’", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cades", "Sort_Artist" : "Cades, Giuseppe", "Disp_Dimen" : "28.1 cm x 15.08 cm (11 1/16 in. x 5 15/16 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "15.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down on faded blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down on faded blue antique laid paper", "Info_Page_Comm" : "Individualistic, largely self-taught, and indifferent to the prevailing currents, Cades was the most original painter in late 18th-century Rome. His works are characterized by an evocation of much earlier painting, from the Florentine Mannerists to the Carracci, an uninhibited inventiveness, and a visionary streak that runs toward Fussli and his circle. Brilliant and equally self-styled as a draftsman, Cades was known for a “dangerous” ability to imitate masters of the past. The authorship of this drawing is unmistakable in its exalted references to Veronese, generalized shapes, and Neoclassical typologies. Newly recognized are its novel subject and destination as a major altarpiece for the Duomo at Ascoli Piceno, now in the Pinacoteca Civica. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.941.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.941.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.941.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.941.tif", "IsPrimary" : "1", "_SurrogateID" : "5215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16230", "Disp_Access_No" : "2017.990", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Benedetto in Glory", "Alt_Title" : "Assumption of a Bishop Saint ", "Obj_Title" : "San Benedetto in Glory", "Series_Title" : "", "Disp_Maker_1" : "Francesco Campora", "Sort_Artist" : "Campora, Francesco", "Disp_Dimen" : "36.9 cm x 27.7 cm (14 1/2 in. x 10 7/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink over black chalk on cream antique laid paper; Verso: A Sketch of a Cornice in Profile, in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.990.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.990.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.990.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.990.tif", "IsPrimary" : "1", "_SurrogateID" : "5879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15876, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15876", "Disp_Access_No" : "2017.992", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Clothing a Man", "Alt_Title" : "", "Obj_Title" : "A Woman Clothing a Man", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Domenico Canuti", "Sort_Artist" : "Canuti, Attributed to Domenico", "Disp_Dimen" : "8.57 cm x 14.29 cm (3 3/8 in. x 5 5/8 in.)", "Disp_Height" : "8.57 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.992.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.992.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.992.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.992.tif", "IsPrimary" : "1", "_SurrogateID" : "5723", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16121", "Disp_Access_No" : "2017.999", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moses Striking the Rock", "Alt_Title" : "", "Obj_Title" : "Moses Striking the Rock", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "28.5 cm x 39.4 cm (11 1/4 in. x 15 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Support" : "", "Disp_Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.999.tif", "IsPrimary" : "1", "_SurrogateID" : "5859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8349", "Disp_Access_No" : "2000.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1660s", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Madonna and Child in Glory with Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "20 cm x 11.9 cm (7 7/8 in. x 4 11/16 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "11.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "Carpioni’s painting combines the sensual themes and vibrant color of 16th-century Venetian painting with the compositional rigor and more precise drawing of Baroque classicism and of Poussin in particular. Consistent with this conception, his drawing are unusually numerous and distinctive for a 17th-century Venetian. Most of these are pronounced in contour, regular in hatching, and executed in red chalk. When they relate to a painting, it is usually a mythological subject. This drawing was acquired with a generic attribution to the Venetian school. But its discrete composition, narrow tonal range, soft light, even morphology––delicate and elongated figures, large and flattened patterns of drapery––correspond exactly to a late series of altarpieces by Carpioni. And the touch and types are precisely those of his more familiar drawings. As a preparatory study in black chalk for a religious work, it is apparently unique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.70.tif", "IsPrimary" : "1", "_SurrogateID" : "4073", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15896, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15896", "Disp_Access_No" : "2017.1001", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "A Wooded Landscape with a Faun and Herdsmen", "Alt_Title" : "", "Obj_Title" : "A Wooded Landscape with a Faun and Herdsmen", "Series_Title" : "", "Disp_Maker_1" : "Circle of Annibale Carracci", "Sort_Artist" : "Carracci, Circle of Annibale", "Disp_Dimen" : "12.7 cm x 25.4 cm (5 in. x 10 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "25.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1001.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1001.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1001.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1001.tif", "IsPrimary" : "1", "_SurrogateID" : "5725", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15982", "Disp_Access_No" : "2017.1008", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Massacre of the Innocents (recto); Study of a hand on the verso", "Alt_Title" : "", "Obj_Title" : "The Massacre of the Innocents (recto); Study of a hand on the verso", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Valerio Castello", "Sort_Artist" : "Castello, Attributed to Valerio", "Disp_Dimen" : "19.69 cm x 23.18 cm (7 3/4 in. x 9 1/8 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "23.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1008.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1008.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1008.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1008.tif", "IsPrimary" : "1", "_SurrogateID" : "5731", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16012", "Disp_Access_No" : "2017.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Parting of Abraham and Lot", "Alt_Title" : "", "Obj_Title" : "Parting of Abraham and Lot", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "20.9 cm x 30.7 cm (8 1/4 in. x 12 1/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "5209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15891", "Disp_Access_No" : "2017.1014", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Scene with Warriors and Children", "Alt_Title" : "", "Obj_Title" : "A Classical Scene with Warriors and Children", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "11.75 cm x 36.51 cm (4 5/8 in. x 14 3/8 in.)", "Disp_Height" : "11.75 cm", "Disp_Width" : "36.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1014.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1014.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1014.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1014.tif", "IsPrimary" : "1", "_SurrogateID" : "5727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8398", "Disp_Access_No" : "2000.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1646", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1651", "Disp_Title" : "Christ and the Centurion", "Alt_Title" : "", "Obj_Title" : "Christ and the Centurion", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "14 cm x 21.9 cm (5 1/2 in. x 8 5/8 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite, squared in red chalk", "Info_Page_Comm" : "Valerio Castello’s paintings represent the extreme expression of a subjective and lyrical current in Genoese painting, in turn the farthest and most poetical exploration of Baroque style within a persistently Mannerist framework. Relatively rare––about 50 are known––his drawings are commensurately fluent and vague studies in pen and ink. The Suida-Manning Collection includes a fine painting by the artist, but surprisingly no drawing of certain attribution––the most significant lacuna in its 17th-century Genoese riches. This study corresponds to one of two paintings of around 1647 for the church of Santa Croce and San Camillo at Genoa. It is typical in its shimmering forms, Parmigianesque delicacy, and function as an advanced compositional study despite the appearance of a preliminary idea. Indeed, since the resulting painting was executed partly by an assistant and cut down in an 18th-century renovation of the church, the drawing gives the best idea of Castello’s intention. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's, Australia, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.48.tif", "IsPrimary" : "1", "_SurrogateID" : "4064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15994, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15994", "Disp_Access_No" : "2017.1018", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of the Head of a Goat and Bacchanalian Figures", "Alt_Title" : "", "Obj_Title" : "Studies of the Head of a Goat and Bacchanalian Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "20 cm x 29 cm (7 7/8 in. x 11 7/16 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1018.tif", "IsPrimary" : "1", "_SurrogateID" : "5739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16355", "Disp_Access_No" : "2017.1022", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654-1655", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1655", "Disp_Title" : "Madonna and Child in Glory with an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with an Angel", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "53.5 cm x 39.2 cm (21 1/16 in. x 15 7/16 in.)", "Disp_Height" : "53.5 cm", "Disp_Width" : "39.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted", "Support" : "canvas", "Disp_Medium" : "Oil on antique laid paper mounted on canvas", "Info_Page_Comm" : "Monumental in conception and pictorial in development, this work dramatizes the interrelation of media and character of research in Giovanni Benedetto Castiglione’s art. Brush with oil paint on paper was his preferred graphic technique after around 1650. Although the motif recalls several altarpieces, and its loaded pigment and close brushwork resemble those of a preparatory bozzetto, this study was apparently conceived as an autonomous work. Such studies were the most focused and sustained of Castiglione’s innumerable variations upon motifs established in his paintings. This sketch is also an outstanding example of the complex sources of Castiglione’s mature style. The inspiration of Rubens and Anthony van Dyck is still palpable in the technique, rhythmic articulation, and modulated light. The lyrical touch recalls another early influence, the Genoese works of Giulio Cesare Procaccini. These accommodate, however, later Roman examples: the luminous color of Giovanni Lanfranco and the extravagant form of Gianlorenzo Bernini. Specifically, the haughty Virgin and convulsed angel paraphrase the composition and invert the relationship in the sculptor’s famous Saint Theresa in Ecstasy. Not only was Castiglione in contact with Bernini during his second Roman sojourn, but the Cornaro Chapel was the sculptor’s principal project at the time. The Suida-Manning Collection includes ten works on paper by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1022.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1022.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1022.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1022.tif", "IsPrimary" : "0", "_SurrogateID" : "2587", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15959", "Disp_Access_No" : "2017.1021", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Juno and the Slain Argus", "Alt_Title" : "", "Obj_Title" : "Juno and the Slain Argus", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "18.5 cm x 25.2 cm (7 5/16 in. x 9 15/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1021.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1021.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1021.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1021.tif", "IsPrimary" : "1", "_SurrogateID" : "5740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16214", "Disp_Access_No" : "2017.1020", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1655-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "34.8 cm x 24.5 cm (13 11/16 in. x 9 5/8 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Support" : "", "Disp_Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Info_Page_Comm" : "Numerous artists from the late 16th century onward, and especially those of Venetian experience, occasionally employed oil on paper for preparatory studies of a pronounced pictorial character. Castiglione not only experimented incessantly with the technique, but in his later career adopted it as his preferred means of drawing. Monochrome -- usually the reddish-brown seen here -- and very open brushwork maintained the linear personality of these studies, while the oil selectively impregnated into the paper allowed variation in their resolution, saturation of color, and to an extent even hue. This is an excellent example of this distinctive and often arresting hybrid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1020.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1020.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1020.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1020.tif", "IsPrimary" : "1", "_SurrogateID" : "2733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15928", "Disp_Access_No" : "2017.1025", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Study for the ‘Allegory of Poetry’ or ‘Music’", "Alt_Title" : "Study for the ‘Allegory of Poetry’ or ‘Music’", "Obj_Title" : "Study for the ‘Allegory of Poetry’ or ‘Music’", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "16.2 cm x 20.7 cm (6 3/8 in. x 8 1/8 in.)", "Disp_Height" : "16.2 cm", "Disp_Width" : "20.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and a pale rose wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and a pale rose wash on cream antique laid paper", "Info_Page_Comm" : "This drawing represents an early idea for an especially beautiful late painting, possibly commissioned by the Duke of Mantua, Castiglione’s principal patron from the 1650s onward, presently in a Genoese private collection. Already identifiable are the personification of Poetry at the center, the bacchante to her left, and the satyr to her right. In the finished work, the three figures are more compact in their grouping, and the composition is filled with accouterments at the left. While the subject and format pertain to the Baroque classicism of artists like Poussin and Testa, the drawing’s restless forms and calligraphic line are indelibly Genoese.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1025.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1025.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1025.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1025.tif", "IsPrimary" : "1", "_SurrogateID" : "5738", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16295", "Disp_Access_No" : "2017.1027", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Allegory of Victory", "Alt_Title" : "", "Obj_Title" : "Allegory of Victory", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Sigismundo Caula", "Sort_Artist" : "Caula, Attributed to Sigismundo", "Disp_Dimen" : "43 cm x 29.2 cm (16 15/16 in. x 11 1/2 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and pen and brown ink with brush and brown wash and white heightening on brown antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and pen and brown ink with brush and brown wash and white heightening on brown antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1027.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1027.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1027.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1027.tif", "IsPrimary" : "1", "_SurrogateID" : "5875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16024", "Disp_Access_No" : "2017.1029", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1603", "_Disp_Start_Dat" : "1598", "_Disp_End_Date" : "1608", "Disp_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Alt_Title" : "Design for a Book Illustration: Saint Peter in Acanthus Scrolls", "Obj_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cesari, called Cavalier d'Arpino", "Sort_Artist" : "Cavalier d'Arpino, Giuseppe Cesari, called", "Disp_Dimen" : "22.2 cm x 16 cm (8 3/4 in. x 6 5/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "By securing the patronage of the papal nephew, Cardinal Pietro Aldobrandini, Giuseppe Cesari became the favorite artist of Clement VIII. Among his major commissions was designing the mosaics in the cupola of St. Peter’s. This is one of three surviving studies for an early version of that project. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1029.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1029.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1029.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1029.tif", "IsPrimary" : "1", "_SurrogateID" : "5688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16252", "Disp_Access_No" : "2017.1031", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints Bartholomew and Anthony Abbot", "Series_Title" : "", "Disp_Maker_1" : "Giacomo Cavedone", "Sort_Artist" : "Cavedone, Giacomo", "Disp_Dimen" : "39.2 cm x 26.2 cm (15 7/16 in. x 10 5/16 in.)", "Disp_Height" : "39.2 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white oil pigment on brown prepa", "Info_Page_Comm" : "This oil sketch has been newly recognized as a study for the altarpiece of 1657 at Bondanello di Castelmaggiore (Bologna), itself first published in 1990. Trained by Lodovico Carracci and then drawn toward Venetian art, Cavedone was a leading painter in Bologna through the 1620s. Following personal misfortunes that began with the plague of 1630, his work slowed and, tradition has it, the interest of his work declined precipitously. The Bondanello altarpiece and now this drawing reveal a style by then out of fashion but all the more admirable in its vigor and dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preparatory study for the figure at the lower right of the fresco of the Purification, over the entrance door in the church of San Luca, Genoa (Jonathan Bober, 6/22/04). ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1031.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1031.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1031.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1031.tif", "IsPrimary" : "1", "_SurrogateID" : "5210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8256", "Disp_Access_No" : "1987.17", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605-1610", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1610", "Disp_Title" : "Saint Francis in Supplication", "Alt_Title" : "", "Obj_Title" : "Saint Francis in Supplication", "Series_Title" : "", "Disp_Maker_1" : "Cerano (Giovanni Battista Crespi)", "Sort_Artist" : "Cerano (Giovanni Battista Crespi)", "Disp_Dimen" : "23.3 cm x 18.1 cm (9 3/16 in. x 7 1/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk on cream antique laid paper", "Info_Page_Comm" : "As Saint Francis stands in prayer, the stigmata—wounds Jesus sustained during his crucifixion—appear on his hands, signaling the saint’s purity and willingness to sacrifice for others. His appeal comes after witnessing the violent impact of the Crusades on Christian, Muslim, and Jewish communities in North Africa in 1219. Geography and geology affect the color of red chalk, which can vary from bluish-red to light orange. Chalks found in Italy, Turkey, and North Africa vary in color and composition, and even within regions subtle differences arise from environmental conditions. Geologic heating and cooling of rock and clay, chemical composition, and the presence of water affect iron oxide and may account for the rich color of Cerano’s chalk. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.17.tif", "IsPrimary" : "1", "_SurrogateID" : "1423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16052", "Disp_Access_No" : "2017.1037", "_AccNumSort1" : "", "Disp_Create_DT" : "1757-59", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Philip Destroying the Idol", "Alt_Title" : "Saint Philip Destroying the Idol with His Word", "Obj_Title" : "Saint Philip Destroying the Idol", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Cestaro", "Sort_Artist" : "Cestaro, Jacopo", "Disp_Dimen" : "23.5 cm x 38.4 cm (9 1/4 in. x 15 1/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray and brown washes over black chalk on cream antique lalid paper, squared in black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray and brown washes over black chalk on cream antique lalid paper, squared in black chalk", "Info_Page_Comm" : "A pupil and follower of Francesco Solimena, Cestaro retained something of his master’s gift for large-scale decoration while tempering the vibrant eccentricities and stressing the classicizing component. His first dated work is the vast decoration, in fresco and on canvas, of the church of Santi Filippo e Giacomo in Naples (1757-59). This is a study for one of the compositions, also seen in an oil sketch that recently appeared on the art market. The grandiose types and the dramatic modulation of light owe to Solimena, but they are contained by a simpler measure, more compact form, and more deliberate handling that reflect general developments.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1037.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1037.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1037.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1037.tif", "IsPrimary" : "1", "_SurrogateID" : "5770", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16137", "Disp_Access_No" : "2017.1052", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1715", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1720", "Disp_Title" : "Saint Dominic Resuscitating a Mason", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Resuscitating a Mason", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Conca", "Sort_Artist" : "Conca, Sebastiano", "Disp_Dimen" : "29.8 cm x 19.1 cm (11 3/4 in. x 7 1/2 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "19.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash and white heightening over black chalk on beige antique laid paper, squared in graphite; Verso: Two Studies of Male Heads, in red chalk, and Studies of Legs, Feet and the Bust of a Man, in red and black c", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash and white heightening over black chalk on beige antique laid paper, squared in graphite; Verso: Two Studies of Male Heads, in red chalk, and Studies of Legs, Feet and the Bust of a Man, in red and black c", "Info_Page_Comm" : "The preeminent painter in early 18th-century Rome, Conca carried on the late Baroque classicism of Carlo Maratta, at first with the fluid rhythms, iridescent color, and sentimentalism of his Neapolitan training with Francecso Solimena, then with an ever greater disciplining of form and expression that point toward Neoclassicism. His very first public commission in Rome (1714) was an altarpiece of the Madonna of the Rosary for San Clemente. Its overwhelming success led to an immediate request for a pendant painting. This unpublished drawing is a compositional study for that second altarpiece. The elaboration of the study is so pictorial (and now properly legible following treatment to reverse the oxidation of its heightening) and the discrepancies between it and the painting are so minor -- not to mention the squaring of the design for transfer -- that is must have served as the model. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1052.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1052.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1052.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1052.tif", "IsPrimary" : "1", "_SurrogateID" : "5211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16232", "Disp_Access_No" : "2017.1055", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Battle of Centaurs and Lapiths", "Alt_Title" : "", "Obj_Title" : "The Battle of Centaurs and Lapiths", "Series_Title" : "", "Disp_Maker_1" : "Copy after Pietro Berrettini, called Pietro da Cortona", "Sort_Artist" : "Cortona, Copy after Pietro Berrettini, called Pietro da", "Disp_Dimen" : "36.83 cm x 46.99 cm (14 1/2 in. x 18 1/2 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "46.99 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on two pieces of paper", "Support" : "", "Disp_Medium" : "Black chalk on two pieces of paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1055.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1055.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1055.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1055.tif", "IsPrimary" : "1", "_SurrogateID" : "5905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15958", "Disp_Access_No" : "2017.1066", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "18.2 cm x 24.2 cm (7 3/16 in. x 9 1/2 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "Reacting against the formulae of late Baroque painting, Creti attempted to return classicism to its first principles, in the art of Guido Reni. The result of this idiosyncratic conservatism, seen to advantage in the Collection’s Lady with a String of Pearls, is an extreme refinement of form and color, a suppression of affect, and a precarious beauty. The same ideality and relationship to Bolognese tradition are evident in Creti’s drawings. Mostly in pen-and-ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and ellipses. An especially sure and synthetic study of a full composition, the present drawing is probably an alternative design for one of the frescoes of the life of Alexander the Great painted for the Duke of Novellara around 1700, but long lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1066.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1066.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1066.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1066.tif", "IsPrimary" : "1", "_SurrogateID" : "5773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15996", "Disp_Access_No" : "2017.1070", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of a Satyr and Diana (recto); Study of Diana (verso)", "Alt_Title" : "A Nude, Diana and other Studies", "Obj_Title" : "Studies of a Satyr and Diana (recto); Study of Diana (verso)", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "20.3 cm x 19.6 cm (8 in. x 7 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper (recto); pen and brown ink (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper (recto); pen and brown ink (verso)", "Info_Page_Comm" : "Reacting against the formulae of academic Baroque painting, Creti attempted to return to the style’s first principles in the art of Guido Reni. The same ideality and affirmation of Bolognese tradition are evident in his drawings. Mostly in pen and ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and abbreviations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6681", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6680", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17111", "Disp_Access_No" : "2017.1069.b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of a Young Male Figure", "Alt_Title" : "", "Obj_Title" : "Bust of a Young Male Figure", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "11.43 cm x 11.43 cm (4 1/2 in. x 4 1/2 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "11.43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1069.b.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1069.b.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1069.b.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1069.b.tif", "IsPrimary" : "1", "_SurrogateID" : "6480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16489, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16489", "Disp_Access_No" : "2017.1069.a", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of a Woman with an Attendant Figure", "Alt_Title" : "", "Obj_Title" : "Bust of a Woman with an Attendant Figure", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "11.43 cm x 11.43 cm (4 1/2 in. x 4 1/2 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "11.43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1069.a.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1069.a.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1069.a.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1069.a.tif", "IsPrimary" : "1", "_SurrogateID" : "6466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17113", "Disp_Access_No" : "2017.1069.d", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of Cleopatra Dissolving a Pearl", "Alt_Title" : "", "Obj_Title" : "Bust of Cleopatra Dissolving a Pearl", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "11.43 cm x 11.43 cm (4 1/2 in. x 4 1/2 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "11.43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1069.d.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1069.d.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1069.d.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1069.d.tif", "IsPrimary" : "1", "_SurrogateID" : "6481", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17112", "Disp_Access_No" : "2017.1069.c", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of a Alexander the Great (?)", "Alt_Title" : "", "Obj_Title" : "Bust of a Alexander the Great (?)", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "11.43 cm x 11.43 cm (4 1/2 in. x 4 1/2 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "11.43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1069.c.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1069.c.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1069.c.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1069.c.tif", "IsPrimary" : "1", "_SurrogateID" : "6473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16271", "Disp_Access_No" : "2017.1076", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700s", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Flying Angel", "Alt_Title" : "", "Obj_Title" : "Flying Angel", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "40.1 cm x 30.6 cm (15 13/16 in. x 12 1/16 in.)", "Disp_Height" : "40.1 cm", "Disp_Width" : "30.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, squared twice in black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, squared twice in black chalk", "Info_Page_Comm" : "The counterpart to Piola’s predictable elegance in late-century Genoa, Gregorio offered a practically expressionistic interpretation of the same basic language. Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures distend and deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This is an excellent example of his draftsmanship and style in general. The figure has been connected with several paintings of the early 1690s, but the sheet’s more controlled contours, short hatching, and broad wash are typical of his later drawings, and the most similar figure appears reversed in an altarpiece of the early 1700s, the Vision of Saint Isidore Agricola in the church of San Bernardo at Moltedo.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1076.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1076.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1076.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1076.tif", "IsPrimary" : "1", "_SurrogateID" : "5214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16146", "Disp_Access_No" : "2017.1080", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Bacchus Playing with a Leopard and a Young Satyr", "Alt_Title" : "The Infant Bacchus", "Obj_Title" : "Young Bacchus Playing with a Leopard and a Young Satyr", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "28.9 cm x 20.7 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "20.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1080.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1080.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1080.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1080.tif", "IsPrimary" : "1", "_SurrogateID" : "4738", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16270, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16270", "Disp_Access_No" : "2017.1078", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martyrdom of Saint Stephen", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Stephen", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "23.8 cm x 13.8 cm (9 3/8 in. x 5 7/16 in.)", "Disp_Height" : "23.8 cm", "Disp_Width" : "13.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite, with black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite, with black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1078.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1078.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1078.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1078.tif", "IsPrimary" : "1", "_SurrogateID" : "5753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16501", "Disp_Access_No" : "2017.1079", "_AccNumSort1" : "", "Disp_Create_DT" : "1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "Martyrdom of Saint Stephen", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Stephen ", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "40.2 cm x 26 cm (15 13/16 in. x 10 1/4 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Info_Page_Comm" : "Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This drawing represents a step in the preparation of the composition and then the architectural setting of an altarpiece. While neither this work nor its commission has been identified, its importance can be gathered from the care of this study, and its possibly French destination from the crest of the Rochelle family at the top of a second study. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1079.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1079.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1079.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1079.tif", "IsPrimary" : "1", "_SurrogateID" : "5862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16498, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16498", "Disp_Access_No" : "2017.1082", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cupid and Psyche", "Alt_Title" : "", "Obj_Title" : "Cupid and Psyche", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1082.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1082.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1082.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1082.tif", "IsPrimary" : "1", "_SurrogateID" : "5779", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16120", "Disp_Access_No" : "2017.1081", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Continence of Scipio", "Alt_Title" : "", "Obj_Title" : "Continence of Scipio", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "27.8 cm x 20.9 cm (10 15/16 in. x 8 1/4 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Support" : "", "Disp_Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1081.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1081.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1081.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1081.tif", "IsPrimary" : "1", "_SurrogateID" : "5778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16162", "Disp_Access_No" : "2017.1086", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Saint Christopher", "Alt_Title" : "", "Obj_Title" : "The Madonna and Saint Christopher", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "29.53 cm x 20.96 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.53 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1086.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1086.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1086.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1086.tif", "IsPrimary" : "1", "_SurrogateID" : "5776", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16296", "Disp_Access_No" : "2017.1083", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1738", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1743", "Disp_Title" : "Dancing Angel with Cymbals", "Alt_Title" : "", "Obj_Title" : "Dancing Angel with Cymbals", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "43 cm x 29.4 cm (16 15/16 in. x 11 9/16 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "29.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on gray-green antique laid paper, squared in black chalk.", "Support" : "", "Disp_Medium" : "Black and white chalks on gray-green antique laid paper, squared in black chalk.", "Info_Page_Comm" : "This is one of several extant preparatory studies for the angels that decorate the cupola of the Chapel of Saint Stanislao, one of the four secondary domes in Genoa’s principal Jesuit church, Sant’Ambrogio. By this late stage of Lorenzo’s development, in his paintings and drawings, the reference to the earliest exponents of classical Baroque style, and to Domenichino in particular, is explicit. Undiminished in his instinct and competence as a decorator in the tradition of his city and family, Lorenzo at this stage also bears relation to French academic painting and portends the rise of Neoclassicism", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1083.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1083.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1083.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1083.tif", "IsPrimary" : "1", "_SurrogateID" : "5882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8479", "Disp_Access_No" : "2000.66", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1695-1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1700", "Disp_Title" : "Minerva in Triumph", "Alt_Title" : "", "Obj_Title" : "Minerva in Triumph", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "20.9 cm x 18.7 cm (8 1/4 in. x 7 3/8 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "The Suida-Manning Collection includes De Ferrari’s large, highly finished study for an illusionistic ceiling decoration with Hercules in triumph (at left). The present drawing describes a similar aperture, comparably heroic figure (probably Minerva), and, above each of them, the identical motif of an angel with a crown and putto with a palm frond. It represents the preliminary stage of a closely related project. The leading painter at Genoa in the early 18th century, Lorenzo translated the extravagant decorative painting of his father, Gregorio, into a more conventional and classically tempered style. The conception of both compositions depends upon a series of decorations realized by Gregorio in the late 1680s and 1690s. The graphic style of both drawings corroborates an early date; for all its inventiveness, the finished Hercules betrays some awkwardness, while the Minerva closely follows Gregorio’s vibrant pen-and-wash manner. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.66.tif", "IsPrimary" : "1", "_SurrogateID" : "4071", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16112", "Disp_Access_No" : "2017.1084", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Helena", "Alt_Title" : "", "Obj_Title" : "Saint Helena", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "27.31 cm x 21.59 cm (10 3/4 in. x 8 1/2 in.)", "Disp_Height" : "27.31 cm", "Disp_Width" : "21.59 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1084.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1084.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1084.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1084.tif", "IsPrimary" : "1", "_SurrogateID" : "5777", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16328", "Disp_Access_No" : "2017.1087", "_AccNumSort1" : "", "Disp_Create_DT" : "1690s", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1690", "Disp_Title" : "Triumph of Hercules", "Alt_Title" : "Hercules Crowned by Victory ", "Obj_Title" : "Triumph of Hercules", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "48.2 cm x 36.3 cm (19 in. x 14 5/16 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash with white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash with white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Son and pupil of Gregorio de Ferrari, Lorenzo carried on his father’s extravagant decorative manner while imposing a more conventional, academic order first gathered from the Bolognese active in Genoa, then reinforced by the classical Baroque tradition he experienced on a trip to Rome. This grand study for an illusionistic ceiling fresco epitomizes this style at an early stage, with its composition dependent upon one realized by Gregorio for the Palazzo Balbi-Senarega in the mid 1680s, but its construction more regular, forms more conventional, and handling more restrained. Despite its scale and elaborateness, the drawing is not connected with any known work by Lorenzo.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1087.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1087.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1087.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1087.tif", "IsPrimary" : "1", "_SurrogateID" : "2678", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16282", "Disp_Access_No" : "2017.1085", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael", "Alt_Title" : "", "Obj_Title" : "Saint Michael", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "41.28 cm x 27.31 cm (16 1/4 in. x 10 3/4 in.)", "Disp_Height" : "41.28 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1085.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1085.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1085.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1085.tif", "IsPrimary" : "1", "_SurrogateID" : "5893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15974", "Disp_Access_No" : "2017.1090", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1659", "Disp_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "19.2 cm x 26.5 cm (7 9/16 in. x 10 7/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Support" : "", "Disp_Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Info_Page_Comm" : "Della Bella was a remarkably prolific etcher and draftsman in just this light, densely worked, and rather automatic hand. Succeeding Jacques Callot as the official printmaker to the Medici, della Bella maintained the range and character of his subject matter, principally court life, everyday events, and familiar settings. But his graphic style is distinct, inspired initially by the etchings of Claude Lorrain, then by the drawings of Pietro da Cortona, so that at least its formal aspects pertain to the High Baroque. This is a delightful example of della Bella’s late style, corresponding in subject and format to a series of hunts that he etched around 1654, although not directly related to any. The drawing’s verso includes two minutely varied studies for the horseman, typical of a working method no less refined than his hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "18887", "Rel_Obj_Title" : "Stag Hunt, from The Hunts of Different Animals" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/37.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5216", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1090-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1090-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1090-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1090-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6448", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16021", "Disp_Access_No" : "2017.1089", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Male Nude Pounding", "Alt_Title" : "A Male Nude with Arm Upraised", "Obj_Title" : "A Male Nude Pounding", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "21.6 cm x 19.7 cm (8 1/2 in. x 7 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk with faint squaring in black chalk on ivory antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Red chalk with faint squaring in black chalk on ivory antique laid paper mounted on paper", "Info_Page_Comm" : "Very few red chalk drawings by Stefano Della Bella survive. A collector of Rembrandt’s prints and influenced by Jacques Callot, he preferred layering washes of gray or golden inks with black chalk to red chalk. Working rapidly, he would often flip the sheet and rework the drawing on the other side from the ghost image coming through the paper. At the edges of this drawing, stains confirm that the paper is glued down, preventing us from comfirming that it is a two-sided drawing. Della Bella’s delicate lines contrast with the intensity of the moment. Barely visible in the man’s raised hand is an object with three knobs. Supporting himself with the other arm, his whole body braces before the strike. His hair flows back, his mouth rages, and muscles strain. These are attributes normally associated with Samson who “with the jaw of an ass” killed “a thousand men” (Judges 15:16), but the drawing could also be a study of a man hammering, casting back to ten-year-old Della Bella’s apprenticeship in the shop of a metalsmith. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1089.tif", "IsPrimary" : "1", "_SurrogateID" : "5751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15902", "Disp_Access_No" : "2017.1088", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Madonna and Child", "Alt_Title" : "", "Obj_Title" : "A Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "13.97 cm x 12.07 cm (5 1/2 in. x 4 3/4 in.)", "Disp_Height" : "13.97 cm", "Disp_Width" : "12.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1088.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1088.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1088.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1088.tif", "IsPrimary" : "1", "_SurrogateID" : "5752", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15983", "Disp_Access_No" : "2017.1091", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Personification of Geography (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Personification of Geography (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Attributed to Giuseppe", "Disp_Dimen" : "19.69 cm x 13.65 cm (7 3/4 in. x 5 3/8 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink (recto); red chalk (verso) on laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink (recto); red chalk (verso) on laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1091.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1091.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1091.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1091.tif", "IsPrimary" : "1", "_SurrogateID" : "5742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16113", "Disp_Access_No" : "2017.1092", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Decollation of a Female Saint (recto); Lot and His Daughters (verso)", "Alt_Title" : "", "Obj_Title" : "Decollation of a Female Saint (recto); Lot and his Daughters (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Giuseppe", "Disp_Dimen" : "27.31 cm x 20.32 cm (10 3/4 in. x 8 in.)", "Disp_Height" : "27.31 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk, pen and brown ink", "Support" : "", "Disp_Medium" : "Black and red chalk, pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1092.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1092.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1092.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1092.tif", "IsPrimary" : "1", "_SurrogateID" : "5743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16274", "Disp_Access_No" : "2017.1093", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Sacrifice", "Alt_Title" : "", "Obj_Title" : "A Sacrifice", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Gaspare Diziani", "Sort_Artist" : "Diziani, Attributed to Gaspare", "Disp_Dimen" : "40.64 cm x 31.12 cm (16 in. x 12 1/4 in.)", "Disp_Height" : "40.64 cm", "Disp_Width" : "31.12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1093.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1093.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1093.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1093.tif", "IsPrimary" : "1", "_SurrogateID" : "5903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17124", "Disp_Access_No" : "2004.89", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Victory (recto), Study of a Female Figure and the Bust of a Woman in Profile (verso)", "Alt_Title" : "", "Obj_Title" : "Personification of Victory (recto), Study of a Female Figure and the Bust of a Woman in Profile (verso)", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "14.3 cm x 24.8 cm (5 5/8 in. x 9 3/4 in.)", "Disp_Height" : "14.3 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk (recto) red chalk..", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk (recto) red chalk..", "Info_Page_Comm" : "A follower of Sebastiano Ricci, Diziani is distinguished by a sharp, angular mode of design, a relatively cool, silvery palette, and widespread activity across Venetian territory. Between 1717 and 1722 he was also active in Munich and Dresden. This sheet is characteristic of his exceptionally loose and vibrant draftsmanship. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.89.tif", "IsPrimary" : "1", "_SurrogateID" : "3080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16093", "Disp_Access_No" : "2017.1094", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "26.1 cm x 57.4 cm (10 1/4 in. x 22 5/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Info_Page_Comm" : "Diziani was a distinguished follower of Sebastiano Ricci who took the master’s style toward a more angular design, compact form, and subdued palette. Always active for his native Belluno and throughout the northern Veneto, he became the leading painter in Venice itself in the 1750s, after the demise of the school’s great first generation and Tiepolo’s work abroad. Diziani was a fecund draftsman in a style also derived form Ricci, but with a more filigreed line and concentrated use of wash to define form. This is an impressive example of his mature style, rendering a subject he treated on numerous occasions in painting and drawing, but not directly related to any.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1094.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1094.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1094.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1094.tif", "IsPrimary" : "1", "_SurrogateID" : "5899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16114", "Disp_Access_No" : "2017.1095", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personifications of Venice and the Arts", "Alt_Title" : "", "Obj_Title" : "Personifications of Venice and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "27.31 cm x 33.02 cm (10 3/4 in. x 13 in.)", "Disp_Height" : "27.31 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and gray wash, gray wash", "Support" : "", "Disp_Medium" : "Pen and gray wash, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1095.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1095.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1095.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1095.tif", "IsPrimary" : "1", "_SurrogateID" : "5775", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16249", "Disp_Access_No" : "2017.1112", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620-1621", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1621", "Disp_Title" : "Christ Appearing to the Virgin", "Alt_Title" : "Christ Appearing to his Mother", "Obj_Title" : "Christ Appearing to the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Domenico Fetti", "Sort_Artist" : "Fetti, Domenico", "Disp_Dimen" : "38.6 cm x 32.1 cm (15 3/16 in. x 12 5/8 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "32.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Red chalk on cream antique laid paper mounted on paper", "Info_Page_Comm" : "Barely discernible through a web of lines, Mary, in a pose typical of the Annunciation, kneels in the lower left corner and turns toward a vision of her rising son. At right Adam bears the true cross while onlookers from the Old Testament—including David with his harp and a horned Moses—crowd the sides of the drawing. Ideal for studies, red chalk allows artists to draw quickly. In this devotional drawing, Domenico Fetti deftly knits figures from the Old and New Testament together with rippling lines and scribbles.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1112.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1112.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1112.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1112.tif", "IsPrimary" : "1", "_SurrogateID" : "3330", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15916", "Disp_Access_No" : "2017.1113", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "Head of a Woman", "Series_Title" : "", "Disp_Maker_1" : "Domenico Fetti", "Sort_Artist" : "Fetti, Domenico", "Disp_Dimen" : "15.3 cm x 12.7 cm (6 in. x 5 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, slight white", "Support" : "", "Disp_Medium" : "Black chalk, slight white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1113.tif", "ThumbnailPath" : 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"Disp_Medium" : "Pen and dark brown ink on cream antique laid paper laid down on blue green-prepared antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1116.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1116.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1116.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1116.tif", "IsPrimary" : "1", "_SurrogateID" : "5761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16208", "Disp_Access_No" : "2017.1121", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "34.29 cm x 24.45 cm (13 1/2 in. x 9 5/8 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1121.tif", "IsPrimary" : "1", "_SurrogateID" : "5780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16050", "Disp_Access_No" : "2017.1117", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Design for a Fan with Apollo and Daphne", "Alt_Title" : "", "Obj_Title" : "A Design for a Fan with Apollo and Daphne", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "23.18 cm x 38.42 cm (9 1/8 in. x 15 1/8 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "38.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1117.tif", "IsPrimary" : "1", "_SurrogateID" : "5883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16152", "Disp_Access_No" : "2017.1120", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "29.3 cm x 21.6 cm (11 9/16 in. x 8 1/2 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper", "Info_Page_Comm" : "Fontebasso was, with Gaspare Diziani, the most interesting of the secondary masters in 18th-century Venice. His style was based upon Sebastiano Ricci’s extroverted color and drama, but simplified in design, infused with a more textured realism gathered from early experiences in Rome and Bologna, and touched by the lighter palette of Tiepolo. Monumental in construction yet charming and vibrant, with its trademark hatching recalling Fontebasso’s significant activity as an etcher, this is one of his finest drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1120.tif", "IsPrimary" : "1", "_SurrogateID" : "5212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16235", "Disp_Access_No" : "2017.1119", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Groom Leading a Horse with Three Figures", "Alt_Title" : "", "Obj_Title" : "Groom Leading a Horse with Three Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "37.9 cm x 26.4 cm (14 15/16 in. x 10 3/8 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1119.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1119.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1119.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1119.tif", "IsPrimary" : "1", "_SurrogateID" : "5885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16238", "Disp_Access_No" : "2017.1124", "_AccNumSort1" : "", "Disp_Create_DT" : "1692", "_Disp_Start_Dat" : "1692", "_Disp_End_Date" : "1692", "Disp_Title" : "Birth of Adonis", "Alt_Title" : "", "Obj_Title" : "Birth of Adonis", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Franceschini", "Sort_Artist" : "Franceschini, Marcantonio", "Disp_Dimen" : "37.9 cm x 26.4 cm (14 15/16 in. x 10 3/8 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray and brown washes, squared in black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray and brown washes, squared in black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Franceschini brought Bolognese classicism to a late Baroque stage, grand decorative service, and clamorous success in the centers of Italy and across Europe, competing with French academic painting on its own terms. His most important patrons outside Italy were the nobles at the court of Vienna, foremost Johann Adam, Prince of Lichtenstein, who commissioned a good forty works over two decades. The Birth of Adonis, presently located in the Festaal of the Garden Palace at Rossau, was one of the first works sent to the Prince. Unpublished, this drawing is the only extant study for the entire composition. Despite its faded condition, the drawing also gives an idea of Franceschini’s celebrated purity and even temper as a draftsman.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1124.tif", "IsPrimary" : "1", "_SurrogateID" : "5755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16070", "Disp_Access_No" : "2017.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Two Angels", "Alt_Title" : "", "Obj_Title" : "Two Angels", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "24.13 cm x 40.64 cm (9 1/2 in. x 16 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "40.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1130.tif", "IsPrimary" : "1", "_SurrogateID" : "5884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16189", "Disp_Access_No" : "2017.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1729", "_Disp_Start_Dat" : "1724", "_Disp_End_Date" : "1734", "Disp_Title" : "A Sibyl", "Alt_Title" : "Saint Martha", "Obj_Title" : "A Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "32.1 cm x 24.5 cm (12 5/8 in. x 9 5/8 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and dark and light gray washes on gray-green antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and dark and light gray washes on gray-green antique laid paper", "Info_Page_Comm" : "Trained in Florence and Bologna, Galeotti was a late, exuberant decorator in the High Baroque tradition of Pietro da Cortona. In Genoa, his style represented a more analytical and structured alternative to the indigenous styles of Piola, de Ferrari, and their followers. His first project in the city was the decoration of the nave vault and cupola in Santa Maria Maddalena with scenes from the life of the eponymous saint. This drawing is a preparatory study for the Saint Martha, a sister of the Magdalene, which occupies the cupola’s southwest pendentive. Characteristic of Galeotti’s drawings are its amplitude, exaggerated foreshortening, faceted surface, and layered technique. The Collection includes three other drawings of the same technique, comprising an important nucleus of the artist’s graphic work. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1127.tif", "IsPrimary" : "0", "_SurrogateID" : "2610", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16233", "Disp_Access_No" : "2017.1129", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Education of the Virgin with two Saints", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin with two Saints", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "36.83 cm x 24.45 cm (14 1/2 in. x 9 5/8 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1129.tif", "IsPrimary" : "1", "_SurrogateID" : "5781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16272", "Disp_Access_No" : "2017.1128", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Anthony Baptizing a Child", "Alt_Title" : "", "Obj_Title" : "Saint Anthony Baptizing a Child", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "40.6 cm x 25.9 cm (16 in. x 10 3/16 in.)", "Disp_Height" : "40.6 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1128.tif", "IsPrimary" : "1", "_SurrogateID" : "5782", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16104", "Disp_Access_No" : "2017.1131", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Neptune and Amphitrite (?)", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite (?)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Gaetano Gandolfi", "Sort_Artist" : "Gandolfi, Circle of Gaetano", "Disp_Dimen" : "26.67 cm x 35.56 cm (10 1/2 in. x 14 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "35.56 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1131.tif", "IsPrimary" : "1", "_SurrogateID" : "5783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15979", "Disp_Access_No" : "2017.1132", "_AccNumSort1" : "", "Disp_Create_DT" : "Circa 1790", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1795", "Disp_Title" : "Personification of Astrology", "Alt_Title" : "", "Obj_Title" : "Personification of Astrology", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Gandolfi", "Sort_Artist" : "Gandolfi, Gaetano", "Disp_Dimen" : "19.7 cm x 15.6 cm (7 3/4 in. x 6 1/8 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with bursh and brown wash and watercolor over traces of graphite on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with bursh and brown wash and watercolor over traces of graphite on cream antique laid paper, laid down", "Info_Page_Comm" : "In both their painting and prodigious graphic activity, the Gandolfi were the last significant masters of the Bolognese academic tradition. Gaetano was the central figure, outstanding in any conventional sense but also responsive to contemporary Venetian art and self-consciously flexible in style according to the work’s context and stage of development. As part of an elaborate preparatory process or as extravagant autonomous works, his drawings are characterized by ample volume and rich tonality, but also great movement from a calligraphic line descended from Guercino and a mobile light appropriated from the Tiepolo. Appealingly finished and signed, this drawing was created for presentation, no doubt to one of Gaetano’s many enthusiastic patrons. Reinterpreted with even greater delicacy and an ornamental surround in another drawing (Metropolitan Museum) by his son, Mauro, this same motif would become part part of the decoration of a carriage. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1132.tif", "IsPrimary" : "1", "_SurrogateID" : "5784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16015", "Disp_Access_No" : "2017.1133", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Five Heads", "Alt_Title" : "", "Obj_Title" : "Studies of Five Heads", "Series_Title" : "", "Disp_Maker_1" : "Mauro Gandolfi", "Sort_Artist" : "Gandolfi, Mauro", "Disp_Dimen" : "21.1 cm x 29.1 cm (8 5/16 in. x 11 7/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "Studies of imaginary physiognomy are as old as Italian drawing. Leonardo da Vinci’s famous grotesque heads are the most conspicuous early examples. For Parmigianino such studies were a pretext for exploring stylized appearance and sheer graphic beauty. They also established a distinct tradition in Emilian drawing. The reaction against Mannerism in the late sixteenth century brought a new concern with natural appearance and psychological states. The artistic reform of the Carracci featured their systematic pursuit and conventional expression through life study. By the later seventeenth century, this had become a staple of academic training. The rendering of physiognomic expression was now an explicit artistic research, while imaginary studies were generally relegated to the new realm of caricature. Bolognese artists, however, upheld their early tradition. The school’s principal academic painter of the late eighteenth century, Gaetano Gandolfi, and his son Mauro made a specialty of the genre, transforming it into virtuoso performance for collectors. Gaetano’s studies of the kind are more dense in pattern, coherent in emotion, and regular in articulation. Mauro’s are distinguished by a greater detachment of one motif from another, flourishes about the perimeter, and prominent stipple in the modeling. This is a very fine example, inscribed in French as a gift and thus underscoring its intended function.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "3331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15945, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15945", "Disp_Access_No" : "2017.1135", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules and Omphale", "Alt_Title" : "", "Obj_Title" : "Hercules and Omphale", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "17.4 cm x 23.1 cm (6 7/8 in. x 9 1/8 in.)", "Disp_Height" : "17.4 cm", "Disp_Width" : "23.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1135.tif", "IsPrimary" : "1", "_SurrogateID" : "6446", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15978", "Disp_Access_No" : "2017.1136", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "19.7 cm x 14.5 cm (7 3/4 in. x 5 11/16 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over red chalk, on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over red chalk, on cream antique laid paper", "Info_Page_Comm" : "The pen drawings of Ubaldo Gandolfi combine the dramatic and animated light of contemporary Venetian drawings, like those of Tiepolo, with a more stylized description of forms and a more ornamental line that affirm the Bolognese tradition descending from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1136.tif", "IsPrimary" : "1", "_SurrogateID" : "5789", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16160", "Disp_Access_No" : "2017.1134", "_AccNumSort1" : "", "Disp_Create_DT" : "1760-65", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Design for a Door Handle with a Ship’s Prow", "Alt_Title" : "", "Obj_Title" : "Design for a Door Handle with a Ship’s Prow", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "29.4 cm x 20.4 cm (11 9/16 in. x 8 1/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1134.tif", "IsPrimary" : "1", "_SurrogateID" : "5788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15953", "Disp_Access_No" : "2017.1144", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Study of a Woman (half-length)", "Alt_Title" : "", "Obj_Title" : "Study of a Woman (half-length)", "Series_Title" : "", "Disp_Maker_1" : "Carlo Gennari", "Sort_Artist" : "Gennari, Carlo", "Disp_Dimen" : "17.78 cm x 18.42 cm (7 in. x 7 1/4 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "18.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1144.tif", "IsPrimary" : "1", "_SurrogateID" : "6447", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16224", "Disp_Access_No" : "2017.1149", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Barbara Interceding with the Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Saint Barbara Interceding with the Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Circle of Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Circle of Corrado", "Disp_Dimen" : "35.88 cm x 25.08 cm (14 1/8 in. x 9 7/8 in.)", "Disp_Height" : "35.88 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, heightened with white, on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1149.tif", "IsPrimary" : "1", "_SurrogateID" : "5901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16936", "Disp_Access_No" : "2003.125", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Prophetess Deborah", "Alt_Title" : "", "Obj_Title" : "The Prophetess Deborah", "Series_Title" : "", "Disp_Maker_1" : "Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Corrado", "Disp_Dimen" : "21.1 cm x 24.1 cm (8 5/16 in. x 9 1/2 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "24.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with white heightening", "Support" : "", "Disp_Medium" : "Black chalk with white heightening", "Info_Page_Comm" : "This is the preliminary study for the fresco decoration of a pendentive, one of the four curved sections supporting a dome. Although the specific destination has not yet been identified, Giaquinto was responsible for numerous projects of church decoration in the areas of his native Naples and Rome, where he long worked (1723-53). A pupil of Francesco Solimena, the dominant figure of the late Baroque at Naples, Giaquinto relaxed and lightened his master’s grandiloquent style. Imposing in form but graceful in articulation and engaging, almost charming, in personality, this is a typical drawing of the artist’s maturity. Such autograph drawings are relatively uncommon. 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"Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15970", "Disp_Access_No" : "2017.1161", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies for a Ceiling: Truth with Putti (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Studies for a Ceiling: Truth with Putti (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Guarana", "Sort_Artist" : "Guarana, Jacopo", "Disp_Dimen" : "19.05 cm x 27.94 cm (7 1/2 in. x 11 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1161.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1161.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1161.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1161.tif", "IsPrimary" : "1", "_SurrogateID" : "5790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15971", "Disp_Access_No" : "2017.1174", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Study of a Youth, half-length", "Alt_Title" : "", "Obj_Title" : "Study of a Youth, half-length", "Series_Title" : "", "Disp_Maker_1" : "Follower of Giovanni Francesco Barbieri, called Guercino", "Sort_Artist" : "Guercino, Follower of Giovanni Francesco Barbieri, called", "Disp_Dimen" : "19.05 cm x 15.88 cm (7 1/2 in. x 6 1/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "15.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1174.tif", "IsPrimary" : "1", "_SurrogateID" : "5750", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15930, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15930", "Disp_Access_No" : "2017.1164", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "A Landscape with a Central Tree and Spire", "Alt_Title" : "", "Obj_Title" : "A Landscape with a Central Tree and Spire", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "16.2 cm x 14.6 cm (6 3/8 in. x 5 3/4 in.)", "Disp_Height" : "16.2 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1164.tif", 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domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1165.tif", "IsPrimary" : "1", "_SurrogateID" : "5745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15893", "Disp_Access_No" : "2017.1163", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Franciscan Saint", "Alt_Title" : "", "Obj_Title" : "A Franciscan Saint", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "13.55 cm x 9.53 cm (5 5/16 in. x 3 3/4 in.)", "Disp_Height" : "13.55 cm", "Disp_Width" : "9.53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1163.tif", "IsPrimary" : "1", "_SurrogateID" : "5747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15877, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15877", "Disp_Access_No" : "2017.1172", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Head of a Girl Wearing a Hat and a Necklace", "Alt_Title" : "", "Obj_Title" : "The Head of a Girl Wearing a Hat and a Necklace", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "8.57 cm x 8.57 cm (3 3/8 in. x 3 3/8 in.)", "Disp_Height" : "8.57 cm", "Disp_Width" : "8.57 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1172.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1172.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1172.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1172.tif", "IsPrimary" : "1", "_SurrogateID" : "5746", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15984", "Disp_Access_No" : "2017.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Head of a Boy", "Alt_Title" : "", "Obj_Title" : "The Head of a Boy", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "19.7 cm x 13.9 cm (7 3/4 in. x 5 1/2 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "5749", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15927", "Disp_Access_No" : "2017.1173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Woman in Profile facing Left", "Alt_Title" : "", "Obj_Title" : "Young Woman in Profile facing Left", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "16.2 cm x 12.6 cm (6 3/8 in. x 4 15/16 in.)", "Disp_Height" : "16.2 cm", "Disp_Width" : "12.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on beige antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1173.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1173.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1173.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1173.tif", "IsPrimary" : "1", "_SurrogateID" : "5748", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15976, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15976", "Disp_Access_No" : "2017.1166", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "Andromeda Chained to the Rock", "Alt_Title" : "", "Obj_Title" : "Andromeda Chained to the Rock", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "19.8 cm x 24.4 cm (7 13/16 in. x 9 5/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper, backed", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper, backed", "Info_Page_Comm" : "By the 1640s, with the artist’s continuing conversion of the compelling naturalism of his first style into a more ideal manner, the controlled stroke and regular stipple that earlier characterized drawings for prints could almost as easily appear in preparatory studies for paintings, as well as in his exquisite landscapes. Although differences are apparent, the format of the composition and the position of Andromeda suggest that this was an advanced but alternative design for the painting of 1648 in the Balbi Senarega Collection, Genoa. Backing removed during Conservation is matted separately and stored with drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1166.tif", "IsPrimary" : "1", "_SurrogateID" : "2617", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15933", "Disp_Access_No" : "2017.1167", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Incredulity of Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Incredulity of Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "16.5 cm x 23.6 cm (6 1/2 in. x 9 5/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Info_Page_Comm" : "This is a study for the composition of a painting executed for Bartolomeo Fabri of Cento and today in the National Gallery, London. Characteristic of Guercino’s early draftsmanship are its extraordinary economy in the description of form and rhythm in the movement of line. However preliminary, the drawing not only establishes the basic design -- the position and behavior of the protagonists -- but already suggests the pictorial properties -- the saturated color and intense light -- of the finished work. It is the only drawing known to relate to the paint-ing", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1167.tif", "IsPrimary" : "1", "_SurrogateID" : "5324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15977, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15977", "Disp_Access_No" : "2017.1169", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621-23", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Joseph with the Christ Child Holding a Bird", "Alt_Title" : "The Infant Christ Holding a Bird, and Saint Joseph", "Obj_Title" : "Saint Joseph with the Christ Child Holding a Bird", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "19.6 cm x 25.2 cm (7 11/16 in. x 9 15/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper, laid down", "Info_Page_Comm" : "From very early in Guercino’s career, his drawings were recognized and sought as exceptional works in themselves. Responding to this demand, Guercino collaborated with printmakers to produce reproductions of certain drawings. Often repertory in their approach to subjects, carefully developed and finished but retaining an unmistakable graphic personality, drawings so intended represent a distinct mode of the artist’s style. This is an outstanding example of this mode, similar to a drawing at Windsor Castle that was engraved in 1621, although ap-parently not itself translated into a print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1169.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1169.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1169.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1169.tif", "IsPrimary" : "1", "_SurrogateID" : "6449", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16166", "Disp_Access_No" : "2017.1175", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sisyphus", "Alt_Title" : "", "Obj_Title" : "Sisyphus", "Series_Title" : "", "Disp_Maker_1" : "Style of Giovanni Francesco Barbieri, called Guercino", "Sort_Artist" : "Guercino, Style of Giovanni Francesco Barbieri, called", "Disp_Dimen" : "29.7 cm x 21.1 cm (11 11/16 in. x 8 5/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1175.tif", "IsPrimary" : "1", "_SurrogateID" : "6458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16204", "Disp_Access_No" : "2017.1178", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Saint Anthony of Padua with the Christ Child", "Alt_Title" : "", "Obj_Title" : "Saint Anthony of Padua with the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Guidobono", "Sort_Artist" : "Guidobono, Bartolomeo", "Disp_Dimen" : "33.6 cm x 28 cm (13 1/4 in. x 11 in.)", "Disp_Height" : "33.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with brown and gray washes, brown oil paint and white heightening, partly oxidized, on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush with brown and gray washes, brown oil paint and white heightening, partly oxidized, on beige antique laid paper, laid down", "Info_Page_Comm" : "A pupil of his father, a painter of majolica, then Domenico Piola, Guidobono was the most restrained, technically refined, and sincere of the leading painters in late-century Genoa. The experience of ascendant French painting at Turin, for which he worked regularly, and of Correggio in Parma, where he visited around 1680, inspired his further pursuit of a soft, luminous atmosphere and a precious sentiment in his paintings. The very few drawings attributed to Guidobono are unmistakably related to Piola’s, but less stable in their forms and more tremulous in their washes. Replete with references to the painterly conception of Cas-tiglione’s later studies, redolent of the religious ecstasy of Correggio’s paintings, this previously unpublished drawing is one of Guidobono’s finest. It can be compared with the Collection’s superb painting, probably of the next decade", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1178.tif", "IsPrimary" : "1", "_SurrogateID" : "5865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16319", "Disp_Access_No" : "2017.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fall of Phaeton", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Liberi", "Sort_Artist" : "Liberi, Attributed to Pietro", "Disp_Dimen" : "46.99 cm x 31.75 cm (18 1/2 in. x 12 1/2 in.)", "Disp_Height" : "46.99 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "5902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16154", "Disp_Access_No" : "2017.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Esther, Ahasuerus and Haman", "Alt_Title" : "", "Obj_Title" : "Esther, Ahasuerus and Haman", "Series_Title" : "", "Disp_Maker_1" : "Pietro Ricchi (Lucchese)", "Sort_Artist" : "Ricchi (Lucchese), Pietro", "Disp_Dimen" : "29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and wash heightened with white", "Support" : "", "Disp_Medium" : "Red chalk and wash heightened with white", "Info_Page_Comm" : "In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air. The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335-old.tif", "IsPrimary" : "1", "_SurrogateID" : "5868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11137", "Disp_Access_No" : "1988.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1600s", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Deposition of Christ with the Three Maries", "Alt_Title" : "", "Obj_Title" : "Deposition of Christ with the Three Maries", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Maganza", "Sort_Artist" : "Maganza, Alessandro", "Disp_Dimen" : "23.3 cm (9 3/16 in.)", "Disp_Height" : "", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Alessandro Maganza was the first and most accomplished of a family of artists that dominated late sixteenth- and early seventeenth-century Vicenza. Their paintings generally offer a prosaic interpretation of Tintoretto’s dynamic design, dazzling illumination and broad execution. More distinctive and convincing, their drawings give an angular path a sharper edge to Veronese’s pen work. Recalling both Tintoretto and Veronese’s treatments of the Deposition, this sheet is a fine example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15972", "Disp_Access_No" : "2017.1223", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Matthew", "Alt_Title" : "", "Obj_Title" : "Saint Matthew", "Series_Title" : "", "Disp_Maker_1" : "Circle of Carlo Maratta", "Sort_Artist" : "Maratta, Circle of Carlo", "Disp_Dimen" : "19.05 cm x 14.61 cm (7 1/2 in. x 5 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "14.61 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1223.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1223.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1223.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1223.tif", "IsPrimary" : "1", "_SurrogateID" : "5757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16167", "Disp_Access_No" : "2017.1226", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "previous title: The Madonna and Child, after Desiderio da Settignano", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Agostino Masucci", "Sort_Artist" : "Masucci, Attributed to Agostino", "Disp_Dimen" : "29.85 cm x 20.96 cm (11 3/4 in. x 8 1/4 in.)", "Disp_Height" : "29.85 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1226.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1226.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1226.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1226.tif", "IsPrimary" : "1", "_SurrogateID" : "5791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15987", "Disp_Access_No" : "2017.1225", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "Head of a Woman", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Agostino Masucci", "Sort_Artist" : "Masucci, Attributed to Agostino", "Disp_Dimen" : "19.69 cm x 15.24 cm (7 3/4 in. x 6 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "15.24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalk on blue paper", "Support" : "", "Disp_Medium" : "Red and white chalk on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1225.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1225.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1225.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1225.tif", "IsPrimary" : "1", "_SurrogateID" : "5792", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15995, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15995", "Disp_Access_No" : "2017.1239", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Jerome in a Landscape", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "20.3 cm x 27.2 cm (8 in. x 10 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "27.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1239.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1239.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1239.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1239.tif", "IsPrimary" : "1", "_SurrogateID" : "5759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16040", "Disp_Access_No" : "2017.1238", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Miracle of Domenico Segni", "Alt_Title" : "", "Obj_Title" : "Miracle of Domenico Segni", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "21.1 cm x 36.3 cm (8 5/16 in. x 14 5/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique...", "Info_Page_Comm" : "Against the rising tide of academic classicism in mid-century Rome, Mola maintained a warm, inherently expressive naturalism founded on the example of Annibale Carracci and Guercino, invigorated by his extended stay in Venice, and featuring the depiction of landscape. This is a study for one of three local mira-cles of the Virgin in the cloister of Santa Maria della Quercia at Viterbo, Mola’s first and most important landscapes in fresco. Characteristic of Mola’s drafts-manship are the approximative description, rich and variable tonality, and animated surface, all the result of an exceptionally dense and loose application of washes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1238.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1238.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1238.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1238.tif", "IsPrimary" : "1", "_SurrogateID" : "5758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15990", "Disp_Access_No" : "2017.1243", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1618-1620", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1620", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mazzuchelli, called Morazzone", "Sort_Artist" : "Morazzone, Pier Francesco Mazzuchelli, called", "Disp_Dimen" : "19.8 cm x 18.7 cm (7 13/16 in. x 7 3/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "18.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with white heightening on gray green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with white heightening on gray green antique laid paper, laid down", "Info_Page_Comm" : "The angular pattern of composition and the arbitrary alignment of form are Milanese habits going back at least to Bramantino, made conventional in the school of Gaudenzio Ferrari, and anchored here by the elegant formulae of late-century Rome. The description of form through extensive wash and articulate heightening on colored paper, with no use of pen, is equally characteristic of the same tradition. In both regards Morazzone is completely assured and distinctive within seventeenth-century Milanese art. But his is not just self-conscious reference or nativism. Coherent, intense, and above all optical, the illumination derives from contemporary Rome. Disengaged from naturalistic description, this Caravaggesque contrast between light and shadow becomes abstract and, if recognizable, suggests the action of moonlight. The real expression of this drawing comes not from subject matter nor even from rendered emotion, which is generic and reticent. It arises from the tension between compelling sensation and unfamiliar reality. Supernatural and expressionistic, this style also evokes, and to some extent responded to, the charged spirituality of Federico Borromeo’s Milan—a spirituality insisting upon authority to the point of repressiveness, while exalting individual sensibility to the point of mysticism. Resolute in form and poetic in expression, this drawing is a quintessential example of Morazzone’s art.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1243.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1243.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1243.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1243.tif", "IsPrimary" : "1", "_SurrogateID" : "3361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15937, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15937", "Disp_Access_No" : "2017.1249", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Death with a Crossbow", "Alt_Title" : "", "Obj_Title" : "Death with a Crossbow", "Series_Title" : "", "Disp_Maker_1" : "Filippo Liagno, called Napoletano", "Sort_Artist" : "Napoletano, Filippo Liagno, called", "Disp_Dimen" : "16.5 x 10 cm (6 1/2 x 3 15/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "10 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1249.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1249.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1249.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1249.tif", "IsPrimary" : "1", "_SurrogateID" : "5767", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15992", "Disp_Access_No" : "2017.1252", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mary Magdalen, Mourners and Soldiers from a Deposition", "Alt_Title" : "", "Obj_Title" : "Mary Magdalen, Mourners and Soldiers from a Deposition", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Negri", "Sort_Artist" : "Negri, Attributed to Pietro", "Disp_Dimen" : "20 cm x 33.02 cm (7 7/8 in. x 13 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash, heightened with white on faded blue paper", "Support" : "", "Disp_Medium" : "Brown wash, heightened with white on faded blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1252.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1252.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1252.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1252.tif", "IsPrimary" : "1", "_SurrogateID" : "5760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16115", "Disp_Access_No" : "2017.1261", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1696", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1696", "Disp_Title" : "Antiochus and Stratonice", "Alt_Title" : "", "Obj_Title" : "Antiochus and Stratonice", "Series_Title" : "", "Disp_Maker_1" : "Paolo Pagani", "Sort_Artist" : "Pagani, Paolo", "Disp_Dimen" : "27.5 cm x 54.4 cm (10 13/16 in. x 21 7/16 in.)", "Disp_Height" : "27.5 cm", "Disp_Width" : "54.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash over black chalk on beige antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash over black chalk on beige antique laid paper", "Info_Page_Comm" : "Formed in northernmost Lombardy but trained in Venice, Pagani managed a very personal synthesis of the eccentric expression of his native school with the grand painterly tradition. Between 1690 and 1696, Pagani executed his most important decorative projects for a number of the prince-bishops in Bohemia and Poland. Based upon numerous ancient sources, the subject of this drawing is Antiochus’s love for his step-mother, Stratonice, which is first recognized by the royal doctor and, in an act of moral courage, accepted by his father, Seleucus, aged king of Syria. Pagani not only rendered the moment of the doctor’s diagnosis, but wrote the narration in the margin below. The drawing’s dissolved and slightly delirious style corresponds to that of others associated with his activity in Central Europe. It probably prepared a major composition for one of his patrons’ residences. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1261.tif", "IsPrimary" : "1", "_SurrogateID" : "5325", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16155, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16155", "Disp_Access_No" : "2017.1275", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Lute Player", "Alt_Title" : "", "Obj_Title" : "A Lute Player", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Domenico Parodi", "Sort_Artist" : "Parodi, Attributed to Domenico", "Disp_Dimen" : "29.2 cm x 22.9 cm (11 1/2 in. x 9 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1275.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1275.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1275.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1275.tif", "IsPrimary" : "1", "_SurrogateID" : "5798", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16011", "Disp_Access_No" : "2017.1276", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Design for an Ornamental Sculpture: A Faun and Fauness", "Alt_Title" : "", "Obj_Title" : "Design for an Ornamental Sculpture: A Faun and Fauness", "Series_Title" : "", "Disp_Maker_1" : "Domenico Parodi", "Sort_Artist" : "Parodi, Domenico", "Disp_Dimen" : "20.64 cm x 14.29 cm (8 1/8 in. x 5 5/8 in.)", "Disp_Height" : "20.64 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink and gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1276.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1276.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1276.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1276.tif", "IsPrimary" : "1", "_SurrogateID" : "5793", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15919, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15919", "Disp_Access_No" : "2017.1277", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Man Crowned by a Putto with a Standing Allegorical Figure", "Alt_Title" : "Allegorical Figures of Poetry", "Obj_Title" : "Seated Man Crowned by a Putto with a Standing Allegorical Figure", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Parodi", "Sort_Artist" : "Parodi, Giovanni Battista", "Disp_Dimen" : "15.5 cm x 20.1 cm (6 1/8 in. x 7 15/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "20.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink and brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1277.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1277.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1277.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1277.tif", "IsPrimary" : "1", "_SurrogateID" : "6445", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16092", "Disp_Access_No" : "2017.1284", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sophonisba Preparing to Drink the Poison", "Alt_Title" : "", "Obj_Title" : "Sophonisba Preparing to Drink the Poison", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "26.3 cm x 41.3 cm (10 3/8 in. x 16 1/4 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on blue antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on blue antique laid paper, laid down", "Info_Page_Comm" : "This sheet is characteristic of the artist's extremely mobile and instinctively decorative draftsmanship. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1284.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1284.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1284.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1284.tif", "IsPrimary" : "1", "_SurrogateID" : "5904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16320", "Disp_Access_No" : "2017.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1720", "_Disp_Start_Dat" : "1715", "_Disp_End_Date" : "1725", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "47.1 cm x 40.5 cm (18 9/16 in. x 15 15/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on gray-green paper laid down on blue antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on gray-green paper laid down on blue antique laid paper", "Info_Page_Comm" : "Along with Sebastiano Ricci, Giovanni Battista Piazzetta was responsible for revitalizing Venetian painting and inaugurating its second great age. Schooled in Bologna, Piazzetta learned a naturalism based upon systematic drawing, featuring intense chiaroscuro, and dedicated to dramatic expression. Reconciling this conception with the flickering light and personalized brushwork of his native tradition, while rejecting its bright palette and decorativeness, Piazzetta brought new life to the school’s tired formulae. Unlike many compatriots, he would rarely pursue monumental decoration and never work outside Venice. He did, however, bring to religious and genre subjects a force of visual sensation and human characterization equal to that of the early Baroque. This is a preparatory study for a painting of Saint John the Baptist at Rovigo. Drawn from a model, it demonstrates Piazzetta’s foundation in academic practice but inclination toward more selective description, varied touch, and sincere feeling. Indeed, this figure is especially present and powerful even for Piazzetta. It reveals at how early a stage the artist determined the eventual pose, chiaroscuro, and expression of the painting. Not least, this drawing predicts Piazzetta’s life-size chalk “heads of characters,” which would become the most celebrated and reproduced drawings in eighteenth-century Venice. The museum possesses two other drawings and two fine paintings by Piazzetta as well as numerous prints by his best interpreters. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "3477", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16201", "Disp_Access_No" : "2017.1292", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1735-38", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Drapery Study for a Female Figure with Her Arm Raised", "Alt_Title" : "", "Obj_Title" : "Drapery Study for a Female Figure with Her Arm Raised", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "33.4 cm x 24.5 cm (13 1/8 in. x 9 5/8 in.)", "Disp_Height" : "33.4 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Black and white chalks on blue antique laid paper, faded to gray-green; Verso: Head of San Francesco di Paola, in black chalk", "Support" : "", "Disp_Medium" : "Recto: Black and white chalks on blue antique laid paper, faded to gray-green; Verso: Head of San Francesco di Paola, in black chalk", "Info_Page_Comm" : "According to the Bolognese practice appropriated by Piazzetta, the attitude and drapery of each figure in a painting would be carefully developed through chalk studies. This is an excellent example of this stage in the artist’s preparatory process. Distinctive to Piazzetta’s interpretation, these elements were no sooner established than taken in a painterly direction, with their tonality differentiated and light accelerated by a splintering of line, stumping of black chalk, and dashing with white. Recently identified, this study has been connected with the protagonist in the Judith and Holofernes in the Scuola del Carmine, Venice. While there are some discrepancies, the general posture and suggestion of dramatic motion do correspond. A subsequent stage in Piazzetta’s preparatory process at around the same date can be seen in the Collection’s oil sketch for his altarpiece at Cortona ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1292.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1292.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1292.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1292.tif", "IsPrimary" : "1", "_SurrogateID" : "5326", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16195, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16195", "Disp_Access_No" : "2017.1295", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Study for a Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "Study for a Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "32.8 cm x 24 cm (12 15/16 in. x 9 7/16 in.)", "Disp_Height" : "32.8 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on blue antique laid paper, faded to gray-green", "Support" : "", "Disp_Medium" : "Black and white chalks on blue antique laid paper, faded to gray-green", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1295.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1295.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1295.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1295.tif", "IsPrimary" : "1", "_SurrogateID" : "5795", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16202", "Disp_Access_No" : "2017.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Study of a Male Nude as Hercules", "Alt_Title" : "", "Obj_Title" : "Study of a Male Nude as Hercules", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "33.4 cm x 24.5 cm (13 1/8 in. x 9 5/8 in.)", "Disp_Height" : "33.4 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Piazzetta brought to Venetian painting a pungent naturalism that had largely escaped the school in the 17th century. To the school’s draftsmanship he introduced the systematic practice that he had learned in the Bolognese academy and upon which that naturalism was predicated. The first stage in that practice consisted of life drawing from a model in the studio. This is an especially fine and fresh example of such a study from Piazzetta’s informally organized Venetian academy. While the study is admirably correct, with gravity palpable and notation sure, it remains conspicuously Venetian in a light that seems to pervade the sheet, absorb form, and coarsen surface.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1296.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1296.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1296.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1296.tif", "IsPrimary" : "1", "_SurrogateID" : "5794", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16097, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16097", "Disp_Access_No" : "2017.1302", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Anton Maria Piola", "Sort_Artist" : "Piola, Attributed to Anton Maria", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening over black", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening over black", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1302.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1302.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1302.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1302.tif", "IsPrimary" : "1", "_SurrogateID" : "5762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16136", "Disp_Access_No" : "2017.1307", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Four Seasons", "Alt_Title" : "An Allegory of the Four Seasons", "Obj_Title" : "Four Seasons", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "28.4 cm x 42.3 cm (11 3/16 in. x 16 5/8 in.)", "Disp_Height" : "28.4 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink over black chalk with traces of red chalk on cream antique l", "Support" : "", "Disp_Medium" : "Brush and brown ink over black chalk with traces of red chalk ", "Info_Page_Comm" : "This is an especially beautiful drawing of Piola’s maturity, appealing in subject, graceful in description, delicate in handling. The theme of the Seasons was treated by Piola on numerous occasions, notably in fresco in collaboration with his son-in-law, Gregorio de Ferrari, in a suite of rooms on the piano nobile of the Palazzo Brignole-Sale (now Rosso). This drawing, an autonomous meditation on the theme to judge from its finish, may well have been conceived around the time and in the context of that project.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1307.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1307.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1307.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1307.tif", "IsPrimary" : "1", "_SurrogateID" : "4742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17283", "Disp_Access_No" : "2004.185", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680s", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "Study for a Vault with the Virgin of the Immaculate Conception, God-the-Father and Prophets", "Alt_Title" : "", "Obj_Title" : "Study for a Vault with the Virgin of the Immaculate Conception, God-the-Father and Prophets", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 40.9 cm (10 1/8 in. x 16 1/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "40.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.185.tif", "IsPrimary" : "1", "_SurrogateID" : "2786", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.185.tif", "IsPrimary" : "0", "_SurrogateID" : "3058", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16090", "Disp_Access_No" : "2017.1308", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Figures in Contemporary Dress", "Alt_Title" : "", "Obj_Title" : "Group of Figures in Contemporary Dress", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 42.3 cm (10 1/8 in. x 16 5/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1308.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1308.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1308.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1308.tif", "IsPrimary" : "1", "_SurrogateID" : "5887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16149", "Disp_Access_No" : "2017.1309", "_AccNumSort1" : "", "Disp_Create_DT" : "1650s-1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "Meeting of David and Abigail", "Alt_Title" : "", "Obj_Title" : "Meeting of David and Abigail", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "29 cm x 42.7 cm (11 7/16 in. x 16 13/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Info_Page_Comm" : "Synthesizing several Genoese strains, from the imported Flemish to the native late Mannerist, Piola developed a style of considerable attractiveness, perfect regularity, and tremendous success in the production of altarpieces and grand-scale secular decorations. No less prolific as a draftsman, he is reported to have left 4,000 drawings to his family, and even today his fluidly drawn, smoothly modeled pen-and-wash studies seem ubiquitous. This is an unusually vigorous early study, with its rhythms more staccato, its illumination more intense, and its recollections of earlier Genoese pen-and-wash studies, of Cambiaso and Benso, more pronounced. The Collection counts another two drawings and four paintings by the artist.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1309.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1309.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1309.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1309.tif", "IsPrimary" : "1", "_SurrogateID" : "5886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15946", "Disp_Access_No" : "2017.1314", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies of a Sphinx (recto), and Studies for the Liberation of Saint Peter (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Sphinx (recto), and Studies for the Liberation of Saint Peter (verso)", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "15.7 cm x 21.6 cm (6 3/16 in. x 8 1/2 in.)", "Disp_Height" : "15.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream paper", "Support" : "", "Disp_Medium" : "Black chalk on cream paper", "Info_Page_Comm" : "As a double-sided drawing, with two distinct motifs receiving systematic elaboration, this is the most interesting of the Collection’s six similar black chalk studies by the younger Piola. The sphinx on the recto must correspond to a motif in one of his many secular decorations. The liberation of Saint Peter on the verso represents an early stage of a composition developed on another of the Collection’s sheets and again in a drawing in the Uffizi. The large diagonals of the composition, the even handling of the chalk, and such systematic exposition of theme all reveal Piola’s assimilation of academic draftsmanship during a four-year period in Carlo Maratta’s workshop.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1314.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1314.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1314.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1314.tif", "IsPrimary" : "1", "_SurrogateID" : "5763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16218", "Disp_Access_No" : "2017.1310", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Holding a Staff", "Alt_Title" : "", "Obj_Title" : "A Man Holding a Staff", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "34.93 cm x 21.59 cm (13 3/4 in. x 8 1/2 in.)", "Disp_Height" : "34.93 cm", "Disp_Width" : "21.59 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1310.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1310.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1310.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1310.tif", "IsPrimary" : "1", "_SurrogateID" : "5888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16156", "Disp_Access_No" : "2017.1313", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ and the Woman of Samaria", "Alt_Title" : "", "Obj_Title" : "Christ and the Woman of Samaria", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "29.21 cm x 36.83 cm (11 1/2 in. x 14 1/2 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1313.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1313.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1313.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1313.tif", "IsPrimary" : "1", "_SurrogateID" : "5889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16303", "Disp_Access_No" : "2017.1315", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter (recto and verso)", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "43.18 cm x 30.48 cm (17 in. x 12 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1315.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1315.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1315.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1315.tif", "IsPrimary" : "1", "_SurrogateID" : "5890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16182", "Disp_Access_No" : "2017.1312", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Assumption of the Magdalen", "Alt_Title" : "", "Obj_Title" : "Assumption of the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "32.2 cm x 43.9 cm (12 11/16 in. x 17 5/16 in.)", "Disp_Height" : "32.2 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1312.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1312.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1312.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1312.tif", "IsPrimary" : "1", "_SurrogateID" : "5891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16148", "Disp_Access_No" : "2017.1311", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham and the Angels", "Alt_Title" : "", "Obj_Title" : "Abraham and the Angels", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "28.89 cm x 20.64 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.89 cm", "Disp_Width" : "20.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1311.tif", "IsPrimary" : "1", "_SurrogateID" : "5764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15993, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15993", "Disp_Access_No" : "2017.1317", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Recto: The Interior of a Palatial Gallery; verso: Caricature and other studies", "Alt_Title" : "", "Obj_Title" : "Recto: The Interior of a Palatial Gallery; verso: Caricature and other studies", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Circle of Giovanni Battista", "Disp_Dimen" : "20.16 cm x 23.34 cm (7 15/16 in. x 9 3/16 in.)", "Disp_Height" : "20.16 cm", "Disp_Width" : "23.34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash (recto), black chalk (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash (recto), black chalk (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", 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cm", "Disp_Width" : "18.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on paper washed grey", "Support" : "", "Disp_Medium" : "Black chalk on paper washed grey", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1332.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1332.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1332.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1332.tif", "IsPrimary" : "1", "_SurrogateID" : "5766", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16089, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16089", "Disp_Access_No" : "2017.1344", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diana and Acteon", "Alt_Title" : "", "Obj_Title" : "Diana and Acteon", "Series_Title" : "", "Disp_Maker_1" : "Circle of Michele Rocca", "Sort_Artist" : "Rocca, Circle of Michele", "Disp_Dimen" : "25.72 cm x 19.05 cm (10 1/8 in. x 7 1/2 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "19.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink (recto), pen and ink studies (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink (recto), pen and ink studies (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1344.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1344.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1344.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1344.tif", "IsPrimary" : "1", "_SurrogateID" : "5797", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16028", "Disp_Access_No" : "2017.1347", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Juno Appearing to a Huntsman", "Alt_Title" : "", "Obj_Title" : "Juno Appearing to a Huntsman", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Francesco Romanelli", "Sort_Artist" : "Romanelli, Attributed to Giovanni Francesco", "Disp_Dimen" : "22.23 cm x 40.01 cm (8 3/4 in. x 15 3/4 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "40.01 cm", "Dimen_Extent" : "Sheet", "Medium" : "Grey wash heightened with white over black chalk on buff paper", "Support" : "", "Disp_Medium" : "Grey wash heightened with white over black chalk on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1347.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1347.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1347.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1347.tif", "IsPrimary" : "1", "_SurrogateID" : "5870", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15889", "Disp_Access_No" : "2017.1348.b", "_AccNumSort1" : "", "Disp_Create_DT" : "1655-57", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Prudence and Foresight", "Alt_Title" : "Personification of Prudence and Foresight", "Obj_Title" : "Prudence and Foresight", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Romanelli", "Sort_Artist" : "Romanelli, Giovanni Francesco", "Disp_Dimen" : "11.7 cm x 20.1 cm (4 5/8 in. x 7 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "20.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor over black and red chalks on cream antique laid paper, laid down.", "Support" : "", "Disp_Medium" : "Watercolor over black and red chalks on cream antique laid paper, laid down.", "Info_Page_Comm" : "Romanelli began in a High Baroque style wholly dependent on Pietro da Cortona, but steadily reconciled it with the classicism of his first master, Domenichino, and Guido Reni. This elegant if facile synthesis enjoyed great favor in official Roman circles and in Paris during two stays between 1646 and 1657. The second was at the summons of Louis XIV to decorate the summer apartment of Anne of Austria in the Palais du Louvre. This beautifully developed drawing is a study for one of the four lunettes in the apartment, probably for presentation to the royal patrons for approval. Similarly elaborate technique and lovely color are often found in Romanelli’s drawings, especially from his period in France.Admired in his own time as one of Europe’s greatest painters, Giovanni Francesco Romanelli is today considered an elegant interpreter of his master, Pierto da Cortona, and an important exponent of Roman Baroque style. Romanelli was called to work in Paris twice. The principal project of his second sojourn was the decoration of the apartment of Anne of Austria, the queen mother, in the Louvre Palace. During these years the powerful chief minister, Cardinal Mazarin, was promoting contemporary Italian style. The frescoes epitomize his cultural program, which in turn influenced the course of French painting. These drawings prepared the decoration of two of the six blind arches above windows in one of the apartment’s rooms. Highly finished and extremely attractive, they were surely models submitted to Anne and her advisors for approval prior to the execution of the project. These and a few related studies for the apartment represent the height of Romanelli’s draftsmanship. His drawings are generally simpler, prettier versions of Cortona’s language, often phrased with a rich and inherently pictorial technique. The drawings for the apartment show an orderly design, disciplined form, and handsomely generalized effect that had been latent from his earliest training, with Domenichino, and emerged under the influence of Guido Reni in the preceding decade. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1348.b.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1348.b.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1348.b.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1348.b.tif", "IsPrimary" : "1", "_SurrogateID" : "3362", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15890", "Disp_Access_No" : "2017.1348.a", "_AccNumSort1" : "", "Disp_Create_DT" : "1655-57", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Justice and Abundance", "Alt_Title" : "Personification of Justice and Abundance", "Obj_Title" : "Justice and Abundance", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Romanelli", "Sort_Artist" : "Romanelli, Giovanni Francesco", "Disp_Dimen" : "11.7 cm x 20.1 cm (4 5/8 in. x 7 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "20.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor over black and red chalks on cream antique laid paper, laid down.", "Support" : "", "Disp_Medium" : "Watercolor over black and red chalks on cream antique laid paper, laid down.", "Info_Page_Comm" : "Admired in his own time as one of Europe’s greatest painters, Giovanni Francesco Romanelli is today considered an elegant interpreter of his master, Pierto da Cortona, and an important exponent of Roman Baroque style. Romanelli was called to work in Paris twice. The principal project of his second sojourn was the decoration of the apartment of Anne of Austria, the queen mother, in the Louvre Palace. During these years the powerful chief minister, Cardinal Mazarin, was promoting contemporary Italian style. The frescoes epitomize his cultural program, which in turn influenced the course of French painting. These drawings prepared the decoration of two of the six blind arches above windows in one of the apartment’s rooms. Highly finished and extremely attractive, they were surely models submitted to Anne and her advisors for approval prior to the execution of the project. These and a few related studies for the apartment represent the height of Romanelli’s draftsmanship. His drawings are generally simpler, prettier versions of Cortona’s language, often phrased with a rich and inherently pictorial technique. The drawings for the apartment show an orderly design, disciplined form, and handsomely generalized effect that had been latent from his earliest training, with Domenichino, and emerged under the influence of Guido Reni in the preceding decade. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1348.a.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1348.a.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1348.a.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1348.a.tif", "IsPrimary" : "1", "_SurrogateID" : "6443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16914", "Disp_Access_No" : "2003.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Two Peasants with a Herd and Camel", "Alt_Title" : "", "Obj_Title" : "Two Peasants with a Herd and Camel", "Series_Title" : "", "Disp_Maker_1" : "Jan Roos, called Giovanni Rosa", "Sort_Artist" : "Roos, called Giovanni Rosa, Jan", "Disp_Dimen" : "20.1 cm x 28.5 cm (7 15/16 in. x 11 1/4 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's, Australia, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.109.tif", "IsPrimary" : "1", "_SurrogateID" : "2106", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16098", "Disp_Access_No" : "2017.1356", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Madonna and Child Enthroned with Five Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child Enthroned with Five Saints", "Series_Title" : "", "Disp_Maker_1" : "Francesco Ruschi", "Sort_Artist" : "Ruschi, Francesco", "Disp_Dimen" : "26.2 cm x 14.1 cm (10 5/16 in. x 5 9/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "The idiosyncratic Ruschi remained faithful to Veronese’s schemes and palette while emphasizing their underlying geometry and imposing a sharp, naturalistic illumination. Strangely static and solemn, this style is seen to advantage in a se-ries of altarpieces of the Madonna and Child enthroned with saints for a number of churches in Venice. Although no corresponding painting has been identified, this compositional study pertains to that series in its format, figural disposition, figural type, and architectural prop. It is a foundation for understanding Ruschi’s draftsmanship and a dimension of the revival of interest in Veronese in later 17th-century Venice. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1356.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1356.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1356.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1356.tif", "IsPrimary" : "1", "_SurrogateID" : "4716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15913", "Disp_Access_No" : "2017.1360", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Parable (?)", "Alt_Title" : "", "Obj_Title" : "A Parable (?)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Sassi", "Sort_Artist" : "Sassi, Giovanni Battista", "Disp_Dimen" : "14.92 cm x 20.96 cm (5 7/8 in. x 8 1/4 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1360.tif", "IsPrimary" : "1", "_SurrogateID" : "6444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15908, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15908", "Disp_Access_No" : "2017.1366", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Family of Goats in a Landscape", "Alt_Title" : "", "Obj_Title" : "Family of Goats in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "14.6 cm x 21.2 cm (5 3/4 in. x 8 3/8 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown and black inks with the outline of the male goat indented on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown and black inks with the outline of the male goat indented on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1366.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1366.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1366.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1366.tif", "IsPrimary" : "1", "_SurrogateID" : "5769", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15932", "Disp_Access_No" : "2017.1368", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1607", "_Disp_Start_Dat" : "1602", "_Disp_End_Date" : "1612", "Disp_Title" : "Studies of a Greyhound", "Alt_Title" : "Study of Two Greyhounds", "Obj_Title" : "Studies of a Greyhound", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "16.7 cm x 23.9 cm (6 9/16 in. x 9 7/16 in.)", "Disp_Height" : "16.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black and brown inks on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and black and brown inks on cream antique laid paper", "Info_Page_Comm" : "Trained with Paggi, Scorza became the leading painter in early century Genoa of subjects dedicated to animals or including them in narrative contexts. His numerous drawings of animals seem to have been rendered in series, comprising a repertory of motifs for inclusion in various paintings. Especially appealing, this study reveals the acuteness of his observation, sensitivity in his placement of motifs on the sheet, and delicacy of touch. The Collection includes another very fine study of a family of goats, and a major painting of mythological pretext, Orpheus Charming the Beasts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1368.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1368.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1368.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1368.tif", "IsPrimary" : "1", "_SurrogateID" : "5768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16203", "Disp_Access_No" : "2017.1370", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "A Kneeling Youth with His Hands Bound", "Alt_Title" : "A Kneeling Youth, Partly Draped, His Hands Bound", "Obj_Title" : "A Kneeling Youth, Partly Draped, His Hands Bound", "Series_Title" : "", "Disp_Maker_1" : "Fra Semplice da Verona", "Sort_Artist" : "Semplice da Verona, Fra", "Disp_Dimen" : "33.5 cm x 24.7 cm (13 3/16 in. x 9 3/4 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black, red, and white chalks on blue antique laid paper, faded to gray-green, laid down", "Support" : "", "Disp_Medium" : "Black, red, and white chalks on blue antique laid paper, faded to gray-green, laid down", "Info_Page_Comm" : "A capuchin monk dedicated exclusively to religious works, Fra Semplice brought the fluid paint handling of Domenico Fetti and something of the regularized construction and rhetoric of the Bolognese school to the early 17th-century Veronese formulation. His drawings, typically figure studies in chalks on blue paper, similarly qualify 16th-Venetian usage, affording pronounced color, compact form, and succinct design. Reminiscent of drawings by the Bassano family, a bit cautious in the description of surface, this is probably an early study.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1370.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1370.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1370.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1370.tif", "IsPrimary" : "1", "_SurrogateID" : "3690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16017", "Disp_Access_No" : "2017.1373", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1665", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1665", "Disp_Title" : "St. Cecelia", "Alt_Title" : "", "Obj_Title" : "St. Cecelia", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Elisabetta Sirani", "Sort_Artist" : "Sirani, Attributed to Elisabetta", "Disp_Dimen" : "21.9 cm x 14.1 cm (8 5/8 in. x 5 9/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, over black chalk", "Support" : "", "Disp_Medium" : "Pen and black ink, over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1373.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1373.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1373.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1373.tif", "IsPrimary" : "1", "_SurrogateID" : "5756", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16099", "Disp_Access_No" : "2017.1375", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610s", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1615", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Lionello Spada", "Sort_Artist" : "Spada, Lionello", "Disp_Dimen" : "26.6 cm x 14.9 cm (10 1/2 in. x 5 7/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Info_Page_Comm" : "According to the old inscription in French, this drawing corresponds to a painting by Spada then in the Cospi Collection in Bologna and described by the Bolognese historian Malvasia. Whether the author of the inscription knew this painting first-hand or only from the verbal description cannot be ascertained, and no such painting is known today. But when this circumstantial evidence is combined with the generally Bolognese style, Caravaggesque accent, and haughty flourish of this drawing -- all perfectly consistent with Spada’s style as a painter -- it becomes convincing as the most important example of his draftsmanship", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1375.tif", "IsPrimary" : "1", "_SurrogateID" : "6455", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16269", "Disp_Access_No" : "2017.1376", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Jerome in the Wilderness in an Ornamental Surround", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness in an Ornamental Surround", "Series_Title" : "", "Disp_Maker_1" : "Valerio Spada", "Sort_Artist" : "Spada, Valerio", "Disp_Dimen" : "40.01 cm x 33.02 cm (15 3/4 in. x 13 in.)", "Disp_Height" : "40.01 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, the drawing in gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, the drawing in gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1376.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1376.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1376.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1376.tif", "IsPrimary" : "1", "_SurrogateID" : "5872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15897", "Disp_Access_No" : "2017.1380", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of the Head of a Youth and Two Infants", "Alt_Title" : "", "Obj_Title" : "Studies of the Head of a Youth and Two Infants", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "12.7 cm x 31.12 cm (5 in. x 12 1/4 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "31.12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on two sheets of blue paper", "Support" : "", "Disp_Medium" : "Black chalk on two sheets of blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1380.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1380.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1380.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1380.tif", "IsPrimary" : "1", "_SurrogateID" : "5765", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16041", "Disp_Access_No" : "2017.1377", "_AccNumSort1" : "", "Disp_Create_DT" : "1630s", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "Head of a Woman", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "22.9 cm x 16.4 cm (9 in. x 6 7/16 in.)", "Disp_Height" : "22.9 cm", "Disp_Width" : "16.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and black ink and white heightening on blue antique laid paper, faded to gray-green", "Support" : "", "Disp_Medium" : "Black chalk with brush and black ink and white heightening on blue antique laid paper, faded to gray-green", "Info_Page_Comm" : "Strozzi was the leading painter in Genoa during the second decade of the century, later one of three “foreigners” responsible for reinvigorating painting in Venice, and generally one of the great pure painters of the Italian Baroque. His works combine the rarefied formulae of later Tuscan Mannerism with the chia-roscuro of the Caravaggisti, the anecdotal naturalism of the Netherlandish, and a uniquely rich, fluid handling of paint. His early drawings, relatively numerous, similarly combine a calligraphic stroke with a more realistic description of surface and Strozzi’s unusual types of oval faces, saucer eyes and pinched mouths. Late drawings such as this, very rare, are characterized by a broad touch and general atmosphere. While this drawing does bear some relation to several paintings of the Venetian period, it is not strictly preparatory. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1377.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1377.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1377.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1377.tif", "IsPrimary" : "1", "_SurrogateID" : "5328", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18923", "Disp_Access_No" : "2007.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Studies of Putti in Flight", "Alt_Title" : "", "Obj_Title" : "Studies of Putti in Flight", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "24 cm x 17.7 cm (9 7/16 in. x 6 15/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "17.7 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with black chalk on beige antique laid paper, laid down on...", "Support" : "", "Disp_Medium" : "Pen and brown ink with black chalk on beige antique laid paper, laid down on... ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alessandra and Kurt Dolnier in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.86.tif", "IsPrimary" : "1", "_SurrogateID" : "4523", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16915", "Disp_Access_No" : "2003.110", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Lazzaro Tavarone", "Sort_Artist" : "Tavarone, Lazzaro", "Disp_Dimen" : "36.7 cm x 25.2 cm (14 7/16 in. x 9 15/16 in.)", "Disp_Height" : "36.7 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Info_Page_Comm" : "This carefully developed, highly pictorial study was the modello for a major project, the decoration of the presbytery vault (at left) in the church of Santa Maria delle Vigne (1612). In the resulting fresco, this conventional Assumption became a “Glorification of the Virgin”––an invention of the Counter-Reformation––with the figure of Christ welcoming the Virgin into heaven and two apostles enlarged to add weight to the foreground. Doubtless at the insistence of patrons, this transformation may have distinguished the iconography, but crowded the composition, causing Tavarone’s biographer to warn that the fresco was “overdone” and “should not be considered one of his best pictures.” The drawing exemplifies the artist’s command of perspective, orderliness of construction, and regularity of line. It is one of the finest examples of his draftsmanship, and the museum’s first example of his work. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia Wilkinson and the Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.110.tif", "IsPrimary" : "1", "_SurrogateID" : "2108", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11288, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11288", "Disp_Access_No" : "2000.72", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1733", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1738", "Disp_Title" : "Penitent Magdalen in a Landscape", "Alt_Title" : "", "Obj_Title" : "Penitent Magdalen in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Carlo Antonio Tavella", "Sort_Artist" : "Tavella, Carlo Antonio", "Disp_Dimen" : "36.2 cm x 27 cm (14 1/4 in. x 10 5/8 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper with an oval paper window", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper with an oval paper window", "Info_Page_Comm" : "From around the time he settled in Genoa (1691), Tavella recorded his painted compositions in meticulous outline drawings, usually bearing annotations about the size and circumstance of the work. Many of these drawings survive, including a major example of 1716 in the Suida-Manning Collection. Very few, however, can be connected with extant works. The rare case, the present drawing corresponds to a painting (at left) in the museum of the Accademia Ligustica, Genoa. The principal 19th-century artistic guide to the city calls the painting and its pendant “ovali bellissimi.” With two other paintings of the same format and conception, one of which is dated 1733, they represent the artist’s latest style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.72.tif", "IsPrimary" : "1", "_SurrogateID" : "3854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.72.tif", "IsPrimary" : "0", "_SurrogateID" : "3861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16144", "Disp_Access_No" : "2017.1385", "_AccNumSort1" : "", "Disp_Create_DT" : "1716", "_Disp_Start_Dat" : "1716", "_Disp_End_Date" : "1716", "Disp_Title" : "Pastoral Landscape", "Alt_Title" : " A Cow with a Shepherd and His Flock", "Obj_Title" : "Pastoral Landscape", "Series_Title" : "", "Disp_Maker_1" : "Carlo Antonio Tavella", "Sort_Artist" : "Tavella, Carlo Antonio", "Disp_Dimen" : "28.8 cm x 42.3 cm (11 5/16 in. x 16 5/8 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall and brown inks over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and iron gall and brown inks over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Born and trained in Milan, Tavella was a protagonist in the development of landscape painting in North Italy, specifically the principal exponent of the classical tradition in Genoa after his relocation there in 1701. Unusual as a figure study, this drawing represents a kind of homage to the Genoese tradition of animal subjects and to the work of Castiglione in particular. Meticulously rendered in two inks to lend an atmospheric perspective, signed and dated, it was surely a special effort for presentation to a patron.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1385.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1385.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1385.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1385.tif", "IsPrimary" : "0", "_SurrogateID" : "5873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16225", "Disp_Access_No" : "2017.1387", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Palatial Gallery", "Alt_Title" : "", "Obj_Title" : "A Palatial Gallery", "Series_Title" : "", "Disp_Maker_1" : "Mauro Tesi", "Sort_Artist" : "Tesi, Mauro", "Disp_Dimen" : "35.88 cm x 26.67 cm (14 1/8 in. x 10 1/2 in.)", "Disp_Height" : "35.88 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1387.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1387.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1387.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1387.tif", "IsPrimary" : "1", "_SurrogateID" : "5906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15943", "Disp_Access_No" : "2017.1388", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Magus and an Attendant", "Alt_Title" : "", "Obj_Title" : "A Magus and an Attendant", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Attributed to Giovanni Battista", "Disp_Dimen" : "17.15 cm x 12.7 cm (6 3/4 in. x 5 in.)", "Disp_Height" : "17.15 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and graphite, over traces of black c", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and graphite, over traces of...", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1388.tif", "IsPrimary" : "1", "_SurrogateID" : "5830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15944", "Disp_Access_No" : "2017.1389", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Child", "Alt_Title" : "", "Obj_Title" : "Head of a Child", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Attributed to Giovanni Battista", "Disp_Dimen" : "17.15 cm x 27.94 cm (6 3/4 in. x 11 in.)", "Disp_Height" : "17.15 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on blue paper", "Support" : "", "Disp_Medium" : "Black and white chalk on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1389.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1389.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1389.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1389.tif", "IsPrimary" : "1", "_SurrogateID" : "5831", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15918", "Disp_Access_No" : "2017.1391", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Ruined Castle with Two Towers in the Friuli", "Alt_Title" : "", "Obj_Title" : "A Ruined Castle with Two Towers in the Friuli", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Circle of Giovanni Domenico", "Disp_Dimen" : "15.24 cm x 22.86 cm (6 in. x 9 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1391.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1391.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1391.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1391.tif", "IsPrimary" : "1", "_SurrogateID" : "5835", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16059", "Disp_Access_No" : "2017.1396", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Head of a Warrior", "Alt_Title" : "", "Obj_Title" : "The Head of a Warrior", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "23.81 cm x 17.46 cm (9 3/8 in. x 6 7/8 in.)", "Disp_Height" : "23.81 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks on blue paper", "Support" : "", "Disp_Medium" : "Red and white chalks on blue paper", "Info_Page_Comm" : "Fifteenth century Italian painter and writer Cennino Cennini wrote: “To approach the glory of painting . . . start by taking up a system of drawing on tinted paper.” Three hundred years later artists continued to follow Cennini’s advice. They commonly drew with black, red, and white chalks on a variety of colored papers, allowing them to model forms in light and dark. With the color of paper as a backdrop, drawings in this manner exhibit the light, volume, and texture of paintings. Giovanni Battista Tiepolo’s sinuous and rhythmic lines of red and white cause The Head of a Warrior to emerge slowly. Only after recognizing the old warrior’s plumed helmet do we see the delicate and somewhat faded lines of his face coalesce into his upward-looking gaze.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1396.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1396.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1396.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1396.tif", "IsPrimary" : "1", "_SurrogateID" : "5837", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16079", "Disp_Access_No" : "2017.1392", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1732", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1737", "Disp_Title" : "Hagar and Ishmael", "Alt_Title" : "Study for ‘Hagar and Ishmael’", "Obj_Title" : "Hagar and Ishmael", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "25.1 cm x 20 cm (9 7/8 in. x 7 7/8 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "Capturing the first creative idea seemingly with the speed of thought itself, this is an early study for the composition of the Hagar and Ishmael in the Scuola di San Rocco, Venice, an especially beautiful painting of Tiepolo’s early maturity. Hagar, Abraham’s second wife, and their son, Ishmael, were forced into the wilderness by the jealousy of the first wife, Sarah. Ishmael was about to expire when an angel appeared, directed Hagar to a spring, and foretold the nation to come from both Isaac and Ishmael’s sons. The drawing renders Hagar in profile, first on the left, then on the right, as in the painting. Ishmael lies at the base of the composition, but reversed from his eventual direction. Above, the angel gestures, only from a more frontal posture and more emphatically than in the painting. Very few such studies by Tiepolo, so quick, unselfconscious, and essential, have been identified.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1392.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1392.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1392.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1392.tif", "IsPrimary" : "1", "_SurrogateID" : "6454", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16159", "Disp_Access_No" : "2017.1394", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "Pluto", "Alt_Title" : "", "Obj_Title" : "Pluto", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "29.6 cm x 20.3 cm (11 5/8 in. x 8 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "This is one of a series of mythological figures, numbered and probably also titled by Tiepolo himself. Seven of the series have been identified as designs for sculptures in the garden of the Villa Cordellina at Montecchio Maggiore, near Vicinza, where Tiepolo executed an important cycle of frescoes in 1743. The other drawings, including this sheet, are logically thought to have been intended for the same function. This is seconded by their conception, of unusually compact and stable forms, and execution, in a more evenly dispersed and simply volumetric version of the typical pen-and-wash of Tiepolo’s maturity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1394.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1394.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1394.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1394.tif", "IsPrimary" : "1", "_SurrogateID" : "5833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16022", "Disp_Access_No" : "2017.1395", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1758-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Seated Magus, from the ‘Sole figure per soffitti’", "Alt_Title" : "", "Obj_Title" : "Seated Magus, from the ‘Sole figure per soffitti’", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "21.7 cm x 15.1 cm (8 9/16 in. x 5 15/16 in.)", "Disp_Height" : "21.7 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1395.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1395.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1395.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1395.tif", "IsPrimary" : "1", "_SurrogateID" : "5836", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15901", "Disp_Access_No" : "2017.1397", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Landscape with a Bridge with a Tower", "Alt_Title" : "", "Obj_Title" : "A Landscape with a Bridge with a Tower", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "13.65 cm x 19.69 cm (5 3/8 in. x 7 3/4 in.)", "Disp_Height" : "13.65 cm", "Disp_Width" : "19.69 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1397.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1397.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1397.tif", "IIIF_URL": 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Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1398.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1398.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1398.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1398.tif", "IsPrimary" : "1", "_SurrogateID" : "5838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15929", "Disp_Access_No" : "2017.1399", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Group of Figures", "Alt_Title" : "", "Obj_Title" : "Group of Figures", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "16.1 cm x 20 cm (6 5/16 in. x 7 7/8 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "The culmination of Giovanni Battista Tiepolo’s activity as a fresco painter, and perhaps the greatest monument of the late Baroque, was the ceiling decoration of the reception room and the grand staircase in the archbishop’s palace at Würzburg (1750-53), near Frankfurt. 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"16.51 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1421.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1421.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1421.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1421.tif", "IsPrimary" : "1", "_SurrogateID" : "5711", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16197, "URL" : 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"Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1097.tif", "IsPrimary" : "1", "_SurrogateID" : "4739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16932", "Disp_Access_No" : "2003.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Evangelist, after Carlo Dolci", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist, after Carlo Dolci", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "24.3 cm x 19.7 cm (9 9/16 in. x 7 3/4 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with brush and gray wash and white heightening", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash and white heightening", "Info_Page_Comm" : "A fascinating intersection of Florentine Baroque modes, this drawing reproduces a devotional painting by Carlo Dolci, a contemporary whose work epitomizes the city’s cultural involution and associated pietism. (The Collection features an important devotional painting by Dolci.) Beautifully executed, itself practically a miniature painting, this drawing was obviously intended as a finished work, for independent sale or perhaps presentation to a patron. Drawings of the kind are rare in Volterrano’s oeuvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.132.tif", "IsPrimary" : "1", "_SurrogateID" : "7021", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16933", "Disp_Access_No" : "2003.133", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Stanislaus Kostka, after Carlo Dolci", "Alt_Title" : "", "Obj_Title" : "Saint Stanislaus Kostka, after Carlo Dolci", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "24.2 cm x 19.5 cm (9 1/2 in. x 7 11/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with brush and gray wash and white heightening", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash and white heightening", "Info_Page_Comm" : "A fascinating intersection of Florentine Baroque modes, this drawing reproduces a devotional painting by Carlo Dolci, a contemporary whose work epitomizes the city’s cultural involution and associated pietism. (The Collection features an important devotional painting by Dolci.) Beautifully executed, itself practically a miniature painting, this drawing was obviously intended as a finished work, for independent sale or perhaps presentation to a patron. Drawings of the kind are rare in Volterrano’s oeuvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.133.tif", "IsPrimary" : "1", "_SurrogateID" : "6469", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16261", "Disp_Access_No" : "2017.1428", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin Crowned by Christ (recto); Christ Crowning the Virgin", 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paper, laid down", "Support" : "", "Disp_Medium" : "Black and white chalks on gray antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1427.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1427.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1427.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1427.tif", "IsPrimary" : "1", "_SurrogateID" : "5867", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16228", "Disp_Access_No" : "2017.1439", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1780s-1790s", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1790", "Disp_Title" : "Madonna and Child in Glory above a City", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory above a City", "Series_Title" : "", "Disp_Maker_1" : "Rafael Ximeno y Planes", "Sort_Artist" : "Ximeno y Planes, Rafael", "Disp_Dimen" : "14.31 cm x 8.31 cm (5 5/8 in. x 3 1/4 in.)", "Disp_Height" : "14.31 cm", "Disp_Width" : "8.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1439.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1439.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1439.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1439.tif", "IsPrimary" : "1", "_SurrogateID" : "5881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16004", "Disp_Access_No" : "2017.1442", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with a Stand of Trees", "Alt_Title" : "", "Obj_Title" : "Landscape with a Stand of Trees", "Series_Title" : "", "Disp_Maker_1" : "Domenico Bernardo Zilotti", "Sort_Artist" : "Zilotti, Domenico Bernardo", "Disp_Dimen" : "20.32 cm x 25.4 cm (8 in. x 10 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "25.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1442.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1442.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1442.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1442.tif", "IsPrimary" : "1", "_SurrogateID" : "5839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8517, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8517", "Disp_Access_No" : "2001.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Madonna and Child in Glory with San Gaetano di Thiene", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with San Gaetano di Thiene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "49.5 cm x 38.4 cm (19 1/2 in. x 15 1/8 in.)", "Disp_Height" : "49.5 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "This drawing is a developed study for an altarpiece of the artist’s maturity. Cajetan, a 16th-century Vicentine saint, founded the Theatine Order and established confraternities for the care of the sick and poor. His presence indicates a commission in the Veneto and explains the group of orphans for whom he intercedes. The diagonal composition, subtle color, and types owe to Giambattista Tiepolo, who taught and later collaborated often with Zugno. Distinctive, however, are the focused description, the dense modeling with short strokes, and the gentle attitudes. Signed at the lower right, the drawing was either presented to a patron or sold independently. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.77.tif", "IsPrimary" : "1", "_SurrogateID" : "1746", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16278", "Disp_Access_No" : "2017.1451", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760s", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Apollo, Mercury, and the Arts", "Alt_Title" : "", "Obj_Title" : "Apollo, Mercury, and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "41.2 cm x 28.8 cm (16 1/4 in. x 11 5/16 in.)", "Disp_Height" : "41.2 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique...", "Info_Page_Comm" : "A follower and frequent collaborator of Giovanni Battista Tiepolo, Zugno was active across the Veneto in a style distinguished from that of his mentor by slacker design, a sweet palette, and a precious touch. Also responsive to pro-gressive French painting, this style can be seen in the Collection’s Young Noble Couple Playing Cards. From its subject, format, and foreshortening, it is clear that this drawing prepared the design of a ceiling decoration. The attenuated rhythms of the composition, the rounding contours of its figures, their scalloped modeling, and the generally refined handling are at once gentle deductions from Tiepolo’s pen-and-wash manner of the 1740s and precise equivalents of Zugno’s own habits in painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1451.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1451.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1451.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1451.tif", "IsPrimary" : "1", "_SurrogateID" : "5907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19810", "Disp_Access_No" : "2012.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A landscape with peasants and a flock passing a waterfall, a town and mountains beyond", "Alt_Title" : "", "Obj_Title" : "A landscape with peasants and a flock passing a waterfall, a town and mountains beyond", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zuccarelli", "Sort_Artist" : "Zuccarelli, Francesco", "Disp_Dimen" : "22.5 cm x 36.1 cm (8 7/8 in. x 14 3/16 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "36.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk, pen and brown ink, gray and brown wash heightened with lead white, partially oxidized", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, gray and brown wash heightened with lead white, partially oxidized", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jessica and James Younger in honor of the 50th Anniversary of the Blanton Museum of Art, 2012", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.39.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.39.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.39.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.39.TIF", "IsPrimary" : "1", "_SurrogateID" : "9825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }