{ "objects" : [ { "embark_ID" : 4674, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4674", "Disp_Access_No" : "1995.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "The Black Silk Dress (Anaïs)", "Alt_Title" : "", "Obj_Title" : "The Black Silk Dress (Anaïs)", "Series_Title" : "", "Disp_Maker_1" : "Gerald Leslie (Eli) Brockhurst", "Sort_Artist" : "Brockhurst, Gerald Leslie (Eli)", "Disp_Dimen" : "33.9 cm x 24.2 cm (13 3/8 in. x 9 1/2 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Hailed as a "young Botticelli", Brockhurst studied carefully the work of the Italian renaissance artists. He excelled at portraits of women as in this example of his wife who poses for him in an elaborate dress and flamboyant hat in the manner of a fifteenth-century aristocrat, a perfect excuse to display his talent and skill at producing precise lines and meticulous modeling. He taught himself etching and regarded each of his prints as an experiment. These "experiments," rich in virtuoso detail and arabesques, helped to extend the etching revival well into the twentieth century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.111.tif", "IsPrimary" : "1", "_SurrogateID" : "4743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4428", "Disp_Access_No" : "1993.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Strand with Sky", "Alt_Title" : "", "Obj_Title" : "Strand with Sky", "Series_Title" : "", "Disp_Maker_1" : "Francis Dodd", "Sort_Artist" : "Dodd, Francis", "Disp_Dimen" : "41.7 cm x 29 cm (16 7/16 in. x 11 7/16 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint with etching", "Support" : "", "Disp_Medium" : "Drypoint with etching", "Info_Page_Comm" : "Dodd was one of the most skilled and discriminating masters of the later etching revival. This view of London's St.-Mary-le-Strand is considered the finest of his more than one hundred architectural subjects. It approaches the work of Charles Meryon in strength of composition and characterization, and that of Whistler in personality of touch and printing. A brilliant impression, with the burr of the drypoint fresh and its contrasts stunning, it complements two fine impressions of portraits by Dodd in the collection's extensive material from the revival.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.87.tif", "IsPrimary" : "1", "_SurrogateID" : "4720", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.87.tif", "IsPrimary" : "0", "_SurrogateID" : "4733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13148", "Disp_Access_No" : "2002.1810", "_AccNumSort1" : "", "Disp_Create_DT" : "1897", "_Disp_Start_Dat" : "1897", "_Disp_End_Date" : "1897", "Disp_Title" : "An Early Riser", "Alt_Title" : "", "Obj_Title" : "An Early Riser", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.7 cm (8 3/4 in. x 11 11/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "plate", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1810.tif", "IsPrimary" : "1", "_SurrogateID" : "1854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18798", "Disp_Access_No" : "2007.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Alt_Title" : "", "Obj_Title" : "Portrait of Francis Seymour Haden, No. II (While Etching)", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "22.3 cm x 29.2 cm (8 3/4 in. x 11 1/2 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Haden's self-portrait, in a pose normally associated with men of letters, is telling in its emphasis on the artist as intellectual. With the etching needle poised above the plate like a pen above paper, he shows himself in the act of creation. He merely suggests the chemical reaction of biting the plate with a beaker of acid at his elbow. Haden faulted artists who relied too heavily on elaborately bitten plates for their images, believing they crossed the line between fine art and mere craft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4753", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18797", "Disp_Access_No" : "2007.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "A By-Road in Tipperary", "Alt_Title" : "", "Obj_Title" : "A By-Road in Tipperary", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "24.3 cm x 38.2 cm (9 9/16 in. x 15 1/16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.2.tif", "IsPrimary" : "1", "_SurrogateID" : "4254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8887", "Disp_Access_No" : "2002.1297", "_AccNumSort1" : "", "Disp_Create_DT" : "1860-1861", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1861", "Disp_Title" : "The Morning of Life", "Alt_Title" : "", "Obj_Title" : "The Morning of Life", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "30.5 cm x 41.5 cm (12 in. x 16 5/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A late disciple of Blake, Palmer carried the visionary tradition into the late 19th century. His work combines the Romantic fervor and self-conscious poetry of his mentor with the regular composition and epic flavor of classical landscape. Starting in 1850 he was active principally as an etcher of carefully drawn, repeatedly bitten, and mysteriously radiant plates. The Morning of Life is one of the finest of these transcendental pastorals. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1297.tif", "IsPrimary" : "1", "_SurrogateID" : "1773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }