{ "objects" : [ { "embark_ID" : 2269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2269", "Disp_Access_No" : "2002.1344", "_AccNumSort1" : "", "Disp_Create_DT" : "1577", "_Disp_Start_Dat" : "1577", "_Disp_End_Date" : "1577", "Disp_Title" : "The Delphic Sybil, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Delphic Sybil, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "37.6 cm x 26.4 cm (14 13/16 in. x 10 3/8 in.)", "Disp_Height" : "37.6 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Alberti was a prolific engraver, as well as a leading painter of decoration, in late-century Rome. This print is one of a series that reproduces six of the twelve Prophets and Sibyls in the pendentives of the Sistine Chapel. Their immediate inspiration, including choice of subject and format came, however, from Giorgio Ghisi’s grand series of a few years earlier.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1344.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1344.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1344.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1344.tif", "IsPrimary" : "1", "_SurrogateID" : "1776", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15991", "Disp_Access_No" : "2017.879", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Alt_Title" : "", "Obj_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "20 cm x 19.37 cm (7 7/8 in. x 7 5/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "19.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Info_Page_Comm" : "Like his engravings, many of Cherubino Alberti’s drawings interpret compositions and often disassociated motifs in venerable early sixteenth-century Roman examples. Characteristic, this study derives from Raphael’s fresco of the Dispute over the Holy Sacrament in the Stanza della Segnatura. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-2.tif", "IsPrimary" : "1", "_SurrogateID" : "5691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "8335", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8142", "Disp_Access_No" : "2001.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1596-1602", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1602", "Disp_Title" : "Personification of Justice", "Alt_Title" : "", "Obj_Title" : "Personification of Justice", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "40.3 cm x 28.2 cm (15 7/8 in. x 11 1/8 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue wash over black chalk", "Info_Page_Comm" : "No doubt aided by their Tuscan origins, Cherubino and his brother Giovanni were called by Clement to decorate a grand hall, the Sala Clementina, in the Vatican Palace, their most prestigious commission. This drawing is closely related to the Cardinal Virtues that populate an illusionistic balustrade on the hall’s ceiling. On the one hand, the figure’s stylized form and looping calligraphy correspond to late Mannerism, especially the work of Federico Zuccaro. On the other, the drawing’s coherent and dramatic light seems a response to the work of Caravaggio, with whom Cherubino was friendly. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ian Kennedy, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4098", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2344, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2344", "Disp_Access_No" : "2002.1730", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "Saint John the Baptist, from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist, from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cherubino Alberti", "Sort_Artist" : "Alberti, Copy after Cherubino", "Disp_Dimen" : "41.5 cm x 22 cm (16 5/16 in. x 8 11/16 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Typical of Alberti’s reproductive engravings, this print interprets a figure from the Last Judgment in the Sistine Chapel. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1730.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1730.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1730.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1730.tif", "IsPrimary" : "1", "_SurrogateID" : "4953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2280", "Disp_Access_No" : "2002.1775", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "55.3 cm x 34.5 cm (21 3/4 in. x 13 9/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Federico Barocci, a painter of extreme sensitivity and incipient naturalism, had a fundamental role as a precursor of the Baroque. Although they are still essentially idealized, his works built upon the innovations of Titian and especially Correggio to achieve unprecedented optical sensation and affecting sentiment. Later in his career, he experimented with printmaking, making four etchings. This, one of two large and complex plates, reproduces his own altarpiece of 1576 for the church of San Francesco at Urbino. Its subject is Saint Francis’s vision of Christ granting indulgences to the pilgrims who would visit the saint’s chapel at Portiuncola. The etching translates not just the composition but the vibrance and ecstatic feeling of the prototype. Extremely important despite being few in number, Barocci’s prints set the course of Italian Baroque etching. Combining the plastic values of late-century engraving with the graphic freedom of etching, they were the first to accommodate the naturalism and inherent expressiveness of the emergent style of painting. Immediately, they helped reinforce and further Barocci’s influence. More generally, they established the proposition of painters conveying their full style, not merely their composition or drawing, through printmaking. Most of the etchers of the next century would be painters first, and many of their finest plates would interpret their own works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1775.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1775.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1775.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1775.tif", "IsPrimary" : "1", "_SurrogateID" : "1849", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11928", "Disp_Access_No" : "2002.99", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1581", "_Disp_Start_Dat" : "1576", "_Disp_End_Date" : "1586", "Disp_Title" : "Madonna and Child on the Clouds", "Alt_Title" : "", "Obj_Title" : "Madonna and Child on the Clouds", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "12.5 cm x 10.6 cm (4 15/16 in. x 4 3/16 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.99.tif", "IsPrimary" : "1", "_SurrogateID" : "5437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. By 1600, Clement began to regulate printed works as well.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13118", "Disp_Access_No" : "2002.1753", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "31.9 cm x 31 cm (12 9/16 in. x 12 3/16 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Annibale Carracci arrived in Rome in 1595. His major project was the decoration of a gallery in the Farnese Palace in celebration of Duke Rannuccio’s engagement to the niece of Clement VIII. Its style combined radical naturalism with the orderliness and intellectual appeal of the city’s ingrained classicism. Created shortly before, this etching anticipates the heroic forms and sensuous presentation on the gallery ceiling. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1753.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1753.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1753.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1753.tif", "IsPrimary" : "1", "_SurrogateID" : "4085", "Image_Type" : "Scan", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16024", "Disp_Access_No" : "2017.1029", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1603", "_Disp_Start_Dat" : "1598", "_Disp_End_Date" : "1608", "Disp_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Alt_Title" : "Design for a Book Illustration: Saint Peter in Acanthus Scrolls", "Obj_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cesari, called Cavalier d'Arpino", "Sort_Artist" : "Cavalier d'Arpino, Giuseppe Cesari, called", "Disp_Dimen" : "22.2 cm x 16 cm (8 3/4 in. x 6 5/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "By securing the patronage of the papal nephew, Cardinal Pietro Aldobrandini, Giuseppe Cesari became the favorite artist of Clement VIII. Among his major commissions was designing the mosaics in the cupola of St. Peter’s. This is one of three surviving studies for an early version of that project. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1029.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1029.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1029.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1029.tif", "IsPrimary" : "1", "_SurrogateID" : "5688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16575", "Disp_Access_No" : "2002.2826", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Standing Male Figure with Drapery", "Alt_Title" : "", "Obj_Title" : "Standing Male Figure with Drapery", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "42.8 cm x 23.6 cm (16 7/8 in. x 9 5/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk with stumping on gray antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk with stumping on gray antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2826.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2826.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2826.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2826.tif", "IsPrimary" : "1", "_SurrogateID" : "3075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16020", "Disp_Access_No" : "2017.1280", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Feeding of the Five Thousand", "Alt_Title" : "", "Obj_Title" : "The Feeding of the Five Thousand", "Series_Title" : "", "Disp_Maker_1" : "Domenico Cresti, called Passignano", "Sort_Artist" : "Passignano, Domenico Cresti, called", "Disp_Dimen" : "21.59 cm x 16.51 cm (8 1/2 in. x 6 1/2 in.)", "Disp_Height" : "21.59 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and red wash, squared in black chalk", "Support" : "", "Disp_Medium" : "Red chalk and red wash, squared in black chalk", "Info_Page_Comm" : "The grid laid over Passignano’s preparatory drawing The Feeding of the Five Thousand reveals an underlying cosmos, despite the multitude of figures. By grouping the crowds into organized sections, Passignano, an indefatigable draftsman, brings order to a difficult composition, just as Christ brings spiritual fulfillment to the unruly crowds. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1280.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1280.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1280.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1280.tif", "IsPrimary" : "1", "_SurrogateID" : "5698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16007", "Disp_Access_No" : "2017.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Cristoforo Roncalli, called Pomarancio", "Sort_Artist" : "Pomarancio, Cristoforo Roncalli, called", "Disp_Dimen" : "20.6 cm x 37.3 cm (8 1/8 in. x 14 11/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with black, white, and gray oil paint over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Brush with black, white, and gray oil paint over traces of red chalk ", "Info_Page_Comm" : "Pomarancio led one of the busiest workshops in Rome. His vigorous and imposing style caught the eye of Clement VIII, and beginning in 1597 Pomarancio joined D’Arpino in the decoration of St. Peter’s and San Giovanni in Laterano. In 1599 Clement initiated a project for a grand sacristy at the sanctuary of Loreto, one of the most important pilgrimage sites in Christendom. This drawing prepared the composition for the ceiling’s central compartment. The effective illusionism and its figures’ plasticity, as well as oil technique, are typical of Pomarancio’s style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "2758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2340", "Disp_Access_No" : "2002.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "21.1 cm x 14.7 cm (8 5/16 in. x 5 13/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Marriage of the Virgin is one of seven etchings Salimbeni created between 1589 and 1594. The elongated figures and strict composition betray his mannerist tendencies, but the deep, black shadows anticipate the mysticism of the Baroque.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.190.tif", "IsPrimary" : "1", "_SurrogateID" : "2919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2389", "Disp_Access_No" : "2002.1354", "_AccNumSort1" : "", "Disp_Create_DT" : "1600", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Battle of Amazons, after Giuseppe Cesari, called Cavaliere d'Arpino", "Alt_Title" : "", "Obj_Title" : "Battle of Amazons, after Giuseppe Cesari, called Cavaliere d'Arpino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "29.3 cm x 39.6 cm (11 9/16 in. x 15 9/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "39.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Battle scenes have been a popular motif in Rome for millennia. Tempesta faithfully recreates the complicated rhythms of combat in Cavalier D’Arpino’s Battle Between the Greeks and the Amazons, from the frescoes of the Palazzo dei Conservatori.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1354.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1354.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1354.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1354.tif", "IsPrimary" : "1", "_SurrogateID" : "7022", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12855", "Disp_Access_No" : "2002.1360", "_AccNumSort1" : "", "Disp_Create_DT" : "1608", "_Disp_Start_Dat" : "1608", "_Disp_End_Date" : "1608", "Disp_Title" : "Lion Hunt, from Chasses d'animaux", "Alt_Title" : "", "Obj_Title" : "Lion Hunt, from Chasses d'animaux", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "18.7 cm x 28.3 cm (7 3/8 in. x 11 1/8 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A seemingly inexhaustible engraver, Antonio Tempesta took on huge projects during the 1590s, including the great map of Rome of 1593. In 1595 he began producing folios of hunting scenes, a genre unprecedented in Rome. Lion Hunt comes from a later collection, as the series stretched well into the seventeenth century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1360.tif", "IsPrimary" : "1", "_SurrogateID" : "7026", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11129", "Disp_Access_No" : "2002.241", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1600", "Disp_Title" : "Ecstasy of Saint Francis", "Alt_Title" : "", "Obj_Title" : "Ecstasy of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "23.6 cm x 17.9 cm (9 5/16 in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. Any anxiety the viewer might feel is assuaged by the ebullience of the angel.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "1", "_SurrogateID" : "1149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "0", "_SurrogateID" : "1940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2394, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2394", "Disp_Access_No" : "2002.1757", "_AccNumSort1" : "", "Disp_Create_DT" : "1601", "_Disp_Start_Dat" : "1601", "_Disp_End_Date" : "1601", "Disp_Title" : "La Baruffa [The Quarrel]", "Alt_Title" : "", "Obj_Title" : "La Baruffa [The Quarrel]", "Series_Title" : "", "Disp_Maker_1" : "Francesco Villamena", "Sort_Artist" : "Villamena, Francesco", "Disp_Dimen" : "35 cm x 50.4 cm (13 3/4 in. x 19 13/16 in.)", "Disp_Height" : "35 cm", "Disp_Width" : "50.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Initially active as a reproductive engraver after masters like Barocci and Zuccaro, Francesco Villamena emerged in 1596 as an independent printmaker, publishing and distributing his own prints. Villamena maintained a steady output of prints well in to the seventeenth century. La Baruffa depicts a brawl between the pro-Spanish sculptor, Bruttobuono, and a group of pro-French thugs. Although Clement VIII had officially reconciled the Spanish and French kings in 1599, their proponents in Rome remained at fierce odds. Bruttobuono had worked for the eminent patron, Ciriaco Mattei, whose villa on the Caelian Hill appears in the background. After the brawl, Mattei gave sanctuary to the mortally wounded sculptor. Villamena dedicated the print to Mattei.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 15880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15880", "Disp_Access_No" : "2017.1447", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "A Prophet and a Sibyl", "Alt_Title" : "", "Obj_Title" : "A Prophet and a Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "10.1 cm x 14.4 cm (4 in. x 5 11/16 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The Oratorio del Gonfalone was one of the two most important pictorial projects in Rome during the 1560s and 1570s. Half a dozen of the city’s leading young painters collaborated on a fresco cycle of scenes from the Passion of Christ with elaborate decorative surrounds. Zuccaro was responsible for the Flagellation and above it a prophet and sibyl whose texts prefigure the event. Characteristically confident in its plasticity and elegant in its line, this drawing is one of several preparatory studies for the group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1447.tif", "IsPrimary" : "1", "_SurrogateID" : "5721", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16263", "Disp_Access_No" : "2017.1448", "_AccNumSort1" : "", "Disp_Create_DT" : "1568", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1568", "Disp_Title" : "Christ Healing the Blind Man", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Blind Man", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "39.4 cm x 27.3 cm (15 1/2 in. x 10 3/4 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Info_Page_Comm" : "In his encyclopedic style and substantial intellectual activity, Federico Zuccaro is a fundamental figure of late Mannerism. His initial graphic language was a synthesis of developments in central Italy, with a vital accent from Venetian painting and Correggio. Principally in Rome, his later work became more deliberately classicizing and formulaic. His thought was also expressed in the founding of the Roman academy and his publication of Idea de’ pittori, scultori, ed architetti (1607), the most articulate statement of the period’s artistic theory. In 1568 Zuccaro was commissioned for a pair of altarpieces for the Duomo at Orvieto. This drawing corresponds to a preliminary stage of one composition. It differs from the painting in the kneeling figure at the lower left and in a few minor details. Another version of the drawing (Louvre, Paris) is identical in size, technique, and virtually every mark, but its revisions are more logical and its line is more responsive. The Suida-Manning drawing is an autograph replica. It may have had a functional role in the project, as suggested by the squaring of one figure for transfer, or it may have been intended for a collector. The Suida-Manning Collection includes two more compositional studies for major frescoes: The Adoration of the Magi in San Francesco della Vigna, Venice (1563–1564), and the Prophet and Sibyl in the Oratorio del Gonfalone, Rome (1573). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1448.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1448.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1448.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1448.tif", "IsPrimary" : "1", "_SurrogateID" : "2675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }