{ "objects" : [ { "embark_ID" : 14944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14944", "Disp_Access_No" : "1983.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Portrait of Dr. Dora Neill Raymond", "Alt_Title" : "", "Obj_Title" : "Portrait of Dr. Dora Neill Raymond", "Series_Title" : "", "Disp_Maker_1" : "Wayman Adams", "Sort_Artist" : "Adams, Wayman", "Disp_Dimen" : "83.2 cm x 62.8 cm (32 3/4 in. x 24 3/4 in.)", "Disp_Height" : "83.2 cm", "Disp_Width" : "62.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Wayman Adams trained in Indianapolis before spending time in Europe, where he studied with William Merritt Chase and Robert Henri. Adams worked throughout the United States before settling in Austin, his wife Margaret Borough’s native city, in 1949, where he lived until his death in 1959. Nicknamed “Lightning” for his rapid brushwork, Adams specialized in portraiture. He painted four U.S. presidents and other notable figures, including a number of prominent Austinites, such as J. Frank Dobie and Clara Driscoll. This portrait depicts Dr. Dora Neill Raymond, an historian who received her bachelor’s and master’s degrees from The University of Texas. She received her PhD from Columbia University in 1921, a rare accomplishment for a woman of the period. She taught at a number of colleges and was made a full professor at Sweet Briar College in 1930. Her scholarship earned her numerous awards and fellowships over her career, such as from the American Association of University Women and the Guggenheim Foundation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift to The University, 1965", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.23.tif", "IsPrimary" : "1", "_SurrogateID" : "8871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15009", "Disp_Access_No" : "1982.25", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Landscape Study", "Alt_Title" : "", "Obj_Title" : "Landscape Study", "Series_Title" : "", "Disp_Maker_1" : "Washington Allston", "Sort_Artist" : "Allston, Washington", "Disp_Dimen" : "72.4 cm x 89 cm (28 1/2 in. x 35 1/16 in.)", "Disp_Height" : "72.4 cm", "Disp_Width" : "89 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil and chalk", "Support" : "canvas", "Disp_Medium" : "Oil and chalk on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.25.tif", "IsPrimary" : "1", "_SurrogateID" : "8883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15015", "Disp_Access_No" : "1982.191", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1815", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1820", "Disp_Title" : "Abraham Van Vechten", "Alt_Title" : "", "Obj_Title" : "Abraham Van Vechten", "Series_Title" : "", "Disp_Maker_1" : "Ezra Ames", "Sort_Artist" : "Ames, Ezra", "Disp_Dimen" : "75.9 cm x 60.3 cm (29 7/8 in. x 23 3/4 in.)", "Disp_Height" : "75.9 cm", "Disp_Width" : "60.3 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Wunsch Foundation, Inc., 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.191.tif", "IsPrimary" : "1", "_SurrogateID" : "3171", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14518", "Disp_Access_No" : "1991.235", "_AccNumSort1" : "", "Disp_Create_DT" : "1903", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1903", "Disp_Title" : "The Big Hat", "Alt_Title" : "", "Obj_Title" : "The Big Hat", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "71.5 cm x 58.8 cm (28 1/8 in. x 23 1/8 in.)", "Disp_Height" : "71.5 cm", "Disp_Width" : "58.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Big Hat was originally attributed to the well-known painter of the early twentieth century Robert Henri, a member of the Ashcan School, which focused on social realism. However, in 2003, a respected expert on Henri discovered that the work did not appear in the artist’s meticulous records, nor is it inscribed on the back with a code number, as are the rest of his paintings. The signature and date in the upper right-hand corner are likely fake. The broad, gestural brushwork is a quality the work shares with a number of Ashcan School figures. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.235.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.235.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.235.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.235.tif", "IsPrimary" : "1", "_SurrogateID" : "1533", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.235 back.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.235 back.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.235 back.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1991.235 back.jpg", "IsPrimary" : "0", "_SurrogateID" : "2798", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13985", "Disp_Access_No" : "G1976.21.34", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "The Prairie Fire", "Alt_Title" : "", "Obj_Title" : "The Prairie Fire", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "65.7 cm x 91.2 cm (25 7/8 in. x 35 7/8 in.)", "Disp_Height" : "65.7 cm", "Disp_Width" : "91.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.34.tif", "IsPrimary" : "1", "_SurrogateID" : "2484", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14577, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14577", "Disp_Access_No" : "1991.178", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "The Card Players", "Alt_Title" : "", "Obj_Title" : "The Card Players", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "66.3 cm x 86.3 cm (26 1/8 in. x 34 in.)", "Disp_Height" : "66.3 cm", "Disp_Width" : "86.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "These card players are not yet involved in a game. One figure faces an empty surface. The second, gesturing, turns away. In Milton Avery’s typical style for mid-career works of the 1940s and 50s, he arranges irregular blocks of closely valued blues into recognizable things: chair, hat, window, face, feet. Yet, these featureless colored shapes create a flat, abstract quality, rendering a scene we recognize but can’t quite make out. We sense uneasiness beneath a calm surface. Perhaps tinged with unresolved wartime urgency, Avery’s vision carries other unsettling details: tilted planes, wavering background curves. He combines Fauvism’s unreserved use of color with the controlled balances of cubism, yet he tempers and cools Europe’s bold statements into an undercurrent of American uncertainty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.178.tif", "IsPrimary" : "1", "_SurrogateID" : "1509", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14576", "Disp_Access_No" : "1991.179", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Clowns", "Alt_Title" : "", "Obj_Title" : "Clowns", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "126.4 cm x 96.9 cm (49 3/4 in. x 38 1/8 in.)", "Disp_Height" : "126.4 cm", "Disp_Width" : "96.9 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.179.tif", "IsPrimary" : "1", "_SurrogateID" : "1510", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13935, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13935", "Disp_Access_No" : "P1970.13.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Early Evening", "Alt_Title" : "", "Obj_Title" : "Early Evening", "Series_Title" : "", "Disp_Maker_1" : "Gifford Beal", "Sort_Artist" : "Beal, Gifford", "Disp_Dimen" : "60 cm x 90 cm (23 5/8 in. x 35 7/16 in.)", "Disp_Height" : "60 cm", "Disp_Width" : "90 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.13.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.13.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.13.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.13.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2530", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13946", "Disp_Access_No" : "P1969.7.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Some Drink! Some Drink!", "Alt_Title" : "", "Obj_Title" : "Some Drink! Some Drink!", "Series_Title" : "", "Disp_Maker_1" : "Romare Bearden", "Sort_Artist" : "Bearden, Romare", "Disp_Dimen" : "63 cm x 81 cm (24 13/16 in. x 31 7/8 in.)", "Disp_Height" : "63 cm", "Disp_Width" : "81 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Sharp, black outlines and geometric flashes of color punctuate a stark white background in Romare Bearden’s Some Drink! Some Drink!. One of his early ventures away from representational social realist painting to abstraction, Bearden uses ambiguous shapes, forming a whirl of color, line, and figures. The subject, one of a series of paintings by Bearden, comes from the stories of French writer François Rabelais. During this period of his career, Bearden frequently drew inspiration from such diverse sources as the Bible, literature, Old Master painting, and cubism. Bearden's early works were realistically painted urban scenes, but after World War II, he began experimenting with abstraction. The shift from realism to abstraction was natural for Bearden who emphasized the creative process and energy of art more than realism as a means to express his ideas ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.7.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.7.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.7.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.7.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2522", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13940", "Disp_Access_No" : "P1969.8.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Rolling Breakers", "Alt_Title" : "", "Obj_Title" : "Rolling Breakers", "Series_Title" : "", "Disp_Maker_1" : "George Wesley Bellows", "Sort_Artist" : "Bellows, George Wesley", "Disp_Dimen" : "38 cm x 50 cm (14 15/16 in. x 19 11/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Vertical patches of blue-green and white repeat, emphasizing the eternal crashing of waves on a rocky shoreline. Rolling Breakers is one of 117 pictures George Bellows painted during a summer spent on Monhegan Island, Maine. While they are reminiscent of Winslow Homer’s celebrated images of Maine, Bellows’ seascapes are distinguished by their thick, muscular paint surfaces and their unique manipulation of perspective, which places the viewer virtually in the breaking surf.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.8.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.8.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.8.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.8.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2526", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14564", "Disp_Access_No" : "1991.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1931-1932", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1932", "Disp_Title" : "Romance", "Alt_Title" : "", "Obj_Title" : "Romance", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "115 cm x 84.5 cm (45 1/4 in. x 33 1/4 in.)", "Disp_Height" : "115 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Egg tempera, gesso, and oil varnish glazes", "Support" : "board", "Disp_Medium" : "Egg tempera, gesso, and oil varnish glazes on board", "Info_Page_Comm" : "A painter and muralist celebrated for his regional scenes of daily life in the southern, midwestern, and western United States, Thomas Hart Benton was committed to portraying images of progress and satisfaction in the American heartland. Born to a family of statesmen, Benton was a patriot who saw his art as a means to generate social and political reform. His nostalgic and uplifting scenes of hard work, self-reliance, and individualism garnered broad popular appeal in post–World War I America. This work, painted when the artist was at the midpoint of his life, provides a lyrical view of a young couple on a relaxed evening stroll. Drawing on his knowledge of both Old Master techniques and modernist ideas, which he had gleaned from several years spent studying in Paris, Benton crafted a lively composition whose rhythmic alignment of forms conveys a sense of poignant familiarity", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.187.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.187.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.187.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.187.mp3", "IsPrimary" : "0", "_SurrogateID" : "6887", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.187.tif", "IsPrimary" : "1", "_SurrogateID" : "1511", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14563", "Disp_Access_No" : "1991.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Le Blessé", "Alt_Title" : "", "Obj_Title" : "Le Blessé", "Series_Title" : "", "Disp_Maker_1" : "Eugene Berman", "Sort_Artist" : "Berman, Eugene", "Disp_Dimen" : "91.2 cm x 72.1 cm (35 7/8 in. x 28 3/8 in.)", "Disp_Height" : "91.2 cm", "Disp_Width" : "72.1 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""Le Blessé" is one of several paintings depicting the biblical parable of the Good Samaritan that Eugene Berman produced in 1930. These nocturnal scenes of two figures aiding a third, illuminated by a brightly lit doorway, were likely inspired by a painting on the same theme--then attributed to Rembrandt--on view at the Louvre Museum when Berman was living in Paris. The Bible story’s message to “love your neighbor as yourself ” apparently resonated strongly with Berman; as a Russian Jew, he was subject to the increased xenophobia and anti-Semitism that the looming economic depression brought to France. Berman immigrated to the United States in the mid-1930s and began a successful career as a theatrical set designer. The architecture in this painting anticipates Berman’s stage designs, as the layered and receding forms of the buildings highlight the dramatic action taking place in the foreground.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.188.tif", "IsPrimary" : "1", "_SurrogateID" : "6395", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14354, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14354", "Disp_Access_No" : "1996.231", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1913", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1918", "Disp_Title" : "New York Street", "Alt_Title" : "", "Obj_Title" : "New York Street", "Series_Title" : "", "Disp_Maker_1" : "Theresa Bernstein", "Sort_Artist" : "Bernstein, Theresa", "Disp_Dimen" : "61 x 50.9 cm (24 x 20 1/16 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Beneath a dramatic, darkening sky, bundled figures move through a typical scene of daily New York life. Painted early in her astonishing ninety-year career, New York Street exemplifies Theresa Bernstein’s brand of modernism with dramatic lines and sketchily-executed forms. One of the New York Realists, along with husband William Meyerowitz, Bernstein frequently painted images from city life in her adopted home of Manhattan. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Girard Jackson, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.231.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.231.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.231.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.231.tif", "IsPrimary" : "1", "_SurrogateID" : "1670", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14856", "Disp_Access_No" : "1985.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "New York, 10/35", "Alt_Title" : "", "Obj_Title" : "New York, 10/35", "Series_Title" : "", "Disp_Maker_1" : "Charles Joseph Biederman", "Sort_Artist" : "Biederman, Charles Joseph", "Disp_Dimen" : "82 cm x 63.7 cm (32 5/16 in. x 25 1/16 in.)", "Disp_Height" : "82 cm", "Disp_Width" : "63.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paper-like strips painted in primary colors dance and twist in an undefined space lit only by a distant, golden orb. While Charles Joseph Biederman’s New York, 10/35 does not visually reference specific subject matter, its organic forms suggest the irrepressible electricity of New York City. Biederman’s works have been called both Structurist and Constructivist; they attempt to represent the basic structure of nature without imitating its outward appearance", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.17.tif", "IsPrimary" : "1", "_SurrogateID" : "1316", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14533", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Sioux Village near Fort Laramie", "Alt_Title" : "", "Obj_Title" : "Sioux Village near Fort Laramie", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "31.8 cm x 49.3 cm (12 1/2 in. x 19 7/16 in.)", "Disp_Height" : "31.8 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "When Albert Bierstadt painted this intimate study of a native encampment in 1859, he was twenty-nine years old and on his first journey to the American West. Accompanying an army expedition as its recorder, he sketched firsthand impressions of the new landscape and its people in pencil and pen-and-ink. Bierstadt’s spectacular western landscapes would lead within a decade to his celebration as the leading American painter of the West, but in this modest early work, it was the comparatively mundane details of native family life that captured his interest. Certain features are rendered with notable virtuosity—the lone, tall tree and the left-most teepee—but in general this work embodies a sense of quiet repose and timelessness, different from the theatrical vistas and stunning sites for which the artist is best known. Bierstadt was one of the first American observers and recorders of native life, but his intent was less scientific and anthropological than artistic: back in the studio, where he composed his monumental oil paintings, he often combined images from very different locales for dramatic effect. The camera tripod visible in this work is a remnant of another study trip by Bierstadt, who inserted it presumably to testify to his presence at the scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22.tif", "IsPrimary" : "1", "_SurrogateID" : "1524", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22.tif", "IsPrimary" : "0", "_SurrogateID" : "2700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22_detail_1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22_detail_1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22_detail_1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22_detail_1.tif", "IsPrimary" : "0", "_SurrogateID" : "5894", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.22_detail-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.22_detail-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.22_detail-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.22_detail-2.tif", "IsPrimary" : "0", "_SurrogateID" : "5895", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13990, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13990", "Disp_Access_No" : "G1976.21.3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1886", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1891", "Disp_Title" : "Indian Canoe", "Alt_Title" : "", "Obj_Title" : "Indian Canoe", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "69.2 cm x 90.8 cm (27 1/4 in. x 35 3/4 in.)", "Disp_Height" : "69.2 cm", "Disp_Width" : "90.8 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "During his training at the Arts Academy of Düsseldorf, Albert Bierstadt engaged deeply with the spiritual and sensory tenets of German Romanticism. The movement, both intellectual and aesthetic, emphasized sublime or transcendent experience—a concept that lent itself well to depicting the American West. In landscapes like "Indian Canoe," Bierstadt aimed to convey a sense of the divine through nature. The diminutive figure set amidst the vast sky and towering trees has no individual traits, and serves as a stand-in for the awing experience of the sublime. The sun setting behind a lone Indian may also be read as a signal of the looming decline of Native Americans’ traditional way of life.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14561", "Disp_Access_No" : "1991.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Landscape Without Words", "Alt_Title" : "", "Obj_Title" : "Landscape Without Words", "Series_Title" : "", "Disp_Maker_1" : "Oscar Florianus Bluemner", "Sort_Artist" : "Bluemner, Oscar Florianus", "Disp_Dimen" : "55.3 cm x 41.1 cm (21 3/4 in. x 16 3/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "<SPAN>Oscar Bluemner’s<SPAN STYLE="font-style:italic"> Landscape without Words</SPAN> strikes equilibrium between opposing forces: the man-made and the natural, the geometric and the organic, the fragmented and the unified. According to the artist’s prolific notes, he approached the genre of landscape “as if it were a person . . . a semi-self portraiture.” Bluemner’s persona comes through in this painting in his choice of subject: a house. Placed precariously atop a hill, the house in <SPAN STYLE="font-style:italic">Landscape without Words</SPAN> nods to the artist’s formal training in architecture; by the 1920s, these residential structures had emerged as a primary motif in his work. As the title of this painting suggests, Bluemner manipulated the forms and colors in <SPAN STYLE="font-style:italic">Landscape without Words</SPAN> to visually express the unspoken—the multifaceted experience of the self and the surrounding world.</SPAN>", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.190.tif", "IsPrimary" : "1", "_SurrogateID" : "1513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13939, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13939", "Disp_Access_No" : "P1969.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Gloucester: Landscape with Farm Buildings", "Alt_Title" : "", "Obj_Title" : "Gloucester: Landscape with Farm Buildings", "Series_Title" : "", "Disp_Maker_1" : "Peter Blume", "Sort_Artist" : "Blume, Peter", "Disp_Dimen" : "41 cm x 51 cm (16 1/8 in. x 20 1/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Erect, truncated ship riggings against a foreboding sky; severe lines of architectonic forms; a contrast of caged and free chickens near a thorn bush in the center foreground: these introduce slight unrest into an otherwise traditional bucolic New England scene. In just a few colors—black, red, grey, green, and yellow—Blume creates dramatic contrasts, yet his agile composition keeps the eye moving from one strong form to the next, ultimately allowing a sense of resolution and balance. Ten years after he completed this painting, Blume’s interest in balance and contrast came to fruition when he spent two years in Italy. His subsequent works of social surrealism sounded political outcry against oppression in Fascist Europe. As Picasso’s Guernica of 1937 raged against Franco of Spain, Blume’s The Eternal City in the same year raised a shrill cry against Mussolini, and simultaneously issued a warning sign to a detached America. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.9.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.9.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.9.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.9.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2527", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14558", "Disp_Access_No" : "1991.193", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Tuileries Gardens", "Alt_Title" : "", "Obj_Title" : "Tuileries Gardens", "Series_Title" : "", "Disp_Maker_1" : "Aaron Bohrod", "Sort_Artist" : "Bohrod, Aaron", "Disp_Dimen" : "29.6 cm x 39.8 cm (11 5/8 in. x 15 11/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.193.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.193.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.193.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.193.tif", "IsPrimary" : "1", "_SurrogateID" : "1515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14557", "Disp_Access_No" : "1991.194", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "View of Grandcamp", "Alt_Title" : "", "Obj_Title" : "View of Grandcamp", "Series_Title" : "", "Disp_Maker_1" : "Aaron Bohrod", "Sort_Artist" : "Bohrod, Aaron", "Disp_Dimen" : "45.8 cm x 61 cm (18 1/16 in. x 24 in.)", "Disp_Height" : "45.8 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.194.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.194.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.194.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.194.tif", "IsPrimary" : "1", "_SurrogateID" : "6394", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16618, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16618", "Disp_Access_No" : "2001.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Harmony in Red (Mrs. Storrow)", "Alt_Title" : "", "Obj_Title" : "Harmony in Red (Mrs. Storrow)", "Series_Title" : "", "Disp_Maker_1" : "Frederick Andrew Bosley", "Sort_Artist" : "Bosley, Frederick Andrew", "Disp_Dimen" : "151.6 cm x 90.7 cm (59 11/16 in. x 35 11/16 in.)", "Disp_Height" : "151.6 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bosley was inspired by French Impressionist paintings he saw while studying at the Académie Julian in Paris between 1906 and 1908, as well as by the works of the American Impressionist James Whistler. After returning to the U.S., Bosley became Director of the School of the Museum of Fine Arts in Boston. Members of the city’s high society were his frequent subjects. Mrs. Helen Storrow was a prominent social reformer, serving as head of the governing board of the World Association of Girl Guides and Girl Scouts. Her spouse, J.J. Storrow, was a leading investment banker in Boston and the second president of the Boy Scouts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the estate of Elizabeth B. Brewster, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.103.tif", "IsPrimary" : "1", "_SurrogateID" : "1733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14524", "Disp_Access_No" : "1991.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Alt_Title" : "", "Obj_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Series_Title" : "", "Disp_Maker_1" : "J.M. 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"Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.283.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.283.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.283.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.283.tif", "IsPrimary" : "1", "_SurrogateID" : "5509", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14729", "Disp_Access_No" : "1986.284", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Zia Indian Village, Zia, New Mexico", "Alt_Title" : "", "Obj_Title" : "Zia Indian Village, Zia, New Mexico", "Series_Title" : "", "Disp_Maker_1" : "Elbridge Ayer Burbank", "Sort_Artist" : "Burbank, Elbridge Ayer", "Disp_Dimen" : "7.5 cm x 8.8 cm (2 15/16 in. x 3 7/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Edgar and Annie Ray Poth, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.284.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.284.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.284.tif", "IIIF_URL": 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Dallas Nine, an enterprising group of young painters active in the 1930s who helped establish a regional artistic identity for Texas art. Like "Oil Field Girls," Bywaters’s most popular work, their paintings portray local conditions in expressive detail even as they acknowledge a wide range of sophisticated painterly influences gained from the artists’ studies in New York, Mexico City, and Europe. In "Oil Field Girls," Bywaters used a somber palette to describe the bleak and thinly populated west Texas landscape. With its economically depressed vistas, the town (if it can be called that) is clearly godforsaken. By contrast, the women poised to hitch a ride out of those sad environs are vivid and forceful; although they are most likely working as prostitutes, Bywaters made no apparent judgment of them, instead vesting them with a vitality, even ambition, that offers the picture’s only hope. A canny mixture of reportage and editorial commentary, "Oil Field Girls" is a history painting that captures a surprisingly humane narrative of a specific time and place.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.1.tif", "IsPrimary" : "1", "_SurrogateID" : "1288", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14550, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14550", "Disp_Access_No" : "1991.201", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "Two Blue Vases", "Alt_Title" : "", "Obj_Title" : "Two Blue Vases", "Series_Title" : "", "Disp_Maker_1" : "Arthur Beecher Carles", "Sort_Artist" : "Carles, Arthur Beecher", "Disp_Dimen" : "74 cm x 58.8 cm (29 1/8 in. x 23 1/8 in.)", "Disp_Height" : "74 cm", "Disp_Width" : "58.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Here, parallel bud vases on a precariously angled tabletop are rendered in short strokes, sometimes heavy with paint, other times in a thin wash. Strong black curves anchor the still life to a backdrop filled with signs of motion. We imagine figures moving in the background or curtains waving before an open window, tossing flashes of sunlight and flickering shadows. Carles felt subject to be subordinate to the painter's response to a subject. "Those who look to painting to find object matter are not in need of paintings. They should go to the theatre," he said. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.201.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.201.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.201.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.201.tif", "IsPrimary" : "1", "_SurrogateID" : "1517", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.201.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.201.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.201.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.201.mp3", "IsPrimary" : "0", "_SurrogateID" : "8490", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14651", "Disp_Access_No" : "1987.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Portrait of Dean Thomas U. Taylor", "Alt_Title" : "", "Obj_Title" : "Portrait of Dean Thomas U. Taylor", "Series_Title" : "", "Disp_Maker_1" : "William Merritt Chase", "Sort_Artist" : "Chase, William Merritt", "Disp_Dimen" : "114.8 cm x 90.5 cm (45 3/16 in. x 35 5/8 in.)", "Disp_Height" : "114.8 cm", "Disp_Width" : "90.5 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Chase's portrait of Thomas Ulvan Taylor, who served as University of Texas at Austin's first dean of the School of Engineering from 1895 to 1936, seems to catch Taylor during a pause in his reading. His finger marking his place, he sits upright, forceful and alert in a dark suit. His sturdy chair and a dynamic red background strengthen his frame. Sharp sidelighting accents the innovator's head and hands; this serves to symbolize his pioneering achievements in academe and engineering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alumni, College of Engineering, The University of Texas at Austin, 1914; Transferred from the College of Engineering, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.34.tif", "IsPrimary" : "1", "_SurrogateID" : "1475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14267", "Disp_Access_No" : "G1943.1.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Early Spring", "Alt_Title" : "", "Obj_Title" : "Early Spring", "Series_Title" : "", "Disp_Maker_1" : "Regina Tatum Cooke", "Sort_Artist" : "Cooke, Regina Tatum", "Disp_Dimen" : "62 cm x 75 cm (24 7/16 in. x 29 1/2 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "75 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Deposit from the Work Projects Administration, United States Government, 1943", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1943.1.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1943.1.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1943.1.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1943.1.51.tif", "IsPrimary" : "1", "_SurrogateID" : "2278", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14491, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14491", "Disp_Access_No" : "1991.26", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1949", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1954", "Disp_Title" : "Wealth of 1849", "Alt_Title" : "", "Obj_Title" : "Wealth of 1849", "Series_Title" : "", "Disp_Maker_1" : "Dean Cornwell", "Sort_Artist" : "Cornwell, Dean", "Disp_Dimen" : "128.2 cm x 92.7 cm (50 1/2 in. x 36 1/2 in.)", "Disp_Height" : "128.2 cm", "Disp_Width" : "92.7 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.26.tif", "IsPrimary" : "1", "_SurrogateID" : "6378", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14279", "Disp_Access_No" : "2001.57", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Study for "Dawn of the Spirit"", "Alt_Title" : "", "Obj_Title" : "Study for "Dawn of the Spirit"", "Series_Title" : "", "Disp_Maker_1" : "Russell Cowles", "Sort_Artist" : "Cowles, Russell", "Disp_Dimen" : "50.8 cm x 40 cm (20 in. x 15 3/4 in.)", "Disp_Height" : "50.8 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "canvas board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julia Wilkinson, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.57.tif", "IsPrimary" : "1", "_SurrogateID" : "1742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13966", "Disp_Access_No" : "P1969.11.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Improvisation Number 2", "Alt_Title" : "", "Obj_Title" : "Improvisation Number 2", "Series_Title" : "", "Disp_Maker_1" : "Konrad Cramer", "Sort_Artist" : "Cramer, Konrad", "Disp_Dimen" : "90.8 cm x 81.3 cm (35 3/4 in. x 32 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "81.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cool yellows soften into warmer blues and lavenders that draw the eye inward, where pink cascades funnel toward a deep center. Linear fragments also guide the eye to other areas of the canvas: broad swaths of yellow contrast with a dense crowding of shapes and colors. Overall, this creates a spiral pattern of looking. The work's title echoes a modernist trend—of Wassily Kandinsky in Europe and of Stanton MacDonald-Wright in the U.S.—to paint in musical terms. Contemporary treatises on color presented the idea that color is organized like music, in variations of tones, so that paintings blend colors just as music combines notes ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.11.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.11.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.11.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.11.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2507", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13934", "Disp_Access_No" : "P1970.14.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1924", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1929", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "Landscape", "Series_Title" : "", "Disp_Maker_1" : "Andrew Dasburg", "Sort_Artist" : "Dasburg, Andrew", "Disp_Dimen" : "50.5 cm x 58.4 cm (19 7/8 in. x 23 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "58.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on canvas mounted on composition board", "Support" : "Board", "Disp_Medium" : "Oil on canvas mounted on composition board on Board", "Info_Page_Comm" : "In Andrew Dasburg’s Landscape nature’s organic forms contrast sharply with the imposed linearity of modern progress, represented here by a cultivated landscape outside Santa Fe.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.14.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.14.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.14.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.14.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2531", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14548, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14548", "Disp_Access_No" : "1991.204", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Polyphemus and Galatea", "Alt_Title" : "", "Obj_Title" : "Polyphemus and Galatea", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "58.2 cm x 70.9 cm (22 15/16 in. x 27 15/16 in.)", "Disp_Height" : "58.2 cm", "Disp_Width" : "70.9 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.204.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.204.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.204.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.204.tif", "IsPrimary" : "1", "_SurrogateID" : "1518", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14547, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14547", "Disp_Access_No" : "1991.205", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Lawn and Sky", "Alt_Title" : "", "Obj_Title" : "Lawn and Sky", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "47.3 cm x 57.5 cm (18 5/8 in. x 22 5/8 in.)", "Disp_Height" : "47.3 cm", "Disp_Width" : "57.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Stuart Davis frequently thought of his compositions in relation to jazz, which he considered the musical counterpart to abstract art. This is evident in "Lawn and Sky," in which Davis superimposed several views of his summer retreat in Gloucester, Massachusetts, within a single composition. The work hints at musicality in colorful symbols scattered throughout the picture: a pink squiggle resembles a bass clef, egg-like spheres appear like a two-note chord, and the red infinity symbol, or gruppetto, indicates a sequence of notes that boomerang up and down before returning to their principal note. Artist Robert Henri, who mentored Davis and who is also represented in the Blanton’s collection, encouraged his students to pursue spontaneity in their work. As in jazz, Davis’s decisions regarding the composition of "Lawn and Sky" are both harmonious and spontaneous, generating a visual rhythm.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "web use only", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.205.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.205.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.205.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.205.tif", "IsPrimary" : "1", "_SurrogateID" : "6389", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14165", "Disp_Access_No" : "G1968.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "Landscape", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "91.6 cm x 56 cm (36 1/16 in. x 22 1/16 in.)", "Disp_Height" : "91.6 cm", "Disp_Width" : "56 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.42.tif", "IsPrimary" : "1", "_SurrogateID" : "1150", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.42.tif", "IsPrimary" : "0", "_SurrogateID" : "2348", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13964", "Disp_Access_No" : "P1969.12.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1912", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1917", "Disp_Title" : "Woman in Brown", "Alt_Title" : "", "Obj_Title" : "Woman in Brown", "Series_Title" : "", "Disp_Maker_1" : "Manierre Dawson", "Sort_Artist" : "Dawson, Manierre", "Disp_Dimen" : "92 cm x 71.4 cm (36 1/4 in. x 28 1/8 in.)", "Disp_Height" : "92 cm", "Disp_Width" : "71.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Woman In Brown, Manierre Dawson responds—and pays homage—to European modernism in his version of Picasso's legendary portrait, Gertrude Stein, of 1906. The monochromatic brown palette and fragmentation of the subject alludes to experiments of the Paris Cubists as much as it does Cézanne's late work. Yet, Dawson's painting exhibits an independent American approach to problems of subject, contour and volume in pictorial construction.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.12.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.12.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.12.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.12.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2509", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5236", "Disp_Access_No" : "1992.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Blue Valley Fox Hunt", "Alt_Title" : "", "Obj_Title" : "Blue Valley Fox Hunt", "Series_Title" : "", "Disp_Maker_1" : "John S. deMartelly", "Sort_Artist" : "deMartelly, John S.", "Disp_Dimen" : "39.5 cm x 48.4 cm (15 9/16 in. x 19 1/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "48.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.60.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.60.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.60.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1992.60.TIF", "IsPrimary" : "1", "_SurrogateID" : "9401", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13981", "Disp_Access_No" : "G1976.21.5", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Caballos [Horses]", "Alt_Title" : "Horses", "Obj_Title" : "Caballos [Horses]", "Series_Title" : "", "Disp_Maker_1" : "George A. Dick", "Sort_Artist" : "Dick, George A.", "Disp_Dimen" : "52 cm x 62.5 cm (20 1/2 in. x 24 5/8 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "62.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4994", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14481", "Disp_Access_No" : "1991.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Randsburg", "Alt_Title" : "", "Obj_Title" : "Randsburg", "Series_Title" : "", "Disp_Maker_1" : "Lafayette Maynard Dixon", "Sort_Artist" : "Dixon, Lafayette Maynard", "Disp_Dimen" : "30.5 cm x 40.7 cm (12 in. x 16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "40.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.27.tif", "IsPrimary" : "1", "_SurrogateID" : "1552", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14026", "Disp_Access_No" : "G1975.6.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Desert Ranges", "Alt_Title" : "", "Obj_Title" : "Desert Ranges", "Series_Title" : "", "Disp_Maker_1" : "Lafayette Maynard Dixon", "Sort_Artist" : "Dixon, Lafayette Maynard", "Disp_Dimen" : "86.9 cm x 99.7 cm (34 3/16 in. x 39 1/4 in.)", "Disp_Height" : "86.9 cm", "Disp_Width" : "99.7 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1975", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.6.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.6.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.6.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.6.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2456", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.6.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.6.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.6.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.6.1.tif", "IsPrimary" : "0", "_SurrogateID" : "4885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13980", "Disp_Access_No" : "G1976.21.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "Namoki, Hopi Snake Priest", "Alt_Title" : "", "Obj_Title" : "Namoki, Hopi Snake Priest", "Series_Title" : "", "Disp_Maker_1" : "Lafayette Maynard Dixon", "Sort_Artist" : "Dixon, Lafayette Maynard", "Disp_Dimen" : "73.4 cm x 63.8 cm (28 7/8 in. x 25 1/8 in.)", "Disp_Height" : "73.4 cm", "Disp_Width" : "63.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.6.tif", "IsPrimary" : "1", "_SurrogateID" : "2488", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13979", "Disp_Access_No" : "G1976.21.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Top of the Ridge", "Alt_Title" : "", "Obj_Title" : "Top of the Ridge", "Series_Title" : "", "Disp_Maker_1" : "Lafayette Maynard Dixon", "Sort_Artist" : "Dixon, Lafayette Maynard", "Disp_Dimen" : "114.3 cm x 145.4 cm (45 in. x 57 1/4 in.)", "Disp_Height" : "114.3 cm", "Disp_Width" : "145.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although Maynard Dixon was based in San Francisco for forty years, the Southwest captured his artistic imagination. Together with his wife, famed Depression-era photographer Dorothea Lange, he made numerous trips to Arizona and New Mexico, spending months living on a Hopi reservation. Dixon’s paintings of the West invoke a more modern sensibility than other depictions of the West in this gallery. “The melodramatic Wild West is not for me,” he once stated. “The more lasting qualities are in the quiet and more broadly human aspects of western life.” He was drawn to what he described as “the poetry and pathos of life of western people seen amidst the grandeur, sternness, and loneliness of their country.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.7.tif", "IsPrimary" : "1", "_SurrogateID" : "2489", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.7.tif", "IsPrimary" : "0", "_SurrogateID" : "4886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13978", "Disp_Access_No" : "G1976.21.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Zion Park, Utah", "Alt_Title" : "", "Obj_Title" : "Zion Park, Utah", "Series_Title" : "", "Disp_Maker_1" : "Lafayette Maynard Dixon", "Sort_Artist" : "Dixon, Lafayette Maynard", "Disp_Dimen" : "67 cm x 57.2 cm (26 3/8 in. x 22 1/2 in.)", "Disp_Height" : "67 cm", "Disp_Width" : "57.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.8.tif", "IsPrimary" : "1", "_SurrogateID" : "2490", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13944", "Disp_Access_No" : "P1969.7.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Galera Romana", "Alt_Title" : "", "Obj_Title" : "Galera Romana", "Series_Title" : "", "Disp_Maker_1" : "Enrico Donati", "Sort_Artist" : "Donati, Enrico", "Disp_Dimen" : "75 cm x 101 cm (29 1/2 in. x 39 3/4 in.)", "Disp_Height" : "75 cm", "Disp_Width" : "101 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.7.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.7.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.7.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.7.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2523", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14163", "Disp_Access_No" : "G1968.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Barge, Trees, Silver Ball", "Alt_Title" : "", "Obj_Title" : "Barge, Trees, Silver Ball", "Series_Title" : "", "Disp_Maker_1" : "Arthur Garfield Dove", "Sort_Artist" : "Dove, Arthur Garfield", "Disp_Dimen" : "59 cm x 83 cm (23 1/4 in. x 32 11/16 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "83 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil and silver paint", "Support" : "beaver board", "Disp_Medium" : "Oil and silver paint on beaver board", "Info_Page_Comm" : "In Barge, Trees, Silver Ball, blue-black and green organic trees float in front of a silver form that recalls the sun or moon suspended over a sliver of barge. The forms are barely identifiable, even with the aid of the painting’s title. Dove worked from 1910 until his death in 1946 to extract the pictorial essence of forms and recast them in his compositions, often leaving little or no visible trace of his point of departure.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "all approved, except some types of merchandise. See remarks below.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.44.tif", "IsPrimary" : "1", "_SurrogateID" : "2350", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.44.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.44.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.44.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.44.mp3", "IsPrimary" : "0", "_SurrogateID" : "8436", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14162", "Disp_Access_No" : "G1968.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Good Breeze", "Alt_Title" : "", "Obj_Title" : "Good Breeze", "Series_Title" : "", "Disp_Maker_1" : "Arthur Garfield Dove", "Sort_Artist" : "Dove, Arthur Garfield", "Disp_Dimen" : "50 cm x 70 cm (19 11/16 in. x 27 9/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "70 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Arthur Dove lived on a boat off the coast of New York for seven years before painting "Good Breeze." His vicinity to the water emerges in the fluid forms of the composition: undulating waves of green and blue fuse land with sea, while the yellow triangle at center resembles a billowing sail. Good Breeze also captures the artist’s increasing interest in nonrepresentational painting, as the seascape dissolves into a patchwork of line and color.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "edu; promo; merch; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.45.tif", "IsPrimary" : "1", "_SurrogateID" : "2351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.45.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.45.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.45.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.45.mp3", "IsPrimary" : "0", "_SurrogateID" : "8437", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14233", "Disp_Access_No" : "G1964.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1871", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1876", "Disp_Title" : "At the Piano (Frances and Margaret Eakins)", "Alt_Title" : "Two Sisters of Thomas Eakins", "Obj_Title" : "At the Piano (Frances and Margaret Eakins)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "55.9 cm x 45.7 cm (22 in. x 18 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas on masonite", "Support" : "canvas", "Disp_Medium" : "Oil on canvas on masonite", "Info_Page_Comm" : "Thomas Eakins is considered one of the most significant realist American painters of the late 19th and early 20th century. After studying in Europe, he established a studio in Philadelphia in 1870. His earliest paintings, such as this one, depict family members in interior, domestic settings. Here he presents his two younger sisters, Frances and Margaret. The several hundred portraits Eakins produced in his lifetime capture the intellectual interests and psychological character of those he painted— friends, family members, and prominent intellectuals in his native Philadelphia. After making this portrait, he became an influential art educator, teaching at the Pennsylvania Academy of Fine Arts, among other institutions. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Caroline Crowell, M.D., 1964", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.2.tif", "IsPrimary" : "1", "_SurrogateID" : "6357", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14224", "Disp_Access_No" : "G1964.3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1892", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1897", "Disp_Title" : "The Opera Singer", "Alt_Title" : "", "Obj_Title" : "The Opera Singer", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "33.3 cm x 26.5 cm (13 1/8 in. x 10 7/16 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "In this study, Thomas Eakins paints a female opera singer who turns to consider a classical statue. An interchangeable symbol for the modern artist, Eakins’ singer asserts that the human being, in all its physical and psychological complexity, should remain the ultimate source of artistic inspiration. The Opera Singer and the verso, Untitled (Woman on balcony waving white handkerchief), appear to be preliminary sketches for other paintings. Whereas many painters perform preparatory drawings for their works, Eakins preferred to sketch directly in paint. Eakins believed that painting and drawing require fundamentally different ways of seeing; an artist should not use one to arrive at the other. While European innovation would change the course of American art, offering new and exciting routes for expression, Eakins’ legacy of deep looking—at the human body, face, character—sits at the very beginning and, indeed, the very heart of American modernism. 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Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.11.tif", "IsPrimary" : "1", "_SurrogateID" : "2464", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14009, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14009", "Disp_Access_No" : "G1976.21.12", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The Land of the Free", "Alt_Title" : "", "Obj_Title" : "The Land of the Free", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "94.6 cm x 80 cm (37 1/4 in. x 31 1/2 in.)", "Disp_Height" : "94.6 cm", "Disp_Width" : "80 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While depictions of Native American men standing alone in majestic landscapes are common in American painting of the late nineteenth and early twentieth centuries, solitary renderings of women in such environments are rare. This Sioux woman is wrapped in a Navajo blanket and perched atop a craggy valley rendered in thick oil impasto. The Sioux often chose high places—mountain peaks, as here—to bury their dead, and women mourned alone. The work’s title borrows from the lyrics of “The Star-Spangled Banner,” used by the U.S. military during this time before it became the national anthem in 1931. William Gilbert Gaul, familiar with tribal funerary traditions from his experiences with the Sioux, may have set this twilight scene at its “last gleaming” to evoke the destruction done by U.S. forces against Native American communities at the turn of the century. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.12.tif", "IsPrimary" : "1", "_SurrogateID" : "2465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.12.tif", "IsPrimary" : "0", "_SurrogateID" : "4888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14008", "Disp_Access_No" : "G1976.21.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "The Fire is a Friend", "Alt_Title" : "", "Obj_Title" : "The Fire is a Friend", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "100.3 cm x 125.1 cm (39 1/2 in. x 49 1/4 in.)", "Disp_Height" : "100.3 cm", "Disp_Width" : "125.1 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.13.tif", "IsPrimary" : "1", "_SurrogateID" : "2466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14007", "Disp_Access_No" : "G1976.21.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "The Hunter and His Dog ", "Alt_Title" : "", "Obj_Title" : "The Hunter and His Dog ", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "64.6 cm x 76.8 cm (25 7/16 in. x 30 1/4 in.)", "Disp_Height" : "64.6 cm", "Disp_Width" : "76.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.14.tif", "IsPrimary" : "1", "_SurrogateID" : "4991", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14535", "Disp_Access_No" : "1991.218", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Cafe Scene", "Alt_Title" : "", "Obj_Title" : "Cafe Scene", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "64.2 cm x 78.2 cm (25 1/4 in. x 30 13/16 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "78.2 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A glowing cigarette ember pinpoints the center of this café scene by William Glackens. Tilted hat brims and strokes of dark red highlight the trio conversing in the foreground. Around them, the painter's swift, loose brush draws extremes of light and shadow, bringing to life the buzz of social and intellectual activity in a late nineteenth-century café. Café Scene demonstrates Glackens' early interest in defining modern art through realism—the idea that everyday events are viable subjects for painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.218.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.218.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.218.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.218.tif", "IsPrimary" : "1", "_SurrogateID" : "1522", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14534", "Disp_Access_No" : "1991.219", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Lena and Imp", "Alt_Title" : "", "Obj_Title" : "Lena and Imp", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "159.8 cm x 107.4 cm (62 15/16 in. x 42 5/16 in.)", "Disp_Height" : "159.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Glackens began his career as a reporter-illustrator in Philadelphia, while also taking night classes at the Pennsylvania Academy of the Fine Arts. He began oil painting in 1894 at the urging of his friend and mentor, artist Robert Henri. The following year, Glackens visited Paris, where he had a transformative encounter with the work of Impressionists and Post-Impressionists. Their anti-academic approach to color, composition, and everyday subjects informed his art for decades, as seen in this late painting of his red-haired daughter. Such interior or studio settings were common in Glackens’ later work, a break with the urban scenes of street urchins and performers he and other artists of the Ashcan School painted in New York in the late 1890s. Glackens’ passion for Impressionist and Post-Impressionist art also shaped the renowned Barnes Collection; Glackens advised Albert C. Barnes and purchased for him works by Paul Cézanne, Edouard Monet, Pierre-Auguste Renoir, and other artists at the core of his collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.219.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.219.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.219.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.219.tif", "IsPrimary" : "1", "_SurrogateID" : "1523", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14603", "Disp_Access_No" : "1989.71", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Portrait of Woman in Red", "Alt_Title" : "", "Obj_Title" : "Portrait of Woman in Red", "Series_Title" : "", "Disp_Maker_1" : "Ruth Glasgow", "Sort_Artist" : "Glasgow, Ruth", "Disp_Dimen" : "62.5 cm x 52.5 cm (24 5/8 in. x 20 11/16 in.)", "Disp_Height" : "62.5 cm", "Disp_Width" : "52.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Tennie O'Dell, 1989", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.71.tif", "IsPrimary" : "1", "_SurrogateID" : "6401", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14529", "Disp_Access_No" : "1991.223", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "The Dialogue of the Edge (Study for Dark Green)", "Alt_Title" : "", "Obj_Title" : "The Dialogue of the Edge (Study for Dark Green)", "Series_Title" : "", "Disp_Maker_1" : "Arshile Gorky", "Sort_Artist" : "Gorky, Arshile", "Disp_Dimen" : "81.5 cm x 104.4 cm (32 1/16 in. x 41 1/8 in.)", "Disp_Height" : "81.5 cm", "Disp_Width" : "104.4 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Arshile Gorky, a charismatic émigré painter working in New York, helped forge the development of a more sophisticated language of American abstraction. His fluid, spontaneous style anticipated the achievements of the Abstract Expressionists in the late 1940s and 1950s. Exploring Surrealist ideas of automatic writing (drawing not consciously controlled), Gorky developed a singularly energetic line, which he combined with a variety of loose, painterly effects—the liberal use of thin washes of paint, occasional drips countered with heavily impastoed brushwork, and frequent scrubbing and scraping. In this work, one of numerous studies Gorky made for a painting now owned by the Philadelphia Museum of Art, the right zone is dominated by the erotic allusion to an opening into deep space that reveals fragments of human anatomy. On the left, a single pinched form seems to approach the painting’s divide. All the marks float in fields of amorphous color. Gorky likely painted this mysterious and somewhat disturbing work on his in-laws’ farm in Virginia in the summer of 1946, while recovering from both a studio fire that destroyed most of his recent paintings and cancer surgery a month later. During this period of extreme personal trauma, Gorky painted prolifically, creating some of his greatest works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "approved for web site; must approve other uses on a case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.223.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.223.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.223.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.223.tif", "IsPrimary" : "1", "_SurrogateID" : "1528", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14041", "Disp_Access_No" : "G1974.6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1928", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1933", "Disp_Title" : "Composition with Vegetables", "Alt_Title" : "", "Obj_Title" : "Composition with Vegetables", "Series_Title" : "", "Disp_Maker_1" : "Arshile Gorky", "Sort_Artist" : "Gorky, Arshile", "Disp_Dimen" : "71.3 cm x 91.6 cm (28 1/16 in. x 36 1/16 in.)", "Disp_Height" : "71.3 cm", "Disp_Width" : "91.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Albert Erskine to the Mari and James A. Michener Collection, 1974", "Copyright_Type" : "case by case basis", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.6.tif", "IsPrimary" : "0", "_SurrogateID" : "2448", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.6-2018-frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.6-2018-frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.6-2018-frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.6-2018-frame.tif", "IsPrimary" : "0", "_SurrogateID" : "19358", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.6-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.6-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.6-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.6-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "19359", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13933", "Disp_Access_No" : "P1970.14.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Funeral at Woodford", "Alt_Title" : "", "Obj_Title" : "Funeral at Woodford", "Series_Title" : "", "Disp_Maker_1" : "Osvaldo Louis Guglielmi", "Sort_Artist" : "Guglielmi, Osvaldo Louis", "Disp_Dimen" : "61 cm x 76 cm (24 in. x 29 15/16 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "76 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Osvaldo Louis Guglielmi’s "Funeral at Woodford," a quintessentially New England white clapboard church dwarfs a small group of mourners. The stiff postures of the figures, and the stoicism with which they watch the casket being carried away, gives the painting a sense of intense loneliness and unease echoed in the roiling sky and bare trees. The casket is the only element of the composition that breaks its rectilinear flatness; it projects outward towards the viewer, heightening the painting’s eeriness. Guglielmi belonged to a group of American artists who utilized elements of European Surrealism’s visual language— without its emphasis on unconscious drives—to present social commentary. He depicted everyday scenes but used unexpected or irrational juxtapositions and disorienting variations in scale to suggest the unsettling experience of modern life and address social conditions or political issues.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.14.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.14.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.14.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.14.2.tif", "IsPrimary" : "1", "_SurrogateID" : "2532", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14522", "Disp_Access_No" : "1991.231", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "St. Tropez", "Alt_Title" : "", "Obj_Title" : "St. Tropez", "Series_Title" : "", "Disp_Maker_1" : "Samuel Halpert", "Sort_Artist" : "Halpert, Samuel", "Disp_Dimen" : "87.4 cm x 112.5 cm (34 7/16 in. x 44 5/16 in.)", "Disp_Height" : "87.4 cm", "Disp_Width" : "112.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.231.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.231.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.231.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.231.TIF", "IsPrimary" : "1", "_SurrogateID" : "9552", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14006", "Disp_Access_No" : "G1976.21.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1900-1920", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1920", "Disp_Title" : "Early California", "Alt_Title" : "", "Obj_Title" : "Early California", "Series_Title" : "", "Disp_Maker_1" : "Alexander F. Harmer", "Sort_Artist" : "Harmer, Alexander F.", "Disp_Dimen" : "47.6 cm x 60.9 cm (18 3/4 in. x 24 in.)", "Disp_Height" : "47.6 cm", "Disp_Width" : "60.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.15.tif", "IsPrimary" : "1", "_SurrogateID" : "2467", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14521", "Disp_Access_No" : "1991.232", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "New Mexico Recollection #12", "Alt_Title" : "", "Obj_Title" : "New Mexico Recollection #12", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "76.6 cm x 101.7 cm (30 3/16 in. x 40 1/16 in.)", "Disp_Height" : "76.6 cm", "Disp_Width" : "101.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Works from this series by Marsden Hartley are an exercise in memory. Hartley completed this painting from his Berlin studio, where the American painter produced several remembrances of his time in the jagged, arid New Mexico landscape. In one of his essays on New Mexico, Hartley described the Southwest as “essentially a sculptural country.” In "Recollection #12," Hartley carved the barren topography into undulating waves of deep brown mountains, kicking up rolling gray clouds and woody green sagebrush. The landscape is highly stylized, influenced in part by his exposure to German Expressionism in Berlin in the years following World War I.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.232.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.232.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.232.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.232.tif", "IsPrimary" : "1", "_SurrogateID" : "1531", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.232.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.232.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.232.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.232.mp3", "IsPrimary" : "0", "_SurrogateID" : "8500", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14136", "Disp_Access_No" : "G1968.72", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1943", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1948", "Disp_Title" : "Untitled (Girl with Kitten)", "Alt_Title" : "", "Obj_Title" : "Untitled (Girl with Kitten)", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "102 cm x 77 cm (40 3/16 in. x 30 5/16 in.)", "Disp_Height" : "102 cm", "Disp_Width" : "77 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.72.tif", "IsPrimary" : "1", "_SurrogateID" : "3138", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.72.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.72.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.72.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.72.mp3", "IsPrimary" : "0", "_SurrogateID" : "8441", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14517, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14517", "Disp_Access_No" : "1991.236", "_AccNumSort1" : "", "Disp_Create_DT" : "1900", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "East River Snow (Blackwell's Island)", "Alt_Title" : "", "Obj_Title" : "East River Snow (Blackwell's Island)", "Series_Title" : "", "Disp_Maker_1" : "Robert Henri", "Sort_Artist" : "Henri, Robert", "Disp_Dimen" : "64.2 cm x 81.4 cm (25 1/4 in. x 32 1/16 in.)", "Disp_Height" : "64.2 cm", "Disp_Width" : "81.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A stretch of gold just above the horizon line seems to promise relief for New Yorkers living and working along a snow and ice-clogged East River. Robert Henri’s East River Snow (Blackwell's Island) captures the subtle changes of light and color characteristic of an oppressive winter sky. Henri painted at least fifteen scenes of Blackwell’s Island (now Roosevelt Island) on the East River in New York City. This work, painted early in Henri’s career, reveals Parisian influences with its delicate treatment of light and color. Henri’s dark, brooding palette of grays, browns, and greens is foretelling, though, as it evokes a mood more in tune with the sober realism he would later help create.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.236 back.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.236 back.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.236 back.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1991.236 back.jpg", "IsPrimary" : "0", "_SurrogateID" : "2799", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.236 back detail.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.236 back detail.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.236 back detail.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1991.236 back detail.jpg", "IsPrimary" : "0", "_SurrogateID" : "2800", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.236.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.236.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.236.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.236.mp3", "IsPrimary" : "0", "_SurrogateID" : "8502", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.236.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.236.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.236.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.236.tif", "IsPrimary" : "1", "_SurrogateID" : "11655", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14516, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14516", "Disp_Access_No" : "1991.237", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1912", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1917", "Disp_Title" : "The Old Model (Old Spanish Woman)", "Alt_Title" : "", "Obj_Title" : "The Old Model (Old Spanish Woman)", "Series_Title" : "", "Disp_Maker_1" : "Robert Henri", "Sort_Artist" : "Henri, Robert", "Disp_Dimen" : "60.9 cm x 51 cm (24 in. x 20 1/16 in.)", "Disp_Height" : "60.9 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An influential teacher and the outspoken founder of a new, progressive style of realism, Robert Henri is perhaps best known for his acutely sensitive portraits of common people, whom he sought out during his travels around the world. Unlike his contemporaries, who painted commissioned portraits of wealthy industrialists and their families, Henri preferred what he considered to be the deeper and more complex characters of workers, peasants, beggars, and entertainers. He was particularly fond of sitters in Spain, evident in this work, and visited there several times for lengthy painting excursions between 1906 and 1912, and again in 1923–1924. In an article he wrote in The Craftsman in 1915, he said, “The people I like to paint are ‘my people,’ whoever they may be, wherever they may exist, the people through whom dignity of life is manifest, who are in some way expressing themselves naturally. . . . My people may be old or young, rich or poor. . . . But wherever I find them, . . . my interest is awakened and my impulse immediately is to tell about them through my own language—drawing and painting in color.” Perhaps because of the breadth of his foreign experiences, Henri was a champion of the particularities of regional character and encouraged artists in the United States to paint details of everyday American life. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "EDU loves this work. Must seriously consider for Reinstallation. 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Whereas the massive, snow-capped mountain peaks in the far distance and the cascading waters of Bridalveil Falls just off-center of the composition appear as they might have been seen in the mid-1880s, the small party of figures in the lower quadrant is an artistic device symbolizing the romantic notion of a time when people lived in harmony with nature. In fact, the U.S. Army years earlier had evicted the Indians who once inhabited the valley. And in 1864 the federal government set aside a large tract of land there for public recreation, prohibiting settlement as well as future mining and development. Shortly after Hill’s earliest trip to Yosemite in 1862, his gorgeous mountain views began to enjoy both popular and critical success. In 1884 the British artist moved from his base in San Francisco and established a studio in Yosemite, where he produced an estimated five thousand paintings of the valley for the tourist market. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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Using a subject that appealed to his realist contemporaries, Holty demonstrates the possibilities of abstraction to represent subjects from daily life. Holty was a proponent of geometric abstraction and one of the founders of the American Abstract Artists, a group established in 1936. Holty and the geometric abstractionists rejected surrealism and cubism, instead creating abstract compositions with flat, geometric forms. He often incorporated biomorphic shapes, such as the three major black and yellow forms in this work, to suggest the figure while still working within a geometric vocabulary. Holty was constantly trying to break away from what he called "the old spatial systems." His abstract works lack spatial certainty, allowing shapes to float and interact and providing visual dynamism and varying interpretations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. 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Hurd has included small details that evoke the quiet peacefulness of local life. Windmills dot the scene and a lone figure stands in the yard feeding chickens. Though the landscape is vast, Hurd treats it like a figure well known. The gentle, shadowed curves of the hills suggest a warm, bodily presence. Painted in tempera made using yolks from Hurd’s own chickens, the painting is a testament to the relationship between land and home.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.36.tif", "IsPrimary" : "0", "_SurrogateID" : "1583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.36-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.36-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.36-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.36-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18070", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15024", "Disp_Access_No" : "1982.1305", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1835-1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1840", "Disp_Title" : "Portrait of Mary Kennedy Lewis Ludlow", "Alt_Title" : "", "Obj_Title" : "Portrait of Mary Kennedy Lewis Ludlow", "Series_Title" : "", "Disp_Maker_1" : "Henry Inman", "Sort_Artist" : "Inman, Henry", "Disp_Dimen" : "72.7 cm x 60.9 cm (28 5/8 in. x 24 in.)", "Disp_Height" : "72.7 cm", "Disp_Width" : "60.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Inman was a noted American portraitist whose subjects ranged from President Martin van Buren to John James Audubon. He also made lithographs, including copies of Charles Bird King’s portraits of Native Americans. Inman was one of the founders of the National Academy of Design in 1825–26 and acted as its first vice-president. This portrait of Mary Kennedy Lewis Ludlow was a gift of Lewis L. Gould when he was Chairman of the Department of History at The University of Texas and his wife Karen Gould, a lecturer in history. The sitter, Mrs. Ludlow, was the great-great-grandmother of Professor Gould. Mrs. Ludlow came from a prominent American family: her great-grandfather was General Francis Lewis, a signer of the Declaration of Independence who fought in the American Revolution.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lewis and Karen Gould, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1305.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1305.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1305.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1305.tif", "IsPrimary" : "1", "_SurrogateID" : "3229", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15023", "Disp_Access_No" : "1982.1306", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Untitled (Scene at Etretat)", "Alt_Title" : "", "Obj_Title" : "Untitled (Scene at Etretat)", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "45.7 cm x 66 cm (18 in. x 26 in.)", "Disp_Height" : "45.7 cm", "Disp_Width" : "66 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "George Inness is considered one of the most prominent American landscape painters of the nineteenth century. Inness was well-versed in the traditions of landscape painting in Europe and America, and was deeply influenced by the writings of Emanuel Swedenborg, an eighteenth-century theologian who proposed a philosophy in which earthly and heavenly realms are united. Originally titled The Shawangunk Mountains, New York, scholars believed Inness created this painting during a trip to Europe in the early 1870s. Other works from this period are thought to depict Étretat, in Normandy, France, and the work has been retitled to reflect this. Scholars now believe that this body of work might actually be Porto d’Anzio, Italy. Despite these potential varied locations, the scene embodies the dramatic effects of weather and atmosphere. According to Inness’ son, in his later years Inness rarely painted directly from nature, “He would study for days, then with the most dynamic energy, creating the composition from his own brain, but with so thorough an underlying knowledge of nature that the key-note of his landscape was always truth and sincerity and absolute fidelity to nature.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Latane Temple, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1306.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1306.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1306.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1306.tif", "IsPrimary" : "1", "_SurrogateID" : "3113", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16662, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16662", "Disp_Access_No" : "2002.2870", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890s", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Wane of Summer", "Alt_Title" : "", "Obj_Title" : "Wane of Summer", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "40 cm x 59.7 cm (15 3/4 in. x 23 1/2 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "59.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Greens and golds dominate the palette of this late, informal landscape depicting the edge of a wood where it opens onto a meadow. Crowns of foliage, silhouetted against a late-afternoon sky, and even grasses, are beginning to change color. A bare, lone tree on the crest of a slight rise anticipates the coming leafless winter. Painted just a few years before his death, this work exemplifies Inness' contribution to 19th-century American landscape painting. Unlike the Hudson River artists a generation before him, whose lavish romantic scenes of vast open wilderness came to represent American expansion, Inness focused on the intimacy of natural landscapes. He wanted his work to reflect possibilities for personal spiritual revelation in commune with nature ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jack S. Blanton and Family, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2870.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2870.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2870.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2870.tif", "IsPrimary" : "1", "_SurrogateID" : "2031", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14727", "Disp_Access_No" : "1986.287", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Joshua Trees", "Alt_Title" : "", "Obj_Title" : "Joshua Trees", "Series_Title" : "", "Disp_Maker_1" : "Frank Tenney Johnson", "Sort_Artist" : "Johnson, Frank Tenney", "Disp_Dimen" : "50.7 cm x 40.7 cm (19 15/16 in. x 16 in.)", "Disp_Height" : "50.7 cm", "Disp_Width" : "40.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Edgar and Annie Ray Poth, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.287.tif", "IsPrimary" : "1", "_SurrogateID" : "6430", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14003", "Disp_Access_No" : "G1976.21.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Mexican Revolutionaries", "Alt_Title" : "", "Obj_Title" : "Mexican Revolutionaries", "Series_Title" : "", "Disp_Maker_1" : "Frank Tenney Johnson", "Sort_Artist" : "Johnson, Frank Tenney", "Disp_Dimen" : "78.4 cm x 63.2 cm (30 7/8 in. x 24 7/8 in.)", "Disp_Height" : "78.4 cm", "Disp_Width" : "63.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.18.tif", "IsPrimary" : "1", "_SurrogateID" : "2470", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14002", "Disp_Access_No" : "G1976.21.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "On the Thornburgh Battlefield", "Alt_Title" : "", "Obj_Title" : "On the Thornburgh Battlefield", "Series_Title" : "", "Disp_Maker_1" : "Frank Tenney Johnson", "Sort_Artist" : "Johnson, Frank Tenney", "Disp_Dimen" : "125.1 cm x 150.5 cm (49 1/4 in. x 59 1/4 in.)", "Disp_Height" : "125.1 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.19.tif", "IsPrimary" : "1", "_SurrogateID" : "2471", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15057", "Disp_Access_No" : "1981.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Variations on a Rhythm-G", "Alt_Title" : "", "Obj_Title" : "Variations on a Rhythm-G", "Series_Title" : "", "Disp_Maker_1" : "Raymond Jonson", "Sort_Artist" : "Jonson, Raymond", "Disp_Dimen" : "96.8 cm x 83.8 cm (38 1/8 in. x 33 in.)", "Disp_Height" : "96.8 cm", "Disp_Width" : "83.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An undulating yellow arc forms the reflection of a letter G. Shapes and lines echo each other throughout the composition, repeating the letter and mirroring elements of its form, such as the ball and pedestal, in both foreground and background. He often deconstructed the lines and patterns in an analytical yet playful fashion, as he has done with the Variations of a Rhythm series from 1931", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Thomas Gilcrease Foundation, 1948", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.54.tif", "IsPrimary" : "1", "_SurrogateID" : "1196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.54_backing.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.54_backing.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.54_backing.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.54_backing.tif", "IsPrimary" : "0", "_SurrogateID" : "5971", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13959", "Disp_Access_No" : "P1969.15.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "Landscape", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Franz Kline", "Sort_Artist" : "Kline, Attributed to Franz", "Disp_Dimen" : "29.2 cm x 37.5 cm (11 1/2 in. x 14 3/4 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "37.5 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas board", "Support" : "Board", "Disp_Medium" : "Oil on canvas board on Board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.15.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.15.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.15.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.15.1.tif", "IsPrimary" : "1", "_SurrogateID" : "5515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14500", "Disp_Access_No" : "1991.251", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Approaching Storm, Lane's Cove", "Alt_Title" : "", "Obj_Title" : "Approaching Storm, Lane's Cove", "Series_Title" : "", "Disp_Maker_1" : "Abraham Leon Kroll", "Sort_Artist" : "Kroll, Abraham Leon", "Disp_Dimen" : "66.8 cm x 107.4 cm (26 5/16 in. x 42 5/16 in.)", "Disp_Height" : "66.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.251.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.251.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.251.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.251.tif", "IsPrimary" : "1", "_SurrogateID" : "1544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14499", "Disp_Access_No" : "1991.252", "_AccNumSort1" : "", "Disp_Create_DT" : "1924-1925", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1925", "Disp_Title" : "Waitresses from the Sparhawk", "Alt_Title" : "", "Obj_Title" : "Waitresses from the Sparhawk", "Series_Title" : "", "Disp_Maker_1" : "Yasuo Kuniyoshi", "Sort_Artist" : "Kuniyoshi, Yasuo", "Disp_Dimen" : "74.7 cm x 105.5 cm (29 7/16 in. x 41 9/16 in.)", "Disp_Height" : "74.7 cm", "Disp_Width" : "105.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""Waitresses from the Sparhawk" is an early work by Yasuo Kuniyoshi, painted just two years after his first solo gallery show in New York. Set in a popular resort in Ogunquit, Maine, where the artist spent his summers for many years, the work presents a seemingly delightful vignette about female friendship—except for that brooding sky and the slightly sinister tone of the surroundings. This odd but intriguing combination of stylized figures, abstracted landscape forms, and narrative references reflects the distinctive synthetic approach taken by Kuniyoshi and many American artists during this period following World War I. Painted in advance of the artist’s first trip to Europe, the work is an amalgam of undigested influences, reflecting his interest in Japanese prints, the modernist landscapes of Paul Cézanne, and American folk art. Characteristically quirky and mysterious, "Waitresses from the Sparhawk" is an important early painting by Kuniyoshi, the first living artist ever to be accorded a career retrospective exhibition at the Whitney Museum of American Art, New York.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "web use only", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.252.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.252.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.252.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.252.tif", "IsPrimary" : "1", "_SurrogateID" : "1545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5203", "Disp_Access_No" : "P1969.12.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "The Eviction", "Alt_Title" : "", "Obj_Title" : "The Eviction", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "71.1 cm x 97.5 cm (28 in. x 38 3/8 in.)", "Disp_Height" : "71.1 cm", "Disp_Width" : "97.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Gouache and collage on cardboard", "Support" : "", "Disp_Medium" : "Gouache and collage on cardboard", "Info_Page_Comm" : "A master storyteller and chronicler of history, Jacob Lawrence was one of the leading figurative painters of the twentieth century. He was also the preeminent African American artist of his generation, creating work characterized by strong, simplified forms, a distinctive palette of bold hues, and dynamic compositions that heighten the drama or tension of his tales. A childhood spent largely in Harlem during the years of the Great Depression provided him with subject matter that he returned to throughout his long career. Inspired by the vibrant artistic and intellectual energy that had fueled the Harlem Renaissance, Lawrence studied visual art at an early age, creating The Eviction when he was just seventeen years old. It shows a typical Harlem occurrence—a black family thrown out of their home by a white landlord—a scene that, in a larger sense, reflects the overcrowding, poverty, and frequent displacements that the Great Depression caused throughout America’s urban communities. But few painters were tracing the specific narratives of African American experience, and Lawrence vowed at a young age to remedy that situation. Even in such an early work, he forcefully communicated the immediacy of his story, simplified to its essences, with clear and unwavering vision. 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Smith, 1976", "Copyright_Type" : "case by case approval.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.20.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.20.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.20.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.20.TIF", "IsPrimary" : "1", "_SurrogateID" : "2473", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14879", "Disp_Access_No" : "1984.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Roping", "Alt_Title" : "", "Obj_Title" : "The Roping", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "114.9 cm x 97.2 cm (45 1/4 in. x 38 1/4 in.)", "Disp_Height" : "114.9 cm", "Disp_Width" : "97.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "William Robinson Leigh began his career as a magazine and book illustrator, but on the advice of the well-respected landscape painter Thomas Moran, he switched to oil paintings of the American landscape and experience. This vibrant work is one of a series of images that Leigh painted of cowboys on galloping horses. Quickly painted and action-packed, it handily conveys the heat and dust, the straining effort of the horse, and the composure and grace of its rider. Leigh prided himself on the authentic details of the clothes and gear that he depicted. Based in midtown Manhattan, he would travel every summer to the Southwest to sketch, study, photograph, and collect artifacts that later figured prominently in his studio-made works. He noted in The Western Pony, a book that he wrote and illustrated in 1933: “I find in the West the truely [sic] typical and distinctively American motifs, a grandeur in natural surroundings, a dramatic simplicity in life which can be found nowhere else. In that life, in those surroundings—marvelously varied and abundant—the horse plays a major role.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "1", "_SurrogateID" : "1305", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "0", "_SurrogateID" : "4883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13998", "Disp_Access_No" : "G1976.21.22", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1915-circa 1933", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1933", "Disp_Title" : "Navaho Pony (Study No. 1)", "Alt_Title" : "", "Obj_Title" : "Navaho Pony (Study No. 1)", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "48.2 cm x 57.1 cm (19 in. x 22 1/2 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2475", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13997", "Disp_Access_No" : "G1976.21.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1915-1933", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1933", "Disp_Title" : "Navajo Pony (Study No. 2)", "Alt_Title" : "", "Obj_Title" : "Navajo Pony (Study No. 2)", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "48.5 cm x 57.4 cm (19 1/8 in. x 22 5/8 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.23.tif", "IsPrimary" : "1", "_SurrogateID" : "4992", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13996", "Disp_Access_No" : "G1976.21.24", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1915-1933", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1933", "Disp_Title" : "Navaho Burro", "Alt_Title" : "Hopi Transportation", "Obj_Title" : "Navaho Burro", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "48.9 cm x 57.8 cm (19 1/4 in. x 22 3/4 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "57.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.24.tif", "IsPrimary" : "1", "_SurrogateID" : "2476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13955", "Disp_Access_No" : "P1969.17.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Steam Roller", "Alt_Title" : "", "Obj_Title" : "Steam Roller", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "60 cm x 44 cm (23 5/8 in. x 17 5/16 in.)", "Disp_Height" : "60 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An urban worker stands at the center of an image of urban construction and heavy industry. While the large scale of the machines dominate the canvas, the central placement of the man suggests that he is the focus of the image. Louis Lozowick explored the role of machines in modern American culture and the relationship between machines and humanity. He believed in a "machine aesthetic,” which dictates that art of an industrial society should employ the visual language of industry. The meticulous line in Steam Roller is characteristic of Precisionism, a style of painting that gives works a sharply defined and almost machine-made appearance. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.17.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.17.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.17.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.17.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14580", "Disp_Access_No" : "1991.175", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Gunboat Smith", "Alt_Title" : "", "Obj_Title" : "Gunboat Smith", "Series_Title" : "", "Disp_Maker_1" : "Attributed to George Benjamin Luks", "Sort_Artist" : "Luks, Attributed to George Benjamin", "Disp_Dimen" : "109.3 cm x 91.5 cm (43 1/16 in. x 36 in.)", "Disp_Height" : "109.3 cm", "Disp_Width" : "91.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.175.tif", "IsPrimary" : "1", "_SurrogateID" : "1507", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14492, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14492", "Disp_Access_No" : "1991.259", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Elsie", "Alt_Title" : "", "Obj_Title" : "Elsie", "Series_Title" : "", "Disp_Maker_1" : "George Benjamin Luks", "Sort_Artist" : "Luks, George Benjamin", "Disp_Dimen" : "102.3 cm x 77 cm (40 1/4 in. x 30 1/4 in.)", "Disp_Height" : "102.3 cm", "Disp_Width" : "76.9 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In George Luks’ portrait of Elsie Dore, the sitter’s eyes meet the viewer’s with an unsettling intensity. The plunging neckline of Dore’s dress appears to sever her into upper and lower halves. The nakedness of her chest and neck, her rigid arms and torso, the aggressive stare from beneath a hard brow—all combine to create a portrait of a woman whose mood seems to possess her entire body.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. 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A new analytical approach to art flourished, rooted in the painterly investigations of the French Impressionists and in a burgeoning public understanding of recent scientific advances. Working in Paris among an international community of painters who were all pushing the boundaries of established ideas, American artists Stanton Macdonald-Wright and Morgan Russell developed a system of abstract painting based on color harmonies and their alignment with Western musical structures. Synchromy in Purple Minor, painted by Macdonald-Wright after his return to New York, is considered one of the masterworks of this system, called Synchromism. Using his studies of Michelangelo’s sculpture, the Pieta, he described the abstracted female figure’s sculptural dimension primarily through color, rather than line or form. Using color’s capacity to suggest depth through juxtapositions that imply receding or advancing space, the artist generated illusionistic form without using traditional techniques. Synchromy in Purple Minor charts an essential step in the evolution of this new abstract language, whose roots stem from the artistic and scientific discoveries of the day. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.16.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.16.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.16.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.16.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2535", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14489, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14489", "Disp_Access_No" : "1991.262", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Movement: Sea, Ultramarine and Green; Sky, Cerulean and Grey", "Alt_Title" : "", "Obj_Title" : "Movement: Sea, Ultramarine and Green; Sky, Cerulean and Grey", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "55 cm x 70.2 cm (21 5/8 in. x 27 5/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "70.2 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Water's surface, blue and aquamarine, merges with a red sun; whitecaps shimmer on the horizon; a bright sky clouds over: this is John Marin's slivered glimpse of a windy seascape, painted toward the end of his long career. Here, patches of color, painted in oil, communicate with the cool transparency of watercolor, the medium Marin had formerly preferred. In the 1930s and '40s, interested in oil's textures, he applied his free brushwork to the new medium and to the seascape, a favorite expressive subject. In the year he made this work, Marin observed: "I'm calling my pictures this year Movements in Paint and not Movements of Boat, Sea or Sky, because in these new paintings, although I use objects, I am representing paint first of all, and not the motif primarily." For years Marin was associated with the avant-garde art circle centered around Alfred Stieglitz's gallery in New York, with artists such as Marsden Hartley and Georgia O'Keeffe. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "approval on case by case basis", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.262.tif", "IsPrimary" : "1", "_SurrogateID" : "6889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.262.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.262.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.262.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.262.mp3", "IsPrimary" : "0", "_SurrogateID" : "8538", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14488", "Disp_Access_No" : "1991.263", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Chatham Square", "Alt_Title" : "", "Obj_Title" : "Chatham Square", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "120.1 cm x 89.6 cm (47 5/16 in. x 35 1/4 in.)", "Disp_Height" : "120.1 cm", "Disp_Width" : "89.6 cm", "Dimen_Extent" : "Sight", "Medium" : "Tempera and collaged canvas", "Support" : "board", "Disp_Medium" : "Tempera and collaged canvas on board", "Info_Page_Comm" : "Night has fallen on a commercial district in New York City. In the background a straggling shopper exits the doorway of a store, while in the foreground, an ordinary old man, perhaps homeless, leans on a pilaster. In Reginald Marsh’s Chatham Square, the near magical light of store windows illuminates a typical night of street hustle and bustle. The bum figure in the foreground of Chatham Square is a frequent model of Marsh’s. In this work, the figure appears to have been collaged onto the surface in an attempt to add both visual and thematic depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "approval on case by case basis", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.263.tif", "IsPrimary" : "1", "_SurrogateID" : "1551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14487", "Disp_Access_No" : "1991.264", "_AccNumSort1" : "", "Disp_Create_DT" : "1936-1937", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1937", "Disp_Title" : "Down for the Count", "Alt_Title" : "", "Obj_Title" : "Down for the Count", "Series_Title" : "", "Disp_Maker_1" : "Fletcher Martin", "Sort_Artist" : "Martin, Fletcher", "Disp_Dimen" : "75.6 cm x 120.7 cm (29 3/4 in. x 47 1/2 in.)", "Disp_Height" : "75.6 cm", "Disp_Width" : "120.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fletcher Martin painted this smoky social realist boxing scene to symbolize the condition in which African Americans lived during the Depression. Martin spent his early career in California with Mexican muralist David Alfaro Siqueiros, whose influence is traceable here both in palette and in the artist’s empathy for oppressed African Americans. Martin produced "Down for the Count" after participating in the American Artists’ Congress in February 1936, during which many artists drew parallels between European fascism and racism in America. Martin’s works often feature men in conflict or experiencing trauma, even those that date to before his time as an artist-correspondent for LIFE magazine during World War II. Here Martin used linear perspective not only to create dramatic depth, but also to clearly demonstrate that these men are not on a level playing field.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.264.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.264.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.264.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.264.tif", "IsPrimary" : "1", "_SurrogateID" : "14272", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14486", "Disp_Access_No" : "1991.265", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Two Girls", "Alt_Title" : "", "Obj_Title" : "Two Girls", "Series_Title" : "", "Disp_Maker_1" : "Alfred H. Maurer", "Sort_Artist" : "Maurer, Alfred H.", "Disp_Dimen" : "54.7 cm x 45.8 cm (21 9/16 in. x 18 1/16 in.)", "Disp_Height" : "54.7 cm", "Disp_Width" : "45.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.265.tif", "IsPrimary" : "1", "_SurrogateID" : "6376", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14485", "Disp_Access_No" : "1991.266", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Two Heads", "Alt_Title" : "", "Obj_Title" : "Two Heads", "Series_Title" : "", "Disp_Maker_1" : "Alfred H. Maurer", "Sort_Artist" : "Maurer, Alfred H.", "Disp_Dimen" : "55.6 cm x 46.3 cm (21 7/8 in. x 18 1/4 in.)", "Disp_Height" : "55.6 cm", "Disp_Width" : "46.3 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.266.tif", "IsPrimary" : "1", "_SurrogateID" : "6375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14070", "Disp_Access_No" : "G1971.6.3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1944", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1949", "Disp_Title" : "I Would Come to Destroy, Not Save", "Alt_Title" : "", "Obj_Title" : "I Would Come to Destroy, Not Save", "Series_Title" : "", "Disp_Maker_1" : "Merritt Mauzey", "Sort_Artist" : "Mauzey, Merritt", "Disp_Dimen" : "89.1 cm x 73.7 cm (35 1/16 in. x 29 in.)", "Disp_Height" : "89.1 cm", "Disp_Width" : "73.7 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.6.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.6.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.6.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.6.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4590", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14069", "Disp_Access_No" : "G1971.6.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "My Brother's Keeper", "Alt_Title" : "", "Obj_Title" : "My Brother's Keeper", "Series_Title" : "", "Disp_Maker_1" : "Merritt Mauzey", "Sort_Artist" : "Mauzey, Merritt", "Disp_Dimen" : "87.35 cm x 102.6 cm (34 3/8 in. x 40 3/8 in.)", "Disp_Height" : "87.35 cm", "Disp_Width" : "102.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.6.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.6.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.6.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.6.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4591", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14068", "Disp_Access_No" : "G1971.6.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Vanquished", "Alt_Title" : "", "Obj_Title" : "Vanquished", "Series_Title" : "", "Disp_Maker_1" : "Merritt Mauzey", "Sort_Artist" : "Mauzey, Merritt", "Disp_Dimen" : "101.6 cm x 76.2 cm (40 in. x 30 in.)", "Disp_Height" : "101.6 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 1971", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.6.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.6.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.6.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.6.5.tif", "IsPrimary" : "1", "_SurrogateID" : "4592", "Image_Type" : "Slide", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9715, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9715", "Disp_Access_No" : "1992.145", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Virginia City, Mont.", "Alt_Title" : "", "Obj_Title" : "Virginia City, Mont.", "Series_Title" : "", "Disp_Maker_1" : "Blanche McVeigh", "Sort_Artist" : "McVeigh, Blanche", "Disp_Dimen" : "37 cm x 44.5 cm (14 9/16 in. x 17 1/2 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "44.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint with hardground and liftground etching", "Support" : "", "Disp_Medium" : "Aquatint with hardground and liftground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Still Water Foundation, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.145.tif", "IsPrimary" : "1", "_SurrogateID" : "9158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16550, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16550", "Disp_Access_No" : "1991.41", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1858 - 1874", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1874", "Disp_Title" : "Wind River Mountain Range Scene", "Alt_Title" : "The Sirens Were Singing From the Tops of the Peaks", "Obj_Title" : "Wind River Mountain Range Scene", "Series_Title" : "", "Disp_Maker_1" : "Alfred Jacob Miller", "Sort_Artist" : "Miller, Alfred Jacob", "Disp_Dimen" : "25.5 cm x 40.9 cm (10 1/16 in. x 16 1/8 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "40.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "When Alfred Jacob Miller traveled to the Wind River mountain range of Wyoming in 1837, he was the first non-native artist to explore this virtually undisturbed western wilderness. Hired to record the encounters and events of a fur-trading expedition to the Rocky Mountains, he spent six months absorbing landscapes like no other. Years later he was still painting from his sketches of the trip, especially views incorporating his favorite subject: the area’s pristine alpine lakes, such as the one at the center of this luminous painting. With its dramatically lit sky and narrative foil in the lower left corner—leading the viewer to wonder what announcement will be made—the jewel-like canvas offers a serene romantic vision of a sheltered paradise on the brink of change.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.41.tif", "IsPrimary" : "1", "_SurrogateID" : "1590", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.41.tif", "IsPrimary" : "0", "_SurrogateID" : "2701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14472", "Disp_Access_No" : "1991.275", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Sidewalk Merchant", "Alt_Title" : "", "Obj_Title" : "Sidewalk Merchant", "Series_Title" : "", "Disp_Maker_1" : "Kenneth Hayes Miller", "Sort_Artist" : "Miller, Kenneth Hayes", "Disp_Dimen" : "91.5 cm x 115.9 cm (36 in. x 45 5/8 in.)", "Disp_Height" : "91.5 cm", "Disp_Width" : "115.9 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "plywood", "Disp_Medium" : "Oil on plywood", "Info_Page_Comm" : "Muselike women in stylish hats, coats, and furs grace the street outside Kenneth Hayes Miller's studio. The Fourteenth Street studio was the center of the social realist painters of New York's art world, including Isabel Bishop, Moses and Raphael Soyer, and Reginald Marsh, all students of Miller at the Art Students League. The Fourteenth Street School depicted the urban social world, such as this everyday shopping spree. Miller's interest in social realism developed after World War I when he began to move away from the dreamlike images of his early work to try to capture the realities of daily life in the city. Sidewalk Merchant is one of Miller's most ambitious canvases, a work he began in 1932 and returned to sixteen years later to recompose and repaint. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.275.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.275.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.275.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.275.tif", "IsPrimary" : "1", "_SurrogateID" : "1553", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.275.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.275.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.275.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.275.mp3", "IsPrimary" : "0", "_SurrogateID" : "8539", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14412", "Disp_Access_No" : "1991.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Golden Hour", "Alt_Title" : "", "Obj_Title" : "The Golden Hour", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "41.9 cm x 52.4 cm x 7.6 cm (16 1/2 in. x 20 5/8 in. x 3 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "52.4 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran’s romanticized view of the towering cliffs of the Green River in southwestern Wyoming is notable for the operatic power of its imagery, despite the picture’s modest scale. An impossibly fiery sunset suffuses the jagged outcroppings in a golden light that exaggerates the glories and grandeur of nature. Americans back east were eager to discover the uninhabited western landscape through paintings like this and through reproductions. To make an even more compelling picture, Moran took certain liberties with features of the undeniably spectacular landscapes he observed on his trips to Wyoming during the summers of 1871 and 1872. Loosely and impressionistically painted, The Golden Hour is neither a major nor a typical work by Moran, but its magical intensity successfully communicates the artist’s deep fondness for the first western site he ever sketched. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.42.tif", "IsPrimary" : "1", "_SurrogateID" : "2703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20569", "Disp_Access_No" : "2014.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1901", "_Disp_Start_Dat" : "1901", "_Disp_End_Date" : "1901", "Disp_Title" : "Venice", "Alt_Title" : "", "Obj_Title" : "Venice", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "38.7 cm x 58.7 cm (15 1/4 in. x 23 1/8 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "58.7 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Estate of Jack S. Blanton, Sr., 2014", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2014.70.tif", "IsPrimary" : "1", "_SurrogateID" : "12077", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20570", "Disp_Access_No" : "2014.71", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "View of Long Island", "Alt_Title" : "", "Obj_Title" : "View of Long Island", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "40.6 cm x 36.5 cm (16 in. x 14 3/8 in.)", "Disp_Height" : "40.6 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Estate of Jack S. Blanton, Sr., 2014", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2014.71.tif", "IsPrimary" : "1", "_SurrogateID" : "12075", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14271", "Disp_Access_No" : "2002.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Little Bouquet", "Alt_Title" : "", "Obj_Title" : "Little Bouquet", "Series_Title" : "", "Disp_Maker_1" : "Loren Norman Mozley", "Sort_Artist" : "Mozley, Loren Norman", "Disp_Dimen" : "50.2 cm x 40.9 cm (19 3/4 in. x 16 1/8 in.)", "Disp_Height" : "50.2 cm", "Disp_Width" : "40.9 cm", "Dimen_Extent" : "Board", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "American artist Loren Mozley moved to Austin in 1938 and aided in the development of the University of Texas Art Department. Over the years Mozley taught at the university, served as department chairman, was president of the Texas Fine Arts Association, and retired as professor emeritus in 1975. His manner of representing volume and light recalls the work of Paul Cézanne.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ellouise Mitchell-Minter, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1.tif", "IsPrimary" : "1", "_SurrogateID" : "1751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14269", "Disp_Access_No" : "2002.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1937", "_Disp_Start_Dat" : "1937", "_Disp_End_Date" : "1937", "Disp_Title" : "Volcanic Mesa", "Alt_Title" : "", "Obj_Title" : "Volcanic Mesa", "Series_Title" : "", "Disp_Maker_1" : "Loren Norman Mozley", "Sort_Artist" : "Mozley, Loren Norman", "Disp_Dimen" : "61 cm x 76.3 cm (24 in. x 30 1/16 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "76.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mozley was heavily influenced by the technique of French Post-Impressionist Paul Cézanne. The angular and planar treatment of the rocks in Volcanic Mesa is reminiscent of Cézanne's Provençal landscapes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ellouise Mitchell-Minter, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13952", "Disp_Access_No" : "P1969.20.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1933", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1938", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "44.4 cm x 35.6 cm (17 1/2 in. x 14 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on paper attached to cardboard", "Support" : "Board", "Disp_Medium" : "Oil on paper attached to cardboard on Board", "Info_Page_Comm" : "In the early twentieth century, Jerome Myers drew inspiration from the people and scenes he encountered near his home in lower Manhattan. In terms both of ideology and subject matter, he closely resembled his contemporaries and associates of the Ashcan School, such as Robert Henri, John Sloan, and George Luks. Myers is reputed to have been one of the first American artists to gain commercial success representing unglamorous, unidealized urban scenes. In his self-portraits, as in this painting from late in his career, Myers adopts a beret and emphasizes his facial features to resemble the famous self-portraitist Rembrandt. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.20.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.20.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.20.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.20.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2518", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13991", "Disp_Access_No" : "G1976.21.29", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1851-circa 1895", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1895", "Disp_Title" : "On the Warpath", "Alt_Title" : "", "Obj_Title" : "On the Warpath", "Series_Title" : "", "Disp_Maker_1" : "Ernest-Étienne Narjot de Francheville", "Sort_Artist" : "Narjot de Francheville, Ernest-Étienne", "Disp_Dimen" : "24 cm x 40 cm (9 7/16 in. x 15 3/4 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas mounted on cardboard", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on cardboard on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. 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The artist periodically traveled westward from his Brooklyn home to satisfy East Coast curiosity for tales of the American West, returning with images that helped shape popular notions of the “Wild West.” As the backdrop to the hotel’s lively Grille Room, this teeming panorama provided an exotic parallel to the hubbub of the hotel’s moneyed crowd.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Miss Ima Hogg, 1943", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20.tif", "IsPrimary" : "0", "_SurrogateID" : "2724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "2773", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18069", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13960", "Disp_Access_No" : "P1969.14.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Mark Rothko", "Sort_Artist" : "Rothko, Mark", "Disp_Dimen" : "33 cm x 48 cm (13 in. x 18 7/8 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "48 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The sudden influx of European artists into the United States in the wake of the Spanish Civil War and World War II changed the face of American abstraction. The arrival in New York of several prominent Surrealists was particularly instrumental in shifting the focus of many American abstractionists away from a rigid attention to structure toward the creation of more organic and spontaneous compositions. Artists such as Arshile Gorky and Mark Rothko explored the automatic painting techniques favored by Surrealists, and used them to express their own unique visions. Mark Rothko adopted automatism in the early 1940s. Unlike Gorky, who primarily used free association to express personal psychological drama, Rothko employed the technique to convey a sense of the mythic. The various elements of the biomorphic imagery in his early paintings are meant to manifest universal and timeless themes. The mysterious organic forms suggest a primal world in the process of metamorphosis. The artist’s use of irrational instincts as sources for art and his determination to evoke the spirit of myth in this early work foreshadow his more well-known abstract expressionist paintings of the postwar period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "case by case approval", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Veronica Roberts would like to discuss reframing the work, if not for 2017 Reinstallation then soonest thereafter.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.14.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.14.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.14.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.14.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2512", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14818", "Disp_Access_No" : "1985.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Slick Ear", "Alt_Title" : "", "Obj_Title" : "The Slick Ear", "Series_Title" : "", "Disp_Maker_1" : "Charles Marion Russell", "Sort_Artist" : "Russell, Charles Marion", "Disp_Dimen" : "97.2 cm x 104.8 cm (38 1/4 in. x 41 1/4 in.)", "Disp_Height" : "97.2 cm", "Disp_Width" : "104.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.83.tif", "IsPrimary" : "1", "_SurrogateID" : "1332", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.83.tif", "IsPrimary" : "0", "_SurrogateID" : "4884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13989", "Disp_Access_No" : "G1976.21.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Medicine Man", "Alt_Title" : "", "Obj_Title" : "Medicine Man", "Series_Title" : "", "Disp_Maker_1" : "Charles Marion Russell", "Sort_Artist" : "Russell, Charles Marion", "Disp_Dimen" : "69.8 cm x 57.2 cm (27 1/2 in. x 22 1/2 in.)", "Disp_Height" : "69.8 cm", "Disp_Width" : "57.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Charles Russell’s name is synonymous with a dynamic artistic chronicle of the American West, and his lively canvases call to mind popular images of “cowboys and Indians.” But in his later years, Russell often painted to express his anger and regret about the rapid change that had overtaken the region. Unlike many artists of his era who were quick to caricature the ways of native peoples, Russell, a decades-long resident of the West, spent months living among the Blackfeet nation, whose traditions and values he greatly admired. In works like Medicine Man, he was meticulous about representing particular details of tribal customs—in this case those of the Piegan, who lived in central Montana. Even the horse bears distinctive tribal markings, including the red spots circled by blue on its neck, which signified successful raids against an enemy. The composition of the work—a mounted brave, his proud bearing signifying determination and courage, leading a procession across the barren plain, the sun setting behind them—symbolically conveys Russell’s late-in-life fear that American business interests, with their drive to expansion, had destroyed the indigenous civilizations of the western territories. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.30.tif", "IsPrimary" : "1", "_SurrogateID" : "2481", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13932", "Disp_Access_No" : "P1970.14.3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Purple and Red Still Life", "Alt_Title" : "", "Obj_Title" : "Purple and Red Still Life", "Series_Title" : "", "Disp_Maker_1" : "Morgan Russell", "Sort_Artist" : "Russell, Morgan", "Disp_Dimen" : "41 cm x 30 cm (16 1/8 in. x 11 13/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Russell's Purple and Red Still Life is from a period in which the artist returned to representation, yet it clearly shows his juxtapositions of color and space to create mass, combined with an emphasis on rich, thick brushwork", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.14.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.14.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.14.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.14.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2533", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15011", "Disp_Access_No" : "1982.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Breaking the Circle", "Alt_Title" : "", "Obj_Title" : "Breaking the Circle", "Series_Title" : "", "Disp_Maker_1" : "Charles Schreyvogel", "Sort_Artist" : "Schreyvogel, Charles", "Disp_Dimen" : "114.6 cm x 145 cm (45 1/8 in. x 57 1/16 in.)", "Disp_Height" : "114.6 cm", "Disp_Width" : "145 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.20.tif", "IsPrimary" : "1", "_SurrogateID" : "1238", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.20.tif", "IsPrimary" : "0", "_SurrogateID" : "4887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14817, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14817", "Disp_Access_No" : "1985.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1901", "_Disp_Start_Dat" : "1901", "_Disp_End_Date" : "1901", "Disp_Title" : "Going for Reinforcements", "Alt_Title" : "", "Obj_Title" : "Going for Reinforcements", "Series_Title" : "", "Disp_Maker_1" : "Charles Schreyvogel", "Sort_Artist" : "Schreyvogel, Charles", "Disp_Dimen" : "110.2 cm x 87.3 cm (43 3/8 in. x 34 3/8 in.)", "Disp_Height" : "110.2 cm", "Disp_Width" : "87.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.85.tif", "IsPrimary" : "1", "_SurrogateID" : "1334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14023", "Disp_Access_No" : "G1975.6.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Restlessly at Home", "Alt_Title" : "", "Obj_Title" : "Restlessly at Home", "Series_Title" : "", "Disp_Maker_1" : "Joseph Henry Sharp", "Sort_Artist" : "Sharp, Joseph Henry", "Disp_Dimen" : "54.6 cm x 81.3 cm (21 1/2 in. x 32 in.)", "Disp_Height" : "54.6 cm", "Disp_Width" : "81.3 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1975", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.6.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.6.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.6.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.6.4.tif", "IsPrimary" : "1", "_SurrogateID" : "2457", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13965", "Disp_Access_No" : "P1969.11.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "Still Life", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "58 cm x 40 cm (22 13/16 in. x 15 3/4 in.)", "Disp_Height" : "58 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A stark white vase and its single yellow lily, both painted in sharp focus, sit in a window that echoes the surrounding frame. Beyond the deeply set window lies a desert landscape, its strange forms adding to the non-referential, timeless quality of Charles Sheeler’s Still Life. Sheeler was the primary creator of Precisionism, a distinctly American hybrid of modern painting that married French Cubism’s system of planes and flattened perspective with a photographic-like painting style. As its title suggests, Still Life is an example of Sheeler’s Precisionist method as applied to a centuries old genre of painting, but the work also recalls the dream imagery of Surrealists like Max Ernst and René Magritte. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.11.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.11.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.11.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.11.2.tif", "IsPrimary" : "1", "_SurrogateID" : "2508", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14197", "Disp_Access_No" : "G1968.117", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "On a Southern Plantation", "Alt_Title" : "", "Obj_Title" : "On a Southern Plantation", "Series_Title" : "", "Disp_Maker_1" : "Everett Shinn", "Sort_Artist" : "Shinn, Everett", "Disp_Dimen" : "50 cm x 62 cm (19 11/16 in. x 24 7/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.117.tif", "IsPrimary" : "1", "_SurrogateID" : "2320", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14409", "Disp_Access_No" : "1991.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890-circa 1894", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1894", "Disp_Title" : "Buffalo Hunt", "Alt_Title" : "", "Obj_Title" : "Buffalo Hunt", "Series_Title" : "", "Disp_Maker_1" : "Walter Shirlaw", "Sort_Artist" : "Shirlaw, Walter", "Disp_Dimen" : "43.9 cm x 55.3 cm (17 5/16 in. x 21 3/4 in.)", "Disp_Height" : "43.9 cm", "Disp_Width" : "55.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on primed paper on matboard, attached to paperboard", "Support" : "", "Disp_Medium" : "Oil on primed paper on matboard, attached to paperboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. 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Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.323.tif", "IsPrimary" : "1", "_SurrogateID" : "1570", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14194", "Disp_Access_No" : "G1968.120", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Carol with Blue Hair Ribbon", "Alt_Title" : "", "Obj_Title" : "Carol with Blue Hair Ribbon", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "61 cm x 51 cm (24 in. x 20 1/16 in.)", "Disp_Height" : "61 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In John Sloan’s Carol with Blue Ribbon, a young girl, placed against a dark background and illuminated by yellow light, looks at the viewer with precocious eyes and offers a cunning smile. The ribbon in her hair, painted in varying tones of blue, adds to the girl’s aura of lively intelligence. Sloan’s sectioning of the subject’s ribbon and dress and expressive brushwork in this portrait recall the experimentation of Post-Impressionists like Paul Cézanne and Vincent van Gogh.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.120.tif", "IsPrimary" : "1", "_SurrogateID" : "2323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13927", "Disp_Access_No" : "P1970.18.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Rehearsal Break", "Alt_Title" : "", "Obj_Title" : "Rehearsal Break", "Series_Title" : "", "Disp_Maker_1" : "Moses Soyer", "Sort_Artist" : "Soyer, Moses", "Disp_Dimen" : "77 cm x 64 cm (30 5/16 in. x 25 3/16 in.)", "Disp_Height" : "77 cm", "Disp_Width" : "64 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rather than focusing on the performance or practice of dance, as his mentor Edgar Degas before him, Moses Soyer chooses a still moment. The eye first catches the two standing figures, whose striped shirt and pink leotard draw our attention. Differences in the height of the figures and the draped props emphasize the right edge of the painting, where a seated figure slouches in a corner. This dancer, excluded from the conversation, splays her legs in dejection or fatigue. The abstracted sheet of tinted background diminishes her. She doesn’t even have the energy to correct her fallen strap. Bodies and objects are blocked from clear view, by darkened colors, shadowed faces, crossed arms, a back to the viewer. Moses Soyer’s version of American society in 1942 expresses weariness and melancholy, perhaps a response to decades of depression and world war. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1970.18.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1970.18.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1970.18.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1970.18.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2536", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14440", "Disp_Access_No" : "1991.324", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "Transients", "Alt_Title" : "", "Obj_Title" : "Transients", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "95.3 cm x 86.7 cm (37 1/2 in. x 34 1/8 in.)", "Disp_Height" : "95.3 cm", "Disp_Width" : "86.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raphael Soyer was one of the leading proponents of a painting style called Social Realism, whose aim was to document the social and political mood of life during the years of the Great Depression. While other Social Realists, like Philip Evergood, were known for their searing indictments of poverty, Soyer’s tone was gentler and more sympathetic, though no less a call to action. His renderings of individuals, like these men waiting for public assistance, encourage the viewer to identify with the subjects and to empathize with their boredom and despair. Each weathered face in this group is an individual portrait—in fact, the figure on the left is Walter Broe, a homeless man who the artist employed as a model on many occasions, and the yawning figure toward the right rear is Raphael Soyer himself. Drawing and painting from models provided the foundation for Soyer’s practice, and he gained his carefully articulated insights from direct observation. His brand of realism was marked by its unflinching honesty and uncommon humanity. In many ways his paintings act as counterpoints to the great documentary photographs of the era taken by artists such as Dorothea Lange and Walker Evans. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Does not allow for web use or merchandise.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.324.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.324.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.324.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.324.mp3", "IsPrimary" : "0", "_SurrogateID" : "6892", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.324.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.324.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.324.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.324.tif", "IsPrimary" : "1", "_SurrogateID" : "1571", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13958", "Disp_Access_No" : "P1969.15.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1940-1949", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1949", "Disp_Title" : "Portrait of a Girl (Cynthia Brown)", "Alt_Title" : "", "Obj_Title" : "Portrait of a Girl (Cynthia Brown)", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "41 cm x 30 cm (16 1/8 in. x 11 13/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A young girl, whose hollow eyes and cheeks belie her age, clasps her hands tightly in her lap. Black hair, dress, chair, floor and shadows fuse together into a flat bodily form that serves to highlight the exactness of distinct facial features. Loose brushwork and complex shading and blending, especially in shadows and backdrop, create a simple, unified statement about the nature and effects of hardship. Like the painting of his brother Moses, Raphael Soyer’s work shows the influences of Edgar Degas and of American Realists like Thomas Eakins. Soyer once recalled: “I tried to paint my portraits in the manner of Eakins, completely without ingratiation, starkly honest.” Soyer’s dark palette and exaggerated realism yield contemplative portraits that hint of sadness or loneliness, a tone found in many of his best-known works from the 1930s and 40s ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.15.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.15.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.15.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.15.2.tif", "IsPrimary" : "1", "_SurrogateID" : "2513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. 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Twachtman's later works echo this style of impressionistic brushwork but with brighter light and color, reflecting the influence of the French Impressionists such as Monet, whose paintings he saw while living and studying in Paris in the late 1880s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.15.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.15.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.15.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.15.3.tif", "IsPrimary" : "1", "_SurrogateID" : "2514", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14408", "Disp_Access_No" : "1991.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1930-1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1935", "Disp_Title" : "I Well Remember", "Alt_Title" : "", "Obj_Title" : "I Well Remember", "Series_Title" : "", "Disp_Maker_1" : "Walter Ufer", "Sort_Artist" : "Ufer, Walter", "Disp_Dimen" : "87.3 cm x 99.7 cm (34 3/8 in. x 39 1/4 in.)", "Disp_Height" : "87.3 cm", "Disp_Width" : "99.7 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.45.tif", "IsPrimary" : "1", "_SurrogateID" : "6361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13983", "Disp_Access_No" : "G1976.21.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1925-1929", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1929", "Disp_Title" : "Returning the Stray", "Alt_Title" : "", "Obj_Title" : "Returning the Stray", "Series_Title" : "", "Disp_Maker_1" : "Walter Ufer", "Sort_Artist" : "Ufer, Walter", "Disp_Dimen" : "74.9 cm x 87.6 cm (29 1/2 in. x 34 1/2 in.)", "Disp_Height" : "74.9 cm", "Disp_Width" : "87.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.36.tif", "IsPrimary" : "1", "_SurrogateID" : "2486", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14428", "Disp_Access_No" : "1991.337", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1927", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1926", "Disp_Title" : "Riffs and Rays", "Alt_Title" : "", "Obj_Title" : "Riffs and Rays", "Series_Title" : "", "Disp_Maker_1" : "Frederick Judd Waugh", "Sort_Artist" : "Waugh, Frederick Judd", "Disp_Dimen" : "102.2 cm x 123.2 cm (40 1/4 in. x 48 1/2 in.)", "Disp_Height" : "102.2 cm", "Disp_Width" : "123.2 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.337.tif", "IsPrimary" : "1", "_SurrogateID" : "1578", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14427, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14427", "Disp_Access_No" : "1991.338", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "New York at Night", "Alt_Title" : "", "Obj_Title" : "New York at Night", "Series_Title" : "", "Disp_Maker_1" : "Max Weber", "Sort_Artist" : "Weber, Max", "Disp_Dimen" : "87 cm x 55.9 cm (34 1/4 in. x 22 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "55.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Max Weber was one of the first American artists to fully synthesize the principles of European modernism and adapt them to a specifically American subject matter. Well acquainted with the debates and practices of Gertrude Stein, Pablo Picasso, Henri Matisse, Henri Rousseau, and other leading European artists and intellectuals whom he met while living in Paris, Weber helped introduce their avant-garde ideas to artists working in the United States when he returned to New York. His own influential pulpit was Alfred Stieglitz’s journal Camera Work. In its pages he proposed his most important concept, the notion of a fourth dimension, or the extension of space into another realm beyond the three dimensions of the visible world. His speculative ideas found clear expression in the paintings he executed around 1910, which incorporated representations of movement and time. New York at Night, completed five years later, reduces his impressions of time and place to a basic vocabulary of colorful geometric shapes and intersecting planes seen from multiple perspectives and enhanced by illusions of motion and reverberating sound. In works like this, Weber conveyed the speed, the action, and the dynamic energy of the city more abstractly than ever before in American painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.338.tif", "IsPrimary" : "1", "_SurrogateID" : "1579", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14820", "Disp_Access_No" : "1985.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Buffalo on the Platte River", "Alt_Title" : "", "Obj_Title" : "Buffalo on the Platte River", "Series_Title" : "", "Disp_Maker_1" : "Worthington Whittredge", "Sort_Artist" : "Whittredge, Worthington", "Disp_Dimen" : "49.2 cm x 71.8 cm (19 3/8 in. x 28 1/4 in.)", "Disp_Height" : "49.2 cm", "Disp_Width" : "71.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Worthington Whittredge created this work after a survey expedition to the West. The plains landscape deeply affected the artist: “Whoever crossed the plains at that period…could hardly fail to be impressed with its vastness and silence.” This intimate painting depicts a herd of buffalo along the banks of Nebraska’s Platte River. Enabling a heightened sense of the vastness he had described, the artist kept the buffalo at a distance, a small, quiet presence. And yet, the ominous clouds could be taken as tacit symbols of the encroaching migration of white settlers to the region—a development that was accelerated by the First Transcontinental Railroad built along the Platte River. Just a decade after this work was painted, those traveling west by train would no longer witness Whittredge’s vision, as westward expansion and overhunting caused the near eradication of the American bison. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.81.tif", "IsPrimary" : "1", "_SurrogateID" : "3363", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13941, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13941", "Disp_Access_No" : "P1969.7.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Woman on Trapeze", "Alt_Title" : "", "Obj_Title" : "Woman on Trapeze", "Series_Title" : "", "Disp_Maker_1" : "Karl Zerbe", "Sort_Artist" : "Zerbe, Karl", "Disp_Dimen" : "135 cm x 95 cm (53 1/8 in. x 37 3/8 in.)", "Disp_Height" : "135 cm", "Disp_Width" : "95 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil and encaustic", "Support" : "canvas", "Disp_Medium" : "Oil and encaustic on canvas", "Info_Page_Comm" : "Inspired by Zerbe’s brief travels with the Barnum and Bailey Circus in 1945, Woman on Trapeze raises provocative questions. The intrepid trapeze artist stares beyond the viewer from a bird’s-eye perspective high above the crowd below—so where are we? And why is the young woman’s expression so self-contained while her muscular body practically crashes into the viewer’s own? The acid green and strong contrasts of light and dark give the scene a surreal, even ominous, tone. Although normally a site of family entertainment, this circus vignette presents an unsettling mystery. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1969.7.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1969.7.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1969.7.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1969.7.6.tif", "IsPrimary" : "1", "_SurrogateID" : "2525", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14823, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14823", "Disp_Access_No" : "1985.74a", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Rites of Spring - Olympic Offerings (Recto)", "Alt_Title" : "", "Obj_Title" : "Rites of Spring - Olympic Offerings (Recto)", "Series_Title" : "", "Disp_Maker_1" : "Marguerite Thompson Zorach", "Sort_Artist" : "Zorach, Marguerite Thompson", "Disp_Dimen" : "74.9 cm x 62.4 cm (29 1/2 in. x 24 9/16 in.)", "Disp_Height" : "74.9 cm", "Disp_Width" : "62.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Marguerite Thompson Zorach was among the first painters to introduce European modernism to American audiences, most memorably at the 1913 Armory Show in New York City. Inspired by the “absolute unconventionality and freedom” of European avant-garde practices the artist discovered while living in Paris, "Rites of Spring—Olympic Offerings" is a rare example of Zorach’s early experimentation with expressionistic applications of color. Here nude figures depicted in cool blues and caustic pinks proffer the season’s harvest to an unseen divine force, providing insight into the artist’s own perception of the “inner spirit of things.” Marguerite Thompson Zorach’s husband and fellow modernist, William Zorach, later used the back of this canvas for his own painting. According to his autobiography, the couple survived years of struggle in New York “by never spending a cent on anything that was not essential . . . we made our own canvases . . . used the stretchers over and over, rolling up the finished pictures. When desperate we painted on both sides of the canvas.” William, who enjoyed more commercial success than Marguerite, presumably used this canvas in a moment of desperation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.74_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.74_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.74_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.74_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "1328", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.74_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.74_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.74_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.74_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5585", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19021", "Disp_Access_No" : "1985.74b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "Dahlov with Baby Carriage (verso)", "Alt_Title" : "", "Obj_Title" : "Dahlov with Baby Carriage (verso)", "Series_Title" : "", "Disp_Maker_1" : "William Zorach", "Sort_Artist" : "Zorach, William", "Disp_Dimen" : "74.9 cm x 62.4 cm (29 1/2 in. x 24 9/16 in.)", "Disp_Height" : "74.9 cm", "Disp_Width" : "62.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Dramatic and exotic figures in faraway places are common in the vivid, colorful works Marguerite Thompson Zorach favored in her early career. The figures here are engulfed in a flurry of orange, green, red, and lavender, giving the scene an other-worldly feel as the nude participants reach toward the mountain summit in a mysterious ritual. Painted in Paris in 1909, Rites of Spring reflects Zorach’s immersion in the Parisian art world, particularly in the work of Henri Matisse, who painted similar pastoral scenes in the years leading up to Zorach’s work. Shortly after completing this painting, Zorach shifted to a different palette and a more cubist-influenced style, in tune with the wave of modernism in the Parisian avant-garde. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.74_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.74_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.74_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.74_verso.tif", "IsPrimary" : "1", "_SurrogateID" : "5584", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.74_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.74_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.74_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.74_recto.tif", "IsPrimary" : "0", "_SurrogateID" : "5586", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }