{ "objects" : [ { "embark_ID" : 12146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12146", "Disp_Access_No" : "2002.379.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.4 cm x 33.9 cm (10 3/8 in. x 13 3/8 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The remaining plates in the series shed light on the customs surrounding the experience of childbirth. Some scholars propose that these rituals excluding men were forms of resistance to patriarchal authority. Expectant mothers sent formal invitations to their friends to attend the delivery of their child, just as they had for the wedding itself. Upon the onset of labor, the husband gathered the invitees together and then withdrew from the scene. A "lying-in" period of about three weeks followed the delivery during which there was a formal "upsitting" ritual marked by a feast attended only by women. The lying-in period ended when the mother and child attended church in the company of her entourage. All sexual activity was prohibited during this period when she was sequestered in her room, visited only by servants, wet-nurses, and select female friends. Men viewed these occasions with suspicion and feared the potential for the "treason of women." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12148", "Disp_Access_No" : "2002.379.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Visite à l'accouchée [The Bedside Visit], plate 5 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "La Visite à l'accouchée [The Bedside Visit], plate 5 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "28.8 cm x 38.8 cm (11 5/16 in. x 15 1/4 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. The tone is decidedly softer than in Marriage in the City. Friends and relatives bring gifts of cooking pots and linen to the new bride as she sets up household. In the final verse of the inscription, the bride assures her benefactors that they will be thanked when her children - not yet born - come of age, stressing the bonds marriage forged between generations and within communities. 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