{ "objects" : [ { "embark_ID" : 7834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7834", "Disp_Access_No" : "1988.100.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Summer Boogie-Woogie, from Damn It! (1986-87)", "Alt_Title" : "", "Obj_Title" : "Summer Boogie-Woogie, from Damn It! (1986-87)", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "62.2 cm x 86.3 cm (24 1/2 in. x 34 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "86.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut and color lithograph", "Support" : "", "Disp_Medium" : "Woodcut and color lithograph", "Info_Page_Comm" : "With this series on the AIDS crisis, Avery intended to direct attention toward universal themes such as love and the inevitability of death. The narrative unfolds in a cycle of four images that present an initial encounter between lovers, the infection of the disease, the giving of last rights, and, finally, an autopsy. As an artist and physician, Avery often appropriates familiar images from art history for subjects with personal and political relevance. For example, in The Blue Bath, Avery quotes Albrecht Dürer's famous woodcut of the Men's Bath, although he created a scene with more explicit homoerotic content. Avery was inspired by Ferdinand Hodler's Night when he created Summer Boogie-Woogie, which fuses eros, sleep, and death in one composition. With these references to art history, the artist places the AIDS epidemic in the context of plagues in history. Avery's series forces a viewer to look beyond the thickness of contemporary issues and consider the illness in terms of the continuing physical and spiritual struggles in human existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.100.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.100.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.100.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.100.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "2883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1692", "Disp_Access_No" : "1986.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "False Bacchus--Christ Blessing America to an Orgy of Self-Indulgence", "Alt_Title" : "", "Obj_Title" : "False Bacchus--Christ Blessing America to an Orgy of Self-Indulgence", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "93.2 cm x 121.9 cm (36 11/16 in. x 48 in.)", "Disp_Height" : "93.2 cm", "Disp_Width" : "121.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photolithograph, nine-color screenprint, linoleum cut, collage, and hand gilding", "Support" : "", "Disp_Medium" : "Photolithograph, nine-color screenprint, linoleum cut, collage, and hand gilding", "Info_Page_Comm" : "Since at least the Renaissance, the quotation of works of art has gone hand-in-hand with the development of printmaking. The multiplicity, economy, and transportability of prints quickly established them as the principal means of circulating information about other works of art, often determining artistic influence and shaping stylistic development. In False Bacchus, Eric Avery manipulates Caravaggio's Supper at Emmaus and Bacchus. Through a complex procedure, he generates a print that not only refers to the work of the Baroque painter, but embellishes upon the long tradition of bacchanalian imagery and updates its satirical component.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.40.tif", "IsPrimary" : "1", "_SurrogateID" : "2841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7835, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7835", "Disp_Access_No" : "1988.100.4/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "As It Is, from Damn It!", "Alt_Title" : "", "Obj_Title" : "As It Is, from Damn It!", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "63 cm x 87.3 cm (24 13/16 in. x 34 3/8 in.)", "Disp_Height" : "63 cm", "Disp_Width" : "87.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut and color lithograph", "Support" : "", "Disp_Medium" : "Woodcut and color lithograph", "Info_Page_Comm" : "With this series on the AIDS crisis, Avery intended to direct attention toward universal themes such as love and the inevitability of death. The narrative unfolds in a cycle of four images that present an initial encounter between lovers, the infection of the disease, the giving of last rights, and, finally, an autopsy. As an artist and physician, Avery often appropriates familiar images from art history for subjects with personal and political relevance. For example, in The Blue Bath, Avery quotes Albrecht Dürer's famous woodcut of the Men's Bath, although he created a scene with more explicit homoerotic content. Avery was inspired by Ferdinand Hodler's Night when he created Summer Boogie-Woogie, which fuses eros, sleep, and death in one composition. With these references to art history, the artist places the AIDS epidemic in the context of plagues in history. Avery's series forces a viewer to look beyond the thickness of contemporary issues and consider the illness in terms of the continuing physical and spiritual struggles in human existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.100.4-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.100.4-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.100.4-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.100.4-4.tif", "IsPrimary" : "1", "_SurrogateID" : "2885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7833, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7833", "Disp_Access_No" : "1988.100.1/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "The Blue Bath, from Damn It! (1986-87)", "Alt_Title" : "", "Obj_Title" : "The Blue Bath, from Damn It! (1986-87)", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "62 cm x 87 cm (24 7/16 in. x 34 1/4 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "87 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut and color lithograph", "Support" : "", "Disp_Medium" : "Woodcut and color lithograph", "Info_Page_Comm" : "With this series on the AIDS crisis, Avery intended to direct attention toward universal themes such as love and the inevitability of death. The narrative unfolds in a cycle of four images that present an initial encounter between lovers, the infection of the disease, the giving of last rights, and, finally, an autopsy. As an artist and physician, Avery often appropriates familiar images from art history for subjects with personal and political relevance. For example, in The Blue Bath, Avery quotes Albrecht Dürer's famous woodcut of the Men's Bath, although he created a scene with more explicit homoerotic content. Avery was inspired by Ferdinand Hodler's Night when he created Summer Boogie-Woogie, which fuses eros, sleep, and death in one composition. With these references to art history, the artist places the AIDS epidemic in the context of plagues in history. Avery's series forces a viewer to look beyond the thickness of contemporary issues and consider the illness in terms of the continuing physical and spiritual struggles in human existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.100.1-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.100.1-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.100.1-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.100.1-4.tif", "IsPrimary" : "1", "_SurrogateID" : "2882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7798", "Disp_Access_No" : "1988.100.3/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Healing Before Art, from Damn It! (1986-87)", "Alt_Title" : "", "Obj_Title" : "Healing Before Art, from Damn It! (1986-87)", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "62.2 cm x 84.4 cm (24 1/2 in. x 33 1/4 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "84.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut and color lithograph", "Support" : "", "Disp_Medium" : "Woodcut and color lithograph", "Info_Page_Comm" : "With this series on the AIDS crisis, Avery intended to direct attention toward universal themes such as love and the inevitability of death. The narrative unfolds in a cycle of four images that present an initial encounter between lovers, the infection of the disease, the giving of last rights, and, finally, an autopsy. As an artist and physician, Avery often appropriates familiar images from art history for subjects with personal and political relevance. For example, in The Blue Bath, Avery quotes Albrecht Dürer's famous woodcut of the Men's Bath, although he created a scene with more explicit homoerotic content. Avery was inspired by Ferdinand Hodler's Night when he created Summer Boogie-Woogie, which fuses eros, sleep, and death in one composition. With these references to art history, the artist places the AIDS epidemic in the context of plagues in history. Avery's series forces a viewer to look beyond the thickness of contemporary issues and consider the illness in terms of the continuing physical and spiritual struggles in human existence. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.100.3-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.100.3-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.100.3-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.100.3-4.tif", "IsPrimary" : "1", "_SurrogateID" : "2884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19804", "Disp_Access_No" : "2012.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "The Antonin Artaud Marchout Band: New Year's Eve San Ygnacio, TX", "Alt_Title" : "", "Obj_Title" : "The Antonin Artaud Marchout Band: New Year's Eve San Ygnacio, TX", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "67.9 cm x 100.4 cm (26 3/4 in. x 39 1/2 in.)", "Disp_Height" : "67.9 cm", "Disp_Width" : "100.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Linoleum cut", "Support" : "", "Disp_Medium" : "Linoleum cut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jane Petro, M.D., 2012", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.34.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.34.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.34.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.34.TIF", "IsPrimary" : "1", "_SurrogateID" : "9525", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19805", "Disp_Access_No" : "2012.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Onion King", "Alt_Title" : "", "Obj_Title" : "The Onion King", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "65.8 cm x 51.2 cm (25 7/8 in. x 20 3/16 in.)", "Disp_Height" : "65.8 cm", "Disp_Width" : "51.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Linoleum cut", "Support" : "", "Disp_Medium" : "Linoleum cut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jane Petro, M.D., 2012", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.35.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.35.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.35.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.35.TIF", "IsPrimary" : "1", "_SurrogateID" : "9527", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19807", "Disp_Access_No" : "2012.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Somalia Landscape", "Alt_Title" : "", "Obj_Title" : "Somalia Landscape", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "45.9 cm x 111.6 cm (18 1/16 in. x 43 15/16 in.)", "Disp_Height" : "45.9 cm", "Disp_Width" : "111.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Color woodcut on two blocks", "Support" : "", "Disp_Medium" : "Color woodcut on two blocks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jane Petro, M.D., 2012", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.36.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.36.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.36.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.36.TIF", "IsPrimary" : "1", "_SurrogateID" : "9528", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19808", "Disp_Access_No" : "2012.37", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1974-1975", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1975", "Disp_Title" : "Untitled (Two Skeletons and a Snake)", "Alt_Title" : "", "Obj_Title" : "Untitled (Two Skeletons and a Snake)", "Series_Title" : "", "Disp_Maker_1" : "Eric Avery", "Sort_Artist" : "Avery, Eric", "Disp_Dimen" : "42.4 cm x 32.2 cm (16 11/16 in. x 12 11/16 in.)", "Disp_Height" : "42.4 cm", "Disp_Width" : "32.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with aquatint", "Support" : "", "Disp_Medium" : "Etching with aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jane Petro, M.D., 2012", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.37.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.37.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.37.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2012.37.TIF", "IsPrimary" : "1", "_SurrogateID" : "9530", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }