{ "objects" : [ { "embark_ID" : 20414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20414", "Disp_Access_No" : "2017.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Hombre constructivo [Constructive Man]", "Alt_Title" : "", "Obj_Title" : "Hombre constructivo [Constructive Man]", "Series_Title" : "", "Disp_Maker_1" : "Julio Alpuy", "Sort_Artist" : "Alpuy, Julio", "Disp_Dimen" : "55.9 cm x 33 cm (22 in. x 13 in.)", "Disp_Height" : "55.9 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Julio Alpuy studied and taught at the Taller Torres-García [Torres-García Workshop], founded in 1943 with the objective of shaping a new generation of modern artists in Uruguay. "Hombre constructivo" exemplifies the lessons about constructive art taught at the workshop. Students learned to reduce the representation of objects to their basic visual elements of line, form, and color. Then they integrated figures into a grid created through the Golden Mean, a system of proportions developed in Ancient Greece. To emphasize the abstract quality of the work, instructors taught pupils to paint with limited colors. In this painting, Alpuy tries to balance these principles with a more personal style, favoring bright colors and establishing a looser relation between figure and geometric structure.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 20418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20418", "Disp_Access_No" : "2016.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Jaune-Bleu [Yellow-Blue]", "Alt_Title" : "", "Obj_Title" : "Jaune-Bleu [Yellow-Blue]", "Series_Title" : "", "Disp_Maker_1" : "Carmelo Arden Quin", "Sort_Artist" : "Arden Quin, Carmelo", "Disp_Dimen" : "54.3 cm x 36.2 cm x 2.9 cm (21 3/8 in. x 14 1/4 in. x 1 1/8 in.)", "Disp_Height" : "54.3 cm", "Disp_Width" : "36.2 cm", "Dimen_Extent" : "panel", "Medium" : "Enamel on wood", "Support" : "", "Disp_Medium" : "Enamel on wood", "Info_Page_Comm" : "Carmelo Arden Quin co-founded with Gyula Kosice the Madí group in Buenos Aires in 1946. In "Jaune-Bleu," the artist explores essential aspects of Madí: the polygonal frame echoes the forms depicted, balancing an economy of means with a playful approach to geometry. The motif of lines and points on a white surface recurs in many wood panels produced by Arden Quin in the early 1950s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 20479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20479", "Disp_Access_No" : "2016.108", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Llorens", "Sort_Artist" : "Llorens, Antonio", "Disp_Dimen" : "53.3 cm x 73 cm (21 in. x 28 3/4 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "73 cm", "Dimen_Extent" : "sight", "Medium" : "Enamel", "Support" : "wood panel", "Disp_Medium" : "Enamel on wood panel", "Info_Page_Comm" : "Trained as an artist and designer in Uruguay, his adopted country, Antonio Llorens embraced abstraction early in his career. In Montevideo, he participated in the local Madí group, and later joined others dedicated to abstraction, such as Arte No-Figurativo [No-Figurative Art] and Grupo 8 [Group 8]. This untitled painting shows Llorens’s predilection for hard-edge geometry, bright solid colors, and bold compositional structures shaped by his interest in graphic design. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.108.tif", "IsPrimary" : "1", "_SurrogateID" : "15788", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20480", "Disp_Access_No" : "2016.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Llorens", "Sort_Artist" : "Llorens, Antonio", "Disp_Dimen" : "99 cm x 30.8 cm x 35.6 cm (39 in. x 12 1/8 in. x 14 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "HWD", "Medium" : "Enamel on iron and wood base with enamel", "Support" : "", "Disp_Medium" : "Enamel on iron and wood base with enamel", "Info_Page_Comm" : "In 1960, Antonio Llorens joined Grupo 8 [Group 8], an association of artists active in Montevideo whose objective was to pursue an individualized and experimental approach to art rather than develop a shared aesthetic. Llorens favored flat planes of solid color in his paintings and graphic work. He employed the same formal elements in this three-dimensional sculpture. The result is a graceful composition of elegant shapes that extend outward in space with restrained yet decisive energy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Uruguayan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }