{ "objects" : [ { "embark_ID" : 23317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23317", "Disp_Access_No" : "2017.397", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "Dos Caras A.D.", "Alt_Title" : "", "Obj_Title" : "Dos Caras A.D.", "Series_Title" : "", "Disp_Maker_1" : "Victor Gastelum", "Sort_Artist" : "Gastelum, Victor", "Disp_Dimen" : "66.1 x 50.8 cm (26 x 20 in.)", "Disp_Height" : "66.1 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "During the 1990s, as artists explored the many cultural elements bringing together the Mexican American and Latinx communities in Los Angeles, popular sports became a recurrent subject for its rich and recognizable imagery. Victor Gastelum often depicts Mexican professional wrestling, or "lucha libre", a sport combining athletics with entertainment that he watched on television as a child. He considers it a part of Mexican popular culture that achieved international prominence but rarely receives credit. In "Dos Caras A.D.", Gastelum portrays famous wrestler Dos Caras wearing his distinctive mask bearing a two-headed eagle.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.397.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.397.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.397.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.397.tif", "IsPrimary" : "1", "_SurrogateID" : "17354", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23353, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23353", "Disp_Access_No" : "2017.424", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Domingo Deportivo [Sports Sunday]", "Alt_Title" : "", "Obj_Title" : "Domingo Deportivo [Sports Sunday]", "Series_Title" : "", "Disp_Maker_1" : "Wayne Healy", "Sort_Artist" : "Healy, Wayne", "Disp_Dimen" : "76.7 x 111.9 cm (30 3/16 x 44 1/16 in.)", "Disp_Height" : "76.7 cm", "Disp_Width" : "111.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.424.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.424.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.424.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.424.tif", "IsPrimary" : "1", "_SurrogateID" : "20593", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23454", "Disp_Access_No" : "2017.534", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Tension", "Alt_Title" : "", "Obj_Title" : "Tension", "Series_Title" : "", "Disp_Maker_1" : "Miguel Angel Reyes", "Sort_Artist" : "Reyes, Miguel Angel", "Disp_Dimen" : "71.5 x 87 cm (28 1/8 x 34 1/4 in.)", "Disp_Height" : "71.5 cm", "Disp_Width" : "87 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.534-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.534-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.534-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.534-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19168", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23481", "Disp_Access_No" : "2017.558", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Angel Baby", "Alt_Title" : "", "Obj_Title" : "Angel Baby", "Series_Title" : "", "Disp_Maker_1" : "Teddy Sandoval", "Sort_Artist" : "Sandoval, Teddy", "Disp_Dimen" : "111.7 x 76.2 cm (44 x 30 in.)", "Disp_Height" : "111.7 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Working in a variety of media—including performance art under the drag persona Rosa de la Montaña—Teddy Sandoval employs symbols from his Mexican and Chicano background to address issues of sexual and ethnic identity. Largely ignored by galleries and museums in Los Angeles, he and other queer Latinx artists founded their own alternative art spaces and publications, such as the Butch Gardens School of Art—a Mail Art project named after a Latino gay bar in the neighborhood of Silver Lake—and the magazine "Homeboy Beautiful". In "Angel Baby", the hand of God confronts the Mesoamerican feathered serpent deity Quetzalcoatl, who is suspended above a winged boxer. The boxer, both hyper-masculine and angelic, bears a single teardrop tattoo and confronts the viewer with a soft, calm expression. Sandoval has presented this guardian angel as a boxer meant to protect against violence, AIDS, war, and discrimination of all kinds.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.558-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.558-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.558-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.558-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19138", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }