{ "objects" : [ { "embark_ID" : 2555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2555", "Disp_Access_No" : "2002.2580", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1625", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1630", "Disp_Title" : "The Infanta Isabella Clara Eugenia in a Religious Habit, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Infanta Isabella Clara Eugenia in a Religious Habit, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "58 cm x 42.6 cm (22 13/16 in. x 16 3/4 in.)", "Disp_Height" : "58 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 8305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8305", "Disp_Access_No" : "1994.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Magi, after Gerard Seghers", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Gerard Seghers", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62.2 cm x 43.6 cm (24 1/2 in. x 17 3/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print demonstrates the immediate success of the reproductive technique employed by Rubens’s engravers. The original painting is by Gerard Seghers, who was a prominent contemporary of Rubens in Antwerp. Pontius employed the same system of engraving and effects in reproducing Segher’s painting as he did in translating Rubens’ works to print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }