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"Info_Page_Comm" : "Reacting against the formulae of academic Baroque painting, Creti attempted to return to the style’s first principles in the art of Guido Reni. The same ideality and affirmation of Bolognese tradition are evident in his drawings. Mostly in pen and ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and abbreviations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6681", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1070-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1070-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1070-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1070-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6680", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16050", "Disp_Access_No" : "2017.1117", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Design for a Fan with Apollo and Daphne", "Alt_Title" : "", "Obj_Title" : "A Design for a Fan with Apollo and Daphne", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "23.18 cm x 38.42 cm (9 1/8 in. x 15 1/8 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "38.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1117.tif", "IsPrimary" : "1", "_SurrogateID" : "5883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16159", "Disp_Access_No" : "2017.1394", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "Pluto", "Alt_Title" : "", "Obj_Title" : "Pluto", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "29.6 cm x 20.3 cm (11 5/8 in. x 8 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "This is one of a series of mythological figures, numbered and probably also titled by Tiepolo himself. Seven of the series have been identified as designs for sculptures in the garden of the Villa Cordellina at Montecchio Maggiore, near Vicinza, where Tiepolo executed an important cycle of frescoes in 1743. The other drawings, including this sheet, are logically thought to have been intended for the same function. This is seconded by their conception, of unusually compact and stable forms, and execution, in a more evenly dispersed and simply volumetric version of the typical pen-and-wash of Tiepolo’s maturity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1394.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1394.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1394.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1394.tif", "IsPrimary" : "1", "_SurrogateID" : "5833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16202", "Disp_Access_No" : "2017.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Study of a Male Nude as Hercules", "Alt_Title" : "", "Obj_Title" : "Study of a Male Nude as Hercules", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "33.4 cm x 24.5 cm (13 1/8 in. x 9 5/8 in.)", "Disp_Height" : "33.4 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk with touches of red chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Piazzetta brought to Venetian painting a pungent naturalism that had largely escaped the school in the 17th century. To the school’s draftsmanship he introduced the systematic practice that he had learned in the Bolognese academy and upon which that naturalism was predicated. The first stage in that practice consisted of life drawing from a model in the studio. This is an especially fine and fresh example of such a study from Piazzetta’s informally organized Venetian academy. 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