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He created this, his most elaborate print, after his painting of the same composition in 1876–1877 (Barnes Foundation, Merion, Pennsylvania; variation in Musée d’art et d’histoire, Geneva) at the insistence of the dealer Ambroise Vollard. Uninterested in printmaking, Cézanne used transfer lithography for the project, relying on the printer Auguste Clot to translate his color into print. Each male figure is suspended in a swirl of vegetation, the lack of modeling denying them any volume, the disregard for perspective creating additional tension between representation and surface. Instead Cézanne gave the figures solidity and the composition stability by using bold contours, robust forms, and a rigorous pictorial structure. Yet the ambiguous relationship between man and nature remains, accentuated by the indifferent foreshortening of the thighs of the central figure. Desubstantiated, the figures become mere compositional devices in Cézanne’s exploration of the line between traditional representation and a nascent abstraction. 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Invented in Germany in 1798, lithography was first used primarily as a means to reproduce music and scripts. Its use in making images was still somewhat experimental and not yet fully embraced by the art establishment. This work shows an allegory of the debate between neoclassical and romantic artists over whether antiquity or nature should serve as the model for art. Seduced by nature, a classically trained artist discards his tools (the palette and brush), leaving his talent and fame unrealized. 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: "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.184.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.184.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.184.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.184.tif", "IsPrimary" : "1", "_SurrogateID" : "1700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4135", "Disp_Access_No" : "1999.182", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", 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"Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.183.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.183.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.183.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.183.tif", "IsPrimary" : "1", "_SurrogateID" : "4804", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8721, "URL" : 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In the text Milton tells how the angels will endure “adamantine chains and penal fire,” but here we see an abyss made of shadow—a hell we can invent for ourselves.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.256.tif", "IsPrimary" : "1", "_SurrogateID" : "5474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8723", "Disp_Access_No" : "1996.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Alt_Title" : "", "Obj_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "From the gates of hell Sin leaps up to stop these two demons—Satan and Death—from annihilating each other. Satan, with his bat-like wings, stands poised to thrust his spear, while a toad-like Death emerges shrouded in black fog. Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11392", "Disp_Access_No" : "1992.290", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Study of a Male Nude, Seen From Behind", "Alt_Title" : "", "Obj_Title" : "Study of a Male Nude, Seen From Behind", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "63 cm x 29 cm (24 13/16 in. x 11 7/16 in.)", "Disp_Height" : "63 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Friends of the Archer M. 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