{ "objects" : [ { "embark_ID" : 14007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14007", "Disp_Access_No" : "G1976.21.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "The Hunter and His Dog ", "Alt_Title" : "", "Obj_Title" : "The Hunter and His Dog ", "Series_Title" : "", "Disp_Maker_1" : "William Gilbert Gaul", "Sort_Artist" : "Gaul, William Gilbert", "Disp_Dimen" : "64.6 cm x 76.8 cm (25 7/16 in. x 30 1/4 in.)", "Disp_Height" : "64.6 cm", "Disp_Width" : "76.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1976", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1976.21.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1976.21.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1976.21.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1976.21.14.tif", "IsPrimary" : "1", "_SurrogateID" : "4991", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14027", "Disp_Access_No" : "G1975.38.1", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Dr. Samuel Johnson Encounters James Boswell, Esquire", "Alt_Title" : "", "Obj_Title" : "Dr. Samuel Johnson Encounters James Boswell, Esquire", "Series_Title" : "", "Disp_Maker_1" : "Frank Freed", "Sort_Artist" : "Freed, Frank", "Disp_Dimen" : "61.5 cm x 50.9 cm (24 3/16 in. x 20 1/16 in.)", "Disp_Height" : "61.5 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Estate of Miss Ima Hogg, 1975", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.38.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.38.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.38.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.38.1.tif", "IsPrimary" : "1", "_SurrogateID" : "5619", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14043", "Disp_Access_No" : "G1974.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "The Charge [A Cavalry Scrap]", "Alt_Title" : "", "Obj_Title" : "The Charge [A Cavalry Scrap]", "Series_Title" : "", "Disp_Maker_1" : "Frederic Sackrider Remington", "Sort_Artist" : "Remington, Frederic Sackrider", "Disp_Dimen" : "124.5 cm x 348 cm (49 in. x 137 in.)", "Disp_Height" : "124.5 cm", "Disp_Width" : "348 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In 1906, the Knickerbocker Hotel in New York City commissioned artist Frederic Remington to paint a largescale work for its inauguration. "The Charge" (Remington’s largest painting) served as a monument to the tenacity of the frontiersman, theatrically depicted mid-battle. But Remington took equal delight in the musculature of the galloping horses—evidence of the artist’s awareness of recent photographic studies of horses in motion. The artist periodically traveled westward from his Brooklyn home to satisfy East Coast curiosity for tales of the American West, returning with images that helped shape popular notions of the “Wild West.” As the backdrop to the hotel’s lively Grille Room, this teeming panorama provided an exotic parallel to the hubbub of the hotel’s moneyed crowd.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Miss Ima Hogg, 1943", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20.tif", "IsPrimary" : "0", "_SurrogateID" : "2724", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "2773", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.20-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.20-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.20-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.20-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18069", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14209", "Disp_Access_No" : "G1968.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Icarus", "Alt_Title" : "", "Obj_Title" : "Icarus", "Series_Title" : "", "Disp_Maker_1" : "Robert Allen Nelson", "Sort_Artist" : "Nelson, Robert Allen", "Disp_Dimen" : "165 cm x 99 cm (64 15/16 in. x 39 in.)", "Disp_Height" : "165 cm", "Disp_Width" : "99 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1968", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "6381", "Rel_Obj_Title" : "Study for Icarus" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1968.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1968.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1968.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1968.105.tif", "IsPrimary" : "1", "_SurrogateID" : "9097", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14326", "Disp_Access_No" : "1998.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Untitled (Slave Couple)", "Alt_Title" : "", "Obj_Title" : "Untitled (Slave Couple)", "Series_Title" : "", "Disp_Maker_1" : "Rev. Johnnie Swearingen", "Sort_Artist" : "Swearingen, Rev. Johnnie", "Disp_Dimen" : "42.4 cm x 52.3 cm (16 11/16 in. x 20 9/16 in.)", "Disp_Height" : "42.4 cm", "Disp_Width" : "52.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jehan Mitchell, 1998", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.92.tif", "IsPrimary" : "1", "_SurrogateID" : "4036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14408", "Disp_Access_No" : "1991.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1930-1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1935", "Disp_Title" : "I Well Remember", "Alt_Title" : "", "Obj_Title" : "I Well Remember", "Series_Title" : "", "Disp_Maker_1" : "Walter Ufer", "Sort_Artist" : "Ufer, Walter", "Disp_Dimen" : "87.3 cm x 99.7 cm (34 3/8 in. x 39 1/4 in.)", "Disp_Height" : "87.3 cm", "Disp_Width" : "99.7 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.45.tif", "IsPrimary" : "1", "_SurrogateID" : "6361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14423", "Disp_Access_No" : "1991.341", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "The Guilty II", "Alt_Title" : "", "Obj_Title" : "The Guilty II", "Series_Title" : "", "Disp_Maker_1" : "Hiram Williams", "Sort_Artist" : "Williams, Hiram", "Disp_Dimen" : "244.5 cm x 183.3 cm (96 1/4 in. x 72 3/16 in.)", "Disp_Height" : "244.5 cm", "Disp_Width" : "183.3 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.341.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.341.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.341.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.341.TIF", "IsPrimary" : "1", "_SurrogateID" : "9239", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14433, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14433", "Disp_Access_No" : "1991.330", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "The Potter's Family", "Alt_Title" : "", "Obj_Title" : "The Potter's Family", "Series_Title" : "", "Disp_Maker_1" : "Sabina Teichman", "Sort_Artist" : "Teichman, Sabina", "Disp_Dimen" : "111.8 cm x 133.5 cm (44 in. x 52 9/16 in.)", "Disp_Height" : "111.8 cm", "Disp_Width" : "133.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.330.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.330.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.330.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.330.tif", "IsPrimary" : "1", "_SurrogateID" : "8881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14460, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14460", "Disp_Access_No" : "1991.287", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Ten Faces of King Saul", "Alt_Title" : "", "Obj_Title" : "Ten Faces of King Saul", "Series_Title" : "", "Disp_Maker_1" : "Perli Pelzig", "Sort_Artist" : "Pelzig, Perli", "Disp_Dimen" : "151.5 cm x 182.3 cm (59 5/8 in. x 71 3/4 in.)", "Disp_Height" : "151.5 cm", "Disp_Width" : "182.3 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.287.tif", "IsPrimary" : "1", "_SurrogateID" : "8569", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.287.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.287.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.287.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.287.mp3", "IsPrimary" : "0", "_SurrogateID" : "8642", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14487", "Disp_Access_No" : "1991.264", "_AccNumSort1" : "", "Disp_Create_DT" : "1936-1937", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1937", "Disp_Title" : "Down for the Count", "Alt_Title" : "", "Obj_Title" : "Down for the Count", "Series_Title" : "", "Disp_Maker_1" : "Fletcher Martin", "Sort_Artist" : "Martin, Fletcher", "Disp_Dimen" : "75.6 cm x 120.7 cm (29 3/4 in. x 47 1/2 in.)", "Disp_Height" : "75.6 cm", "Disp_Width" : "120.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fletcher Martin painted this smoky social realist boxing scene to symbolize the condition in which African Americans lived during the Depression. Martin spent his early career in California with Mexican muralist David Alfaro Siqueiros, whose influence is traceable here both in palette and in the artist’s empathy for oppressed African Americans. Martin produced "Down for the Count" after participating in the American Artists’ Congress in February 1936, during which many artists drew parallels between European fascism and racism in America. Martin’s works often feature men in conflict or experiencing trauma, even those that date to before his time as an artist-correspondent for LIFE magazine during World War II. Here Martin used linear perspective not only to create dramatic depth, but also to clearly demonstrate that these men are not on a level playing field.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.264.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.264.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.264.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.264.tif", "IsPrimary" : "1", "_SurrogateID" : "14272", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14491, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14491", "Disp_Access_No" : "1991.26", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1949", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1954", "Disp_Title" : "Wealth of 1849", "Alt_Title" : "", "Obj_Title" : "Wealth of 1849", "Series_Title" : "", "Disp_Maker_1" : "Dean Cornwell", "Sort_Artist" : "Cornwell, Dean", "Disp_Dimen" : "128.2 cm x 92.7 cm (50 1/2 in. x 36 1/2 in.)", "Disp_Height" : "128.2 cm", "Disp_Width" : "92.7 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.26.tif", "IsPrimary" : "1", "_SurrogateID" : "6378", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14524", "Disp_Access_No" : "1991.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Alt_Title" : "", "Obj_Title" : "The Weak Never Started, October 19, 1861, after Charles Ferdinand Wimar", "Series_Title" : "", "Disp_Maker_1" : "J.M. Boundy", "Sort_Artist" : "Boundy, J.M.", "Disp_Dimen" : "90.8 cm x 134 cm (35 3/4 in. x 52 3/4 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "134 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas glued to masonite board", "Support" : "canvas", "Disp_Medium" : "Oil on canvas glued to masonite board on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of C.R. Smith, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "1", "_SurrogateID" : "3461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.23.tif", "IsPrimary" : "0", "_SurrogateID" : "3467", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14543", "Disp_Access_No" : "1991.210", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Dance Marathon", "Alt_Title" : "", "Obj_Title" : "Dance Marathon", "Series_Title" : "", "Disp_Maker_1" : "Philip Evergood", "Sort_Artist" : "Evergood, Philip", "Disp_Dimen" : "152.6 cm x 101.7 cm (60 1/16 in. x 40 1/16 in.)", "Disp_Height" : "152.6 cm", "Disp_Width" : "101.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An activist as well as an artist, Philip Evergood was committed to creating art that exposed social injustice. Dance Marathon depicts a phenomenon that swept the United States during the Great Depression, in which couples competed for a cash prize by dancing for as long as possible. In this complex and luridly colored painting, Evergood combines realistic details, such as the exhausted couples and crude prize announcements, with symbols, like the skeletal hand, that convey his attitude toward the dismal spectacle. Evergood’s work of social critique, while rooted in the Depression, is a powerful reminder of the timelessness of human desperation and cruelty.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.210.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.210.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.210.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.210.mp3", "IsPrimary" : "0", "_SurrogateID" : "8641", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.210.tif", "IsPrimary" : "1", "_SurrogateID" : "13533", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14564", "Disp_Access_No" : "1991.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1931-1932", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1932", "Disp_Title" : "Romance", "Alt_Title" : "", "Obj_Title" : "Romance", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "115 cm x 84.5 cm (45 1/4 in. x 33 1/4 in.)", "Disp_Height" : "115 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Egg tempera, gesso, and oil varnish glazes", "Support" : "board", "Disp_Medium" : "Egg tempera, gesso, and oil varnish glazes on board", "Info_Page_Comm" : "A painter and muralist celebrated for his regional scenes of daily life in the southern, midwestern, and western United States, Thomas Hart Benton was committed to portraying images of progress and satisfaction in the American heartland. Born to a family of statesmen, Benton was a patriot who saw his art as a means to generate social and political reform. His nostalgic and uplifting scenes of hard work, self-reliance, and individualism garnered broad popular appeal in post–World War I America. This work, painted when the artist was at the midpoint of his life, provides a lyrical view of a young couple on a relaxed evening stroll. Drawing on his knowledge of both Old Master techniques and modernist ideas, which he had gleaned from several years spent studying in Paris, Benton crafted a lively composition whose rhythmic alignment of forms conveys a sense of poignant familiarity", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.187.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.187.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.187.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.187.mp3", "IsPrimary" : "0", "_SurrogateID" : "6887", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.187.tif", "IsPrimary" : "1", "_SurrogateID" : "1511", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14581", "Disp_Access_No" : "1991.174", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Three Blue Figures", "Alt_Title" : "", "Obj_Title" : "Three Blue Figures", "Series_Title" : "", "Disp_Maker_1" : "David Adickes", "Sort_Artist" : "Adickes, David", "Disp_Dimen" : "125 cm x 94.2 cm (49 3/16 in. x 37 1/16 in.)", "Disp_Height" : "125 cm", "Disp_Width" : "94.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.174.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.174.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.174.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.174.TIF", "IsPrimary" : "1", "_SurrogateID" : "9550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14601, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14601", "Disp_Access_No" : "1989.86", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Man on the Waterloo Steps", "Alt_Title" : "", "Obj_Title" : "Man on the Waterloo Steps", "Series_Title" : "", "Disp_Maker_1" : "Olin Travis", "Sort_Artist" : "Travis, Olin", "Disp_Dimen" : "46.8 cm x 36.6 cm (18 7/16 in. x 14 7/16 in.)", "Disp_Height" : "46.8 cm", "Disp_Width" : "36.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on paperboard panel", "Support" : "paperboard", "Disp_Medium" : "Oil on paperboard panel on paperboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Tennie O'Dell, 1989", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.86.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.86.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.86.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.86.tif", "IsPrimary" : "1", "_SurrogateID" : "6399", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14818", "Disp_Access_No" : "1985.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Slick Ear", "Alt_Title" : "", "Obj_Title" : "The Slick Ear", "Series_Title" : "", "Disp_Maker_1" : "Charles Marion Russell", "Sort_Artist" : "Russell, Charles Marion", "Disp_Dimen" : "97.2 cm x 104.8 cm (38 1/4 in. x 41 1/4 in.)", "Disp_Height" : "97.2 cm", "Disp_Width" : "104.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.83.tif", "IsPrimary" : "1", "_SurrogateID" : "1332", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.83.tif", "IsPrimary" : "0", "_SurrogateID" : "4884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14819", "Disp_Access_No" : "1985.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1850", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1850", "Disp_Title" : "Halt on the Prairie", "Alt_Title" : "", "Obj_Title" : "Halt on the Prairie", "Series_Title" : "", "Disp_Maker_1" : "William T. Ranney", "Sort_Artist" : "Ranney, William T.", "Disp_Dimen" : "111.8 cm x 154.9 cm (44 in. x 61 in.)", "Disp_Height" : "111.8 cm", "Disp_Width" : "154.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.82.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.82.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.82.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.82.tif", "IsPrimary" : "1", "_SurrogateID" : "1331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14855", "Disp_Access_No" : "1985.170", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "The Lead Steer", "Alt_Title" : "", "Obj_Title" : "The Lead Steer", "Series_Title" : "", "Disp_Maker_1" : "Tom Lea", "Sort_Artist" : "Lea, Tom", "Disp_Dimen" : "81.4 cm x 107.2 cm (32 1/16 in. x 42 3/16 in.)", "Disp_Height" : "81.4 cm", "Disp_Width" : "107.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1985", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-Detail-Stretcher Inscrip", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-Detail-Stretcher Inscrip", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-Detail-Stretcher Inscrip", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-Detail-Stretcher Inscrip", "IsPrimary" : "0", "_SurrogateID" : "10347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-2016new.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-2016new.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-2016new.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-2016new.tif", "IsPrimary" : "1", "_SurrogateID" : "14663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14879", "Disp_Access_No" : "1984.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Roping", "Alt_Title" : "", "Obj_Title" : "The Roping", "Series_Title" : "", "Disp_Maker_1" : "William Robinson Leigh", "Sort_Artist" : "Leigh, William Robinson", "Disp_Dimen" : "114.9 cm x 97.2 cm (45 1/4 in. x 38 1/4 in.)", "Disp_Height" : "114.9 cm", "Disp_Width" : "97.2 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "William Robinson Leigh began his career as a magazine and book illustrator, but on the advice of the well-respected landscape painter Thomas Moran, he switched to oil paintings of the American landscape and experience. This vibrant work is one of a series of images that Leigh painted of cowboys on galloping horses. Quickly painted and action-packed, it handily conveys the heat and dust, the straining effort of the horse, and the composure and grace of its rider. Leigh prided himself on the authentic details of the clothes and gear that he depicted. Based in midtown Manhattan, he would travel every summer to the Southwest to sketch, study, photograph, and collect artifacts that later figured prominently in his studio-made works. He noted in The Western Pony, a book that he wrote and illustrated in 1933: “I find in the West the truely [sic] typical and distinctively American motifs, a grandeur in natural surroundings, a dramatic simplicity in life which can be found nowhere else. In that life, in those surroundings—marvelously varied and abundant—the horse plays a major role.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of C.R. Smith, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "1", "_SurrogateID" : "1305", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.92.tif", "IsPrimary" : "0", "_SurrogateID" : "4883", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14907", "Disp_Access_No" : "1984.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Look Out", "Alt_Title" : "", "Obj_Title" : "Look Out", "Series_Title" : "", "Disp_Maker_1" : "Ken Goodman", "Sort_Artist" : "Goodman, Ken", "Disp_Dimen" : "157.7 cm x 157.5 cm (62 1/16 in. x 62 in.)", "Disp_Height" : "157.7 cm", "Disp_Width" : "157.5 cm", "Dimen_Extent" : "Image", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of J. Neal Miller and Michener Collection Acquisitions Fund, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.47.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.47.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.47.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.47.tif", "IsPrimary" : "1", "_SurrogateID" : "3373", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14918", "Disp_Access_No" : "1984.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "The Fugitive", "Alt_Title" : "", "Obj_Title" : "The Fugitive", "Series_Title" : "", "Disp_Maker_1" : "Richard Bosman", "Sort_Artist" : "Bosman, Richard", "Disp_Dimen" : "228.6 cm x 167.6 cm (90 in. x 66 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "167.6 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1984", "Copyright_Type" : "all but internet", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.35.tif", "IsPrimary" : "1", "_SurrogateID" : "3370", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14960", "Disp_Access_No" : "1983.123", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "The Whittler", "Alt_Title" : "", "Obj_Title" : "The Whittler", "Series_Title" : "", "Disp_Maker_1" : "David Bates", "Sort_Artist" : "Bates, David", "Disp_Dimen" : "245.1 cm x 199.4 cm (96 1/2 in. x 78 1/2 in.)", "Disp_Height" : "245.1 cm", "Disp_Width" : "199.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1983", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.123.tif", "IsPrimary" : "1", "_SurrogateID" : "1271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15015", "Disp_Access_No" : "1982.191", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1815", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1820", "Disp_Title" : "Abraham Van Vechten", "Alt_Title" : "", "Obj_Title" : "Abraham Van Vechten", "Series_Title" : "", "Disp_Maker_1" : "Ezra Ames", "Sort_Artist" : "Ames, Ezra", "Disp_Dimen" : "75.9 cm x 60.3 cm (29 7/8 in. x 23 3/4 in.)", "Disp_Height" : "75.9 cm", "Disp_Width" : "60.3 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Wunsch Foundation, Inc., 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.191.tif", "IsPrimary" : "1", "_SurrogateID" : "3171", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16948", "Disp_Access_No" : "2003.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Death Exhorting Reluctant Terrorists", "Alt_Title" : "", "Obj_Title" : "Death Exhorting Reluctant Terrorists", "Series_Title" : "", "Disp_Maker_1" : "Robert Levers", "Sort_Artist" : "Levers, Robert", "Disp_Dimen" : "152.4 cm x 228.6 cm (60 in. x 90 in.)", "Disp_Height" : "152.4 cm", "Disp_Width" : "228.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mary Lou Levers, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.137.tif", "IsPrimary" : "1", "_SurrogateID" : "5617", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19634", "Disp_Access_No" : "2011.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Midnight Ride of Paul Revere", "Alt_Title" : "", "Obj_Title" : "Midnight Ride of Paul Revere", "Series_Title" : "", "Disp_Maker_1" : "Louanne Stovall", "Sort_Artist" : "Stovall, Louanne", "Disp_Dimen" : "168.9 cm x 198.1 cm (66 1/2 in. x 78 in.)", "Disp_Height" : "168.9 cm", "Disp_Width" : "198.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Barrett Collection, Dallas, Texas, gift of the Dallas Museum of Art, 2011", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2011.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2011.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2011.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2011.12.tif", "IsPrimary" : "1", "_SurrogateID" : "8363", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19823, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19823", "Disp_Access_No" : "2012.45.1/6-6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "We went to the tailor together...", "Alt_Title" : "", "Obj_Title" : "We went to the tailor together...", "Series_Title" : "", "Disp_Maker_1" : "Ken Aptekar", "Sort_Artist" : "Aptekar, Ken", "Disp_Dimen" : "228.6 cm x 152.4 cm (90 in. x 60 in.)", "Disp_Height" : "228.6 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "Installed", "Medium" : "Oil on wood with sandblasted glass and bolts", "Support" : "", "Disp_Medium" : "Oil on wood with sandblasted glass and bolts", "Info_Page_Comm" : "After Bronzino (1503-1572), Portrait of a Young Man, and Luis Eugenio Melendez (1716-1780), Portrait of the artist holding a life study TEXT: We went to the tailor together. I had only dreamed of Mr. Randazzo cutting me a suit out of glen plaid worsted, or aquamarine shantung, like the ones he made my dad. No matter that all I really wanted was a plain black three-button model with side vents, cut from a lightweight wool that wouldn’t itch. I knew that who I was would change more from wearing the suit than from turning 13. That’s when you become a Man, they said. I couldn’t wait to grow as tall as my brothers; I longed for the day my face would look like it did when I sucked in my cheeks. I lift the suit out of its zippered bag, slip into the luxurious fabric, and rise to my feet in front of the assembled congregation. Stepping up to the microphone, I aim the silver pointer in my trembling hand at the words of the Torah. I take a breath. Now tall and handsome, I am singing in my perfect suit. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Cindy and Howard Rachofsky, 2012", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2012.45.1-6_6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2012.45.1-6_6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2012.45.1-6_6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2012.45.1-6_6-6.tif", "IsPrimary" : "0", "_SurrogateID" : "9610", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "Photo obtained from donor.", "View" : "" } , ] },{ "embark_ID" : 20377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20377", "Disp_Access_No" : "2014.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Homage to Sterling Brown", "Alt_Title" : "", "Obj_Title" : "Homage to Sterling Brown", "Series_Title" : "", "Disp_Maker_1" : "Charles White", "Sort_Artist" : "White, Charles", "Disp_Dimen" : "101.6 cm x 152.4 cm (40 in. x 60 in.)", "Disp_Height" : "101.6 cm", "Disp_Width" : "152.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan G. and Edmund W. Gordon to the units of Black Studies and the Blanton Museum of Art at the University of Texas at Austin", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2014.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2014.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2014.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2014.91.tif", "IsPrimary" : "1", "_SurrogateID" : "14265", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20715, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20715", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "Untitled, from The Strangest Fruit", "Alt_Title" : "", "Obj_Title" : "Untitled, from The Strangest Fruit", "Series_Title" : "", "Disp_Maker_1" : "Vincent Valdez", "Sort_Artist" : "Valdez, Vincent", "Disp_Dimen" : "233.68 cm x 139.7 cm (92 in. x 55 in.)", "Disp_Height" : "233.68 cm", "Disp_Width" : "139.7 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The title of this series of paintings, "The Strangest Fruit," hints at the history that inspired them. In 1939 Billie Holiday recorded “Strange Fruit,” a haunting song about the lynching of African Americans in the United States. Vincent Valdez painted the series of ten life-size Latino men after extensively researching what he refers to as the “erased” history of the lynchings of Mexican immigrants in Texas in the late nineteenth and early twentieth centuries. Valdez isolates his subjects against stark white backdrops and deliberately does not include nooses around their necks. Rather than directly summon difficult images from the past, he depicts this history in the present tense, underscoring the continued persecution and struggles that immigrants and minorities face in the United States today. He explains, “Presenting this historical subject in a contemporary context enables me to present the noose as a metaphor and to suggest that the threat of the noose still looms over the heads of the young Latino males in American society.”", "Dedication" : "Promised gift of Jeanne and Michael Klein, 2016", "Copyright_Type" : "Scholarly publications and online educational use only.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2016.12_overall.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2016.12_overall.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2016.12_overall.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2016.12_overall.tif", "IsPrimary" : "1", "_SurrogateID" : "13018", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20716, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20716", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "Untitled, from The Strangest Fruit", "Alt_Title" : "", "Obj_Title" : "Untitled, from The Strangest Fruit", "Series_Title" : "", "Disp_Maker_1" : "Vincent Valdez", "Sort_Artist" : "Valdez, Vincent", "Disp_Dimen" : "233.68 cm x 139.7 cm (92 in. x 55 in.)", "Disp_Height" : "233.68 cm", "Disp_Width" : "139.7 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The title of this series of paintings, "The Strangest Fruit," hints at the history that inspired them. In 1939 Billie Holiday recorded “Strange Fruit,” a haunting song about the lynching of African Americans in the United States. Vincent Valdez painted the series of ten life-size Latino men after extensively researching what he refers to as the “erased” history of the lynchings of Mexican immigrants in Texas in the late nineteenth and early twentieth centuries. Valdez isolates his subjects against stark white backdrops and deliberately does not include nooses around their necks. Rather than directly summon difficult images from the past, he depicts this history in the present tense, underscoring the continued persecution and struggles that immigrants and minorities face in the United States today. He explains, “Presenting this historical subject in a contemporary context enables me to present the noose as a metaphor and to suggest that the threat of the noose still looms over the heads of the young Latino males in American society.”", "Dedication" : "Promised gift of Jeanne and Michael Klein, 2016", "Copyright_Type" : "Scholarly publications and online educational use only.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2016.13_overall.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2016.13_overall.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2016.13_overall.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2016.13_overall.tif", "IsPrimary" : "1", "_SurrogateID" : "13023", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21098", "Disp_Access_No" : "2016.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Diviner", "Alt_Title" : "", "Obj_Title" : "The Diviner", "Series_Title" : "", "Disp_Maker_1" : "Lynn Randolph", "Sort_Artist" : "Randolph, Lynn", "Disp_Dimen" : "147.6 x 117.2 cm (58 1/8 x 46 1/8 in.)", "Disp_Height" : "147.6 cm", "Disp_Width" : "117.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Joan Hohlt and J. Roger Wich Foundation, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }