{ "objects" : [ { "embark_ID" : 6713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6713", "Disp_Access_No" : "G1970.7.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Farol de rodillas", "Alt_Title" : "", "Obj_Title" : "Farol de rodillas", "Series_Title" : "", "Disp_Maker_1" : "Leopoldo González", "Sort_Artist" : "González, Leopoldo", "Disp_Dimen" : "22.85 cm x 30.3 cm (9 in. x 11 15/16 in.)", "Disp_Height" : "22.85 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linoleum block print", "Support" : "", "Disp_Medium" : "Linoleum block print", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Amy Freeman Lee, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.7.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.7.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.7.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.7.14.tif", "IsPrimary" : "1", "_SurrogateID" : "6929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6905", "Disp_Access_No" : "1997.48.10/19", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "O pensomento, from Gráfica látinoamericana", "Alt_Title" : "", "Obj_Title" : "O pensomento, from Gráfica látinoamericana", "Series_Title" : "", "Disp_Maker_1" : "Roberto de Lamonica", "Sort_Artist" : "de Lamonica, Roberto", "Disp_Dimen" : "78 cm x 55.6 cm (30 11/16 in. x 21 7/8 in.)", "Disp_Height" : "78 cm", "Disp_Width" : "55.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Embossing and screenprint", "Support" : "", "Disp_Medium" : "Embossing and screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ms. Dana Ravel in memory of her husband, Mr. Gene Ravel, 1997", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.48.10-19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.48.10-19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.48.10-19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.48.10-19.tif", "IsPrimary" : "1", "_SurrogateID" : "7152", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10862", "Disp_Access_No" : "1982.180.1/2", "_AccNumSort1" : "", "Disp_Create_DT" : "1974-1978", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1978", "Disp_Title" : "Zero cruzeiro", "Alt_Title" : "", "Obj_Title" : "Zero cruzeiro", "Series_Title" : "", "Disp_Maker_1" : "Cildo Meireles", "Sort_Artist" : "Meireles, Cildo", "Disp_Dimen" : "7.1 cm x 15.5 cm (2 13/16 in. x 6 1/8 in.)", "Disp_Height" : "7.1 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "Cildo Meireles used preexisting systems of circulation to question symbols of national identity and disseminate subversive messages while evading censorship. In this work, he printed his own “worthless” money by using the same language and general style as regular currency. By stripping away the bill’s exchange value, he revealed its symbolic value. For “Zero cruzeiro,” Meireles substituted national heroes with an Indigenous person from the Krahô tribe on one side and a mental patient on the other. According to the artist, the figures represent marginalized groups “to whom society seems to attribute no value.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Paulo Figueiredo, 1982", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.180.1-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.180.1-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.180.1-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.180.1-2.tif", "IsPrimary" : "1", "_SurrogateID" : "12475", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16892", "Disp_Access_No" : "2003.94", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1938", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1943", "Disp_Title" : "España 1936-37 [Spain 1936-1937]", "Alt_Title" : "", "Obj_Title" : "España 1936-37 [Spain 1936-1937]", "Series_Title" : "", "Disp_Maker_1" : "Lívio Abramo", "Sort_Artist" : "Abramo, Lívio", "Disp_Dimen" : "26.2 cm x 31.9 cm (10 5/16 in. x 12 9/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Between 1935 and 1938, Abramo created a series of woodcuts in response to the Spanish Civil War entitled Espanha. These dark and frightening scenes reflect the chaos and trauma of war. This particular woodcut, Espanha 1936-37, depicts the heads of two comrades, each with a weapon at his shoulder, looking outwards with uncertainty and fear to an impending battle. This woodcut is an excellent example of Abramo's ability to produce an emotionally charged scene with a minimal amount of visual information. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Robert L. Michael, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Brazilian", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.94.tif", "IsPrimary" : "1", "_SurrogateID" : "6926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }