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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.1.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.1.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.1.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.1.TIF", "IsPrimary" : "1", "_SurrogateID" : "5646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. In any case, the portrait becomes an extraordinarily modern meditation upon the nature and limits of visual representation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114.tif", "IsPrimary" : "1", "_SurrogateID" : "1504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 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"_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "Dancing Couple, plate 5 from The Large Wedding Dancers", "Alt_Title" : "", "Obj_Title" : "Dancing Couple, plate 5 from The Large Wedding Dancers", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "11.9 cm x 8.3 cm (4 11/16 in. x 3 1/4 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "8.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Inspired by the series of woodcuts by Hans Schäufelein (c. 1535)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : 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9/16 in. x 3 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Inspired by the series of woodcuts by Hans Schäufelein (c. 1535)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.120.tif", "IsPrimary" : "1", "_SurrogateID" : "2915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3358, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3358", "Disp_Access_No" : "1997.338", "_AccNumSort1" : "", "Disp_Create_DT" : "1744", "_Disp_Start_Dat" : "1744", "_Disp_End_Date" : "1744", "Disp_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "62.1 cm x 45.8 cm (24 7/16 in. x 18 1/16 in.)", "Disp_Height" : "62.1 cm", "Disp_Width" : "45.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photogravure (printed circa 1960)", "Support" : "", "Disp_Medium" : "Photogravure (printed circa 1960)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.338.tif", "IsPrimary" : "1", "_SurrogateID" : "4896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3613", "Disp_Access_No" : "1999.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Alt_Title" : "", "Obj_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Series_Title" : "", "Disp_Maker_1" : "Barthelemi Hübner", "Sort_Artist" : "Hübner, Barthelemi", "Disp_Dimen" : "37 cm x 38.9 cm (14 9/16 in. x 15 5/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In the late eighteenth century, apothecaries had the legal right to attend and prescribe for the sick as long as they charged only for the drugs dispensed. Physical examination rarely occurred except uroscopy, the examination of urine, a method based on the humors. Uroscopy was a common method for diagnosing illness. The color of the urine, as well as the cloudiness, precipitates, and particles in the urine, was believed to indicate the cause of the disorder. It is one of the oldest forms of diagnostic testing, extending back to the days of Hippocrates. It was a necessary procedure because direct examination of a patient, or at least disrobing the patient, was socially unacceptable. Perhaps it is for this reason that while apothecaries still carried an aura of trade, the profession was nonetheless considered a genteel business and was quite popular. Michel Schuppach, a famed uroscopist, is celebrated in this print. He is portrayed at work in his pharmacy, examining a vial of the young lady’s urine, while others wait their turn. The well-mannered clientele in their fine costume offer visual testimony to the widespread reputation of the distinguished uroscopist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3652", "Disp_Access_No" : "1990.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Virtue Attacking Vice, after Jacopo Ligozzi", "Alt_Title" : "", "Obj_Title" : "Virtue Attacking Vice, after Jacopo Ligozzi", "Series_Title" : "", "Disp_Maker_1" : "Maria Catharina Prestel", "Sort_Artist" : "Prestel, Maria Catharina", "Disp_Dimen" : "30.7 cm x 23.2 cm (12 1/16 in. x 9 1/8 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with relief-printed gold leaf", "Support" : "", "Disp_Medium" : "Etching and aquatint with relief-printed gold leaf", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.157.tif", "IsPrimary" : "1", "_SurrogateID" : "5452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3960", "Disp_Access_No" : "1995.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Freund [Death as a Friend]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Freund [Death as a Friend]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "30.2 x 27 cm (11 7/8 x 10 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Richard Julius Jungtow)", "Support" : "", "Disp_Medium" : "Wood engraving (by Richard Julius Jungtow)", "Info_Page_Comm" : "Death as a Friend portrays a pious monk’s peaceful passage into eternity. As the sun sets, Death, who is dressed as an ally in his monk’s robe adorned with a pilgrim’s shell, respectfully bows his head as he tolls the knell for his friend", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.177.tif", "IsPrimary" : "1", "_SurrogateID" : "5550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3961", "Disp_Access_No" : "1995.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Erwürger [Death as Strangler]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Erwürger [Death as Strangler]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "33.5 cm x 27.4 cm (13 3/16 in. x 10 13/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Support" : "", "Disp_Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Info_Page_Comm" : "Death as an Enemy is inspired by a story of the first appearance of cholera in France written by the German poet Heinrich Heine. In the image, his dancing slippers appear from beneath Death’s monk’s robe as he dances to the fiddle music that he plays. In his wake lie the bodies of the costumed revelers, who were met unprepared for death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4416, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4416", "Disp_Access_No" : "2002.1571", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Two Acrobats Doing a Handstand in the Presence of a Disinterested Child", "Alt_Title" : "", "Obj_Title" : "Two Acrobats Doing a Handstand in the Presence of a Disinterested Child", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "36.4 cm x 27.8 cm (14 5/16 in. x 10 15/16 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1571.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1571.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1571.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1571.tif", "IsPrimary" : "1", "_SurrogateID" : "5318", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4500", "Disp_Access_No" : "1999.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Helft Russland [Help Russia]", "Alt_Title" : "", "Obj_Title" : "Helft Russland [Help Russia]", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "49.9 cm x 64.7 cm (19 5/8 in. x 25 1/2 in.)", "Disp_Height" : "49.9 cm", "Disp_Width" : "64.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Kollwitz designed this image for a poster appealing for aid to famine relief efforts in the struggling new nation, the Soviet Union. The composition, with the emaciated young man with helping hands reaching toward him, makes her plea explicit. In the years following World War I, Kollwitz created many such prints to aid with the relief of countless victims of post-war hunger, unemployment, and poverty by using posters to draw attention to their plight. While Kollwitz did not align herself with any radical political groups, she was always outspoken in her support of the rights of people of all nations.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.2.tif", "IsPrimary" : "1", "_SurrogateID" : "9045", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6978", "Disp_Access_No" : "G1971.4.11.12/27", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Heiner Friedrich (nach einem Foto von Brigid Polk), [Heiner Friedrich (after a 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"Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1971.4.11.12-27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1971.4.11.12-27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1971.4.11.12-27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1971.4.11.12-27.tif", "IsPrimary" : "1", "_SurrogateID" : "8963", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "2002.836", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.8 cm x 21.1 cm (11 3/4 in. x 8 5/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.836.tif", "IsPrimary" : "1", "_SurrogateID" : "4805", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9079", "Disp_Access_No" : "1986.348", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Not Titled (bearded man with hat)", "Alt_Title" : "", "Obj_Title" : "Not Titled (bearded man with hat)", "Series_Title" : "", "Disp_Maker_1" : "Alfred Graetzer", "Sort_Artist" : "Graetzer, Alfred", "Disp_Dimen" : "17.6 cm x 12 cm (6 15/16 in. x 4 3/4 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Alexander and Ivria Sackton, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.348.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.348.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.348.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.348.tif", "IsPrimary" : "1", "_SurrogateID" : "10919", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9869", "Disp_Access_No" : "1996.151.2/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Die Freiwilligen [The Volunteers], plate II from Sieben Holzschnitte zum Krieg [Seven Woodcuts on War]", "Alt_Title" : "", "Obj_Title" : "Der Freiwilligen [The Volunteers], plate II from Sieben Holzschnitte zum Krieg [Seven Woodcuts on War]", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "47.6 cm x 66 cm (18 3/4 in. x 26 in.)", "Disp_Height" : "47.6 cm", "Disp_Width" : "66 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the General Libraries, The University of Texas at Austin, 1996", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.151.2-7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.151.2-7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.151.2-7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.151.2-7.tif", "IsPrimary" : "1", "_SurrogateID" : "5298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9870, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9870", "Disp_Access_No" : "1996.151.3/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Die Eltern [The Parents], plate III from Sieben Holzschnitte zum Krieg [Seven Woodcuts on War]", "Alt_Title" : "", "Obj_Title" : "Die Eltern [The Parents], plate III from Sieben Holzschnitte zum Krieg [Seven Woodcuts on War]", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "47.6 cm x 65.6 cm (18 3/4 in. x 25 13/16 in.)", "Disp_Height" : "47.6 cm", "Disp_Width" : "65.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Born into a comfortable middle-class family, Käthe Kollwitz focused her art on the desperate condition of the peasants and proletariat with whom she came into contact, first through literary sources and then directly through her husband’s medical practice. She explained in an interview that these subjects interested her more for aesthetic than social reasons, but she is remembered as a socially engaged artist who protested vehemently against World War I. Here again she felt some ambivalence, as she supported her son’s decision to volunteer to join the German army against her husband’s wishes. His death in Flanders shortly after enlisting became the fulcrum upon which her later art balanced. This powerful woodcut comes from her most famous series. About it she wrote in her diary, “Yet again I am not finished with the War series. Done the sheet ‘Parents’ over again. Suddenly it looks entirely bad to me. Far too bright and hard and distinct. Pain is totally dark.” Although she was dissatisfied with the outcome, the woodcut medium, its heavy black planes slashed here with stark white highlights, aptly conveys the sense of nearly uncontrollable parental grief at the loss of a child. 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"_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Krüpple am Meer [Crippled Man by the Sea]", "Alt_Title" : "", "Obj_Title" : "Krüpple am Meer [Crippled Man by the Sea]", "Series_Title" : "", "Disp_Maker_1" : "Erich Heckel", "Sort_Artist" : "Heckel, Erich", "Disp_Dimen" : "50.6 cm x 35.4 cm (19 15/16 in. x 13 15/16 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "35.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2825.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2825.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2825.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2825.tif", "IsPrimary" : "1", "_SurrogateID" : "4149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15874", "Disp_Access_No" : "2017.817", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Drawing for an Illumination: A Prophet Holding a Scroll", "Alt_Title" : "", "Obj_Title" : "Drawing for an Illumination: A Prophet Holding a Scroll", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "4.76 cm x 13.65 cm (1 7/8 in. x 5 3/8 in.)", "Disp_Height" : "4.76 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on vellum", "Support" : "", "Disp_Medium" : "Pen and brown ink on vellum", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.817.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.817.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.817.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.817.tif", "IsPrimary" : "1", "_SurrogateID" : "3340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15936", "Disp_Access_No" : "2017.1191", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1791", "_Disp_Start_Dat" : "1786", "_Disp_End_Date" : "1796", "Disp_Title" : "Study of a Grieving Prince", "Alt_Title" : "", "Obj_Title" : "Study of a Grieving Prince", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "16.51 cm x 10.16 cm (6 1/2 in. x 4 in.)", "Disp_Height" : "16.51 cm", "Disp_Width" : "10.16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper, incised for transfer", "Info_Page_Comm" : "Kremser-Schmidt was the leading painter of religious works in lower Austria. He was also the most capable and prolific etcher of the period in Central Europe. This drawing was the preparatory study for an etching of Louis XVI, king of France, taking leave of his family, which included the Hapsburg queen, Marie Antoinette. This figure corresponds in reverse to that of his grieving young son in the right foreground of the composition", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1191.tif", "IsPrimary" : "1", "_SurrogateID" : "5669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15965", "Disp_Access_No" : "2017.885", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1733-1734", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1734", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Cosmas Damian Asam", "Sort_Artist" : "Asam, Cosmas Damian", "Disp_Dimen" : "19.05 cm x 14.61 cm (7 1/2 in. x 5 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "14.61 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and gray wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and gray wash over black chalk on cream antique laid paper", "Info_Page_Comm" : " Asam was the leading fresco painter in Germany in the early 1700s. With its very loose construction, fluid wash and hovering light this drawing not only resembles several firmly identified drawings by the artist but suggests his style of painting. The light sketch of an articulated border indicates that this was a preparatory study for a painting within a decorative setting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/8.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/8.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/8.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/8.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "5410", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16025", "Disp_Access_No" : "2017.1438", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1778-79", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Alt_Title" : "", "Obj_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Series_Title" : "", "Disp_Maker_1" : "Joseph Johann Winterhalter", "Sort_Artist" : "Winterhalter, Joseph Johann", "Disp_Dimen" : "22.2 cm x 35.2 cm (8 3/4 in. x 13 7/8 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Winterhalter was active in south Moravia, a frequent collaborator of Maulbertsch, and one of the last major figures in the Central European tradition of grand decoration. This is a preparatory study for an illusionistic fresco of the founders of the Premonstratensian Monastery at Zabrdovice (Czech Republic). His only signed and dated drawing, it reveals Winterhalter’s debt to Maulbertsch in the broad description, mobile light and iridescent color. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1438.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1438.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1438.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1438.tif", "IsPrimary" : "1", "_SurrogateID" : "2673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16065", "Disp_Access_No" : "2017.1193", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Baptism of Christ (recto and verso)", "Alt_Title" : "", "Obj_Title" : "The Baptism of Christ (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "24.1 cm x 12.6 cm (9 1/2 in. x 4 15/16 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "12.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto and verso: Pen and brown ink with brush and brown and gray washes over tra", "Support" : "", "Disp_Medium" : "Recto and verso: Pen and brown ink with brush and brown and gray washes over tra", "Info_Page_Comm" : "Kremser-Schmidt was an important painter principally of religious subjects in lower Austria. His style depends upon the Venetians of the early eighteenth century, particularly Sebastiano Ricci and Gaspare Diziani. In 1773 he was commissioned an altarpiece of The Baptism of Christ for the popular pilgrimage church at Sonntagberg. One of the most capable and prolific etchers in Central Europe, he created an etching of the composition before the altarpiece was even completed. This print may have been part of an effort to raise funds for the project. It was with this extraordinarily fresh, double-sided sheet that Kremser-Schmidt prepared the etching. He began by copying his painting on the recto (reproduced, left), then traced this drawing on the verso, and finally transferred this second, reversed version to the copper plate. This process facilitated any correction of the work on the plate and restored the eventual print to the proper orientation of the painting. Most striking, despite its technical role and necessarily restrained handling, the drawing possesses wonderfully varied color, sparkling light, and sheer vibrancy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "16759", "Rel_Obj_Title" : "The Baptism of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1193.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1193.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1193.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1193.tif", "IsPrimary" : "1", "_SurrogateID" : "3332", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16133", "Disp_Access_No" : "2017.1365", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Crucifixion", "Alt_Title" : "", "Obj_Title" : "The Crucifixion", "Series_Title" : "", "Disp_Maker_1" : "Christoph Schwarz", "Sort_Artist" : "Schwarz, Christoph", "Disp_Dimen" : "28.1 cm x 42.3 cm (11 1/16 in. x 16 5/8 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash with white heigtening on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash with white heigtening on cream paper", "Info_Page_Comm" : "Von Aachen, a leading late Mannerist in the North, was formed principally in Italy during a long sojourn, then active throughout South Germany before settling at the court of Rudolf II in Prague. His mature style is nearly of the sophistica-tion of his Rudolfine colleague, Bartholomaeus Spranger, but tending toward less precious affect and more impetuous handling. This grand study is typical in its sweeping rhythms, stylized attitudes, and morphology. However, relative to other such drawings by von Aachen, the application of wash, the fine hatching, and in general the touch seem too deliberated and may indicate the work of a close follower.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1365.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1365.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1365.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1365.tif", "IsPrimary" : "1", "_SurrogateID" : "5854", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16172", "Disp_Access_No" : "2017.899", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ on the Sea of Galilee", "Alt_Title" : "", "Obj_Title" : "Christ on the Sea of Galilee", "Series_Title" : "", "Disp_Maker_1" : "Johann Wolfgang Baumgartner", "Sort_Artist" : "Baumgartner, Johann Wolfgang", "Disp_Dimen" : "30.5 cm x 20.5 cm (12 in. x 8 1/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.899.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.899.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.899.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.899.tif", "IsPrimary" : "1", "_SurrogateID" : "8859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16187", "Disp_Access_No" : "2017.1260", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Young Gentleman, half-length", "Alt_Title" : "", "Obj_Title" : "Portrait of a Young Gentleman, half-length", "Series_Title" : "", "Disp_Maker_1" : "Jürgen Ovens", "Sort_Artist" : "Ovens, Jürgen", "Disp_Dimen" : "31.75 cm x 22.54 cm (12 1/2 in. x 8 7/8 in.)", "Disp_Height" : "31.75 cm", "Disp_Width" : "22.54 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, heightened with white chalk", "Support" : "", "Disp_Medium" : "Black chalk, heightened with white chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1260.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1260.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1260.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1260.tif", "IsPrimary" : "1", "_SurrogateID" : "3344", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16284", "Disp_Access_No" : "2017.830", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Young Man", "Alt_Title" : "", "Obj_Title" : "Portrait of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "41.91 cm x 29.21 cm (16 1/2 in. x 11 1/2 in.)", "Disp_Height" : "41.91 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk on gray paper", "Support" : "", "Disp_Medium" : "Black and white chalk on gray paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.830.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.830.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.830.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.830.tif", "IsPrimary" : "1", "_SurrogateID" : "5848", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16340", "Disp_Access_No" : "2017.910", "_AccNumSort1" : "", "Disp_Create_DT" : "1720s", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "The Madonna and Child Appearing to a Female Saint Offering a Model of a Church", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child Appearing to a Female Saint Offering a Model of a Church", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Johann Georg Bergmüller", "Sort_Artist" : "Bergmüller, Attributed to Johann Georg", "Disp_Dimen" : "50.17 cm x 31.12 cm (19 3/4 in. x 12 1/4 in.)", "Disp_Height" : "50.17 cm", "Disp_Width" : "31.12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk. Squared in black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk. Squared in black chalk.", "Info_Page_Comm" : "Originally ascribed to an anonymous Venetian draftsman, this impressive drawing was recently recognized as the work of Bergmüller, the leading painter at Augsburg and long-time director of that city’s academy. While its destination has not yet been discovered, this composition was obviously intended for an altarpiece. Given the drawing’s size and elaboration, it may well have served as model for the patron. The principal figure has been identified as a female saint, but, presenting a model of a church, wearing noble attire, and lacking an attribute, she is more likely the patron.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.910.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.910.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.910.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.910.tif", "IsPrimary" : "1", "_SurrogateID" : "3825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16354, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16354", "Disp_Access_No" : "2017.1192", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Martin Johann Schmidt, called Kremser-Schmidt", "Sort_Artist" : "Kremser-Schmidt, Martin Johann Schmidt, called", "Disp_Dimen" : "52.3 cm x 31.8 cm (20 9/16 in. x 12 1/2 in.)", "Disp_Height" : "52.3 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This is an oil sketch for a major commission, the high altarpiece in the Mehlkerhof Chapel in Vienna", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could be a sketch for an altarpiece in Vienna. Could go in a Northern gallery (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1192.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1192.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1192.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1192.tif", "IsPrimary" : "1", "_SurrogateID" : "2747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16430, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16430", "Disp_Access_No" : "2017.831", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Portrait of a Young Man, half length, in a Flowered Waistcoat, Holding a Cane", "Alt_Title" : "", "Obj_Title" : "Portrait of a Young Man, half length, in a Flowered Waistcoat, Holding a Cane", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "88.9 cm x 69.7 cm (35 in. x 27 7/16 in.)", "Disp_Height" : "88.9 cm", "Disp_Width" : "69.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Higher up in portrait gallery. 2+ picture, 3 for conservation (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.831.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.831.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.831.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.831.TIF", "IsPrimary" : "1", "_SurrogateID" : "10679", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16446", "Disp_Access_No" : "2017.1363", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Saint James the Greater at the Battle of Clavijo", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater at the Battle of Clavijo", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Schönfeld", "Sort_Artist" : "Schönfeld, Johann Heinrich", "Disp_Dimen" : "99 cm x 127.8 cm (39 in. x 50 5/16 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "127.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mounted on a white stallion and clad in armor, James the Greater charges toward fleeing enemies. According to legend, James miraculously appeared at the fictional ninth-century Battle of Clavijo, where he helped the outnumbered Spaniards vanquish the Moors. For this reason, Saint James the Greater, or Santiago in Spanish, was venerated as the patron saint of Spain. The legend of the battle had a particular resonance in the sixteenth and seventeenth centuries, as the political and military conflict with the Ottoman Turks in the Mediterranean stoked European fear of Muslims. The red cross on the knight-saint’s breastplate is the insignia of the Order of Santiago, founded in the twelfth century to protect pilgrims to Santiago de Compostela, Spain, and to defend Christendom.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "German", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Title here needs to be changed. Likely Saint James. Shoul be Saint James Vanquishing the Moores? (FC:jb 5/13/15) Could be upstairs in a Northen European section, could be paired Needs a frame Quality, rarity make this 1 (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1363.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1363.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1363.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1363.tif", "IsPrimary" : "1", "_SurrogateID" : "4850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17305", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "2004", "_Disp_Start_Dat" : "2004", "_Disp_End_Date" : "2004", "Disp_Title" : "Patrick", "Alt_Title" : "", "Obj_Title" : "Patrick", "Series_Title" : "", "Disp_Maker_1" : "Oliver Herring", "Sort_Artist" : "Herring, Oliver", "Disp_Dimen" : "106.7 cm x 45.7 cm x 69.8 cm (42 in. x 18 in. x 27 1/2 in.)", "Disp_Height" : "106.7 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "HWD", "Medium" : "Foam core, matboard, digital chromogenic prints, and polystyrene", "Support" : "", "Disp_Medium" : "Foam core, matboard, digital chromogenic prints, and polystyrene", "Info_Page_Comm" : "Oliver Herring often takes his studio with him on the road, where he seeks out people he wouldn’t meet under normal circumstances. A man named Patrick posed for Herring in several studio sessions in which the artist photographed the model’s body in intimate detail. Herring invites his subjects to determine how they wish to present themselves physically, and Patrick chose a pose from French sculptor Auguste Rodin’s famous work "The Thinker." Herring then carved a shape of Patrick’s body out of foam core and covered it with a patchy skin made of photographs. For Herring, the work comes out of his interest in video. “I took thousands of close-up photos of Patrick’s body from every angle,” he recently told the Blanton, “and if I pasted those together and made a stop-motion video, you could retrace the movement of the camera as I’m discovering and exploring his body. That time-based activity is incorporated into the work. . . . These photo-sculptures presented an outlet for me to dig a little deeper into a particular human story I wouldn’t normally have access to.”", "Dedication" : "Partial and pledged gift of Jeanne and Michael Klein, 2005", "Copyright_Type" : "Scholarly publications; reproductions for educational study; merchandising; non-profit, educational web use", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "German", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/T2005.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/T2005.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/T2005.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/T2005.2.tif", "IsPrimary" : "0", "_SurrogateID" : "2768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/T2005.2-2017-detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/T2005.2-2017-detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/T2005.2-2017-detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/T2005.2-2017-detail.tif", "IsPrimary" : "0", "_SurrogateID" : "15058", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/T2005.2-2017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/T2005.2-2017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/T2005.2-2017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/T2005.2-2017.tif", "IsPrimary" : "1", "_SurrogateID" : "15059", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17425", "Disp_Access_No" : "2005.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1493", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1493", "Disp_Title" : "Saint Luke Painting the Virgin and Child, from the Weltchronik, or Liber Chronicarum [The Nuremberg Chronicle]", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin and Child, from the Weltchronik, or Liber Chronicarum [The Nuremberg Chronicle]", "Series_Title" : "", "Disp_Maker_1" : "Michael Wolgemut", "Sort_Artist" : "Wolgemut, Michael", "Disp_Dimen" : "11.2 cm x 8.3 cm (4 7/16 in. x 3 1/4 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "8.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut with hand coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring", "Info_Page_Comm" : "A common scene in the Middle Ages and the beginning of the Early Modern period (early 1500s) was Saint Luke painting the Virgin. According to legend, Saint Luke painted a portrait of the Virgin; thus, he became the patron saint of artists. This intimate picture shows Saint Luke at his easel accompanied by his attribute, the bull, labeling him as one of the four evangelists. The viewer of this scene is meant to meditate on the symbolic significance of the act of painting. The canvas acts a metaphor for the soul. Luke records the face of the Virgin on the canvas just as the viewer is meant to imprint the Virgin onto his heart.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Tobey C. Moss, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.64.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.64.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.64.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.64.tif", "IsPrimary" : "1", "_SurrogateID" : "9037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18522", "Disp_Access_No" : "2006.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1772", "_Disp_Start_Dat" : "1772", "_Disp_End_Date" : "1772", "Disp_Title" : "Father with His Children, after Johann Eleazar Schenau", "Alt_Title" : "", "Obj_Title" : "Father with His Children, after Johann Eleazar Schenau", "Series_Title" : "", "Disp_Maker_1" : "Carl Friedrich Holzmann", "Sort_Artist" : "Holzmann, Carl Friedrich", "Disp_Dimen" : "27.3 cm x 21 cm (10 3/4 in. x 8 1/4 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.129.tif", "IsPrimary" : "1", "_SurrogateID" : "6510", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18962", "Disp_Access_No" : "2008.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1520 - 1526", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1526", "Disp_Title" : "Horatius Cocles Leaping into the Tiber", "Alt_Title" : "", "Obj_Title" : "Horatius Cocles Leaping into the Tiber", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.1 cm x 4.1 cm (2 13/16 in. x 1 5/8 in.)", "Disp_Height" : "7.1 cm", "Disp_Width" : "4.1 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Leslie Blanton in honor of Michelle Brock with a contribution from Peter Parshall and through the Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19530, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19530", "Disp_Access_No" : "2010.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pool of Bethesda", "Alt_Title" : "", "Obj_Title" : "Pool of Bethesda", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "24.7 cm x 17.5 cm (9 3/4 in. x 6 7/8 in.)", "Disp_Height" : "24.7 cm", "Disp_Width" : "17.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. 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