{ "objects" : [ { "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2109", "Disp_Access_No" : "2002.1714", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "School of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, School of Marcantonio", "Disp_Dimen" : "27.6 cm x 43 cm (10 7/8 in. x 16 15/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1714.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1714.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1714.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1714.tif", "IsPrimary" : "1", "_SurrogateID" : "5480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2141", "Disp_Access_No" : "2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1345.tif", "IsPrimary" : "1", "_SurrogateID" : "4985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2371", "Disp_Access_No" : "2002.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Alt_Title" : "", "Obj_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "37.5 cm x 25.9 cm (14 3/4 in. x 10 3/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.242.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.242.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.242.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.242.tif", "IsPrimary" : "1", "_SurrogateID" : "9342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8092", "Disp_Access_No" : "1996.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1530's", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Self-Portrait, after Raphael", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.2 cm x 18.5 cm (11 1/8 in. x 7 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print interprets the figure traditionally identified as Raphael himself in the artist’s Double-Portrait of circa 1518, today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.111.tif", "IsPrimary" : "1", "_SurrogateID" : "8209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8097, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8097", "Disp_Access_No" : "1997.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1540's", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "The Wounded Scipio, after Polidoro da Caravaggio", "Alt_Title" : "", "Obj_Title" : "The Wounded Scipio, after Polidoro da Caravaggio", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "21 cm x 27.7 cm (8 1/4 in. x 10 7/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.22.tif", "IsPrimary" : "1", "_SurrogateID" : "8210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11037", "Disp_Access_No" : "1989.145", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.4 cm x 22.9 cm (11 15/16 in. x 9 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.145.tif", "IsPrimary" : "1", "_SurrogateID" : "5946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11040", "Disp_Access_No" : "1989.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.1 cm x 21.2 cm (11 7/16 in. x 8 3/8 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Active primarily in Rome, Raimondi made over 300 engraving over the course of his career, most of which reproduced designs by Raphael as well as recently excavated antique sculptures. His engraved copies of the Life of the Virgin woodcuts were created almost immediately after the publication of Dürer’s originals. Raimondi’s inclusion of Dürer’s monogram was not uncommon for the period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.149.tif", "IsPrimary" : "1", "_SurrogateID" : "6005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11044", "Disp_Access_No" : "1990.191", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508 - 1510", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1510", "Disp_Title" : "The Triumph, after Jacopo Ripanda", "Alt_Title" : "", "Obj_Title" : "The Triumph, after Jacopo Ripanda", "Series_Title" : "", "Disp_Maker_1" : "Circle of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Circle of Marcantonio", "Disp_Dimen" : "33.9 cm x 49 cm (13 3/8 in. x 19 5/16 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "49 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.191.tif", "IsPrimary" : "1", "_SurrogateID" : "5263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11066", "Disp_Access_No" : "P1964.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1531", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1531", "Disp_Title" : "Augustus and the Tiburtine Sibyl, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio da Trento", "Sort_Artist" : "da Trento, Antonio", "Disp_Dimen" : "34.6 cm x 26.7 cm (13 5/8 in. x 10 1/2 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in pale olive", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in pale olive", "Info_Page_Comm" : "The Tiburtine Sibyl, a prophetess associated with ancient Rome, was said to have shown the Emperor Augustus a vision of the advent of Christ. This chiaroscuro, one of Trento’s most controlled and beautiful, seems to have been a composite of several designs by Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11077", "Disp_Access_No" : "1996.108", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Milo of Croton, after Pordenone", "Alt_Title" : "", "Obj_Title" : "Milo of Croton, after Pordenone", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "30.5 cm x 41.9 cm (12 in. x 16 1/2 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro Woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro Woodcut", "Info_Page_Comm" : "Looking at impressions like this one, some early connoisseurs speculated that the composition allowed for the printing of a tone block in pale ink and that the print was conceived as a chiaroscuro. The existence of one such impression, in the British Museum, proves their intuition. That tone block must have been damaged or lost early in the printing. Nonetheless, the second, line block was so skillfully cut and elaborate that it could function well on its own. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.108.tif", "IsPrimary" : "1", "_SurrogateID" : "9125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11090", "Disp_Access_No" : "1981.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544-1547", "_Disp_Start_Dat" : "1544", "_Disp_End_Date" : "1547", "Disp_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Alt_Title" : "", "Obj_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.7 cm x 44.4 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "44.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.44.tif", "IsPrimary" : "1", "_SurrogateID" : "8207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11091", "Disp_Access_No" : "2002.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1551", "Disp_Title" : "Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Ancestors: Jesse, David, Solomon, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "20.6 cm x 30.7 cm (8 1/8 in. x 12 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1353.tif", "IsPrimary" : "1", "_SurrogateID" : "4939", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11098", "Disp_Access_No" : "1995.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1554", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1559", "Disp_Title" : "Venus and Adonis, after Titian", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Battista Franco", "Sort_Artist" : "Franco, Attributed to Battista", "Disp_Dimen" : "42.2 cm x 33.4 cm (16 5/8 in. x 13 1/8 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Venus and Adonis was painted for Philip II in 1553 and sent to him in London on the occasion of his wedding to Mary Tudor in 1554. In addition to numerous workshop versions of the painting, there were several engraved reproductions. This was the first and most sophisticated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Print Study Group,1995", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.53.tif", "IsPrimary" : "1", "_SurrogateID" : "5264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11921", "Disp_Access_No" : "2002.92", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Kneeling at the Edge of the Woods (Two Shepherds), after Francia", "Alt_Title" : "", "Obj_Title" : "A Man Kneeling at the Edge of the Woods (Two Shepherds), after Francia", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "9.4 cm x 7.8 cm (3 11/16 in. x 3 1/16 in.)", "Disp_Height" : "9.4 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.92.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.92.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.92.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.92.tif", "IsPrimary" : "1", "_SurrogateID" : "6015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11951", "Disp_Access_No" : "2002.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Alt_Title" : "", "Obj_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "25 cm x 18.5 cm (9 13/16 in. x 7 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving, with red chalk on verso", "Support" : "", "Disp_Medium" : "Engraving, with red chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Red chalk sketch on verso shows artist copying composition on recto. 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