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Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.50.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.50.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.50.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.50.tif", "IsPrimary" : "1", "_SurrogateID" : "1295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15876, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15876", "Disp_Access_No" : "2017.992", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Clothing a Man", "Alt_Title" : "", "Obj_Title" : "A Woman Clothing a Man", 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The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.836.tif", "IsPrimary" : "1", "_SurrogateID" : "5732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15891", "Disp_Access_No" : "2017.1014", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Scene with Warriors and Children", "Alt_Title" : "", "Obj_Title" 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Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1163.tif", "IsPrimary" : "1", "_SurrogateID" : "5747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15905", "Disp_Access_No" : "2017.1138", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Young Man", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "14.4 cm x 10.9 cm (5 11/16 in. x 4 5/16 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on blue antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk on blue antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1138.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1138.tif", "PreviewPath" : 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with brush and gray wash and pale blue wash (later additio", "Info_Page_Comm" : "This is a study for the composition of a painting executed for Bartolomeo Fabri of Cento and today in the National Gallery, London. Characteristic of Guercino’s early draftsmanship are its extraordinary economy in the description of form and rhythm in the movement of line. However preliminary, the drawing not only establishes the basic design -- the position and behavior of the protagonists -- but already suggests the pictorial properties -- the saturated color and intense light -- of the finished work. It is the only drawing known to relate to the paint-ing", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1167.tif", "IsPrimary" : "1", "_SurrogateID" : "5324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15955", "Disp_Access_No" : "2017.1165", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Monk Reading", "Alt_Title" : "", "Obj_Title" : "A Monk Reading", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "18 cm x 18.1 cm (7 1/16 in. x 7 1/8 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1165.tif", "IsPrimary" : "1", "_SurrogateID" : "5745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15966", "Disp_Access_No" : "2017.904", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "An Assumption", "Alt_Title" : "", "Obj_Title" : "An Assumption", "Series_Title" : "", "Disp_Maker_1" : "Circle of Antonio Bellucci", "Sort_Artist" : "Bellucci, Circle of Antonio", "Disp_Dimen" : "19.05 cm x 27.31 cm (7 1/2 in. x 10 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.904.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.904.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.904.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.904.tif", "IsPrimary" : "1", "_SurrogateID" : "5734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15974", "Disp_Access_No" : "2017.1090", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1659", "Disp_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "19.2 cm x 26.5 cm (7 9/16 in. x 10 7/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Support" : "", "Disp_Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Info_Page_Comm" : "Della Bella was a remarkably prolific etcher and draftsman in just this light, densely worked, and rather automatic hand. Succeeding Jacques Callot as the official printmaker to the Medici, della Bella maintained the range and character of his subject matter, principally court life, everyday events, and familiar settings. But his graphic style is distinct, inspired initially by the etchings of Claude Lorrain, then by the drawings of Pietro da Cortona, so that at least its formal aspects pertain to the High Baroque. This is a delightful example of della Bella’s late style, corresponding in subject and format to a series of hunts that he etched around 1654, although not directly related to any. The drawing’s verso includes two minutely varied studies for the horseman, typical of a working method no less refined than his hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "18887", "Rel_Obj_Title" : "Stag Hunt, from The Hunts of Different Animals" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/37.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5216", "Image_Type" : "Transparency", 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University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1091.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1091.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1091.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1091.tif", "IsPrimary" : "1", "_SurrogateID" : "5742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15992", "Disp_Access_No" : "2017.1252", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mary Magdalen, Mourners and Soldiers from a Deposition", "Alt_Title" : "", "Obj_Title" : "Mary Magdalen, Mourners and Soldiers from a Deposition", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Negri", "Sort_Artist" : "Negri, Attributed to Pietro", "Disp_Dimen" : "20 cm x 33.02 cm (7 7/8 in. x 13 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash, heightened with white on faded blue paper", "Support" : "", "Disp_Medium" : "Brown wash, heightened with white on faded blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1252.tif", "ThumbnailPath" : 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brown ink on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1018.tif", "IsPrimary" : "1", "_SurrogateID" : "5739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16012", "Disp_Access_No" : "2017.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Parting of Abraham and Lot", "Alt_Title" : "", "Obj_Title" : "Parting of Abraham and Lot", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "20.9 cm x 30.7 cm (8 1/4 in. x 12 1/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "5209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16023", "Disp_Access_No" : "2017.892", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Finding of Moses", "Alt_Title" : "", "Obj_Title" : "The Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "21.6 cm x 29.9 cm (8 1/2 in. x 11 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Support" : "", "Disp_Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.892.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.892.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.892.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.892.tif", "IsPrimary" : "1", "_SurrogateID" : "6452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16024", "Disp_Access_No" : "2017.1029", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1603", "_Disp_Start_Dat" : "1598", "_Disp_End_Date" : "1608", "Disp_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Alt_Title" : "Design for a Book Illustration: Saint Peter in Acanthus Scrolls", "Obj_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cesari, called Cavalier d'Arpino", "Sort_Artist" : "Cavalier d'Arpino, Giuseppe Cesari, called", "Disp_Dimen" : "22.2 cm x 16 cm (8 3/4 in. x 6 5/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "By securing the patronage of the papal nephew, Cardinal Pietro Aldobrandini, Giuseppe Cesari became the favorite artist of Clement VIII. Among his major commissions was designing the mosaics in the cupola of St. Peter’s. This is one of three surviving studies for an early version of that project. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1029.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1029.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1029.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1029.tif", "IsPrimary" : "1", "_SurrogateID" : "5688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16040", "Disp_Access_No" : "2017.1238", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Miracle of Domenico Segni", "Alt_Title" : "", "Obj_Title" : "Miracle of Domenico Segni", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "21.1 cm x 36.3 cm (8 5/16 in. x 14 5/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique...", "Info_Page_Comm" : "Against the rising tide of academic classicism in mid-century Rome, Mola maintained a warm, inherently expressive naturalism founded on the example of Annibale Carracci and Guercino, invigorated by his extended stay in Venice, and featuring the depiction of landscape. This is a study for one of three local mira-cles of the Virgin in the cloister of Santa Maria della Quercia at Viterbo, Mola’s first and most important landscapes in fresco. Characteristic of Mola’s drafts-manship are the approximative description, rich and variable tonality, and animated surface, all the result of an exceptionally dense and loose application of washes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1238.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1238.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1238.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1238.tif", "IsPrimary" : "1", "_SurrogateID" : "5758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16090", "Disp_Access_No" : "2017.1308", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Figures in Contemporary Dress", "Alt_Title" : "", "Obj_Title" : "Group of Figures in Contemporary Dress", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 42.3 cm (10 1/8 in. x 16 5/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1308.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1308.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1308.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1308.tif", "IsPrimary" : "1", "_SurrogateID" : "5887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16099", "Disp_Access_No" : "2017.1375", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610s", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1615", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Lionello Spada", "Sort_Artist" : "Spada, Lionello", "Disp_Dimen" : "26.6 cm x 14.9 cm (10 1/2 in. x 5 7/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Info_Page_Comm" : "According to the old inscription in French, this drawing corresponds to a painting by Spada then in the Cospi Collection in Bologna and described by the Bolognese historian Malvasia. Whether the author of the inscription knew this painting first-hand or only from the verbal description cannot be ascertained, and no such painting is known today. But when this circumstantial evidence is combined with the generally Bolognese style, Caravaggesque accent, and haughty flourish of this drawing -- all perfectly consistent with Spada’s style as a painter -- it becomes convincing as the most important example of his draftsmanship", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1375.tif", "IsPrimary" : "1", "_SurrogateID" : "6455", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16108", "Disp_Access_No" : "2017.1143", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Dream of Joseph", "Alt_Title" : "", "Obj_Title" : "The Dream of Joseph", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "27.2 cm x 30.3 cm (10 11/16 in. x 11 15/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Info_Page_Comm" : "Baciccio’s incomparably fluid and brilliantly colored style represented the principle alternative to the academic manner that dominated late century Roman painting. His monumental frescoes, famously that of the vault of the Church of the Gesù, mark the emergence of an important strain of late Baroque decoration. Contemporary with those frescoes, as well as the Collection’s painting of Rinaldo and Armida, this drawing conveys the essence of Baciccio’s style in its dramatic space, rhythmic animation. and lavish technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1143.tif", "IsPrimary" : "1", "_SurrogateID" : "5208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16121", "Disp_Access_No" : "2017.999", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moses Striking the Rock", "Alt_Title" : "", "Obj_Title" : "Moses Striking the Rock", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "28.5 cm x 39.4 cm (11 1/4 in. x 15 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Support" : "", "Disp_Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.999.tif", "IsPrimary" : "1", "_SurrogateID" : "5859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16128", "Disp_Access_No" : "2017.1016", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Castiglione", "Sort_Artist" : "Castiglione, Attributed to Francesco", "Disp_Dimen" : "40 cm x 28.3 cm (15 3/4 in. x 11 1/8 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016.tif", "IsPrimary" : "1", "_SurrogateID" : "2611", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6679", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16148", "Disp_Access_No" : "2017.1311", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham and the Angels", "Alt_Title" : "", "Obj_Title" : "Abraham and the Angels", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "28.89 cm x 20.64 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.89 cm", "Disp_Width" : "20.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1311.tif", "IsPrimary" : "1", "_SurrogateID" : "5764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16149", "Disp_Access_No" : "2017.1309", "_AccNumSort1" : "", "Disp_Create_DT" : "1650s-1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "Meeting of David and Abigail", "Alt_Title" : "", "Obj_Title" : "Meeting of David and Abigail", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "29 cm x 42.7 cm (11 7/16 in. x 16 13/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Info_Page_Comm" : "Synthesizing several Genoese strains, from the imported Flemish to the native late Mannerist, Piola developed a style of considerable attractiveness, perfect regularity, and tremendous success in the production of altarpieces and grand-scale secular decorations. No less prolific as a draftsman, he is reported to have left 4,000 drawings to his family, and even today his fluidly drawn, smoothly modeled pen-and-wash studies seem ubiquitous. This is an unusually vigorous early study, with its rhythms more staccato, its illumination more intense, and its recollections of earlier Genoese pen-and-wash studies, of Cambiaso and Benso, more pronounced. The Collection counts another two drawings and four paintings by the artist.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1309.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1309.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1309.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1309.tif", "IsPrimary" : "1", "_SurrogateID" : "5886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16154", "Disp_Access_No" : "2017.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Esther, Ahasuerus and Haman", "Alt_Title" : "", "Obj_Title" : "Esther, Ahasuerus and Haman", "Series_Title" : "", "Disp_Maker_1" : "Pietro Ricchi (Lucchese)", "Sort_Artist" : "Ricchi (Lucchese), Pietro", "Disp_Dimen" : "29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and wash heightened with white", "Support" : "", "Disp_Medium" : "Red chalk and wash heightened with white", "Info_Page_Comm" : "In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air. The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335-old.tif", "IsPrimary" : "1", "_SurrogateID" : "5868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16179, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16179", "Disp_Access_No" : "2017.1168", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1616-1617", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1617", "Disp_Title" : "Landscape with Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "Landscape with Tobias and the Angel", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "31 cm x 40.5 cm (12 3/16 in. x 15 15/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "Archangel Raphael points to a great fish located at the painting’s bottom edge and instructs a surprised, bathing Tobias to seize it. Tobias, the son of the title character in the Book of Tobit, would later use the fish’s entrails to cure the blindness of his father and to dispel a demon tormenting his future wife, Sara. Guercino was a leading painter in the Bolognese school of the seventeenth century. He was known for his ability to communicate emotion through human gesture and expression. His talent for depicting contrasts in light also appears in the painting’s dark landscape lit by a setting sun, which echoes Tobias’ story of faith and revelation. This rare work is likely Guercino’s only landscape painting on copper to incorporate a religious narrative. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1168.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1168.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1168.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1168.tif", "IsPrimary" : "1", "_SurrogateID" : "2618", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16194", "Disp_Access_No" : "2017.1407", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Five Saints", "Alt_Title" : "", "Obj_Title" : "Five Saints: St. Joseph, St. John the Evangelist, St. Barbara, St. Francis and St. Catherine", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Cosimo Ulivelli", "Sort_Artist" : "Ulivelli, Attributed to Cosimo", "Disp_Dimen" : "32.39 cm x 23.5 cm (12 3/4 in. x 9 1/4 in.)", "Disp_Height" : "32.39 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and gray wash", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1407.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1407.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1407.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1407.tif", "IsPrimary" : "1", "_SurrogateID" : "3294", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16199", "Disp_Access_No" : "2017.991", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with Adoring Angels", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Adoring Angels", "Series_Title" : "", "Disp_Maker_1" : "Simone Cantarini", "Sort_Artist" : "Cantarini, Simone", "Disp_Dimen" : "33 cm x 43.2 cm (13 in. x 17 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, oval, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, oval, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.991.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.991.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.991.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.991.tif", "IsPrimary" : "1", "_SurrogateID" : "5989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16214", "Disp_Access_No" : "2017.1020", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1655-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "34.8 cm x 24.5 cm (13 11/16 in. x 9 5/8 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Support" : "", "Disp_Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Info_Page_Comm" : "Numerous artists from the late 16th century onward, and especially those of Venetian experience, occasionally employed oil on paper for preparatory studies of a pronounced pictorial character. Castiglione not only experimented incessantly with the technique, but in his later career adopted it as his preferred means of drawing. Monochrome -- usually the reddish-brown seen here -- and very open brushwork maintained the linear personality of these studies, while the oil selectively impregnated into the paper allowed variation in their resolution, saturation of color, and to an extent even hue. This is an excellent example of this distinctive and often arresting hybrid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1020.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1020.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1020.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1020.tif", "IsPrimary" : "1", "_SurrogateID" : "2733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16232", "Disp_Access_No" : "2017.1055", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Battle of Centaurs and Lapiths", "Alt_Title" : "", "Obj_Title" : "The Battle of Centaurs and Lapiths", "Series_Title" : "", "Disp_Maker_1" : "Copy after Pietro Berrettini, called Pietro da Cortona", "Sort_Artist" : "Cortona, Copy after Pietro Berrettini, called Pietro da", "Disp_Dimen" : "36.83 cm x 46.99 cm (14 1/2 in. x 18 1/2 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "46.99 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on two pieces of paper", "Support" : "", "Disp_Medium" : "Black chalk on two pieces of paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1055.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1055.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1055.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1055.tif", "IsPrimary" : "1", "_SurrogateID" : "5905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16239", "Disp_Access_No" : "2017.1141", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Rinaldo and Armida", "Alt_Title" : "", "Obj_Title" : "Rinaldo and Armida", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "38.1 cm x 48.26 cm (15 in. x 19 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "48.26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a passage from Tarquato Tasso’s late 16th-century epic poem Gerusalemme liberata [Jerusalem Freed], the sorceress Armida puts the Christian hero Rinaldo to sleep in order to kill him, instead falls in love and instructs her nymphs to carry him to her palace. Reflecting the triumph of beauty and romantic love over rational resolve, the passage was a frequent subject of Baroque painting. Here it receives appropriately lyrical and enthralling expression. The style is that of Baciccio’s maturity, with its foreshortenings more pronounced, its rhythms more insistent, its palette even more coordinated than in the adjacent Study for ‘Justice, Peace, and Truth’. Although the scale and the approximate handling indicate that this painting was a preparatory sketch, and the literary subject corresponds to others fully developed by Baciccio, the composition is not known in any other version.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1141.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1141.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1141.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1141.tif", "IsPrimary" : "1", "_SurrogateID" : "2738", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16246", "Disp_Access_No" : "2017.1328", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Queen before a Warrior at a Port", "Alt_Title" : "", "Obj_Title" : "A Queen before a Warrior at a Port", "Series_Title" : "", "Disp_Maker_1" : "Antonio Puglieschi", "Sort_Artist" : "Puglieschi, Antonio", "Disp_Dimen" : "38.1 cm x 52.07 cm (15 in. x 20 1/2 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "52.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Support" : "", "Disp_Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 16251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16251", "Disp_Access_No" : "2017.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jonah Preaching at Nineveh (?)", "Alt_Title" : "", "Obj_Title" : "Jonah Preaching at Nineveh (?)", "Series_Title" : "", "Disp_Maker_1" : "Salvator Rosa", "Sort_Artist" : "Rosa, Salvator", "Disp_Dimen" : "39 cm x 30.8 cm (15 3/8 in. x 12 1/8 in.)", "Disp_Height" : "39 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1353.tif", "IsPrimary" : "1", "_SurrogateID" : "5987", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16260", "Disp_Access_No" : "2017.1404", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Antonio Travi", "Sort_Artist" : "Travi, Antonio", "Disp_Dimen" : "39.37 cm x 49.53 cm (15 1/2 in. x 19 1/2 in.)", "Disp_Height" : "39.37 cm", "Disp_Width" : "49.53 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In terrible condition (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1404.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1404.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1404.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1404.tif", "IsPrimary" : "1", "_SurrogateID" : "2664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16286", "Disp_Access_No" : "2017.1151", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1656", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1661", "Disp_Title" : "Apollo and Marsayas", "Alt_Title" : "", "Obj_Title" : "Apollo and Marsyas", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Giordano", "Sort_Artist" : "Giordano, Attributed to Luca", "Disp_Dimen" : "41.91 cm x 26.67 cm (16 1/2 in. x 10 1/2 in.)", "Disp_Height" : "41.91 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "Giordano, the leading painter in late century Naples, was active and influential throughout Italy. His biographer, De Domenici, mentions that in Rome around 1656, Giordano was struck by some drawings by Cambiaso and took to copying them. While clearly inspired by Cambiaso, the hand responsible for this drawing is broader in rhythm and more generalized in effect. It is consistent with other drawings that have been attributed to Giordano around this time. Apollo and Marsyas was also a favorite subject in seventeenth-century Naples. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1151.tif", "IsPrimary" : "1", "_SurrogateID" : "6461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16300, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16300", "Disp_Access_No" : "2017.1077", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1675-1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1680", "Disp_Title" : "Lot and his Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and his Daughters", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "43.1 cm x 83.8 cm (16 15/16 in. x 33 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "83.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Extravagant and lyrical, Gregorio de Ferrari’s style was the principal alternative to Domencio Piola’s handsome manufacture in late-century Genoa. Based upon the example of Valerio Castello, and informed by the long study of Correggio, this style is characterized by concatenated form, iridescent color, and ecstatic sentiment. The full splendor of this style can be appreciated only in his ceiling decoration of palaces, villas and, with a mystical force, some churches in Genoa. Although Gregorio’s style is little known in this country, it is one of the most beautiful of the Baroque and one of the clearest predictions of 18th-century painting. The small size and oblong format of this canvas suggest an architectural function, probably as an over-door element. The calculated balance, relative stability, and general conception of the composition as a shallow relief temper Gregorio’s usual exuberance. This seems, however, compensated by the subtlety of interpretation. Having fled the destruction of Sodom, Lot dwelt in a cave with two daughters who proceeded to seduce him (Genesis 19:12-35). Here, the three appear a single being of soft limbs and rich stuffs and slow rhythms coursing around and through them. Their transgression is understated, exquisite, insinuating. Moreover, the recent cleaning of the painting has revealed the range, responsiveness, and personality of handling, from the broad, constructing strokes in the drapery to the rivuleting impasto in the fine description. This must be reckoned one of the great interpretations of the story. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1077.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1077.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1077.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1077.tif", "IsPrimary" : "1", "_SurrogateID" : "2741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16305", "Disp_Access_No" : "2017.872", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Prelate (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Prelate (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "43.5 cm x 30.48 cm (17 1/8 in. x 12 in.)", "Disp_Height" : "43.5 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk, on buff paper", "Support" : "", "Disp_Medium" : "Black and white chalk, on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.872.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.872.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.872.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.872.tif", "IsPrimary" : "1", "_SurrogateID" : "4740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16308", "Disp_Access_No" : "2017.1034", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Carnival Procession with a Wagon", "Alt_Title" : "", "Obj_Title" : "Carnival Procession with a Wagon", "Series_Title" : "", "Disp_Maker_1" : "Michelangelo Cerquozzi", "Sort_Artist" : "Cerquozzi, Michelangelo", "Disp_Dimen" : "44.45 cm x 56.52 cm (17 1/2 in. x 22 1/4 in.)", "Disp_Height" : "44.45 cm", "Disp_Width" : "56.52 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Passeri (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1034.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1034.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1034.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1034.tif", "IsPrimary" : "1", "_SurrogateID" : "2591", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16323", "Disp_Access_No" : "2017.1378", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1625", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1630", "Disp_Title" : "Portrait of a Bishop", "Alt_Title" : "Portrait of a Gentleman, Bust-length, Wearing a Black Coat with a White Collar (previous title)", "Obj_Title" : "Portrait of a Bishop", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "47.4 cm x 41.9 cm (18 11/16 in. x 16 1/2 in.)", "Disp_Height" : "47.4 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Known for his portraits, genre scenes, and religious works, Bernardo Strozzi was one of the most influential painters active in Genoa and Venice in the seventeenth century. The "Portrait of a Bishop" is among three likenesses of the same person by Strozzi. All three versions portray him with identical facial features, such as a moustache and goatee, also known as a Van Dyck beard, and similar expressions, including wrinkles in his forehead and slightly lifted brows. Two of the paintings, including the present work, depict the sitter wearing a doublet, or a man’s jacket, trimmed with a turned down white collar, which does not indicate the figure’s status as a clergyman. A much larger third portrait, however, represents the sitter standing near a mitre, a bishop’s headdress. During this period, artists commonly painted copies of the same portrait for prominent sitters and their families, which was a way to distribute the likeness of famous people.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Can go up in galleries Need to do research on this piece In great condition (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1378.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1378.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1378.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1378.tif", "IsPrimary" : "1", "_SurrogateID" : "2654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16338", "Disp_Access_No" : "2017.1154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1693-94", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Giordano", "Sort_Artist" : "Giordano, Workshop of Luca", "Disp_Dimen" : "99 cm x 74.9 cm (39 in. x 29 1/2 in.)", "Disp_Height" : "99 cm", "Disp_Width" : "74.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1154.tif", "IsPrimary" : "1", "_SurrogateID" : "4847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16343", "Disp_Access_No" : "2017.1032", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Saint James Vanquishing the Moors", "Alt_Title" : "", "Obj_Title" : "Saint James Vanquishing the Moors", "Series_Title" : "", "Disp_Maker_1" : "Cerano (Giovanni Battista Crespi)", "Sort_Artist" : "Cerano (Giovanni Battista Crespi)", "Disp_Dimen" : "50.4 cm x 60.2 cm (19 13/16 in. x 23 11/16 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the panorama of early 17th century painting, the Milanese school occupies a singular place. In the wake of the catastrophic plague of 1576, the legendary episcopate of Saint Charles Borromeo, and the resulting preoccupation with religious reform, the city’s culture was pervaded by profound skepticism and spiritual intensity. Involving Mannerist formulae and eccentric inventions, but also the progressive elements of Caravaggio’s chiaroscuro and then Rubens’s dynamism, the school’s painting tends toward the supernatural: the highly subjective, even the irrational, made real to the senses. Of the school’s three leading painters, Cerano was the most complex, visionary, and affecting. His mature style features, and derives its practically existential meaning from, exaggerated contrast between enveloping darkness and celestial light, general monochrome and localized color, thin handling and fluid impasti, pervasive melancholy and momentary ecstasy. In this late picture, related in theme and principal motif to a monumental canvas of Saint Dominic Defeating the Albigensians at Cremona, these contrasts make the representation of militant faith haunting and universal. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with other St. James (in storage) (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1032.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1032.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1032.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1032.tif", "IsPrimary" : "1", "_SurrogateID" : "2590", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16349", "Disp_Access_No" : "2017.811", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Arts", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Arts", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "51.44 cm x 39.37 cm (20 1/4 in. x 15 1/2 in.)", "Disp_Height" : "51.44 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.811.tif", "IsPrimary" : "1", "_SurrogateID" : "3728", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16359", "Disp_Access_No" : "2017.1072", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1625 - 1650", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1650", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "Portrait of a Man", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Curradi", "Sort_Artist" : "Curradi, Attributed to Francesco", "Disp_Dimen" : "54.61 cm x 41.28 cm (21 1/2 in. x 16 1/4 in.)", "Disp_Height" : "54.61 cm", "Disp_Width" : "41.28 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Judging from the sitter’s dress—a collar with lace trim and a hairstyle of loose curls—we can date this painting between 1625 and 1650, about when both these styles were in fashion. Flat collars would be replaced by the neckcloth, a strip of lace or muslin twisted around the neck and tied at the throat. In the latter half of the century, natural hair would be traded for wigs. Francesco Curradi, a Florentine draftsman and painter, appears to have reused this sitter’s face for figures in other paintings, including the archangel Michael in the "Vision of Saint Philip Benizi" at the church of Santa Maria dei Servi in Siena. When viewed under ultraviolet light, the painting shows signs of retouching, particularly in the sitter’s original lace collar, which was likely enhanced after losses from age and cleaning. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition, conservation issues: needs to be cleaned. 2+ if cleaned. Could go in portrait gallery (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1072.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1072.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1072.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1072.tif", "IsPrimary" : "1", "_SurrogateID" : "3443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16369", "Disp_Access_No" : "2017.1203", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1671", "_Disp_Start_Dat" : "1666", "_Disp_End_Date" : "1676", "Disp_Title" : "Mercury Transforming Chelone into a Turtle", "Alt_Title" : "", "Obj_Title" : "Mercury Transforming Chelone into a Turtle", "Series_Title" : "", "Disp_Maker_1" : "Filippo Lauri", "Sort_Artist" : "Lauri, Filippo", "Disp_Dimen" : "59 cm x 71.2 cm (23 1/4 in. x 28 1/16 in.)", "Disp_Height" : "59 cm", "Disp_Width" : "71.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mercury, here seen in his winged hat, invited all gods, humans, and animals to his father Jupiter’s wedding to the goddess Juno. Everyone came, except the nymph Chelone, who mocked the union. Enraged by her arrogance, Mercury threw Chelone’s house into the river and turned her into a turtle. This painting diverges from the popular version of the story and presents Juno as the protagonist who condemns Chelone. Mercury occupies a secondary place behind the seated Jupiter. Cupid, the god of love, evokes the nuptial context of the scene, which is also highlighted by the youthful features of Jupiter and Juno. The oval shape of the canvas likely indicates that it was a decorative painting to be placed over a doorway or a window. Filippo Lauri was renowned for depicting landscapes, architecture, flowers, and animals to embellish important palaces in Rome. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Lauri''s Venus and Adonis (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1203.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1203.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1203.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1203.tif", "IsPrimary" : "1", "_SurrogateID" : "2748", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16387", "Disp_Access_No" : "2017.1367", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Orpheus Charming the Beasts", "Alt_Title" : "", "Obj_Title" : "Orpheus Charming the Beasts", "Series_Title" : "", "Disp_Maker_1" : "Sinibaldo Scorza", "Sort_Artist" : "Scorza, Sinibaldo", "Disp_Dimen" : "65.5 cm x 100.2 cm (25 13/16 in. x 39 7/16 in.)", "Disp_Height" : "65.5 cm", "Disp_Width" : "100.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1367.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1367.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1367.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1367.tif", "IsPrimary" : "1", "_SurrogateID" : "2651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16393", "Disp_Access_No" : "2017.1304", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1655", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1655", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "69.7 cm x 90.7 cm (27 7/16 in. x 35 11/16 in.)", "Disp_Height" : "69.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Piola was, with his pupil Gregorio de’ Ferrari, the leading painter in Genoa during the second half of the 17th century. With the catalyst of Pietro da Cortona’s High Baroque cycles, in a manner so fluent as to seem automatic, Piola generalized the lessons of Rubens and Van Dyck’s dynamic naturalism and translated them into the grand scale decoration of the native Genoese tradition. Few palaces in Genoa and scarcely a church in Liguria lack a work with the undulating rhythms, variegated modelling, and softly modulated light that are his trademarks. Piola’s works may not be sound in structure or deep in characterization, but they do convey a ease, even a joy, that are estimable and historically relevant. Although reduced to a small, horizontal format, this picture depends strictly on Giovanni Benedetto Castiglione’s great altarpiece of 1645 for San Luca in Genoa. The setting with a broken column symbolic of the Synagogue, the delightful incorporation of the bacchanalian shepherd and still-life motifs, and the fluid rhythm leading toward the radiant Child are virtual quotations. Soprani, the 17th-century biographer of the Genoese painters, writes that the young Piola was so taken with Castiglione that he learned to imitate his style. One of these imitations, “a very beautiful small panel of the Nativity,” was so successful that even experts equivocated about its authorship. Except for the material of its support, Soprani could have been referring to the present picture. Principally it is the slacker drawing, difficulty with space, as in the interval between the boys and the Virgin, and impatient execution in the background that identify it as a very early work by Piola. The picture is a landmark of the artist’s development and of Genoese painting on the threshold of its greatest achievments. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1304.tif", "IsPrimary" : "1", "_SurrogateID" : "2637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16406", "Disp_Access_No" : "2017.1177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1685", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1685", "Disp_Title" : "Holy Family with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Guidobono", "Sort_Artist" : "Guidobono, Bartolomeo", "Disp_Dimen" : "72.3 cm x 58.2 cm (28 7/16 in. x 22 15/16 in.)", "Disp_Height" : "72.3 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lovely in description, sweet in disposition, and careful in craft, Bartolomeo Guidobono’s work is a distinctive variation upon the grand manner of late seventeenth-century Genoese painting. His style arose from his first training and lifelong collaboration in the family business of fine porcelain painting. Its larger context is the Genoese taste for Netherlandish painting that goes back to the fifteenth century. After a series of trips to Emilia, Guidobono shifted this already delicate style toward the soft contour, luminous color, and gentleness of Correggio. Later he would reconcile it with the large rhythms and efficient manufacture of Domenico Piola. This "Holy Family" is a beautiful compendium of Guidobono’s early style. Its matrix is surely Genoese, with the figural group suggested by Piola and the pure hues reminiscent of Baciccio. Instead, the grain of light, amplitude of the figures, and tenderness reveal the recent debt to Correggio. Most impressive, however, are the refined drawing and meticulous finish, practically those of a miniature painting. In few other works of Guidobono is the craft more sustained or the reflection of his first activity more apparent. This unorthodox petite manière also anticipates the prettiness of the Rococo and the developing relation of the Genoese school to the French. In fact, the painting was at one time attributed to the eighteenth-century French painter Jean-Baptiste Le Prince.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1177.tif", "IsPrimary" : "1", "_SurrogateID" : "2620", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16410", "Disp_Access_No" : "2017.1279", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Musical Party in a Garden", "Alt_Title" : "", "Obj_Title" : "Musical Party in a Garden", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Passeri", "Sort_Artist" : "Passeri, Giovanni Battista", "Disp_Dimen" : "73.7 cm x 99 cm (29 in. x 39 in.)", "Disp_Height" : "73.7 cm", "Disp_Width" : "99 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With its open courtyard littered with fragments of ancient sculpture and bathed in Mediterranean light, the setting here is typical of a garden on the outskirts of Rome. The gentleman at right in contemporary attire introduces the viewer to the party. The woman in the blue mantle, the man in the orange tunic, and the semiclad piper seem engaged in a musical performance of classical inspiration. The group of women in modern costume accompanies them on a spinet. At left two servants ready a table for dining. The meaning of the scene is ambiguous. It may be an Italian version of popular garden scenes depicting the prodigal son as he squanders “his wealth in wild living” (Luke 15). It may also reflect the ideal of a Roman pleasure garden where the classical past and the fashionable present are harmoniously brought together. This pictorial riddle corresponds to Giovanni Battista Passeri’s intellectual character; he was not only a painter but also a writer who authored a collection of biographies of thirty-six painters that offers a lively account of the Italian art scene of the seventeenth century. The Blanton’s painting is one of the very few surviving paintings by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Cerquozzi", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1279.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1279.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1279.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1279.tif", "IsPrimary" : "1", "_SurrogateID" : "2632", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16414", "Disp_Access_No" : "2017.1222", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait", "Alt_Title" : "", "Obj_Title" : "Self Portrait", "Series_Title" : "", "Disp_Maker_1" : "Carlo Maratta", "Sort_Artist" : "Maratta, Carlo", "Disp_Dimen" : "74.5 cm x 59.5 cm (29 5/16 in. x 23 7/16 in.)", "Disp_Height" : "74.5 cm", "Disp_Width" : "59.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas (unframed)", "Support" : "", "Disp_Medium" : "Oil on canvas (unframed)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1222.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1222.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1222.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1222.tif", "IsPrimary" : "1", "_SurrogateID" : "10566", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16421", "Disp_Access_No" : "2017.1017", "_AccNumSort1" : "", "Disp_Create_DT" : "late 17th century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1699", "Disp_Title" : "Jacob Asking for Laban", "Alt_Title" : "", "Obj_Title" : "Jacob Asking for Laban", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "78 cm x 84 cm (30 11/16 in. x 33 1/16 in.)", "Disp_Height" : "78 cm", "Disp_Width" : "84 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Fleeing for his life, Jacob seeks refuge with his uncle, Laban, living in “the land of the people of the east.” While Jacob discusses Laban’s whereabouts with shepherds, all the animals in the foreground gaze intently at the viewer. They take center stage, not the humans. Francesco Castiglione follows after his father, Giovanni Benedetto Castiglione, who showcased animals within biblical narratives. In fact, the goat and cattle in the foreground are likely copied from one of his father’s paintings. The work also represents the Genoese fondness for animals in artwork, a taste stimulated by Northern European genre painting and depictions of keenly observed animals. During the early seventeenth century, Dutch and Flemish artists, along with others throughout Europe, moved to Genoa to meet its large demand for art, especially decoration of palaces owned by the city’s wealthy families.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1017.tif", "IsPrimary" : "1", "_SurrogateID" : "2586", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16447", "Disp_Access_No" : "2017.1327", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1657-1659", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1659", "Disp_Title" : "The Martyrdom of Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Mattia Preti", "Sort_Artist" : "Preti, Mattia", "Disp_Dimen" : "100.5 cm x 75 cm (39 9/16 in. x 29 1/2 in.)", "Disp_Height" : "100.5 cm", "Disp_Width" : "75 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting represents the moment just before Saint Catherine’s beheading. After the spiked wheels broke into pieces and failed to kill her, the executioner’s sword swings to end her life. As she looks up and prays, an angel descends to crown her with laurel and to give her the palm of martyrdom. The angle of foreshortening suggests that the image was to be viewed from below. This work served as an oil sketch for a painting of the same subject in the ceiling of the church of San Pietro a Maiella in Naples. Between mid-1657 and early 1659 Mattia Preti executed a series of five paintings that represent scenes from the life of Saint Catherine and another five from the life of Saint Peter Celestine, to whom the church is dedicated. For the final version in Naples, the artist departed from the composition in the Blanton’s painting: figures are added on the left, right, and bottom center, and the architectural background is minimized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up but only raised about a foot, if too high we could lose details; should be raised with caution (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1327.tif", "IsPrimary" : "1", "_SurrogateID" : "2642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16452", "Disp_Access_No" : "2017.890", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Anne Appearing to Pope Paul V", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 25.1999. Medallion hang or on either side of a door. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.890.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.890.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.890.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.890.tif", "IsPrimary" : "1", "_SurrogateID" : "2604", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16453", "Disp_Access_No" : "2017.891", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Saint Zeno Healing a Possessed Woman", "Alt_Title" : "", "Obj_Title" : "Saint Zeno Healing a Possessed Woman", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 24.1999. Medallion hang or on either side of a door (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.891.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.891.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.891.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.891.tif", "IsPrimary" : "1", "_SurrogateID" : "2606", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16461", "Disp_Access_No" : "2017.1060", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "118.7 cm x 84.5 cm (46 3/4 in. x 33 1/4 in.)", "Disp_Height" : "118.7 cm", "Disp_Width" : "84.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Had Daniele Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and troubling intensity of the school’s first generation have been subjected to a more disciplined sense of design and a more predictable language of expression, reflecting the lessons of recent Florentine painting as well as the emerging Bolognese academy. The resulting style is original in its staging but legible in its action and noble in its feeling. This is one of Crespi’s most important early pictures. The general composition and its compression of space into a single plane derive from a low-relief sculpture designed by Cerano for the façade of the church of San Paolo Converso in Milan. The intricate rhythms and the palette depend more on Giulio Cesare Procaccini, another major figure of the first generation who was Crespi’s principal inspiration if not actual teacher. But the incisive drawing of Saint Paul, the exact modeling of his forms, and the memorable enunciation of the drama announce the fact and direction of a distinctive language. The Suida-Manning Collection includes a second outstanding picture by Crespi, "Ecce Homo" of about two years later.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1060.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1060.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1060.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1060.tif", "IsPrimary" : "1", "_SurrogateID" : "2593", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16464, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16464", "Disp_Access_No" : "2017.1059", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1623", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1628", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "127 cm x 97.8 cm (50 in. x 38 1/2 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "97.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Had Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and neurotic intensity of the first generation are subjected to a more disciplined design and a more rhetorical expression, which he gathered from contemporary Florentine painters as well as from the emerging school of Bologna. The resulting style is highly original in its staging, admirable in its action, and convincing in its feeling. This picture demonstrates Crespi’s rapid development toward a style of absolute coherence and exceptional theatricality. The composition is related to Caravaggio’s painting of the same subject, and the dramatic chiaroscuro generally reflects Crespi’s intensifying naturalism. The design, with bold rhythms and strong drawing, is conditioned by Florentine interpretations of early Baroque style. And both the palette and striking differentiation of paint handling—compare the rendering of Christ’s tremulous flesh with that of Pilate’s splendid sleeve—are freshly informed by Rubens’s example. But by now these elements have been thoroughly synthesized and reconciled with a persistently Milanese subjectivity. This, Crespi’s mature style, is at once rich in narration, declamatory in form, and charged in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1059.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1059.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1059.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1059.tif", "IsPrimary" : "1", "_SurrogateID" : "2739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16470", "Disp_Access_No" : "2017.1306", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "An Allegory with Venus and Time", "Alt_Title" : "", "Obj_Title" : "An Allegory with Venus and Time", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "154.1 cm x 113.6 cm (60 11/16 in. x 44 3/4 in.)", "Disp_Height" : "154.1 cm", "Disp_Width" : "113.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this allegory, Time, with his hourglass, presents Venus, the goddess of love, with a mature rose, as if to remind her that earthly love is as fleeting as a rose’s bloom. In response, Venus reveals her higher identity as a symbol of enduring spiritual love and divine beauty, a concept that evolved from the rediscovery of the writings of Plato and other ancient philosophers during the Renaissance. Venus here has already disarmed her son Cupid, the god of erotic love, by breaking his bow’s string. He is now unable to enflame uncontrollable desires in people and gods by shooting arrows into them. Domenico Piola, the leading artist in Genoa in the second half of the seventeenth century, painted many ceiling frescoes for churches and palaces. Paintings predating 1684 like this one are especially rare, since French naval bombardments in May of that year destroyed most of Genoa, including Piola’s house and studio. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1306.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1306.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1306.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1306.tif", "IsPrimary" : "0", "_SurrogateID" : "2639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1306-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1306-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1306-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1306-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18067", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16491, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16491", "Disp_Access_No" : "2017.1106", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Group Portrait", "Alt_Title" : "", "Obj_Title" : "A Group Portrait", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Aniello Falcone", "Sort_Artist" : "Falcone, Attributed to Aniello", "Disp_Dimen" : "18.5 cm x 24.5 cm (7 5/16 in. x 9 5/8 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait gallery in case with other objects that put it in context or section on Naples (FC:jb 4/20/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1106.tif", "IsPrimary" : "1", "_SurrogateID" : "4843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16932", "Disp_Access_No" : "2003.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Evangelist, after Carlo Dolci", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist, after Carlo Dolci", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "24.3 cm x 19.7 cm (9 9/16 in. x 7 3/4 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with brush and gray wash and white heightening", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash and white heightening", "Info_Page_Comm" : "A fascinating intersection of Florentine Baroque modes, this drawing reproduces a devotional painting by Carlo Dolci, a contemporary whose work epitomizes the city’s cultural involution and associated pietism. (The Collection features an important devotional painting by Dolci.) Beautifully executed, itself practically a miniature painting, this drawing was obviously intended as a finished work, for independent sale or perhaps presentation to a patron. Drawings of the kind are rare in Volterrano’s oeuvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.132.tif", "IsPrimary" : "1", "_SurrogateID" : "7021", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17245", "Disp_Access_No" : "2004.161", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Alt_Title" : "", "Obj_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giulio Benso", "Sort_Artist" : "Benso, Giulio", "Disp_Dimen" : "29.2 cm x 22.1 cm (11 1/2 in. x 8 11/16 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash (recto)", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash (recto)", "Info_Page_Comm" : "Long after other Genoese artists had turned from Cambiaso's style, Benso adhered to its principles. His monumental fresco decoration is exceptionally systematic in organization and rigorous in perspective. And his drawings insist upon extreme stylization and exaggerated calligraphy. With its underlying geometry, ornamental line, and broad wash, this sheet is characteristic. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.161.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.161.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.161.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.161.tif", "IsPrimary" : "1", "_SurrogateID" : "3079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18606", "Disp_Access_No" : "2006.187", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "The Baggage Train, from Varii capricci militari [Various 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