{ "objects" : [ { "embark_ID" : 8077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8077", "Disp_Access_No" : "1982.702", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Frieze with a Battle of Antique Ships, after Polidoro da Caravaggio", "Alt_Title" : "Roman Soldiers in Small Boats in Naval Combat", "Obj_Title" : "Frieze with a Battle of Antique Ships, part of a frieze on the painted facade of the Palazzo Gaddi, Rome, after Polidoro da Caravaggio", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "16 cm x 39.4 cm (6 5/16 in. x 15 1/2 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and ink with brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and ink with brown wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.702.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.702.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.702.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.702.tif", "IsPrimary" : "1", "_SurrogateID" : "6997", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16575", "Disp_Access_No" : "2002.2826", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Standing Male Figure with Drapery", "Alt_Title" : "", "Obj_Title" : "Standing Male Figure with Drapery", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "42.8 cm x 23.6 cm (16 7/8 in. x 9 5/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk with stumping on gray antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk with stumping on gray antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2826.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2826.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2826.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2826.tif", "IsPrimary" : "1", "_SurrogateID" : "3075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15876, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15876", "Disp_Access_No" : "2017.992", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Clothing a Man", "Alt_Title" : "", "Obj_Title" : "A Woman Clothing a Man", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Domenico Canuti", "Sort_Artist" : "Canuti, Attributed to Domenico", "Disp_Dimen" : "8.57 cm x 14.29 cm (3 3/8 in. x 5 5/8 in.)", "Disp_Height" : "8.57 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and black ink, gray wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.992.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.992.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.992.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.992.tif", "IsPrimary" : "1", "_SurrogateID" : "5723", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15879", "Disp_Access_No" : "2017.877", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Horsemen from Behind, in a River Landscape", "Alt_Title" : "", "Obj_Title" : "Studies of Horsemen from Behind, in a River Landscape", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Veronese", "Sort_Artist" : "Anonymous, Veronese", "Disp_Dimen" : "9.21 cm x 8.89 cm (3 5/8 in. x 3 1/2 in.)", "Disp_Height" : "9.21 cm", "Disp_Width" : "8.89 cm", "Dimen_Extent" : "Sheet", "Medium" : "Metalpoint on cream preparation", "Support" : "", "Disp_Medium" : "Metalpoint on cream preparation", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.877.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.877.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.877.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.877.tif", "IsPrimary" : "1", "_SurrogateID" : "5696", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15880", "Disp_Access_No" : "2017.1447", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "A Prophet and a Sibyl", "Alt_Title" : "", "Obj_Title" : "A Prophet and a Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "10.1 cm x 14.4 cm (4 in. x 5 11/16 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The Oratorio del Gonfalone was one of the two most important pictorial projects in Rome during the 1560s and 1570s. Half a dozen of the city’s leading young painters collaborated on a fresco cycle of scenes from the Passion of Christ with elaborate decorative surrounds. Zuccaro was responsible for the Flagellation and above it a prophet and sibyl whose texts prefigure the event. Characteristically confident in its plasticity and elegant in its line, this drawing is one of several preparatory studies for the group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1447.tif", "IsPrimary" : "1", "_SurrogateID" : "5721", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15882", "Disp_Access_No" : "2017.836", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of the Rape of Europa", "Alt_Title" : "", "Obj_Title" : "Studies of the Rape of Europa", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "10.16 cm x 20.96 cm (4 in. x 8 1/4 in.)", "Disp_Height" : "10.16 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.836.tif", "IsPrimary" : "1", "_SurrogateID" : "5732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15886, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15886", "Disp_Access_No" : "2017.852", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1480s", "_Disp_Start_Dat" : "1480", "_Disp_End_Date" : "1480", "Disp_Title" : "A Monk and a Pope Reading", "Alt_Title" : "", "Obj_Title" : "A Monk and a Pope Reading", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Milanese", "Sort_Artist" : "Anonymous Milanese", "Disp_Dimen" : "11.2 cm x 18.6 cm (4 7/16 in. x 7 5/16 in.)", "Disp_Height" : "11.2 cm", "Disp_Width" : "18.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over traces of black chalk on ochre prepared paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over traces of black chalk on ochre prepared paper", "Info_Page_Comm" : "This is a very rare and telling example of late 15th-century Milanese drfatsman-ship. The figures’ simple geometry, complicated surfaces, implicit illusionism, inscrutable expression, and, not least, development almost exclusively through wash and extensive heightening are all characteristic of an indigenous tradition. That tradition carries from the late medieval model book -- and despite Leonardo da Vinci’s introduction of the Florentine system of draftsmanship -- through Bramantino and Gaudenzio Ferrari at the beginning of the 16th century to its self-conscious reassertion by the painter-theorist Giovan Paolo Lomazzo at its end. This drawing was previously attributed to Vincenzo Foppa, the first major figure of the modern Milanese school, but bears no particular relation to his work. Much more cognate are the eccentric description, agitated personalities, and specific morphology in Bernardo Butinone’s paintings of the 1480s. If the hooded, seemingly monochrome habits identify these monks as Franciscans, then the pope would be Sixtus IV (fl. 1471-84). Whether a preliminary design or more likely a record of a motif, perhaps for a library, the drawing must correspond to one of the many new Observant foundations of the time in Lombardy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.852.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.852.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.852.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.852.tif", "IsPrimary" : "0", "_SurrogateID" : "4696", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.852-2019.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.852-2019.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.852-2019.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.852-2019.tif", "IsPrimary" : "1", "_SurrogateID" : "19963", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15887", "Disp_Access_No" : "2017.1010", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa", "Alt_Title" : "", "Obj_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa ", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "11.5 cm x 19.6 cm (4 1/2 in. x 7 11/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Info_Page_Comm" : "An autograph inscription identifies this scene as one of at least seven from the life of Antoniotto Adorno, doge during Genoa’s first great period, in the 14th-century. There survives at least one other drawing from the series. Their subjects, lunette format and monumental conception, suggest that they were pre-paratory for the fresco decoration of a Genoese palace. Although no such cycle by Castello is known, Lazzaro Tavarone did execute one in the Palazzo Cattaneo-Adorno in 1624. Castello’s drawings could well have served as models in a competition for that project.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1010.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1010.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1010.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1010.tif", "IsPrimary" : "1", "_SurrogateID" : "5840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15891", "Disp_Access_No" : "2017.1014", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Scene with Warriors and Children", "Alt_Title" : "", "Obj_Title" : "A Classical Scene with Warriors and Children", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "11.75 cm x 36.51 cm (4 5/8 in. x 14 3/8 in.)", "Disp_Height" : "11.75 cm", "Disp_Width" : "36.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1014.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1014.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1014.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1014.tif", "IsPrimary" : "1", "_SurrogateID" : "5727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15893", "Disp_Access_No" : "2017.1163", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Franciscan Saint", "Alt_Title" : "", "Obj_Title" : "A Franciscan Saint", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "13.55 cm x 9.53 cm (5 5/16 in. x 3 3/4 in.)", "Disp_Height" : "13.55 cm", "Disp_Width" : "9.53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1163.tif", "IsPrimary" : "1", "_SurrogateID" : "5747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15895", "Disp_Access_No" : "2017.1422", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Venice with a Donor ", "Alt_Title" : "", "Obj_Title" : "Personification of Venice with a Donor ", "Series_Title" : "", "Disp_Maker_1" : "Andrea Michieli, called Andrea Vicentino", "Sort_Artist" : "Vicentino, Andrea Michieli, called Andrea", "Disp_Dimen" : "12.07 cm x 26.04 cm (4 3/4 in. x 10 1/4 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream paper", "Info_Page_Comm" : "In the second half of the sixteenth century, as Venice’s actual might was waning, personifications of the city paid tribute by dignitaries and leading citizens proliferated. From its subject and horizontal format, this drawing probably prepared part of the decoration of a meeting hall. Integrating the solid construction of Veronese’s style with the rhythmic insistence of Tintoretto’s, Vicentino specialized in such decoration as well as altarpieces across the Veneto. His very regular and refined drawings in pen owe also to the example of Federico Zuccaro. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1422.tif", "IsPrimary" : "1", "_SurrogateID" : "5719", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15905, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15905", "Disp_Access_No" : "2017.1138", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Young Man", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "14.4 cm x 10.9 cm (5 11/16 in. x 4 5/16 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on blue antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk on blue antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1138.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1138.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1138.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1138.tif", "IsPrimary" : "1", "_SurrogateID" : "5726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15913", "Disp_Access_No" : "2017.1360", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Parable (?)", "Alt_Title" : "", "Obj_Title" : "A Parable (?)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Sassi", "Sort_Artist" : "Sassi, Giovanni Battista", "Disp_Dimen" : "14.92 cm x 20.96 cm (5 7/8 in. x 8 1/4 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "20.96 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1360.tif", "IsPrimary" : "1", "_SurrogateID" : "6444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15915", "Disp_Access_No" : "2017.1009", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Whispering to a Lady", "Alt_Title" : "", "Obj_Title" : "A Man Whispering to a Lady", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "15.24 cm x 14.29 cm (6 in. x 5 5/8 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1009.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1009.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1009.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1009.tif", "IsPrimary" : "1", "_SurrogateID" : "5686", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15919, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15919", "Disp_Access_No" : "2017.1277", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Man Crowned by a Putto with a Standing Allegorical Figure", "Alt_Title" : "Allegorical Figures of Poetry", "Obj_Title" : "Seated Man Crowned by a Putto with a Standing Allegorical Figure", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Parodi", "Sort_Artist" : "Parodi, Giovanni Battista", "Disp_Dimen" : "15.5 cm x 20.1 cm (6 1/8 in. x 7 15/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "20.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink and brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1277.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1277.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1277.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1277.tif", "IsPrimary" : "1", "_SurrogateID" : "6445", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15920", "Disp_Access_No" : "2017.928", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Alt_Title" : "", "Obj_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Andrea Boscoli", "Sort_Artist" : "Boscoli, Andrea", "Disp_Dimen" : "15.8 cm x 9.8 cm (6 1/4 in. x 3 7/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Info_Page_Comm" : "An idiosyncratic late Mannerist, Boscoli was probably trained by the progressive Florentines of Venetian inspiration, but himself returned as an almost reactionary formalist, and repressed romantic, to the school’s first generation of Man-nerists, Pontormo and Rosso. His paintings and especially his drawings distill the styles of those artists to the threshold of geometric abstraction, but also compen-sate with an unusually coherent light and caricatural sentiment. This small study, characteristic in its visual strength and representational ambiguity, surely pre-pared the composition of an altarpiece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.928.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.928.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.928.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.928.tif", "IsPrimary" : "1", "_SurrogateID" : "5697", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15924", "Disp_Access_No" : "2017.1048", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Decollation of a Saint", "Alt_Title" : "", "Obj_Title" : "The Decollation of a Saint", "Series_Title" : "", "Disp_Maker_1" : "Circle of Domenico Cresti Passignano", "Sort_Artist" : "Circle of Domenico Cresti Passignano", "Disp_Dimen" : "15.88 cm x 13.65 cm (6 1/4 in. x 5 3/8 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1048.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1048.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1048.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1048.tif", "IsPrimary" : "1", "_SurrogateID" : "5706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15929", "Disp_Access_No" : "2017.1399", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Group of Figures", "Alt_Title" : "", "Obj_Title" : "Group of Figures", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "16.1 cm x 20 cm (6 5/16 in. x 7 7/8 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "The culmination of Giovanni Battista Tiepolo’s activity as a fresco painter, and perhaps the greatest monument of the late Baroque, was the ceiling decoration of the reception room and the grand staircase in the archbishop’s palace at Würzburg (1750-53), near Frankfurt. The continuous composition and fluid calligraphy of this drawing are typical of his drawings around the time of the projects. The more delicate structure of the figures and extra rhythmic flourish, however, indicate the hand of his son Giandomenico, his principal assistant throughout the period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1399.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1399.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1399.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1399.tif", "IsPrimary" : "1", "_SurrogateID" : "5832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15933", "Disp_Access_No" : "2017.1167", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Incredulity of Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Incredulity of Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "16.5 cm x 23.6 cm (6 1/2 in. x 9 5/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Info_Page_Comm" : "This is a study for the composition of a painting executed for Bartolomeo Fabri of Cento and today in the National Gallery, London. Characteristic of Guercino’s early draftsmanship are its extraordinary economy in the description of form and rhythm in the movement of line. However preliminary, the drawing not only establishes the basic design -- the position and behavior of the protagonists -- but already suggests the pictorial properties -- the saturated color and intense light -- of the finished work. It is the only drawing known to relate to the paint-ing", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1167.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1167.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1167.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1167.tif", "IsPrimary" : "1", "_SurrogateID" : "5324", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15943", "Disp_Access_No" : "2017.1388", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Magus and an Attendant", "Alt_Title" : "", "Obj_Title" : "A Magus and an Attendant", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Attributed to Giovanni Battista", "Disp_Dimen" : "17.15 cm x 12.7 cm (6 3/4 in. x 5 in.)", "Disp_Height" : "17.15 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and graphite, over traces of black c", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and graphite, over traces of...", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1388.tif", "IsPrimary" : "1", "_SurrogateID" : "5830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15948", "Disp_Access_No" : "2017.926", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Horsemen with Standing Figures", "Alt_Title" : "", "Obj_Title" : "Horsemen with Standing Figures", "Series_Title" : "", "Disp_Maker_1" : "Paris Bordone", "Sort_Artist" : "Bordone, Paris", "Disp_Dimen" : "17.6 cm x 28.1 cm (6 15/16 in. x 11 1/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "28.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on beige antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on beige antique laid paper", "Info_Page_Comm" : "Similar to Veronese at the outset, Bordone combined the lessons of Titian’s loose and vibrantly optical painting with the more elaborate design and incisive drawing of Mannerism in Central Italy. His broad handling of chalk is close to that of Titian, to whom this sheet has sometimes been attributed. The more decorative pattern of light and the peculiar abbreviation of the figures are, however, typical of Bordone.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.926.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.926.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.926.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.926.tif", "IsPrimary" : "1", "_SurrogateID" : "2663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15955", "Disp_Access_No" : "2017.1165", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Monk Reading", "Alt_Title" : "", "Obj_Title" : "A Monk Reading", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "18 cm x 18.1 cm (7 1/16 in. x 7 1/8 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "18.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1165.tif", "IsPrimary" : "1", "_SurrogateID" : "5745", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15958", "Disp_Access_No" : "2017.1066", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "18.2 cm x 24.2 cm (7 3/16 in. x 9 1/2 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "Reacting against the formulae of late Baroque painting, Creti attempted to return classicism to its first principles, in the art of Guido Reni. The result of this idiosyncratic conservatism, seen to advantage in the Collection’s Lady with a String of Pearls, is an extreme refinement of form and color, a suppression of affect, and a precarious beauty. The same ideality and relationship to Bolognese tradition are evident in Creti’s drawings. Mostly in pen-and-ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and ellipses. An especially sure and synthetic study of a full composition, the present drawing is probably an alternative design for one of the frescoes of the life of Alexander the Great painted for the Duke of Novellara around 1700, but long lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1066.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1066.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1066.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1066.tif", "IsPrimary" : "1", "_SurrogateID" : "5773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15966", "Disp_Access_No" : "2017.904", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "An Assumption", "Alt_Title" : "", "Obj_Title" : "An Assumption", "Series_Title" : "", "Disp_Maker_1" : "Circle of Antonio Bellucci", "Sort_Artist" : "Bellucci, Circle of Antonio", "Disp_Dimen" : "19.05 cm x 27.31 cm (7 1/2 in. x 10 3/4 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.904.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.904.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.904.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.904.tif", "IsPrimary" : "1", "_SurrogateID" : "5734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15974", "Disp_Access_No" : "2017.1090", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1654", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1659", "Disp_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Wolf Hunt (recto); Studies of Wolf and Stag Hunts (verso)", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "19.2 cm x 26.5 cm (7 9/16 in. x 10 7/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Support" : "", "Disp_Medium" : "Recto: pen and brown ink with brush and gray wash over graphite; Verso: pen and ", "Info_Page_Comm" : "Della Bella was a remarkably prolific etcher and draftsman in just this light, densely worked, and rather automatic hand. Succeeding Jacques Callot as the official printmaker to the Medici, della Bella maintained the range and character of his subject matter, principally court life, everyday events, and familiar settings. But his graphic style is distinct, inspired initially by the etchings of Claude Lorrain, then by the drawings of Pietro da Cortona, so that at least its formal aspects pertain to the High Baroque. This is a delightful example of della Bella’s late style, corresponding in subject and format to a series of hunts that he etched around 1654, although not directly related to any. The drawing’s verso includes two minutely varied studies for the horseman, typical of a working method no less refined than his hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "18887", "Rel_Obj_Title" : "Stag Hunt, from The Hunts of Different Animals" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/37.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "5216", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1090-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1090-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1090-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1090-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6448", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15982", "Disp_Access_No" : "2017.1008", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Massacre of the Innocents (recto); Study of a hand on the verso", "Alt_Title" : "", "Obj_Title" : "The Massacre of the Innocents (recto); Study of a hand on the verso", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Valerio Castello", "Sort_Artist" : "Castello, Attributed to Valerio", "Disp_Dimen" : "19.69 cm x 23.18 cm (7 3/4 in. x 9 1/8 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "23.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1008.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1008.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1008.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1008.tif", "IsPrimary" : "1", "_SurrogateID" : "5731", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15983", "Disp_Access_No" : "2017.1091", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Personification of Geography (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Personification of Geography (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Attributed to Giuseppe", "Disp_Dimen" : "19.69 cm x 13.65 cm (7 3/4 in. x 5 3/8 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink (recto); red chalk (verso) on laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink (recto); red chalk (verso) on laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1091.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1091.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1091.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1091.tif", "IsPrimary" : "1", "_SurrogateID" : "5742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15991", "Disp_Access_No" : "2017.879", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Alt_Title" : "", "Obj_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "20 cm x 19.37 cm (7 7/8 in. x 7 5/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "19.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Info_Page_Comm" : "Like his engravings, many of Cherubino Alberti’s drawings interpret compositions and often disassociated motifs in venerable early sixteenth-century Roman examples. Characteristic, this study derives from Raphael’s fresco of the Dispute over the Holy Sacrament in the Stanza della Segnatura. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-2.tif", "IsPrimary" : "1", "_SurrogateID" : "5691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-verso.tif", "PreviewPath" : 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"Brown wash, heightened with white on faded blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1252.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1252.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1252.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1252.tif", "IsPrimary" : "1", "_SurrogateID" : "5760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15994, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15994", "Disp_Access_No" : "2017.1018", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of the Head of a Goat and Bacchanalian Figures", "Alt_Title" : "", "Obj_Title" : "Studies of the Head of a Goat and Bacchanalian Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Castiglione", "Sort_Artist" : "Castiglione, Francesco", "Disp_Dimen" : "20 cm x 29 cm (7 7/8 in. x 11 7/16 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1018.tif", "IsPrimary" : "1", "_SurrogateID" : "5739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15997", "Disp_Access_No" : "2017.804", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Feast", "Alt_Title" : "", "Obj_Title" : "A Feast", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 32.39 cm (8 in. x 12 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "32.39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and gray ink, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and gray ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.804.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.804.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.804.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.804.tif", "IsPrimary" : "1", "_SurrogateID" : "3295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15998", "Disp_Access_No" : "2017.803", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Battle Scene", "Alt_Title" : "", "Obj_Title" : "A Classical Battle Scene", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 40.64 cm (8 in. x 16 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "40.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on faded blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on faded blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.803.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.803.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.803.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.803.tif", "IsPrimary" : "1", "_SurrogateID" : "5864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16006", "Disp_Access_No" : "2017.907", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Minerva (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Minerva (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "20.6 cm x 13.9 cm (8 1/8 in. x 5 1/2 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/156.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/156.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/156.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/156.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3297", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.907-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.907-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.907-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.907-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16007", "Disp_Access_No" : "2017.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Cristoforo Roncalli, called Pomarancio", "Sort_Artist" : "Pomarancio, Cristoforo Roncalli, called", "Disp_Dimen" : "20.6 cm x 37.3 cm (8 1/8 in. x 14 11/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with black, white, and gray oil paint over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Brush with black, white, and gray oil paint over traces of red chalk ", "Info_Page_Comm" : "Pomarancio led one of the busiest workshops in Rome. His vigorous and imposing style caught the eye of Clement VIII, and beginning in 1597 Pomarancio joined D’Arpino in the decoration of St. Peter’s and San Giovanni in Laterano. In 1599 Clement initiated a project for a grand sacristy at the sanctuary of Loreto, one of the most important pilgrimage sites in Christendom. This drawing prepared the composition for the ceiling’s central compartment. The effective illusionism and its figures’ plasticity, as well as oil technique, are typical of Pomarancio’s style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "2758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16008", "Disp_Access_No" : "2017.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527", "_Disp_Start_Dat" : "1522", "_Disp_End_Date" : "1532", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "The Holy Family Surrounded by Worshipping Figures", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Polidoro Caldara, called Polidoro da Caravaggio", "Sort_Artist" : "Polidoro da Caravaggio, Polidoro Caldara, called", "Disp_Dimen" : "20.5 cm x 28.3 cm (8 1/16 in. x 11 1/8 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre washe", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre...", "Info_Page_Comm" : "Polidoro da Caravaggio was the most inventive and idiosyncratic of Raphael’s followers. From his earliest participation in the master workshop, his irregular and dramatic language was distinct. Later he created a new type of decoration for palace façades, with chiaroscuro frescoes suggesting low-relief sculpture in the style of ancient classical models, brought to life through eccentric form. His pioneering landscapes were similarly inspired by ancient Roman painting, interpreted with such vitality that they anticipate classical landscapes of the next century. After the sacking of Rome, he went to Naples, then Messina. Aggressively deformed, deliberately rude, and profoundly moving, the late works are fully expressionistic. This is a magnificent example of the artist’s most pictorial and dramatic style of drawing from the height of his activity. The composition still involves an underlying geometry and develops from a single plane like an antique low relief, but it is already swept by larger movements and charged with intense feeling. Similarly, the figures are still monumental and declamatory, but are beginning to slip from balance and to warp with individualized response. In terms of technique, form is defined through broad washes, limited pen-and-ink, and summary modeling, as opposed to the previous delicate description, in white heightening. With the reminiscences of Rome fresh and rather poignant, the drawing probably dates from the beginning of the Neapolitan sojourn. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "2640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16012", "Disp_Access_No" : "2017.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Parting of Abraham and Lot", "Alt_Title" : "", "Obj_Title" : "Parting of Abraham and Lot", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "20.9 cm x 30.7 cm (8 1/4 in. x 12 1/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "5209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16015", "Disp_Access_No" : "2017.1133", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Five Heads", "Alt_Title" : "", "Obj_Title" : "Studies of Five Heads", "Series_Title" : "", "Disp_Maker_1" : "Mauro Gandolfi", "Sort_Artist" : "Gandolfi, Mauro", "Disp_Dimen" : "21.1 cm x 29.1 cm (8 5/16 in. x 11 7/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "Studies of imaginary physiognomy are as old as Italian drawing. Leonardo da Vinci’s famous grotesque heads are the most conspicuous early examples. For Parmigianino such studies were a pretext for exploring stylized appearance and sheer graphic beauty. They also established a distinct tradition in Emilian drawing. The reaction against Mannerism in the late sixteenth century brought a new concern with natural appearance and psychological states. The artistic reform of the Carracci featured their systematic pursuit and conventional expression through life study. By the later seventeenth century, this had become a staple of academic training. The rendering of physiognomic expression was now an explicit artistic research, while imaginary studies were generally relegated to the new realm of caricature. Bolognese artists, however, upheld their early tradition. The school’s principal academic painter of the late eighteenth century, Gaetano Gandolfi, and his son Mauro made a specialty of the genre, transforming it into virtuoso performance for collectors. Gaetano’s studies of the kind are more dense in pattern, coherent in emotion, and regular in articulation. Mauro’s are distinguished by a greater detachment of one motif from another, flourishes about the perimeter, and prominent stipple in the modeling. This is a very fine example, inscribed in French as a gift and thus underscoring its intended function.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "3331", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16016", "Disp_Access_No" : "2017.958", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Alt_Title" : "", "Obj_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "20.9 cm x 30.2 cm (8 1/4 in. x 11 7/8 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Info_Page_Comm" : "Tarpeia, the daughter of Roman general Spurio Tarpeo, betrayed the fortress under her father’s command to the Sabines, but ironically was crushed when their forces entered. This was one of the secondary scenes of Roman history in the Villa Cattaneo-Imperiale, the first of the grand secular schemes executed by Cambiaso independent of Bergamasco. Stressing massing and light over de-scription, this is the preparatory study for the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.958.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.958.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.958.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.958.tif", "IsPrimary" : "1", "_SurrogateID" : "2887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16020", "Disp_Access_No" : "2017.1280", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Feeding of the Five Thousand", "Alt_Title" : "", "Obj_Title" : "The Feeding of the Five Thousand", "Series_Title" : "", "Disp_Maker_1" : "Domenico Cresti, called Passignano", "Sort_Artist" : "Passignano, Domenico Cresti, called", "Disp_Dimen" : "21.59 cm x 16.51 cm (8 1/2 in. x 6 1/2 in.)", "Disp_Height" : "21.59 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and red wash, squared in black chalk", "Support" : "", "Disp_Medium" : "Red chalk and red wash, squared in black chalk", "Info_Page_Comm" : "The grid laid over Passignano’s preparatory drawing The Feeding of the Five Thousand reveals an underlying cosmos, despite the multitude of figures. By grouping the crowds into organized sections, Passignano, an indefatigable draftsman, brings order to a difficult composition, just as Christ brings spiritual fulfillment to the unruly crowds. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1280.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1280.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1280.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1280.tif", "IsPrimary" : "1", "_SurrogateID" : "5698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16022", "Disp_Access_No" : "2017.1395", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1758-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Seated Magus, from the ‘Sole figure per soffitti’", "Alt_Title" : "", "Obj_Title" : "Seated Magus, from the ‘Sole figure per soffitti’", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "21.7 cm x 15.1 cm (8 9/16 in. x 5 15/16 in.)", "Disp_Height" : "21.7 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1395.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1395.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1395.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1395.tif", "IsPrimary" : "1", "_SurrogateID" : "5836", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16023", "Disp_Access_No" : "2017.892", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Finding of Moses", "Alt_Title" : "", "Obj_Title" : "The Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "21.6 cm x 29.9 cm (8 1/2 in. x 11 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Support" : "", "Disp_Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.892.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.892.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.892.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.892.tif", "IsPrimary" : "1", "_SurrogateID" : "6452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16024", "Disp_Access_No" : "2017.1029", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1603", "_Disp_Start_Dat" : "1598", "_Disp_End_Date" : "1608", "Disp_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Alt_Title" : "Design for a Book Illustration: Saint Peter in Acanthus Scrolls", "Obj_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cesari, called Cavalier d'Arpino", "Sort_Artist" : "Cavalier d'Arpino, Giuseppe Cesari, called", "Disp_Dimen" : "22.2 cm x 16 cm (8 3/4 in. x 6 5/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "By securing the patronage of the papal nephew, Cardinal Pietro Aldobrandini, Giuseppe Cesari became the favorite artist of Clement VIII. Among his major commissions was designing the mosaics in the cupola of St. Peter’s. This is one of three surviving studies for an early version of that project. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1029.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1029.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1029.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1029.tif", "IsPrimary" : "1", "_SurrogateID" : "5688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16031", "Disp_Access_No" : "2017.909", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Dispute between Athena and Arachne", "Alt_Title" : "", "Obj_Title" : "The Dispute between Athena and Arachne", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "22.3 cm x 32.9 cm (8 3/4 in. x 12 15/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "32.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Info_Page_Comm" : "This drawing was long attributed to Cambiaso. With its elegant proportions, smooth hand, and trademark description like the billowing draperies, it is characteristic of Bergamasco, his regular collaborator for most of the 1560s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.909.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.909.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.909.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.909.tif", "IsPrimary" : "1", "_SurrogateID" : "5683", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16032", "Disp_Access_No" : "2017.949", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "22.5 cm x 34.2 cm (8 7/8 in. x 13 7/16 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.949.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.949.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.949.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.949.tif", "IsPrimary" : "1", "_SurrogateID" : "2909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16033", "Disp_Access_No" : "2017.1412", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1568", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1578", "Disp_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' ", "Alt_Title" : "", "Obj_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' Disegni [Book of Drawings]", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Vasari", "Sort_Artist" : "Vasari, Giorgio", "Disp_Dimen" : "22.54 cm x 17.46 cm (8 7/8 in. x 6 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, and woodcut", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, and woodcut", "Info_Page_Comm" : "woodcut is from Giorgio Vasari, Vite, 2nd edition, 1568", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1412.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1412.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1412.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1412.tif", "IsPrimary" : "1", "_SurrogateID" : "5730", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16040", "Disp_Access_No" : "2017.1238", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Miracle of Domenico Segni", "Alt_Title" : "", "Obj_Title" : "Miracle of Domenico Segni", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "21.1 cm x 36.3 cm (8 5/16 in. x 14 5/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique...", "Info_Page_Comm" : "Against the rising tide of academic classicism in mid-century Rome, Mola maintained a warm, inherently expressive naturalism founded on the example of Annibale Carracci and Guercino, invigorated by his extended stay in Venice, and featuring the depiction of landscape. This is a study for one of three local mira-cles of the Virgin in the cloister of Santa Maria della Quercia at Viterbo, Mola’s first and most important landscapes in fresco. Characteristic of Mola’s drafts-manship are the approximative description, rich and variable tonality, and animated surface, all the result of an exceptionally dense and loose application of washes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1238.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1238.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1238.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1238.tif", "IsPrimary" : "1", "_SurrogateID" : "5758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16045", "Disp_Access_No" : "2017.1266", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "23.3 cm x 20 cm (9 3/16 in. x 7 7/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Info_Page_Comm" : "Paggi’s style was determined by Cambiaso, his first teacher, but given a more academic orientation and regular appearance during a twenty-year sojourn in Florence. Returning to Genoa in 1599, he was briefly the city’s most important painter and a leading teacher of the next generation. Long thought Cambiaso’s, this drawing has recently been recognized by Mary Newcome as an early work of Paggi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1266.tif", "IsPrimary" : "1", "_SurrogateID" : "6453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16052", "Disp_Access_No" : "2017.1037", "_AccNumSort1" : "", "Disp_Create_DT" : "1757-59", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Philip Destroying the Idol", "Alt_Title" : "Saint Philip Destroying the Idol with His Word", "Obj_Title" : "Saint Philip Destroying the Idol", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Cestaro", "Sort_Artist" : "Cestaro, Jacopo", "Disp_Dimen" : "23.5 cm x 38.4 cm (9 1/4 in. x 15 1/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray and brown washes over black chalk on cream antique lalid paper, squared in black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray and brown washes over black chalk on cream antique lalid paper, squared in black chalk", "Info_Page_Comm" : "A pupil and follower of Francesco Solimena, Cestaro retained something of his master’s gift for large-scale decoration while tempering the vibrant eccentricities and stressing the classicizing component. His first dated work is the vast decoration, in fresco and on canvas, of the church of Santi Filippo e Giacomo in Naples (1757-59). This is a study for one of the compositions, also seen in an oil sketch that recently appeared on the art market. The grandiose types and the dramatic modulation of light owe to Solimena, but they are contained by a simpler measure, more compact form, and more deliberate handling that reflect general developments.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1037.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1037.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1037.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1037.tif", "IsPrimary" : "1", "_SurrogateID" : "5770", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16059", "Disp_Access_No" : "2017.1396", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Head of a Warrior", "Alt_Title" : "", "Obj_Title" : "The Head of a Warrior", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "23.81 cm x 17.46 cm (9 3/8 in. x 6 7/8 in.)", "Disp_Height" : "23.81 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks on blue paper", "Support" : "", "Disp_Medium" : "Red and white chalks on blue paper", "Info_Page_Comm" : "Fifteenth century Italian painter and writer Cennino Cennini wrote: “To approach the glory of painting . . . start by taking up a system of drawing on tinted paper.” Three hundred years later artists continued to follow Cennini’s advice. They commonly drew with black, red, and white chalks on a variety of colored papers, allowing them to model forms in light and dark. With the color of paper as a backdrop, drawings in this manner exhibit the light, volume, and texture of paintings. Giovanni Battista Tiepolo’s sinuous and rhythmic lines of red and white cause The Head of a Warrior to emerge slowly. Only after recognizing the old warrior’s plumed helmet do we see the delicate and somewhat faded lines of his face coalesce into his upward-looking gaze.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1396.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1396.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1396.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1396.tif", "IsPrimary" : "1", "_SurrogateID" : "5837", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16067", "Disp_Access_No" : "2017.950", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1555-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 34.29 cm (9 1/2 in. x 13 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.950.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.950.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.950.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.950.tif", "IsPrimary" : "1", "_SurrogateID" : "2893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16073", "Disp_Access_No" : "2017.985", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1579", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1589", "Disp_Title" : "Sacrifice of Abraham", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Abraham", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.6 cm x 25 cm (9 11/16 in. x 9 13/16 in.)", "Disp_Height" : "24.6 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Info_Page_Comm" : "In this replica of a drawing in the Louvre, the central group of Abraham and Isaac ascending the hill is displaced slightly to the left, and the figure of Isaac is unbalanced. The artist's hand is slower in essential description, like the contours of the figures in the foreground, but impatient in secondary areas, like the left background. While probably still autograph, this would have been the latest of the three replicas. Possibly by Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16085", "Disp_Access_No" : "2017.1319", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Kneeling Before a Bishop", "Alt_Title" : "", "Obj_Title" : "A Woman Kneeling Before a Bishop", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Poccetti", "Sort_Artist" : "Poccetti, Bernardino", "Disp_Dimen" : "25.4 cm x 17.78 cm (10 in. x 7 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1319.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1319.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1319.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1319.tif", "IsPrimary" : "1", "_SurrogateID" : "5708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16090", "Disp_Access_No" : "2017.1308", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Figures in Contemporary Dress", "Alt_Title" : "", "Obj_Title" : "Group of Figures in Contemporary Dress", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 42.3 cm (10 1/8 in. x 16 5/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1308.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1308.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1308.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1308.tif", "IsPrimary" : "1", "_SurrogateID" : "5887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16091", "Disp_Access_No" : "2017.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Alt_Title" : "", "Obj_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "26.04 cm x 27.31 cm (10 1/4 in. x 10 3/4 in.)", "Disp_Height" : "26.04 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1107.tif", "IsPrimary" : "1", "_SurrogateID" : "5847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16092", "Disp_Access_No" : "2017.1284", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sophonisba Preparing to Drink the Poison", "Alt_Title" : "", "Obj_Title" : "Sophonisba Preparing to Drink the Poison", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "26.3 cm x 41.3 cm (10 3/8 in. x 16 1/4 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on blue antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on blue antique laid paper, laid down", "Info_Page_Comm" : "This sheet is characteristic of the artist's extremely mobile and instinctively decorative draftsmanship. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1284.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1284.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1284.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1284.tif", "IsPrimary" : "1", "_SurrogateID" : "5904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16093", "Disp_Access_No" : "2017.1094", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "26.1 cm x 57.4 cm (10 1/4 in. x 22 5/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Info_Page_Comm" : "Diziani was a distinguished follower of Sebastiano Ricci who took the master’s style toward a more angular design, compact form, and subdued palette. Always active for his native Belluno and throughout the northern Veneto, he became the leading painter in Venice itself in the 1750s, after the demise of the school’s great first generation and Tiepolo’s work abroad. Diziani was a fecund draftsman in a style also derived form Ricci, but with a more filigreed line and concentrated use of wash to define form. This is an impressive example of his mature style, rendering a subject he treated on numerous occasions in painting and drawing, but not directly related to any.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1094.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1094.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1094.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1094.tif", "IsPrimary" : "1", "_SurrogateID" : "5899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16099", "Disp_Access_No" : "2017.1375", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610s", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1615", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Lionello Spada", "Sort_Artist" : "Spada, Lionello", "Disp_Dimen" : "26.6 cm x 14.9 cm (10 1/2 in. x 5 7/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Info_Page_Comm" : "According to the old inscription in French, this drawing corresponds to a painting by Spada then in the Cospi Collection in Bologna and described by the Bolognese historian Malvasia. Whether the author of the inscription knew this painting first-hand or only from the verbal description cannot be ascertained, and no such painting is known today. But when this circumstantial evidence is combined with the generally Bolognese style, Caravaggesque accent, and haughty flourish of this drawing -- all perfectly consistent with Spada’s style as a painter -- it becomes convincing as the most important example of his draftsmanship", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1375.tif", "IsPrimary" : "1", "_SurrogateID" : "6455", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16108", "Disp_Access_No" : "2017.1143", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Dream of Joseph", "Alt_Title" : "", "Obj_Title" : "The Dream of Joseph", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "27.2 cm x 30.3 cm (10 11/16 in. x 11 15/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Info_Page_Comm" : "Baciccio’s incomparably fluid and brilliantly colored style represented the principle alternative to the academic manner that dominated late century Roman painting. His monumental frescoes, famously that of the vault of the Church of the Gesù, mark the emergence of an important strain of late Baroque decoration. Contemporary with those frescoes, as well as the Collection’s painting of Rinaldo and Armida, this drawing conveys the essence of Baciccio’s style in its dramatic space, rhythmic animation. and lavish technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1143.tif", "IsPrimary" : "1", "_SurrogateID" : "5208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16109", "Disp_Access_No" : "2017.1401", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Domenico Tintoretto", "Sort_Artist" : "Tintoretto, Domenico", "Disp_Dimen" : "27.2 cm x 37.7 cm (10 11/16 in. x 14 13/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1401.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1401.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1401.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1401.tif", "IsPrimary" : "1", "_SurrogateID" : "5716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16116", "Disp_Access_No" : "2017.973", "_AccNumSort1" : "", "Disp_Create_DT" : "1568-69", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Michael and the Damned Souls", "Alt_Title" : "", "Obj_Title" : "Saint Michael and the Damned Souls", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "27.6 cm x 21.3 cm (10 7/8 in. x 8 3/8 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk ", "Info_Page_Comm" : "Again in collaboration, Bergamasco and Cambiaso created a grand cycle of the Last Judgment in the apse of Santissima Annunziata di Portoria. This drawing is one of several preliminary ideas for the canvas of The Damned. It is an early in-stance of the singularly systematic and reductive style, often called “cubic”, that characterizes Cambiaso’s later compositional studies. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.973.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.973.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.973.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.973.tif", "IsPrimary" : "1", "_SurrogateID" : "2681", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16117", "Disp_Access_No" : "2017.1271", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Francis Receiving the Stigmata", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Stigmata", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "27.4 cm x 20.8 cm (10 13/16 in. x 8 3/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Support" : "", "Disp_Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1271.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1271.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1271.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1271.tif", "IsPrimary" : "1", "_SurrogateID" : "5703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16120", "Disp_Access_No" : "2017.1081", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Continence of Scipio", "Alt_Title" : "", "Obj_Title" : "Continence of Scipio", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo De Ferrari", "Sort_Artist" : "De Ferrari, Lorenzo", "Disp_Dimen" : "27.8 cm x 20.9 cm (10 15/16 in. x 8 1/4 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Support" : "", "Disp_Medium" : "Recto: Black chalk on cream antique laid paper Verso: Preparatory Sketch for the Continence of Scipio, in chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1081.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1081.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1081.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1081.tif", "IsPrimary" : "1", "_SurrogateID" : "5778", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16121", "Disp_Access_No" : "2017.999", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moses Striking the Rock", "Alt_Title" : "", "Obj_Title" : "Moses Striking the Rock", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "28.5 cm x 39.4 cm (11 1/4 in. x 15 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Support" : "", "Disp_Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.999.tif", "IsPrimary" : "1", "_SurrogateID" : "5859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16124", "Disp_Access_No" : "2017.845", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "27.94 cm x 24.45 cm (11 in. x 9 5/8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Support" : "", "Disp_Medium" : "Brown wash heightened with white over black chalk on blue-grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.845.tif", "IsPrimary" : "1", "_SurrogateID" : "5733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16125", "Disp_Access_No" : "2017.979", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28 cm x 42.7 cm (11 in. x 16 13/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The draftsman responsible for this replica was obviously much more concerned with light and shadow and the drama they could impart. These may have been present in a prototype by Cambiaso or applied here to distinguish the version. In any case, the description is overly specific and the touch heavy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.979.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.979.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.979.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.979.tif", "IsPrimary" : "1", "_SurrogateID" : "2873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16126", "Disp_Access_No" : "2017.955", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and the Sea", "Alt_Title" : "", "Obj_Title" : "Venus and the Sea", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "27.94 cm x 69.85 cm (11 in. x 27 1/2 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "69.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.955.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.955.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.955.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.955.tif", "IsPrimary" : "1", "_SurrogateID" : "6457", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16128", "Disp_Access_No" : "2017.1016", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Castiglione", "Sort_Artist" : "Castiglione, Attributed to Francesco", "Disp_Dimen" : "40 cm x 28.3 cm (15 3/4 in. x 11 1/8 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016.tif", "IsPrimary" : "1", "_SurrogateID" : "2611", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6679", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16134", "Disp_Access_No" : "2017.1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Christ's Entry into Jerusalem", "Alt_Title" : "", "Obj_Title" : "Christ's Entry into Jerusalem", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Attributed to Giovanni Battista", "Disp_Dimen" : "28.26 cm x 36.83 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.26 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This drawing is related to a composition by Luca Cambiaso and has long been attributed to him. The hand, however, appears to be that of Paggi around the time hd drew the Adoration of the Shepherds ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1262.tif", "IsPrimary" : "1", "_SurrogateID" : "2912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16137", "Disp_Access_No" : "2017.1052", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1715", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1720", "Disp_Title" : "Saint Dominic Resuscitating a Mason", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Resuscitating a Mason", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Conca", "Sort_Artist" : "Conca, Sebastiano", "Disp_Dimen" : "29.8 cm x 19.1 cm (11 3/4 in. x 7 1/2 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "19.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash and white heightening over black chalk on beige antique laid paper, squared in graphite; Verso: Two Studies of Male Heads, in red chalk, and Studies of Legs, Feet and the Bust of a Man, in red and black c", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash and white heightening over black chalk on beige antique laid paper, squared in graphite; Verso: Two Studies of Male Heads, in red chalk, and Studies of Legs, Feet and the Bust of a Man, in red and black c", "Info_Page_Comm" : "The preeminent painter in early 18th-century Rome, Conca carried on the late Baroque classicism of Carlo Maratta, at first with the fluid rhythms, iridescent color, and sentimentalism of his Neapolitan training with Francecso Solimena, then with an ever greater disciplining of form and expression that point toward Neoclassicism. His very first public commission in Rome (1714) was an altarpiece of the Madonna of the Rosary for San Clemente. Its overwhelming success led to an immediate request for a pendant painting. This unpublished drawing is a compositional study for that second altarpiece. The elaboration of the study is so pictorial (and now properly legible following treatment to reverse the oxidation of its heightening) and the discrepancies between it and the painting are so minor -- not to mention the squaring of the design for transfer -- that is must have served as the model. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1052.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1052.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1052.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1052.tif", "IsPrimary" : "1", "_SurrogateID" : "5211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16139", "Disp_Access_No" : "2017.980", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28.9 cm x 42 cm (11 3/8 in. x 16 9/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "With its deep space, semicircular organization, and balletic figures, this composition seems contemporary with the Palazzo Grimaldi’s Return of Ulysses. From the large number of surviving replicas, it must have been one of Cambiaso’s most popular subjects. An autograph prototype has not, however, been identified. Of the three versions exhibited here, this is the most brisk in handling and confident in its abbreviations. The same swift, spiky hand is evident in other replicas from Cambiaso’s workshop. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16145", "Disp_Access_No" : "2017.960", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Christ Nailed to the Cross", "Alt_Title" : "", "Obj_Title" : "Christ Nailed to the Cross", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "21 cm x 29.6 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on antique laid paper", "Info_Page_Comm" : "This comes from a series of variations of the theme. They derive solely from the artist's imagination, not established iconography. From as far back as the Sibyls, Cambiaso has taken certain themes as an opportunity to express his virtuosity. At this last stage, with the cubic module reasserted and any material appeal suppressed, the virtuosity turned to invention alone, like a Jesuit's meditations on the life of Christ. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.960.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.960.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.960.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.960.tif", "IsPrimary" : "1", "_SurrogateID" : "2891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16148", "Disp_Access_No" : "2017.1311", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham and the Angels", "Alt_Title" : "", "Obj_Title" : "Abraham and the Angels", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "28.89 cm x 20.64 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.89 cm", "Disp_Width" : "20.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1311.tif", "IsPrimary" : "1", "_SurrogateID" : "5764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16149", "Disp_Access_No" : "2017.1309", "_AccNumSort1" : "", "Disp_Create_DT" : "1650s-1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "Meeting of David and Abigail", "Alt_Title" : "", "Obj_Title" : "Meeting of David and Abigail", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "29 cm x 42.7 cm (11 7/16 in. x 16 13/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Info_Page_Comm" : "Synthesizing several Genoese strains, from the imported Flemish to the native late Mannerist, Piola developed a style of considerable attractiveness, perfect regularity, and tremendous success in the production of altarpieces and grand-scale secular decorations. No less prolific as a draftsman, he is reported to have left 4,000 drawings to his family, and even today his fluidly drawn, smoothly modeled pen-and-wash studies seem ubiquitous. This is an unusually vigorous early study, with its rhythms more staccato, its illumination more intense, and its recollections of earlier Genoese pen-and-wash studies, of Cambiaso and Benso, more pronounced. The Collection counts another two drawings and four paintings by the artist.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1309.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1309.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1309.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1309.tif", "IsPrimary" : "1", "_SurrogateID" : "5886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16152", "Disp_Access_No" : "2017.1120", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "29.3 cm x 21.6 cm (11 9/16 in. x 8 1/2 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper", "Info_Page_Comm" : "Fontebasso was, with Gaspare Diziani, the most interesting of the secondary masters in 18th-century Venice. His style was based upon Sebastiano Ricci’s extroverted color and drama, but simplified in design, infused with a more textured realism gathered from early experiences in Rome and Bologna, and touched by the lighter palette of Tiepolo. Monumental in construction yet charming and vibrant, with its trademark hatching recalling Fontebasso’s significant activity as an etcher, this is one of his finest drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1120.tif", "IsPrimary" : "1", "_SurrogateID" : "5212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16154", "Disp_Access_No" : "2017.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Esther, Ahasuerus and Haman", "Alt_Title" : "", "Obj_Title" : "Esther, Ahasuerus and Haman", "Series_Title" : "", "Disp_Maker_1" : "Pietro Ricchi (Lucchese)", "Sort_Artist" : "Ricchi (Lucchese), Pietro", "Disp_Dimen" : "29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and wash heightened with white", "Support" : "", "Disp_Medium" : "Red chalk and wash heightened with white", "Info_Page_Comm" : "In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air. The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335-old.tif", "IsPrimary" : "1", "_SurrogateID" : "5868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16155, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16155", "Disp_Access_No" : "2017.1275", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Lute Player", "Alt_Title" : "", "Obj_Title" : "A Lute Player", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Domenico Parodi", "Sort_Artist" : "Parodi, Attributed to Domenico", "Disp_Dimen" : "29.2 cm x 22.9 cm (11 1/2 in. x 9 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1275.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1275.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1275.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1275.tif", "IsPrimary" : "1", "_SurrogateID" : "5798", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16192", "Disp_Access_No" : "2017.983", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Noli Me Tangere", "Alt_Title" : "", "Obj_Title" : "Noli Me Tangere", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "32.39 cm x 23.81 cm (12 3/4 in. x 9 3/8 in.)", "Disp_Height" : "32.39 cm", "Disp_Width" : "23.81 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.983.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.983.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.983.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.983.tif", "IsPrimary" : "1", "_SurrogateID" : "2895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16194", "Disp_Access_No" : "2017.1407", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Five Saints", "Alt_Title" : "", "Obj_Title" : "Five Saints: St. Joseph, St. John the Evangelist, St. Barbara, St. Francis and St. Catherine", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Cosimo Ulivelli", "Sort_Artist" : "Ulivelli, Attributed to Cosimo", "Disp_Dimen" : "32.39 cm x 23.5 cm (12 3/4 in. x 9 1/4 in.)", "Disp_Height" : "32.39 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and gray wash", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1407.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1407.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1407.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1407.tif", "IsPrimary" : "1", "_SurrogateID" : "3294", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16197", "Disp_Access_No" : "2017.1097", "_AccNumSort1" : "", "Disp_Create_DT" : "1707-1715", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1715", "Disp_Title" : "Studies of a Putto and a Nude", "Alt_Title" : "", "Obj_Title" : "Studies of a Putto and a Nude", "Series_Title" : "", "Disp_Maker_1" : "Carlo Donelli (Vimercati)", "Sort_Artist" : "Donelli (Vimercati), Carlo", "Disp_Dimen" : "33.02 cm x 22.86 cm (13 in. x 9 in.)", "Disp_Height" : "33.02 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red and white chalks on brown paper", "Support" : "", "Disp_Medium" : "Red and white chalks on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1097.tif", "IsPrimary" : "1", "_SurrogateID" : "4739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16208, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16208", "Disp_Access_No" : "2017.1121", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "34.29 cm x 24.45 cm (13 1/2 in. x 9 5/8 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1121.tif", "IsPrimary" : "1", "_SurrogateID" : "5780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16212", "Disp_Access_No" : "2017.971", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "34.7 cm x 23.9 cm (13 11/16 in. x 9 7/16 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The certainty and velocity of the strokes in this drawing indicate Cambiaso's own hand. The Virgin's drapery, however, is renderedd as a busy surface with little volume, and the hatching in the background fills the area without suggesting depth. The drawing is probably a replica of another. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.971.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.971.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.971.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.971.tif", "IsPrimary" : "1", "_SurrogateID" : "2886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16214", "Disp_Access_No" : "2017.1020", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1655-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "34.8 cm x 24.5 cm (13 11/16 in. x 9 5/8 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Support" : "", "Disp_Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Info_Page_Comm" : "Numerous artists from the late 16th century onward, and especially those of Venetian experience, occasionally employed oil on paper for preparatory studies of a pronounced pictorial character. Castiglione not only experimented incessantly with the technique, but in his later career adopted it as his preferred means of drawing. Monochrome -- usually the reddish-brown seen here -- and very open brushwork maintained the linear personality of these studies, while the oil selectively impregnated into the paper allowed variation in their resolution, saturation of color, and to an extent even hue. This is an excellent example of this distinctive and often arresting hybrid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1020.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1020.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1020.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1020.tif", "IsPrimary" : "1", "_SurrogateID" : "2733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16220", "Disp_Access_No" : "2017.1386", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590s", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1595", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "35.1 cm x 25.5 cm (13 13/16 in. x 10 1/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Info_Page_Comm" : "The combination of complicated construction, formulaic elegance, and incipient narrative clarity identify this drawing as the effort of a progressive Tuscan artist, grounded in the graphic style of Vasari but persuaded by the reforms of Santi di Tito and Passignano. The rhythms, however, are sufficiently intricate, the types stylized, and the application of wash ornamental that the style is best referred to late-century Rome, where numerous Florentine artists gravitated after the elec-tion of the Aldobrandini pope, Clement VIII, and assimilated elements of the draftsmanship of the Zuccari. A similar admixture is found in certain drawings by one such artist, Agostino Ciampelli, and, with a comparably heavy touch and insistent hatching, in many by the prolific etcher Tempesta. In any case, the drawing is a very good example of late Tuscan Mannerism on the cusp of the Ba-roque", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1386.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1386.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1386.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1386.tif", "IsPrimary" : "1", "_SurrogateID" : "4204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16231", "Disp_Access_No" : "2017.970", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562-63", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rape of Proserpina", "Alt_Title" : "Rape of Persephone ", "Obj_Title" : "Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "36.8 cm x 47.2 cm (14 1/2 in. x 18 9/16 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk on cr", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "This drawing is related to the Saint Sebastian in scale, complex space, calligraphic charge, and autonomous function. Its mythological subject and format, how-ever, correspond to the sort of scene Cambiaso and Bergamasco were contemporaneously introducing to the decoration of Genoese palaces. The sheet is further distinguished by its exceptional freshness, without any deterioration of the black-brown, iron gall ink favored by the artist or any fading of its sweeping washes Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.970.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.970.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.970.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.970.tif", "IsPrimary" : "1", "_SurrogateID" : "2876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16232", "Disp_Access_No" : "2017.1055", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Battle of Centaurs and Lapiths", "Alt_Title" : "", "Obj_Title" : "The Battle of Centaurs and Lapiths", "Series_Title" : "", "Disp_Maker_1" : "Copy after Pietro Berrettini, called Pietro da Cortona", "Sort_Artist" : "Cortona, Copy after Pietro Berrettini, called Pietro da", "Disp_Dimen" : "36.83 cm x 46.99 cm (14 1/2 in. x 18 1/2 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "46.99 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on two pieces of paper", "Support" : "", "Disp_Medium" : "Black chalk on two pieces of paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1055.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1055.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1055.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1055.tif", "IsPrimary" : "1", "_SurrogateID" : "5905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16233", "Disp_Access_No" : "2017.1129", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Education of the Virgin with two Saints", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin with two Saints", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Galeotti", "Sort_Artist" : "Galeotti, Sebastiano", "Disp_Dimen" : "36.83 cm x 24.45 cm (14 1/2 in. x 9 5/8 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, shaped as an altarpiece", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1129.tif", "IsPrimary" : "1", "_SurrogateID" : "5781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16235", "Disp_Access_No" : "2017.1119", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Groom Leading a Horse with Three Figures", "Alt_Title" : "", "Obj_Title" : "Groom Leading a Horse with Three Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "37.9 cm x 26.4 cm (14 15/16 in. x 10 3/8 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1119.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1119.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1119.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1119.tif", "IsPrimary" : "1", "_SurrogateID" : "5885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16242", "Disp_Access_No" : "2017.1028", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Sigismondo Caula", "Sort_Artist" : "Caula, Sigismondo", "Disp_Dimen" : "38.1 cm x 27.94 cm (15 in. x 11 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1028.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1028.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1028.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1028.tif", "IsPrimary" : "1", "_SurrogateID" : "5876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16246", "Disp_Access_No" : "2017.1328", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Queen before a Warrior at a Port", "Alt_Title" : "", "Obj_Title" : "A Queen before a Warrior at a Port", "Series_Title" : "", "Disp_Maker_1" : "Antonio Puglieschi", "Sort_Artist" : "Puglieschi, Antonio", "Disp_Dimen" : "38.1 cm x 52.07 cm (15 in. x 20 1/2 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "52.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Support" : "", "Disp_Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16263", "Disp_Access_No" : "2017.1448", "_AccNumSort1" : "", "Disp_Create_DT" : "1568", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1568", "Disp_Title" : "Christ Healing the Blind Man", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Blind Man", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "39.4 cm x 27.3 cm (15 1/2 in. x 10 3/4 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Info_Page_Comm" : "In his encyclopedic style and substantial intellectual activity, Federico Zuccaro is a fundamental figure of late Mannerism. His initial graphic language was a synthesis of developments in central Italy, with a vital accent from Venetian painting and Correggio. Principally in Rome, his later work became more deliberately classicizing and formulaic. His thought was also expressed in the founding of the Roman academy and his publication of Idea de’ pittori, scultori, ed architetti (1607), the most articulate statement of the period’s artistic theory. In 1568 Zuccaro was commissioned for a pair of altarpieces for the Duomo at Orvieto. This drawing corresponds to a preliminary stage of one composition. It differs from the painting in the kneeling figure at the lower left and in a few minor details. Another version of the drawing (Louvre, Paris) is identical in size, technique, and virtually every mark, but its revisions are more logical and its line is more responsive. The Suida-Manning drawing is an autograph replica. It may have had a functional role in the project, as suggested by the squaring of one figure for transfer, or it may have been intended for a collector. The Suida-Manning Collection includes two more compositional studies for major frescoes: The Adoration of the Magi in San Francesco della Vigna, Venice (1563–1564), and the Prophet and Sibyl in the Oratorio del Gonfalone, Rome (1573). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1448.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1448.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1448.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1448.tif", "IsPrimary" : "1", "_SurrogateID" : "2675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16274", "Disp_Access_No" : "2017.1093", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Sacrifice", "Alt_Title" : "", "Obj_Title" : "A Sacrifice", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Gaspare Diziani", "Sort_Artist" : "Diziani, Attributed to Gaspare", "Disp_Dimen" : "40.64 cm x 31.12 cm (16 in. x 12 1/4 in.)", "Disp_Height" : "40.64 cm", "Disp_Width" : "31.12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1093.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1093.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1093.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1093.tif", "IsPrimary" : "1", "_SurrogateID" : "5903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16286", "Disp_Access_No" : "2017.1151", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1656", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1661", "Disp_Title" : "Apollo and Marsayas", "Alt_Title" : "", "Obj_Title" : "Apollo and Marsyas", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Giordano", "Sort_Artist" : "Giordano, Attributed to Luca", "Disp_Dimen" : "41.91 cm x 26.67 cm (16 1/2 in. x 10 1/2 in.)", "Disp_Height" : "41.91 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "Giordano, the leading painter in late century Naples, was active and influential throughout Italy. His biographer, De Domenici, mentions that in Rome around 1656, Giordano was struck by some drawings by Cambiaso and took to copying them. While clearly inspired by Cambiaso, the hand responsible for this drawing is broader in rhythm and more generalized in effect. It is consistent with other drawings that have been attributed to Giordano around this time. Apollo and Marsyas was also a favorite subject in seventeenth-century Naples. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1151.tif", "IsPrimary" : "1", "_SurrogateID" : "6461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : 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on brown antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and pen and brown ink with brush and brown wash and white heightening on brown antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1027.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1027.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1027.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1027.tif", "IsPrimary" : "1", "_SurrogateID" : "5875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16305", "Disp_Access_No" : "2017.872", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Prelate (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Prelate (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "43.5 cm x 30.48 cm (17 1/8 in. x 12 in.)", "Disp_Height" : "43.5 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk, on buff paper", "Support" : "", "Disp_Medium" : "Black and white chalk, on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.872.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.872.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.872.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.872.tif", "IsPrimary" : "1", "_SurrogateID" : "4740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16320", "Disp_Access_No" : "2017.1294", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1720", "_Disp_Start_Dat" : "1715", "_Disp_End_Date" : "1725", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piazzetta", "Sort_Artist" : "Piazzetta, Giovanni Battista", "Disp_Dimen" : "47.1 cm x 40.5 cm (18 9/16 in. x 15 15/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on gray-green paper laid down on blue antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on gray-green paper laid down on blue antique laid paper", "Info_Page_Comm" : "Along with Sebastiano Ricci, Giovanni Battista Piazzetta was responsible for revitalizing Venetian painting and inaugurating its second great age. Schooled in Bologna, Piazzetta learned a naturalism based upon systematic drawing, featuring intense chiaroscuro, and dedicated to dramatic expression. Reconciling this conception with the flickering light and personalized brushwork of his native tradition, while rejecting its bright palette and decorativeness, Piazzetta brought new life to the school’s tired formulae. Unlike many compatriots, he would rarely pursue monumental decoration and never work outside Venice. He did, however, bring to religious and genre subjects a force of visual sensation and human characterization equal to that of the early Baroque. This is a preparatory study for a painting of Saint John the Baptist at Rovigo. Drawn from a model, it demonstrates Piazzetta’s foundation in academic practice but inclination toward more selective description, varied touch, and sincere feeling. Indeed, this figure is especially present and powerful even for Piazzetta. It reveals at how early a stage the artist determined the eventual pose, chiaroscuro, and expression of the painting. Not least, this drawing predicts Piazzetta’s life-size chalk “heads of characters,” which would become the most celebrated and reproduced drawings in eighteenth-century Venice. The museum possesses two other drawings and two fine paintings by Piazzetta as well as numerous prints by his best interpreters. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1294.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1294.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1294.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1294.tif", "IsPrimary" : "1", "_SurrogateID" : "3477", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16342", "Disp_Access_No" : "2017.1450", "_AccNumSort1" : "", "Disp_Create_DT" : "1564", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1564", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "50.17 cm x 31.75 cm (19 3/4 in. x 12 1/2 in.)", "Disp_Height" : "50.17 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Info_Page_Comm" : "In 1563 Federico Zuccaro was called to Venice to complete the decoration of the Grimani Chapel in San Francesco della Vigna as well as that of the family’s palace. His sojourn was a rare but influential case of the penetration of advanced Central Italian style into Venetian art. Significant despite its damage, this drawing corresponds to the fresco that serves as chapel’s altarpiece. Like many of Federico’s seemingly preparatory studies, it is probably an autograph replica, intended for collectors who were coming to appreciate drawings that reflect the creative process and graphic personality.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1450.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1450.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1450.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1450.tif", "IsPrimary" : "1", "_SurrogateID" : "2674", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16349", "Disp_Access_No" : "2017.811", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Arts", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Arts", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "51.44 cm x 39.37 cm (20 1/4 in. x 15 1/2 in.)", "Disp_Height" : "51.44 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.811.tif", "IsPrimary" : "1", "_SurrogateID" : "3728", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16364", "Disp_Access_No" : "2017.976", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562", "_Disp_Start_Dat" : "1557", "_Disp_End_Date" : "1567", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "56.9 cm x 41.8 cm (22 3/8 in. x 16 7/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Luca Cambiaso is the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The Martyrdom of Saint Sebastian is a masterpiece of Cambiaso’s early maturity. His forms, although still in the style of Michelangelo, have been disciplined, smoothed into more regular shapes, and given more elegant proportion than in his earlier work. Around this time he began to employ lines whose varied weight, length, and velocity allowed more elliptic description and flexible structure. This drawing also demonstrates a new level of spatial mastery. While the archers define a horizontal concavity, the saint and angels create a vertical convexity. These intersecting curves involve the entire composition in an energizing tension and virtuoso resolution. Finally, the drawing conveys a consonantly refined and lyrical expression of the saint’s pathos, conspicuous in his face yet woven through the fabric of the entire work. The Martyrdom of Saint Sebastian is no less sophisticated in function. Cambiaso’s earlier drawings still pertain to the graphic system of the early sixteenth century. This later example, rendered at high speed, emulates the summary notation of an advanced compositional study within that system. However, it was not preparatory, but conceived and executed as an autonomous work of art, as confirmed by its remarkable size. Such drawings enjoyed a tremendous success with the ambitious patrons of the artist’s paintings. The resulting production established the very idea of an independent market for drawings in which graphic character and individual personality are the commodities. The Blanton’s seven paintings and over a dozen autograph drawings by Cambiaso represent the most significant holdings of his work outside Genoa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.976.tif", "IsPrimary" : "1", "_SurrogateID" : "2577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16482", "Disp_Access_No" : "2017.1109", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "42.8 cm x 58 cm (16 7/8 in. x 22 13/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Info_Page_Comm" : "This drawing renders the vision of the Roman soldier Saul and his conversion to Christianity as a frieze of spectacular incident and stunning plasticity. This kind of arrangement, horizontal format with surging population, was typical of Farinati’s most imposing paintings. Here, dilated into a sweeping panorama and bound by sustained rhythms, the composition is especially dynamic and coherent. Similarly, the complicated surface, rich color, and elaborate finish are characteristic of Farinati’s preferred mode of drawing. This work reflects his latest graphic development, with relatively restrained heightening and varied washes animating the surface, even hinting at naturalism. So insistent in drawing but then so concentrated in pictorial effect, Farinati’s graphic style lent itself to the production of autonomous works for collectors. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1109.tif", "IsPrimary" : "1", "_SurrogateID" : "3359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16501", "Disp_Access_No" : "2017.1079", "_AccNumSort1" : "", "Disp_Create_DT" : "1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "Martyrdom of Saint Stephen", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Stephen ", "Series_Title" : "", "Disp_Maker_1" : "Gregorio De Ferrari", "Sort_Artist" : "De Ferrari, Gregorio", "Disp_Dimen" : "40.2 cm x 26 cm (15 13/16 in. x 10 1/4 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down", "Info_Page_Comm" : "Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This drawing represents a step in the preparation of the composition and then the architectural setting of an altarpiece. While neither this work nor its commission has been identified, its importance can be gathered from the care of this study, and its possibly French destination from the crest of the Rochelle family at the top of a second study. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1079.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1079.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1079.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1079.tif", "IsPrimary" : "1", "_SurrogateID" : "5862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16520, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16520", "Disp_Access_No" : "2017.981", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1572", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1582", "Disp_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Alt_Title" : "", "Obj_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.5 cm x 42.2 cm (9 5/8 in. x 16 5/8 in.)", "Disp_Height" : "24.5 cm", "Disp_Width" : "42.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The decoration of the Palazzo Lercari-Parodi was Cambiaso's most important secular commission of the 1570s. In the principal scene on the ceiling of the main room, the mythical emperor of Trebizond builds a warehouse and lodging at the order of the Lercari family's legendary forebear. The primary version of the preparatory study for this composition is in the Nationalmusem , Stockholm. The Suida-Manning version is a workshop replica of another preparatory drawing that evidently studied the distribution of light and shadow. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.981.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.981.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.981.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.981.tif", "IsPrimary" : "1", "_SurrogateID" : "2889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16932", "Disp_Access_No" : "2003.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Evangelist, after Carlo Dolci", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist, after Carlo Dolci", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "24.3 cm x 19.7 cm (9 9/16 in. x 7 3/4 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with brush and gray wash and white heightening", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash and white heightening", "Info_Page_Comm" : "A fascinating intersection of Florentine Baroque modes, this drawing reproduces a devotional painting by Carlo Dolci, a contemporary whose work epitomizes the city’s cultural involution and associated pietism. (The Collection features an important devotional painting by Dolci.) Beautifully executed, itself practically a miniature painting, this drawing was obviously intended as a finished work, for independent sale or perhaps presentation to a patron. Drawings of the kind are rare in Volterrano’s oeuvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.132.tif", "IsPrimary" : "1", "_SurrogateID" : "7021", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16940", "Disp_Access_No" : "2003.130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Atalanta and Hippomene", "Alt_Title" : "", "Obj_Title" : "Atalanta and Hippomene", "Series_Title" : "", "Disp_Maker_1" : "Santino Tagliafichi", "Sort_Artist" : "Tagliafichi, Santino", "Disp_Dimen" : "24.4 cm x 25 cm (9 5/8 in. x 9 13/16 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash, watercolor, and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, watercolor, and white heightening", "Info_Page_Comm" : "This sheet and its companion were designs for frescoes or possibly stucco reliefs, probably as part of the decoration of a Genoese palace. With general economic decline in the early 19th-century, the city’s noble patronage began to disappear and major commissions became very scarce. Tagliafichi was one of the last to persist in the tradition of grand secular decoration as well as altarpieces. While grounded in Neoclassicism, his style hearkened back to the great age of such decoration, to Gregorio De Ferrari in particular, in turn to its constant source in the painting of Correggio. These studies demonstrate his eclecticism, and considerable refinement, at the height of his activity in the late teens. Drawings by Tagliafichi are rare. These, signed by the artist and inscribed by Santo Varni, the greatest collector of Genoese drawings in the 19th century, are touchstones of his draftsmanship, thus a fitting postscript to the Genoese holdings of the Suida-Manning Collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.130.tif", "IsPrimary" : "1", "_SurrogateID" : "3077", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17111", "Disp_Access_No" : "2017.1069.b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of a Young Male Figure", "Alt_Title" : "", "Obj_Title" : "Bust of a Young Male Figure", "Series_Title" : "", "Disp_Maker_1" : "Follower of Donato Creti", "Sort_Artist" : "Creti, Follower of Donato", "Disp_Dimen" : "11.43 cm x 11.43 cm (4 1/2 in. x 4 1/2 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "11.43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1069.b.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1069.b.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1069.b.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1069.b.tif", "IsPrimary" : "1", "_SurrogateID" : "6480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17245", "Disp_Access_No" : "2004.161", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Alt_Title" : "", "Obj_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giulio Benso", "Sort_Artist" : "Benso, Giulio", "Disp_Dimen" : "29.2 cm x 22.1 cm (11 1/2 in. x 8 11/16 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash (recto)", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash (recto)", "Info_Page_Comm" : "Long after other Genoese artists had turned from Cambiaso's style, Benso adhered to its principles. His monumental fresco decoration is exceptionally systematic in organization and rigorous in perspective. And his drawings insist upon extreme stylization and exaggerated calligraphy. With its underlying geometry, ornamental line, and broad wash, this sheet is characteristic. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.161.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.161.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.161.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.161.tif", "IsPrimary" : "1", "_SurrogateID" : "3079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19282", "Disp_Access_No" : "2008.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called il Genovese", "Sort_Artist" : "Castello, called il Genovese, Giovanni Battista", "Disp_Dimen" : "24 cm x 18 cm (9 7/16 in. x 7 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Gouache heightened with gold on vellum", "Support" : "", "Disp_Medium" : "Gouache heightened with gold on vellum", "Info_Page_Comm" : "Castello was the last master of miniature painting in Italy. His specialty was the translation of famous works by other artists. Here the composition depends upon Dürer’s woodcut of the scene in his Life of the Virgin. With their meticulous attention to craft and their restrained style, such miniatures were very popular as luxurious objects of private devotion. Despite the limited scope of his art, Castello was the most successful artist in Genoa during the 1590s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.135.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.135.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.135.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.135.TIF", "IsPrimary" : "1", "_SurrogateID" : "4927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19376, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19376", "Disp_Access_No" : "2016.73.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of a Putto and Heads (recto); Studies (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Putto and Heads (recto); Studies (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Attributed to Giovanni Benedetto", "Disp_Dimen" : "28.2 x 20.3 cm (11 1/8 x 8 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink and black chalk (recto); red chalk with pen and brown ink (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink and black chalk (recto); red chalk with pen and brown ink (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Kurt and Alessandra Manning-Dolnier in honor of Francesca Consagra, 2016", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/775.1999_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/775.1999_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/775.1999_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/775.1999_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6677", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/775.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/775.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/775.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/775.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6678", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19377", "Disp_Access_No" : "2016.74.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of a Standing Putto and Heads (recto); Studies of Heads(verso)", "Alt_Title" : "", "Obj_Title" : "Studies of a Standing Putto and Heads (recto); Studies of Heads (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Attributed to Giovanni Benedetto", "Disp_Dimen" : "20.8 x 20.3 cm (8 3/16 x 8 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over red chalk (recto); pen and brown ink with red chalk (verso)", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over red chalk (recto); pen and brown ink with red chalk (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Kurt and Alessandra Manning-Dolnier in honor of Francesca Consagra, 2016", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.74.b-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.74.b-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.74.b-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.74.b-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6675", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.74.b-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.74.b-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.74.b-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2016.74.b-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6674", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }