{ "objects" : [ { "embark_ID" : 16575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16575", "Disp_Access_No" : "2002.2826", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Standing Male Figure with Drapery", "Alt_Title" : "", "Obj_Title" : "Standing Male Figure with Drapery", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "42.8 cm x 23.6 cm (16 7/8 in. x 9 5/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk with stumping on gray antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk with stumping on gray antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2826.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2826.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2826.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2826.tif", "IsPrimary" : "1", "_SurrogateID" : "3075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15880", "Disp_Access_No" : "2017.1447", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "A Prophet and a Sibyl", "Alt_Title" : "", "Obj_Title" : "A Prophet and a Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "10.1 cm x 14.4 cm (4 in. x 5 11/16 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The Oratorio del Gonfalone was one of the two most important pictorial projects in Rome during the 1560s and 1570s. Half a dozen of the city’s leading young painters collaborated on a fresco cycle of scenes from the Passion of Christ with elaborate decorative surrounds. Zuccaro was responsible for the Flagellation and above it a prophet and sibyl whose texts prefigure the event. Characteristically confident in its plasticity and elegant in its line, this drawing is one of several preparatory studies for the group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1447.tif", "IsPrimary" : "1", "_SurrogateID" : "5721", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15887", "Disp_Access_No" : "2017.1010", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa", "Alt_Title" : "", "Obj_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa ", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "11.5 cm x 19.6 cm (4 1/2 in. x 7 11/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Info_Page_Comm" : "An autograph inscription identifies this scene as one of at least seven from the life of Antoniotto Adorno, doge during Genoa’s first great period, in the 14th-century. There survives at least one other drawing from the series. Their subjects, lunette format and monumental conception, suggest that they were pre-paratory for the fresco decoration of a Genoese palace. Although no such cycle by Castello is known, Lazzaro Tavarone did execute one in the Palazzo Cattaneo-Adorno in 1624. Castello’s drawings could well have served as models in a competition for that project.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1010.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1010.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1010.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1010.tif", "IsPrimary" : "1", "_SurrogateID" : "5840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15895", "Disp_Access_No" : "2017.1422", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Venice with a Donor ", "Alt_Title" : "", "Obj_Title" : "Personification of Venice with a Donor ", "Series_Title" : "", "Disp_Maker_1" : "Andrea Michieli, called Andrea Vicentino", "Sort_Artist" : "Vicentino, Andrea Michieli, called Andrea", "Disp_Dimen" : "12.07 cm x 26.04 cm (4 3/4 in. x 10 1/4 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream paper", "Info_Page_Comm" : "In the second half of the sixteenth century, as Venice’s actual might was waning, personifications of the city paid tribute by dignitaries and leading citizens proliferated. From its subject and horizontal format, this drawing probably prepared part of the decoration of a meeting hall. Integrating the solid construction of Veronese’s style with the rhythmic insistence of Tintoretto’s, Vicentino specialized in such decoration as well as altarpieces across the Veneto. His very regular and refined drawings in pen owe also to the example of Federico Zuccaro. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1422.tif", "IsPrimary" : "1", "_SurrogateID" : "5719", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15915", "Disp_Access_No" : "2017.1009", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Whispering to a Lady", "Alt_Title" : "", "Obj_Title" : "A Man Whispering to a Lady", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "15.24 cm x 14.29 cm (6 in. x 5 5/8 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1009.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1009.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1009.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1009.tif", "IsPrimary" : "1", "_SurrogateID" : "5686", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15920", "Disp_Access_No" : "2017.928", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Alt_Title" : "", "Obj_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Andrea Boscoli", "Sort_Artist" : "Boscoli, Andrea", "Disp_Dimen" : "15.8 cm x 9.8 cm (6 1/4 in. x 3 7/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Info_Page_Comm" : "An idiosyncratic late Mannerist, Boscoli was probably trained by the progressive Florentines of Venetian inspiration, but himself returned as an almost reactionary formalist, and repressed romantic, to the school’s first generation of Man-nerists, Pontormo and Rosso. His paintings and especially his drawings distill the styles of those artists to the threshold of geometric abstraction, but also compen-sate with an unusually coherent light and caricatural sentiment. This small study, characteristic in its visual strength and representational ambiguity, surely pre-pared the composition of an altarpiece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.928.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.928.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.928.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.928.tif", "IsPrimary" : "1", "_SurrogateID" : "5697", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15924", "Disp_Access_No" : "2017.1048", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Decollation of a Saint", "Alt_Title" : "", "Obj_Title" : "The Decollation of a Saint", "Series_Title" : "", "Disp_Maker_1" : "Circle of Domenico Cresti Passignano", "Sort_Artist" : "Circle of Domenico Cresti Passignano", "Disp_Dimen" : "15.88 cm x 13.65 cm (6 1/4 in. x 5 3/8 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1048.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1048.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1048.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1048.tif", "IsPrimary" : "1", "_SurrogateID" : "5706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15948", "Disp_Access_No" : "2017.926", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Horsemen with Standing Figures", "Alt_Title" : "", "Obj_Title" : "Horsemen with Standing Figures", "Series_Title" : "", "Disp_Maker_1" : "Paris Bordone", "Sort_Artist" : "Bordone, Paris", "Disp_Dimen" : "17.6 cm x 28.1 cm (6 15/16 in. x 11 1/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "28.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on beige antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on beige antique laid paper", "Info_Page_Comm" : "Similar to Veronese at the outset, Bordone combined the lessons of Titian’s loose and vibrantly optical painting with the more elaborate design and incisive drawing of Mannerism in Central Italy. His broad handling of chalk is close to that of Titian, to whom this sheet has sometimes been attributed. The more decorative pattern of light and the peculiar abbreviation of the figures are, however, typical of Bordone.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.926.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.926.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.926.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.926.tif", "IsPrimary" : "1", "_SurrogateID" : "2663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15991", "Disp_Access_No" : "2017.879", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Alt_Title" : "", "Obj_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "20 cm x 19.37 cm (7 7/8 in. x 7 5/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "19.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Info_Page_Comm" : "Like his engravings, many of Cherubino Alberti’s drawings interpret compositions and often disassociated motifs in venerable early sixteenth-century Roman examples. Characteristic, this study derives from Raphael’s fresco of the Dispute over the Holy Sacrament in the Stanza della Segnatura. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-2.tif", "IsPrimary" : "1", "_SurrogateID" : "5691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "8335", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15998", "Disp_Access_No" : "2017.803", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Battle Scene", "Alt_Title" : "", "Obj_Title" : "A Classical Battle Scene", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 40.64 cm (8 in. x 16 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "40.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on faded blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on faded blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.803.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.803.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.803.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.803.tif", "IsPrimary" : "1", "_SurrogateID" : "5864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16006", "Disp_Access_No" : "2017.907", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Minerva (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Minerva (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "20.6 cm x 13.9 cm (8 1/8 in. x 5 1/2 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/156.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/156.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/156.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/156.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3297", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.907-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.907-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.907-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.907-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16007", "Disp_Access_No" : "2017.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Cristoforo Roncalli, called Pomarancio", "Sort_Artist" : "Pomarancio, Cristoforo Roncalli, called", "Disp_Dimen" : "20.6 cm x 37.3 cm (8 1/8 in. x 14 11/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with black, white, and gray oil paint over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Brush with black, white, and gray oil paint over traces of red chalk ", "Info_Page_Comm" : "Pomarancio led one of the busiest workshops in Rome. His vigorous and imposing style caught the eye of Clement VIII, and beginning in 1597 Pomarancio joined D’Arpino in the decoration of St. Peter’s and San Giovanni in Laterano. In 1599 Clement initiated a project for a grand sacristy at the sanctuary of Loreto, one of the most important pilgrimage sites in Christendom. This drawing prepared the composition for the ceiling’s central compartment. The effective illusionism and its figures’ plasticity, as well as oil technique, are typical of Pomarancio’s style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "2758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16008", "Disp_Access_No" : "2017.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527", "_Disp_Start_Dat" : "1522", "_Disp_End_Date" : "1532", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "The Holy Family Surrounded by Worshipping Figures", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Polidoro Caldara, called Polidoro da Caravaggio", "Sort_Artist" : "Polidoro da Caravaggio, Polidoro Caldara, called", "Disp_Dimen" : "20.5 cm x 28.3 cm (8 1/16 in. x 11 1/8 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre washe", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre...", "Info_Page_Comm" : "Polidoro da Caravaggio was the most inventive and idiosyncratic of Raphael’s followers. From his earliest participation in the master workshop, his irregular and dramatic language was distinct. Later he created a new type of decoration for palace façades, with chiaroscuro frescoes suggesting low-relief sculpture in the style of ancient classical models, brought to life through eccentric form. His pioneering landscapes were similarly inspired by ancient Roman painting, interpreted with such vitality that they anticipate classical landscapes of the next century. After the sacking of Rome, he went to Naples, then Messina. Aggressively deformed, deliberately rude, and profoundly moving, the late works are fully expressionistic. This is a magnificent example of the artist’s most pictorial and dramatic style of drawing from the height of his activity. The composition still involves an underlying geometry and develops from a single plane like an antique low relief, but it is already swept by larger movements and charged with intense feeling. Similarly, the figures are still monumental and declamatory, but are beginning to slip from balance and to warp with individualized response. In terms of technique, form is defined through broad washes, limited pen-and-ink, and summary modeling, as opposed to the previous delicate description, in white heightening. With the reminiscences of Rome fresh and rather poignant, the drawing probably dates from the beginning of the Neapolitan sojourn. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "2640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16016", "Disp_Access_No" : "2017.958", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Alt_Title" : "", "Obj_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "20.9 cm x 30.2 cm (8 1/4 in. x 11 7/8 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Info_Page_Comm" : "Tarpeia, the daughter of Roman general Spurio Tarpeo, betrayed the fortress under her father’s command to the Sabines, but ironically was crushed when their forces entered. This was one of the secondary scenes of Roman history in the Villa Cattaneo-Imperiale, the first of the grand secular schemes executed by Cambiaso independent of Bergamasco. Stressing massing and light over de-scription, this is the preparatory study for the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.958.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.958.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.958.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.958.tif", "IsPrimary" : "1", "_SurrogateID" : "2887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16020", "Disp_Access_No" : "2017.1280", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Feeding of the Five Thousand", "Alt_Title" : "", "Obj_Title" : "The Feeding of the Five Thousand", "Series_Title" : "", "Disp_Maker_1" : "Domenico Cresti, called Passignano", "Sort_Artist" : "Passignano, Domenico Cresti, called", "Disp_Dimen" : "21.59 cm x 16.51 cm (8 1/2 in. x 6 1/2 in.)", "Disp_Height" : "21.59 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and red wash, squared in black chalk", "Support" : "", "Disp_Medium" : "Red chalk and red wash, squared in black chalk", "Info_Page_Comm" : "The grid laid over Passignano’s preparatory drawing The Feeding of the Five Thousand reveals an underlying cosmos, despite the multitude of figures. By grouping the crowds into organized sections, Passignano, an indefatigable draftsman, brings order to a difficult composition, just as Christ brings spiritual fulfillment to the unruly crowds. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1280.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1280.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1280.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1280.tif", "IsPrimary" : "1", "_SurrogateID" : "5698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16031", "Disp_Access_No" : "2017.909", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Dispute between Athena and Arachne", "Alt_Title" : "", "Obj_Title" : "The Dispute between Athena and Arachne", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "22.3 cm x 32.9 cm (8 3/4 in. x 12 15/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "32.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Info_Page_Comm" : "This drawing was long attributed to Cambiaso. With its elegant proportions, smooth hand, and trademark description like the billowing draperies, it is characteristic of Bergamasco, his regular collaborator for most of the 1560s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.909.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.909.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.909.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.909.tif", "IsPrimary" : "1", "_SurrogateID" : "5683", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16032", "Disp_Access_No" : "2017.949", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "22.5 cm x 34.2 cm (8 7/8 in. x 13 7/16 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.949.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.949.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.949.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.949.tif", "IsPrimary" : "1", "_SurrogateID" : "2909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16033", "Disp_Access_No" : "2017.1412", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1568", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1578", "Disp_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' ", "Alt_Title" : "", "Obj_Title" : "Decorative Border with the Portrait of Fra Filippo Lippi, from Il Libro de' Disegni [Book of Drawings]", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Vasari", "Sort_Artist" : "Vasari, Giorgio", "Disp_Dimen" : "22.54 cm x 17.46 cm (8 7/8 in. x 6 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, and woodcut", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, and woodcut", "Info_Page_Comm" : "woodcut is from Giorgio Vasari, Vite, 2nd edition, 1568", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1412.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1412.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1412.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1412.tif", "IsPrimary" : "1", "_SurrogateID" : "5730", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16045", "Disp_Access_No" : "2017.1266", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "23.3 cm x 20 cm (9 3/16 in. x 7 7/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Info_Page_Comm" : "Paggi’s style was determined by Cambiaso, his first teacher, but given a more academic orientation and regular appearance during a twenty-year sojourn in Florence. Returning to Genoa in 1599, he was briefly the city’s most important painter and a leading teacher of the next generation. Long thought Cambiaso’s, this drawing has recently been recognized by Mary Newcome as an early work of Paggi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1266.tif", "IsPrimary" : "1", "_SurrogateID" : "6453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16067", "Disp_Access_No" : "2017.950", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1555-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 34.29 cm (9 1/2 in. x 13 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.950.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.950.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.950.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.950.tif", "IsPrimary" : "1", "_SurrogateID" : "2893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16073", "Disp_Access_No" : "2017.985", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1579", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1589", "Disp_Title" : "Sacrifice of Abraham", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Abraham", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.6 cm x 25 cm (9 11/16 in. x 9 13/16 in.)", "Disp_Height" : "24.6 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Info_Page_Comm" : "In this replica of a drawing in the Louvre, the central group of Abraham and Isaac ascending the hill is displaced slightly to the left, and the figure of Isaac is unbalanced. The artist's hand is slower in essential description, like the contours of the figures in the foreground, but impatient in secondary areas, like the left background. While probably still autograph, this would have been the latest of the three replicas. Possibly by Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16085", "Disp_Access_No" : "2017.1319", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Kneeling Before a Bishop", "Alt_Title" : "", "Obj_Title" : "A Woman Kneeling Before a Bishop", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Poccetti", "Sort_Artist" : "Poccetti, Bernardino", "Disp_Dimen" : "25.4 cm x 17.78 cm (10 in. x 7 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1319.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1319.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1319.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1319.tif", "IsPrimary" : "1", "_SurrogateID" : "5708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16091", "Disp_Access_No" : "2017.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Alt_Title" : "", "Obj_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "26.04 cm x 27.31 cm (10 1/4 in. x 10 3/4 in.)", "Disp_Height" : "26.04 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1107.tif", "IsPrimary" : "1", "_SurrogateID" : "5847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16109", "Disp_Access_No" : "2017.1401", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Domenico Tintoretto", "Sort_Artist" : "Tintoretto, Domenico", "Disp_Dimen" : "27.2 cm x 37.7 cm (10 11/16 in. x 14 13/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1401.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1401.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1401.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1401.tif", "IsPrimary" : "1", "_SurrogateID" : "5716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16116", "Disp_Access_No" : "2017.973", "_AccNumSort1" : "", "Disp_Create_DT" : "1568-69", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Michael and the Damned Souls", "Alt_Title" : "", "Obj_Title" : "Saint Michael and the Damned Souls", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "27.6 cm x 21.3 cm (10 7/8 in. x 8 3/8 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk ", "Info_Page_Comm" : "Again in collaboration, Bergamasco and Cambiaso created a grand cycle of the Last Judgment in the apse of Santissima Annunziata di Portoria. This drawing is one of several preliminary ideas for the canvas of The Damned. It is an early in-stance of the singularly systematic and reductive style, often called “cubic”, that characterizes Cambiaso’s later compositional studies. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.973.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.973.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.973.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.973.tif", "IsPrimary" : "1", "_SurrogateID" : "2681", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16117", "Disp_Access_No" : "2017.1271", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Francis Receiving the Stigmata", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Stigmata", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "27.4 cm x 20.8 cm (10 13/16 in. x 8 3/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Support" : "", "Disp_Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1271.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1271.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1271.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1271.tif", "IsPrimary" : "1", "_SurrogateID" : "5703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16125", "Disp_Access_No" : "2017.979", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28 cm x 42.7 cm (11 in. x 16 13/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The draftsman responsible for this replica was obviously much more concerned with light and shadow and the drama they could impart. These may have been present in a prototype by Cambiaso or applied here to distinguish the version. In any case, the description is overly specific and the touch heavy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.979.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.979.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.979.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.979.tif", "IsPrimary" : "1", "_SurrogateID" : "2873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16126", "Disp_Access_No" : "2017.955", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and the Sea", "Alt_Title" : "", "Obj_Title" : "Venus and the Sea", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "27.94 cm x 69.85 cm (11 in. x 27 1/2 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "69.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.955.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.955.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.955.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.955.tif", "IsPrimary" : "1", "_SurrogateID" : "6457", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16134", "Disp_Access_No" : "2017.1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Christ's Entry into Jerusalem", "Alt_Title" : "", "Obj_Title" : "Christ's Entry into Jerusalem", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Attributed to Giovanni Battista", "Disp_Dimen" : "28.26 cm x 36.83 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.26 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This drawing is related to a composition by Luca Cambiaso and has long been attributed to him. The hand, however, appears to be that of Paggi around the time hd drew the Adoration of the Shepherds ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1262.tif", "IsPrimary" : "1", "_SurrogateID" : "2912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16139", "Disp_Access_No" : "2017.980", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28.9 cm x 42 cm (11 3/8 in. x 16 9/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "With its deep space, semicircular organization, and balletic figures, this composition seems contemporary with the Palazzo Grimaldi’s Return of Ulysses. From the large number of surviving replicas, it must have been one of Cambiaso’s most popular subjects. An autograph prototype has not, however, been identified. Of the three versions exhibited here, this is the most brisk in handling and confident in its abbreviations. The same swift, spiky hand is evident in other replicas from Cambiaso’s workshop. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16145", "Disp_Access_No" : "2017.960", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Christ Nailed to the Cross", "Alt_Title" : "", "Obj_Title" : "Christ Nailed to the Cross", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "21 cm x 29.6 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on antique laid paper", "Info_Page_Comm" : "This comes from a series of variations of the theme. They derive solely from the artist's imagination, not established iconography. From as far back as the Sibyls, Cambiaso has taken certain themes as an opportunity to express his virtuosity. At this last stage, with the cubic module reasserted and any material appeal suppressed, the virtuosity turned to invention alone, like a Jesuit's meditations on the life of Christ. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.960.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.960.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.960.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.960.tif", "IsPrimary" : "1", "_SurrogateID" : "2891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16192", "Disp_Access_No" : "2017.983", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Noli Me Tangere", "Alt_Title" : "", "Obj_Title" : "Noli Me Tangere", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "32.39 cm x 23.81 cm (12 3/4 in. x 9 3/8 in.)", "Disp_Height" : "32.39 cm", "Disp_Width" : "23.81 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.983.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.983.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.983.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.983.tif", "IsPrimary" : "1", "_SurrogateID" : "2895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16212", "Disp_Access_No" : "2017.971", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "34.7 cm x 23.9 cm (13 11/16 in. x 9 7/16 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The certainty and velocity of the strokes in this drawing indicate Cambiaso's own hand. The Virgin's drapery, however, is renderedd as a busy surface with little volume, and the hatching in the background fills the area without suggesting depth. The drawing is probably a replica of another. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.971.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.971.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.971.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.971.tif", "IsPrimary" : "1", "_SurrogateID" : "2886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16220", "Disp_Access_No" : "2017.1386", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590s", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1595", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "35.1 cm x 25.5 cm (13 13/16 in. x 10 1/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Info_Page_Comm" : "The combination of complicated construction, formulaic elegance, and incipient narrative clarity identify this drawing as the effort of a progressive Tuscan artist, grounded in the graphic style of Vasari but persuaded by the reforms of Santi di Tito and Passignano. The rhythms, however, are sufficiently intricate, the types stylized, and the application of wash ornamental that the style is best referred to late-century Rome, where numerous Florentine artists gravitated after the elec-tion of the Aldobrandini pope, Clement VIII, and assimilated elements of the draftsmanship of the Zuccari. A similar admixture is found in certain drawings by one such artist, Agostino Ciampelli, and, with a comparably heavy touch and insistent hatching, in many by the prolific etcher Tempesta. In any case, the drawing is a very good example of late Tuscan Mannerism on the cusp of the Ba-roque", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1386.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1386.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1386.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1386.tif", "IsPrimary" : "1", "_SurrogateID" : "4204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16231", "Disp_Access_No" : "2017.970", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562-63", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rape of Proserpina", "Alt_Title" : "Rape of Persephone ", "Obj_Title" : "Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "36.8 cm x 47.2 cm (14 1/2 in. x 18 9/16 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk on cr", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "This drawing is related to the Saint Sebastian in scale, complex space, calligraphic charge, and autonomous function. Its mythological subject and format, how-ever, correspond to the sort of scene Cambiaso and Bergamasco were contemporaneously introducing to the decoration of Genoese palaces. The sheet is further distinguished by its exceptional freshness, without any deterioration of the black-brown, iron gall ink favored by the artist or any fading of its sweeping washes Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.970.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.970.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.970.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.970.tif", "IsPrimary" : "1", "_SurrogateID" : "2876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16263", "Disp_Access_No" : "2017.1448", "_AccNumSort1" : "", "Disp_Create_DT" : "1568", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1568", "Disp_Title" : "Christ Healing the Blind Man", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Blind Man", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "39.4 cm x 27.3 cm (15 1/2 in. x 10 3/4 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Info_Page_Comm" : "In his encyclopedic style and substantial intellectual activity, Federico Zuccaro is a fundamental figure of late Mannerism. His initial graphic language was a synthesis of developments in central Italy, with a vital accent from Venetian painting and Correggio. Principally in Rome, his later work became more deliberately classicizing and formulaic. His thought was also expressed in the founding of the Roman academy and his publication of Idea de’ pittori, scultori, ed architetti (1607), the most articulate statement of the period’s artistic theory. In 1568 Zuccaro was commissioned for a pair of altarpieces for the Duomo at Orvieto. This drawing corresponds to a preliminary stage of one composition. It differs from the painting in the kneeling figure at the lower left and in a few minor details. Another version of the drawing (Louvre, Paris) is identical in size, technique, and virtually every mark, but its revisions are more logical and its line is more responsive. The Suida-Manning drawing is an autograph replica. It may have had a functional role in the project, as suggested by the squaring of one figure for transfer, or it may have been intended for a collector. The Suida-Manning Collection includes two more compositional studies for major frescoes: The Adoration of the Magi in San Francesco della Vigna, Venice (1563–1564), and the Prophet and Sibyl in the Oratorio del Gonfalone, Rome (1573). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1448.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1448.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1448.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1448.tif", "IsPrimary" : "1", "_SurrogateID" : "2675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16342", "Disp_Access_No" : "2017.1450", "_AccNumSort1" : "", "Disp_Create_DT" : "1564", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1564", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "50.17 cm x 31.75 cm (19 3/4 in. x 12 1/2 in.)", "Disp_Height" : "50.17 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Info_Page_Comm" : "In 1563 Federico Zuccaro was called to Venice to complete the decoration of the Grimani Chapel in San Francesco della Vigna as well as that of the family’s palace. His sojourn was a rare but influential case of the penetration of advanced Central Italian style into Venetian art. Significant despite its damage, this drawing corresponds to the fresco that serves as chapel’s altarpiece. Like many of Federico’s seemingly preparatory studies, it is probably an autograph replica, intended for collectors who were coming to appreciate drawings that reflect the creative process and graphic personality.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1450.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1450.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1450.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1450.tif", "IsPrimary" : "1", "_SurrogateID" : "2674", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16364", "Disp_Access_No" : "2017.976", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562", "_Disp_Start_Dat" : "1557", "_Disp_End_Date" : "1567", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "56.9 cm x 41.8 cm (22 3/8 in. x 16 7/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Luca Cambiaso is the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The Martyrdom of Saint Sebastian is a masterpiece of Cambiaso’s early maturity. His forms, although still in the style of Michelangelo, have been disciplined, smoothed into more regular shapes, and given more elegant proportion than in his earlier work. Around this time he began to employ lines whose varied weight, length, and velocity allowed more elliptic description and flexible structure. This drawing also demonstrates a new level of spatial mastery. While the archers define a horizontal concavity, the saint and angels create a vertical convexity. These intersecting curves involve the entire composition in an energizing tension and virtuoso resolution. Finally, the drawing conveys a consonantly refined and lyrical expression of the saint’s pathos, conspicuous in his face yet woven through the fabric of the entire work. The Martyrdom of Saint Sebastian is no less sophisticated in function. Cambiaso’s earlier drawings still pertain to the graphic system of the early sixteenth century. This later example, rendered at high speed, emulates the summary notation of an advanced compositional study within that system. However, it was not preparatory, but conceived and executed as an autonomous work of art, as confirmed by its remarkable size. Such drawings enjoyed a tremendous success with the ambitious patrons of the artist’s paintings. The resulting production established the very idea of an independent market for drawings in which graphic character and individual personality are the commodities. The Blanton’s seven paintings and over a dozen autograph drawings by Cambiaso represent the most significant holdings of his work outside Genoa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.976.tif", "IsPrimary" : "1", "_SurrogateID" : "2577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16482", "Disp_Access_No" : "2017.1109", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "42.8 cm x 58 cm (16 7/8 in. x 22 13/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Info_Page_Comm" : "This drawing renders the vision of the Roman soldier Saul and his conversion to Christianity as a frieze of spectacular incident and stunning plasticity. This kind of arrangement, horizontal format with surging population, was typical of Farinati’s most imposing paintings. Here, dilated into a sweeping panorama and bound by sustained rhythms, the composition is especially dynamic and coherent. Similarly, the complicated surface, rich color, and elaborate finish are characteristic of Farinati’s preferred mode of drawing. This work reflects his latest graphic development, with relatively restrained heightening and varied washes animating the surface, even hinting at naturalism. So insistent in drawing but then so concentrated in pictorial effect, Farinati’s graphic style lent itself to the production of autonomous works for collectors. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1109.tif", "IsPrimary" : "1", "_SurrogateID" : "3359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16520, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16520", "Disp_Access_No" : "2017.981", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1572", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1582", "Disp_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Alt_Title" : "", "Obj_Title" : "Emperor of Trebizond Constructing a Fondaco for Megollo Lercari", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.5 cm x 42.2 cm (9 5/8 in. x 16 5/8 in.)", "Disp_Height" : "24.5 cm", "Disp_Width" : "42.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The decoration of the Palazzo Lercari-Parodi was Cambiaso's most important secular commission of the 1570s. In the principal scene on the ceiling of the main room, the mythical emperor of Trebizond builds a warehouse and lodging at the order of the Lercari family's legendary forebear. The primary version of the preparatory study for this composition is in the Nationalmusem , Stockholm. The Suida-Manning version is a workshop replica of another preparatory drawing that evidently studied the distribution of light and shadow. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.981.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.981.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.981.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.981.tif", "IsPrimary" : "1", "_SurrogateID" : "2889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19282", "Disp_Access_No" : "2008.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called il Genovese", "Sort_Artist" : "Castello, called il Genovese, Giovanni Battista", "Disp_Dimen" : "24 cm x 18 cm (9 7/16 in. x 7 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Gouache heightened with gold on vellum", "Support" : "", "Disp_Medium" : "Gouache heightened with gold on vellum", "Info_Page_Comm" : "Castello was the last master of miniature painting in Italy. His specialty was the translation of famous works by other artists. Here the composition depends upon Dürer’s woodcut of the scene in his Life of the Virgin. With their meticulous attention to craft and their restrained style, such miniatures were very popular as luxurious objects of private devotion. Despite the limited scope of his art, Castello was the most successful artist in Genoa during the 1590s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.135.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.135.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.135.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.135.TIF", "IsPrimary" : "1", "_SurrogateID" : "4927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }