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brown ink on cream antique laid paper mounted on paper", "Support" : "", "Disp_Medium" : "Black and red chalk with pen and brown ink on cream antique laid paper mounted on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1018.tif", "IsPrimary" : "1", "_SurrogateID" : "5739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16012", "Disp_Access_No" : "2017.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Parting of Abraham and Lot", "Alt_Title" : "", "Obj_Title" : "Parting of Abraham and Lot", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "20.9 cm x 30.7 cm (8 1/4 in. x 12 1/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "5209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16023", "Disp_Access_No" : "2017.892", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Finding of Moses", "Alt_Title" : "", "Obj_Title" : "The Finding of Moses", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "21.6 cm x 29.9 cm (8 1/2 in. x 11 3/4 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Support" : "", "Disp_Medium" : "pen and brown ink, wash, white gouache, and black and white chalk on beige paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.892.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.892.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.892.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.892.tif", "IsPrimary" : "1", "_SurrogateID" : "6452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16024", "Disp_Access_No" : "2017.1029", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1603", "_Disp_Start_Dat" : "1598", "_Disp_End_Date" : "1608", "Disp_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Alt_Title" : "Design for a Book Illustration: Saint Peter in Acanthus Scrolls", "Obj_Title" : "Saint Peter in Cattedra Surrounded by Acanthus", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Cesari, called Cavalier d'Arpino", "Sort_Artist" : "Cavalier d'Arpino, Giuseppe Cesari, called", "Disp_Dimen" : "22.2 cm x 16 cm (8 3/4 in. x 6 5/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks with pen and brown ink and white heightening (partially oxidized) over brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "By securing the patronage of the papal nephew, Cardinal Pietro Aldobrandini, Giuseppe Cesari became the favorite artist of Clement VIII. Among his major commissions was designing the mosaics in the cupola of St. Peter’s. This is one of three surviving studies for an early version of that project. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1029.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1029.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1029.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1029.tif", "IsPrimary" : "1", "_SurrogateID" : "5688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16040", "Disp_Access_No" : "2017.1238", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Miracle of Domenico Segni", "Alt_Title" : "", "Obj_Title" : "Miracle of Domenico Segni", "Series_Title" : "", "Disp_Maker_1" : "Pier Francesco Mola", "Sort_Artist" : "Mola, Pier Francesco", "Disp_Dimen" : "21.1 cm x 36.3 cm (8 5/16 in. x 14 5/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige antique...", "Info_Page_Comm" : "Against the rising tide of academic classicism in mid-century Rome, Mola maintained a warm, inherently expressive naturalism founded on the example of Annibale Carracci and Guercino, invigorated by his extended stay in Venice, and featuring the depiction of landscape. This is a study for one of three local mira-cles of the Virgin in the cloister of Santa Maria della Quercia at Viterbo, Mola’s first and most important landscapes in fresco. Characteristic of Mola’s drafts-manship are the approximative description, rich and variable tonality, and animated surface, all the result of an exceptionally dense and loose application of washes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1238.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1238.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1238.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1238.tif", "IsPrimary" : "1", "_SurrogateID" : "5758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16071", "Disp_Access_No" : "2017.1254", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Combat before an Emperor", "Alt_Title" : "", "Obj_Title" : "A Combat before an Emperor", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Attributed to Pietro", "Disp_Dimen" : "24.13 cm x 35.88 cm (9 1/2 in. x 14 1/8 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "35.88 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1254.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1254.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1254.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1254.tif", "IsPrimary" : "1", "_SurrogateID" : "5866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16088", "Disp_Access_No" : "2017.1153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1682-85", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Studies for the Glorification of the Medici Dynasty", "Alt_Title" : "Apotheosis of Flora", "Obj_Title" : "Studies for the Glorification of the Medici Dynasty", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "25.72 cm x 38.1 cm (10 1/8 in. x 15 in.)", "Disp_Height" : "25.72 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with pen and brown ink and brush and brown wash on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1153.tif", "IsPrimary" : "1", "_SurrogateID" : "4844", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16090", "Disp_Access_No" : "2017.1308", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Figures in Contemporary Dress", "Alt_Title" : "", "Obj_Title" : "Group of Figures in Contemporary Dress", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "25.7 cm x 42.3 cm (10 1/8 in. x 16 5/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1308.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1308.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1308.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1308.tif", "IsPrimary" : "1", "_SurrogateID" : "5887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16095", "Disp_Access_No" : "2017.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690-1694", "_Disp_Start_Dat" : "1690", "_Disp_End_Date" : "1694", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "26.2 cm x 38.7 cm (10 5/16 in. x 15 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown ink with brown and gray washes and white heightening (partly oxidized) over black chalk on gray-green antique laid paper, laid down", "Info_Page_Comm" : "This drawing represents a culmination of numerous currents in Genoese draftsmanship. Of extremely high finish and inherent attractiveness, it is manifestly an autonomous work in the tradition that began with Luca Cambiaso. In its painterly conception and handling, such a drawing descends more specifically from Giovanni Benedetto Castiglione’s exploration of the boundary between the media. Formally, the composition is an especially fine example of the translation of the habits of monumental decoration—broad distribution of motif, balanced structure of values, steady pulse of rhythm—into the intimate scale and materials of drawing. Although this is one of the best-known Genoese drawings in the Suida-Manning Collection, its attribution has alternated. Most often, because of its repertory relationship to works by Domenico Piola and no doubt its sheer quality, it has been assigned to the elder Piola. The more agitated surface of draperies, the more eccentric drawing in profiles, and the sharper modulation of tone reflect the formative influence of Gregorio de Ferrari. That these tendencies have been disciplined according to academic principle reflects the younger Piola’s long study with Carlo Maratta in Rome and then his collaboration with various sculptors. Purely Genoese, entirely within the seicento, the style of Domenico is different in both appearance and essence. The Blanton contains over 30 works of art by several members of the prolific studio known as Casa Piola. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "3334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16099", "Disp_Access_No" : "2017.1375", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610s", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1615", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Lionello Spada", "Sort_Artist" : "Spada, Lionello", "Disp_Dimen" : "26.6 cm x 14.9 cm (10 1/2 in. x 5 7/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Info_Page_Comm" : "According to the old inscription in French, this drawing corresponds to a painting by Spada then in the Cospi Collection in Bologna and described by the Bolognese historian Malvasia. Whether the author of the inscription knew this painting first-hand or only from the verbal description cannot be ascertained, and no such painting is known today. But when this circumstantial evidence is combined with the generally Bolognese style, Caravaggesque accent, and haughty flourish of this drawing -- all perfectly consistent with Spada’s style as a painter -- it becomes convincing as the most important example of his draftsmanship", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1375.tif", "IsPrimary" : "1", "_SurrogateID" : "6455", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16106", "Disp_Access_No" : "2017.1230", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Construction of a Church", "Alt_Title" : "", "Obj_Title" : "The Construction of a Church", "Series_Title" : "", "Disp_Maker_1" : "Paolo de Matteis", "Sort_Artist" : "Matteis, Paolo de", "Disp_Dimen" : "26.67 cm x 42.55 cm (10 1/2 in. x 16 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "42.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk; red chalk studies on the verso.", "Support" : "", "Disp_Medium" : "Red chalk; red chalk studies on the verso.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1230.tif", "IsPrimary" : "1", "_SurrogateID" : "5861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16108", "Disp_Access_No" : "2017.1143", "_AccNumSort1" : "", "Disp_Create_DT" : "1680s", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Dream of Joseph", "Alt_Title" : "", "Obj_Title" : "The Dream of Joseph", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Gaulli (Baciccio)", "Sort_Artist" : "Gaulli (Baciccio), Giovanni Battista", "Disp_Dimen" : "27.2 cm x 30.3 cm (10 11/16 in. x 11 15/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "30.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heightening on cream antique laid paper, laid down", "Info_Page_Comm" : "Baciccio’s incomparably fluid and brilliantly colored style represented the principle alternative to the academic manner that dominated late century Roman painting. His monumental frescoes, famously that of the vault of the Church of the Gesù, mark the emergence of an important strain of late Baroque decoration. Contemporary with those frescoes, as well as the Collection’s painting of Rinaldo and Armida, this drawing conveys the essence of Baciccio’s style in its dramatic space, rhythmic animation. and lavish technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1143.tif", "IsPrimary" : "1", "_SurrogateID" : "5208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16121", "Disp_Access_No" : "2017.999", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moses Striking the Rock", "Alt_Title" : "", "Obj_Title" : "Moses Striking the Rock", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "28.5 cm x 39.4 cm (11 1/4 in. x 15 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Support" : "", "Disp_Medium" : "Recto: red chalk squared in graphite on cream antique laid paper; Verso: A Woman Carrying a Basket and another Figure, in red chalk (traced from recto). ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.999.tif", "IsPrimary" : "1", "_SurrogateID" : "5859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16128", "Disp_Access_No" : "2017.1016", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene (recto); The Conversion of Saint Paul (verso)", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Castiglione", "Sort_Artist" : "Castiglione, Attributed to Francesco", "Disp_Dimen" : "40 cm x 28.3 cm (15 3/4 in. x 11 1/8 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white, on blue paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016.tif", "IsPrimary" : "1", "_SurrogateID" : "2611", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1016-verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1016-verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1016-verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1016-verso.tif", "IsPrimary" : "0", "_SurrogateID" : "6679", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16147", "Disp_Access_No" : "2017.1049", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with the Good Samaritan", "Alt_Title" : "", "Obj_Title" : "Landscape with the Good Samaritan", "Series_Title" : "", "Disp_Maker_1" : "Pierfrancesco Cittadini", "Sort_Artist" : "Cittadini, Pierfrancesco", "Disp_Dimen" : "28.9 cm x 23.4 cm (11 3/8 in. x 9 3/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with yellow heightening on orange prepared antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1049.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1049.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1049.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1049.tif", "IsPrimary" : "1", "_SurrogateID" : "5741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16148", "Disp_Access_No" : "2017.1311", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abraham and the Angels", "Alt_Title" : "", "Obj_Title" : "Abraham and the Angels", "Series_Title" : "", "Disp_Maker_1" : "Paolo Gerolamo Piola", "Sort_Artist" : "Piola, Paolo Gerolamo", "Disp_Dimen" : "28.89 cm x 20.64 cm (11 3/8 in. x 8 1/8 in.)", "Disp_Height" : "28.89 cm", "Disp_Width" : "20.64 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1311.tif", "IsPrimary" : "1", "_SurrogateID" : "5764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16149", "Disp_Access_No" : "2017.1309", "_AccNumSort1" : "", "Disp_Create_DT" : "1650s-1660s", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1660", "Disp_Title" : "Meeting of David and Abigail", "Alt_Title" : "", "Obj_Title" : "Meeting of David and Abigail", "Series_Title" : "", "Disp_Maker_1" : "Domenico Piola", "Sort_Artist" : "Piola, Domenico", "Disp_Dimen" : "29 cm x 42.7 cm (11 7/16 in. x 16 13/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk, squared in red chalk", "Info_Page_Comm" : "Synthesizing several Genoese strains, from the imported Flemish to the native late Mannerist, Piola developed a style of considerable attractiveness, perfect regularity, and tremendous success in the production of altarpieces and grand-scale secular decorations. No less prolific as a draftsman, he is reported to have left 4,000 drawings to his family, and even today his fluidly drawn, smoothly modeled pen-and-wash studies seem ubiquitous. This is an unusually vigorous early study, with its rhythms more staccato, its illumination more intense, and its recollections of earlier Genoese pen-and-wash studies, of Cambiaso and Benso, more pronounced. The Collection counts another two drawings and four paintings by the artist.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1309.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1309.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1309.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1309.tif", "IsPrimary" : "1", "_SurrogateID" : "5886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16154", "Disp_Access_No" : "2017.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Esther, Ahasuerus and Haman", "Alt_Title" : "", "Obj_Title" : "Esther, Ahasuerus and Haman", "Series_Title" : "", "Disp_Maker_1" : "Pietro Ricchi (Lucchese)", "Sort_Artist" : "Ricchi (Lucchese), Pietro", "Disp_Dimen" : "29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and wash heightened with white", "Support" : "", "Disp_Medium" : "Red chalk and wash heightened with white", "Info_Page_Comm" : "In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air. The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335-old.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335-old.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335-old.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335-old.tif", "IsPrimary" : "1", "_SurrogateID" : "5868", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16194", "Disp_Access_No" : "2017.1407", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Five Saints", "Alt_Title" : "", "Obj_Title" : "Five Saints: St. Joseph, St. John the Evangelist, St. Barbara, St. Francis and St. Catherine", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Cosimo Ulivelli", "Sort_Artist" : "Ulivelli, Attributed to Cosimo", "Disp_Dimen" : "32.39 cm x 23.5 cm (12 3/4 in. x 9 1/4 in.)", "Disp_Height" : "32.39 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and gray wash", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1407.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1407.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1407.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1407.tif", "IsPrimary" : "1", "_SurrogateID" : "3294", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16214", "Disp_Access_No" : "2017.1020", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1655-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "34.8 cm x 24.5 cm (13 11/16 in. x 9 5/8 in.)", "Disp_Height" : "34.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Support" : "", "Disp_Medium" : "Brush with reddish-brown and pale blue oil paint on cream antique laid paper par", "Info_Page_Comm" : "Numerous artists from the late 16th century onward, and especially those of Venetian experience, occasionally employed oil on paper for preparatory studies of a pronounced pictorial character. Castiglione not only experimented incessantly with the technique, but in his later career adopted it as his preferred means of drawing. Monochrome -- usually the reddish-brown seen here -- and very open brushwork maintained the linear personality of these studies, while the oil selectively impregnated into the paper allowed variation in their resolution, saturation of color, and to an extent even hue. This is an excellent example of this distinctive and often arresting hybrid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1020.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1020.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1020.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1020.tif", "IsPrimary" : "1", "_SurrogateID" : "2733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16227", "Disp_Access_No" : "2017.1111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ciro Ferri", "Sort_Artist" : "Ferri, Circle of Ciro", "Disp_Dimen" : "36.2 cm x 24.77 cm (14 1/4 in. x 9 3/4 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1111.tif", "IsPrimary" : "1", "_SurrogateID" : "5863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16232", "Disp_Access_No" : "2017.1055", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Battle of Centaurs and Lapiths", "Alt_Title" : "", "Obj_Title" : "The Battle of Centaurs and Lapiths", "Series_Title" : "", "Disp_Maker_1" : "Copy after Pietro Berrettini, called Pietro da Cortona", "Sort_Artist" : "Cortona, Copy after Pietro Berrettini, called Pietro da", "Disp_Dimen" : "36.83 cm x 46.99 cm (14 1/2 in. x 18 1/2 in.)", "Disp_Height" : "36.83 cm", "Disp_Width" : "46.99 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on two pieces of paper", "Support" : "", "Disp_Medium" : "Black chalk on two pieces of paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1055.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1055.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1055.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1055.tif", "IsPrimary" : "1", "_SurrogateID" : "5905", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16246", "Disp_Access_No" : "2017.1328", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Queen before a Warrior at a Port", "Alt_Title" : "", "Obj_Title" : "A Queen before a Warrior at a Port", "Series_Title" : "", "Disp_Maker_1" : "Antonio Puglieschi", "Sort_Artist" : "Puglieschi, Antonio", "Disp_Dimen" : "38.1 cm x 52.07 cm (15 in. x 20 1/2 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "52.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Support" : "", "Disp_Medium" : "Pen and brown ink and grey wash, heightened with white, over black chalk on blue", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 16254, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16254", "Disp_Access_No" : "2017.1024", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Noah Leading the Animals into the Ark", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "39.5 cm x 57.3 cm (15 9/16 in. x 22 9/16 in.)", "Disp_Height" : "39.5 cm", "Disp_Width" : "57.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on cradled wood panel", "Info_Page_Comm" : "This oil sketch reveals two fundamental debts to Netherlandish art. The technique, especially employed in such a loose and summary manner, derives from the frequent preparatory studies of the great Flemish painters, Rubens and Van Dyck, who were active at Genoa early in the century. And the subject responds to the Genoese taste for animal paintings that was acquired from 17th-century Holland. Castiglione rarely essayed animals as such, but many of his habitual historical subjects are pretexts for featuring them. The constancy of his interest and the continuity in these subjects are made clear by the comparison of this study with his large etching from more than a decade later. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be on display with conservator''s approval. (FC:jp 4/22/2015)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1024.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1024.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1024.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1024.tif", "IsPrimary" : "1", "_SurrogateID" : "2763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16265", "Disp_Access_No" : "2017.1255", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Pietro Novelli, called Monrealese", "Sort_Artist" : "Novelli, called Monrealese, Pietro", "Disp_Dimen" : "39.6 cm x 28 cm (15 9/16 in. x 11 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Once believed an early and rare pen study by Bernardo Strozzi, this drawing has since been recognized as the work of Monrealese, the most distinguished native artist in early 17th-century Sicily. Characteristic of his few drawings are the compression of space into curvilinear pattern, dissolve of form into shimmering atmosphere, and the constant embroidery of contour. The shapes of the principal figures and the variegation of light across them assume the example of Van Dyck, whose Madonna of the Rosary arrived in Palermo in 1624, while there is no hint of the greater naturalism that would follow trips to Naples and Rome in 1630-33. The iconography too must be correctly identified: always thought curi-ous and described generically as a Vision of the Trinity, it in fact a strict rendering of the Presentation (Luke 2:25) -- the Child standing upon the altar, the priest Simeon (not Joseph) inspired by the Holy Spirit to recognize His divinity -- but according to the archaic Byzantine conventions that still swayed the Sicilian imagination. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1255.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1255.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1255.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1255.tif", "IsPrimary" : "1", "_SurrogateID" : "4881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16286", "Disp_Access_No" : "2017.1151", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1656", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1661", "Disp_Title" : "Apollo and Marsayas", "Alt_Title" : "", "Obj_Title" : "Apollo and Marsyas", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Giordano", "Sort_Artist" : "Giordano, Attributed to Luca", "Disp_Dimen" : "41.91 cm x 26.67 cm (16 1/2 in. x 10 1/2 in.)", "Disp_Height" : "41.91 cm", "Disp_Width" : "26.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "Giordano, the leading painter in late century Naples, was active and influential throughout Italy. His biographer, De Domenici, mentions that in Rome around 1656, Giordano was struck by some drawings by Cambiaso and took to copying them. While clearly inspired by Cambiaso, the hand responsible for this drawing is broader in rhythm and more generalized in effect. It is consistent with other drawings that have been attributed to Giordano around this time. Apollo and Marsyas was also a favorite subject in seventeenth-century Naples. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1151.tif", "IsPrimary" : "1", "_SurrogateID" : "6461", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16305", "Disp_Access_No" : "2017.872", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Prelate (recto and verso)", "Alt_Title" : "", "Obj_Title" : "A Prelate (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Roman", "Sort_Artist" : "Anonymous, Roman", "Disp_Dimen" : "43.5 cm x 30.48 cm (17 1/8 in. x 12 in.)", "Disp_Height" : "43.5 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalk, on buff paper", "Support" : "", "Disp_Medium" : "Black and white chalk, on buff paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.872.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.872.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.872.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.872.tif", "IsPrimary" : "1", "_SurrogateID" : "4740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16349", "Disp_Access_No" : "2017.811", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Arts", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Arts", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "51.44 cm x 39.37 cm (20 1/4 in. x 15 1/2 in.)", "Disp_Height" : "51.44 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.811.tif", "IsPrimary" : "1", "_SurrogateID" : "3728", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16932", "Disp_Access_No" : "2003.132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Evangelist, after Carlo Dolci", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist, after Carlo Dolci", "Series_Title" : "", "Disp_Maker_1" : "Baldassare Franceschini, called Volterrano", "Sort_Artist" : "Volterrano, Baldassare Franceschini, called", "Disp_Dimen" : "24.3 cm x 19.7 cm (9 9/16 in. x 7 3/4 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Black chalk with brush and gray wash and white heightening", "Support" : "", "Disp_Medium" : "Black chalk with brush and gray wash and white heightening", "Info_Page_Comm" : "A fascinating intersection of Florentine Baroque modes, this drawing reproduces a devotional painting by Carlo Dolci, a contemporary whose work epitomizes the city’s cultural involution and associated pietism. (The Collection features an important devotional painting by Dolci.) Beautifully executed, itself practically a miniature painting, this drawing was obviously intended as a finished work, for independent sale or perhaps presentation to a patron. Drawings of the kind are rare in Volterrano’s oeuvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.132.tif", "IsPrimary" : "1", "_SurrogateID" : "7021", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17245", "Disp_Access_No" : "2004.161", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Alt_Title" : "", "Obj_Title" : "Hercules (?) with a Distaff (recto), and The Assumption of the Virgin (verso)", "Series_Title" : "", "Disp_Maker_1" : "Giulio Benso", "Sort_Artist" : "Benso, Giulio", "Disp_Dimen" : "29.2 cm x 22.1 cm (11 1/2 in. x 8 11/16 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash (recto)", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash (recto)", "Info_Page_Comm" : "Long after other Genoese artists had turned from Cambiaso's style, Benso adhered to its principles. His monumental fresco decoration is exceptionally systematic in organization and rigorous in perspective. And his drawings insist upon extreme stylization and exaggerated calligraphy. With its underlying geometry, ornamental line, and broad wash, this sheet is characteristic. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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