{ "objects" : [ { "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. By 1600, Clement began to regulate printed works as well.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13118", "Disp_Access_No" : "2002.1753", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "31.9 cm x 31 cm (12 9/16 in. x 12 3/16 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Annibale Carracci arrived in Rome in 1595. His major project was the decoration of a gallery in the Farnese Palace in celebration of Duke Rannuccio’s engagement to the niece of Clement VIII. Its style combined radical naturalism with the orderliness and intellectual appeal of the city’s ingrained classicism. Created shortly before, this etching anticipates the heroic forms and sensuous presentation on the gallery ceiling. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1753.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1753.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1753.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1753.tif", "IsPrimary" : "1", "_SurrogateID" : "4085", "Image_Type" : "Scan", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }