{ "objects" : [ { "embark_ID" : 15893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15893", "Disp_Access_No" : "2017.1163", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Franciscan Saint", "Alt_Title" : "", "Obj_Title" : "A Franciscan Saint", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "13.55 cm x 9.53 cm (5 5/16 in. x 3 3/4 in.)", "Disp_Height" : "13.55 cm", "Disp_Width" : "9.53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1163.tif", "IsPrimary" : "1", "_SurrogateID" : "5747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15933, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15933", "Disp_Access_No" : "2017.1167", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Incredulity of Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Incredulity of Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Guercino (Giovanni Francesco Barbieri)", "Sort_Artist" : "Guercino (Giovanni Francesco Barbieri)", "Disp_Dimen" : "16.5 cm x 23.6 cm (6 1/2 in. x 9 5/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and gray wash and pale blue wash (later additio", "Info_Page_Comm" : "This is a study for the composition of a painting executed for Bartolomeo Fabri of Cento and today in the National Gallery, London. Characteristic of Guercino’s early draftsmanship are its extraordinary economy in the description of form and rhythm in the movement of line. However preliminary, the drawing not only establishes the basic design -- the position and behavior of the protagonists -- but already suggests the pictorial properties -- the saturated color and intense light -- of the finished work. 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Tobias, the son of the title character in the Book of Tobit, would later use the fish’s entrails to cure the blindness of his father and to dispel a demon tormenting his future wife, Sara. Guercino was a leading painter in the Bolognese school of the seventeenth century. He was known for his ability to communicate emotion through human gesture and expression. His talent for depicting contrasts in light also appears in the painting’s dark landscape lit by a setting sun, which echoes Tobias’ story of faith and revelation. This rare work is likely Guercino’s only landscape painting on copper to incorporate a religious narrative. 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