{ "objects" : [ { "embark_ID" : 3750, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3750", "Disp_Access_No" : "1990.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1808", "_Disp_Start_Dat" : "1808", "_Disp_End_Date" : "1808", "Disp_Title" : "Phaeton alarm’d!", "Alt_Title" : "", "Obj_Title" : "Phaeton alarm’d!", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.6 cm x 37.7 cm (13 5/8 in. x 14 13/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "According to Greek mythology, Phaeton convinced his father Apollo to allow him to drive the chariot of the sun across the heavens. When Phaeton could not control the horses, they galloped too close to the earth and scorched its surface. In one of Gillray’s finest political allegories, Foreign Secretary George Canning, a passionate follower of former Prime Minster William Pitt, plays the role of Phaeton. His chariot drives the sun of Anti-Jacobinism through hostile constellations personified by members of the political opposition. Napoleon, straddling the Russian Bear, heads towards Western Europe while the ghosts of Pitt and Charles James Fox cower in the lower corners, watching the flames spread across the globe", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.153.tif", "IsPrimary" : "1", "_SurrogateID" : "5015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16560", "Disp_Access_No" : "2002.2811", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "Metallic–Tractors", "Alt_Title" : "", "Obj_Title" : "Metallic–Tractors", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "34.2 cm x 39 cm (13 7/16 in. x 15 3/8 in.)", "Disp_Height" : "34.2 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand coloring", "Info_Page_Comm" : "Quack doctors and their desperate patients were especially vulnerable targets for satirists of the early nineteenth century. In this print, Dr. Elisha Perkins demonstrates his latest cure-all, a pair of brass and iron rods forged by the doctor in his own furnace that, when stroked over an unhealthy area, draws out affliction. Headlines from the newspaper on the table include the secret of the philosopher’s stone and how to turn all metals into gold, followed by Gillray’s mantra: pro bono publico (“for the public good”). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2811.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2811.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2811.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2811.tif", "IsPrimary" : "1", "_SurrogateID" : "4144", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16779, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16779", "Disp_Access_No" : "2003.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Taking Physick", "Alt_Title" : "", "Obj_Title" : "Taking Physick", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.5 cm x 22 cm (11 1/4 in. x 8 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "This is possibly the first in a series of five prints demonstrating the stages of illness and, more importantly, how the cure is often more agonizing than the sickness. The series includes: Taking Physick, Gentle Emetic, Brisk–Cathartic, Breathing the Vein, and Charming-well Again. Dr. Philip Syng Physick (1768-1837), the conceivable inspiration behind the print, was an American physician who studied under John Hunter in London in the 1790s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16780", "Disp_Access_No" : "2003.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "30.8 cm x 45.2 cm (12 1/8 in. x 17 13/16 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "45.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.26.tif", "IsPrimary" : "1", "_SurrogateID" : "8333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19574", "Disp_Access_No" : "2010.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "The Union Club", "Alt_Title" : "", "Obj_Title" : "The Union Club", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "41.5 cm x 53.3 cm (16 5/16 in. x 21 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "53.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Union Club in London, a fashionable spot for jovial debauchery, was established after the formation of the United Kingdom of Great Britain and Ireland on 1 January 1801. In the foreground members of the ministry raise glasses, shake hands and celebrate the successful union while a heated fight takes places in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.74.tif", "IsPrimary" : "1", "_SurrogateID" : "8225", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. Ironically, he urged the revolutionaries to spare the life of Louis XVI and exile him to the newly formed United States, where the French king was admired and recognized for his support of the American Revolution. In the print, Paine says that the crown is too large for a tailor to measure. Gillray pokes fun at Paine’s blue-collar origins and reveals that he does not have the kind of upbringing to understand the importance of a constitutional monarchy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.73.tif", "IsPrimary" : "1", "_SurrogateID" : "7899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19572", "Disp_Access_No" : "2010.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Pandora Opening Her Box", "Alt_Title" : "", "Obj_Title" : "Pandora Opening Her Box", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.3 cm x 35 cm (19 in. x 13 3/4 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "Illustrating a scandal that absorbed the public for months, Mary Anne Clarke is pictured before the bar of the House of Commons. She and her lover, the Duke of York, were accused of selling army commissions at bargain prices. The Duke resigned shortly after being acquitted; Clarke, however, was convicted of libel and imprisoned.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.72.tif", "IsPrimary" : "1", "_SurrogateID" : "7898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19570", "Disp_Access_No" : "2010.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1799", "_Disp_Start_Dat" : "1799", "_Disp_End_Date" : "1799", "Disp_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Alt_Title" : "", "Obj_Title" : "Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "37.8 cm x 29.2 cm (14 7/8 in. x 11 1/2 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "The year 1799 was marked by particularly bad weather, causing prices to increase on many domestic products. In this print, Prime Minister William Pitt commands the elements to destroy crops, specifically beer-brewing crops such as malt and hops, causing shortages and higher prices. Pitt’s enemies claimed he drove the prices up in order to fund the war against the French Republic.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.70.tif", "IsPrimary" : "1", "_SurrogateID" : "7896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19569", "Disp_Access_No" : "2010.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "The Bear and His Leader", "Alt_Title" : "", "Obj_Title" : "The Bear and His Leader", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25 cm x 35.5 cm (9 13/16 in. x 14 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and soft-ground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and soft-ground etching with hand-coloring", "Info_Page_Comm" : "Charles James Fox, Prime Minister William Pitt’s opposition, was never in the king’s good graces and remained in Pitt’s shadow for most of his political career. Political big wigs Grenville and Sidmouth formed a new ministry after Pitt’s death and named Fox Foreign Secretary and Leader of the House of Commons. Sympathetic to the French, he holds a Phrygian cap, a symbol of the French Revolution. Gillray portrays Fox as a muzzled bear lead by Lord Grenville, dancing to the music played by Lord Sidmouth, suggesting that Fox owes his political status solely to Grenville’s charity. Notice Pro Bono Publico (“for the public good”) printed on the flyer tacked to the wall in the upper left corner of the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19562", "Disp_Access_No" : "2010.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1789", "_Disp_Start_Dat" : "1789", "_Disp_End_Date" : "1789", "Disp_Title" : "The Right Honorable William Pitt", "Alt_Title" : "", "Obj_Title" : "The Right Honorable William Pitt", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "48.9 cm x 35.9 cm (19 1/4 in. x 14 1/8 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "35.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Trained as an engraver at the Royal Academy, Gillray wanted to build a reputation outside of satire, considered a less serious art form. Throughout his career he was continuously criticized by patrons. William Pitt, Prime Minister (1783-1801 and 1804-1806), frequently appeared in Gillray’s caricatures; in this portrait, however, he attempted a formal depiction of the politician. The print was rejected because of its awkward and unflattering features. The artist retorted, “I…am convin[ced] that my likeness is a striking one therefore, I will not alter an iota for any mans opinion upon Earth.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Ross, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.60.tif", "IsPrimary" : "1", "_SurrogateID" : "7245", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19561", "Disp_Access_No" : "2010.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "A New Administration, or the State Quacks Administring", "Alt_Title" : "", "Obj_Title" : "A New Administration, or the State Quacks Administring", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "29.8 cm x 47.3 cm (11 3/4 in. x 18 5/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unhappy with the current ministry, Lord Frederick North (left) and Charles James Fox (center), formed a notoriously short coalition that lasted less than nine months. This print, depicting the two administering an enema to Britannia, was published on the eve before they are officially appointed. After a bill to nationalize the British East India Company failed, King George III dismissed North and Fox and appointed twenty-four year old William Pitt as Prime Minister.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.55.tif", "IsPrimary" : "1", "_SurrogateID" : "7244", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19292", "Disp_Access_No" : "2008.143", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Alt_Title" : "", "Obj_Title" : "Wierd [sic]–Sisters; Ministers of Darkness; Minions to the Moon", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "25.7 cm x 35.2 cm (10 1/8 in. x 13 7/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and aquatint with hand-coloring", "Info_Page_Comm" : "After the painting Weird Sisters by Henri Fuseli (see dedication in upper margin), Gillray represents Henry Dundas, William Pitt, and Edward Thurlow, all members of the Cabinet Ministry, as the three witches from Macbeth. A parody on the sanity of King George III, the three men contemplate the moon, half enlightened with the portrait of Queen Charlotte and half eclipsed with the portrait of the king.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.143.tif", "IsPrimary" : "1", "_SurrogateID" : "4929", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }