{ "objects" : [ { "embark_ID" : 2623, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2623", "Disp_Access_No" : "1998.171", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Jan van den Wouwer, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Jan van den Wouwer, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24 cm x 15.9 cm (9 7/16 in. x 6 1/4 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "15.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching by Anthony van Dyck & Lucas Vorsterman (and engraving by Paulus Pontius)", "Support" : "", "Disp_Medium" : "Etching by Anthony van Dyck & Lucas Vorsterman (and engraving by Paulus Pontius)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2738", "Disp_Access_No" : "2002.1133", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1632", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1631", "Disp_Title" : "Jan Snellinck, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Jan Snellinck, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "23.9 cm x 15.2 cm (9 7/16 in. x 6 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "15.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a unique plate as it was etched twice. Van Dyck painted stop-out varnish on the left and right edges of the plate to prevent acid from biting. Halfway through the etching process he removed the plate from the acid bath, added more varnish, and etched the plate again. The deeper bite resulted in thicker lines. Painter, draftsman and tapestry designer, Snellinck was also a successful art dealer. He is depicted with a strong, proud stance and a focused gaze. Van Dyck shows him as a general, alluding to the subject matter, battle scenes and historical, for which he is best known.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "1760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10928", "Disp_Access_No" : "1991.154", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1626", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1636", "Disp_Title" : "Jan Brueghel, the elder, from the Iconography ", "Alt_Title" : "", "Obj_Title" : "Jan Brueghel, the elder, from the Iconography ", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.7 cm x 16.1 cm (9 3/4 in. x 6 5/16 in.)", "Disp_Height" : "24.7 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "An unknown engraver completed the background in stages, as is evident in the differing states of this print. In the fifth state one can see the progressive wearing of the plate; the engraved portion of the second state prints lighter than the rest of the background. Son of Pieter Brueghel, Jan was a celebrated landscape and seascape painter. He often collaborated with other artists, including Peter Paul Rubens. Brueghel provided the landscape while Rubens furnished the narrative compositions with figures. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11188, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11188", "Disp_Access_No" : "1997.131", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1644", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1644", "Disp_Title" : "Desiderius Erasmus, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Desiderius Erasmus, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.4 cm x 16.7 cm (10 in. x 6 9/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "16.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There was no shortage of images of Erasmus during the 1500s and 1600s. Humanist and theologian, he believed in reforming the Church from within rather than rejecting its authorities. The model for Van Dyck’s print is a painting by Hans Holbein. The lines are stiff and the face is heavy and overworked, suggesting that it was an early attempt by Van Dyck. The varnish, a very temperamental material made of a waxy substance impervious to acid, did not adhere properly to the plate and allowed acid to reach the copper. The subsequent pockmarks and other imperfections, called foul-biting, are the most striking features of the print and dozens of images were pulled. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of Robert Herman, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11189", "Disp_Access_No" : "1998.172", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1644", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1644", "Disp_Title" : "Justus Sustermans, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Justus Sustermans, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "29.4 cm x 20.6 cm (11 9/16 in. x 8 1/8 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching ", "Support" : "", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "Active in Italy, Sustermans was one of the country’s most popular portrait painters. As a testament to his abilities, he became court painter to the famous and powerful merchant family, the Medici.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11190", "Disp_Access_No" : "1998.173", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1644", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1644", "Disp_Title" : "Frans Snyders, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Frans Snyders, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "33.7 cm x 22.3 cm (13 1/4 in. x 8 3/4 in.)", "Disp_Height" : "33.7 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Jacques Neeffs)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Jacques Neeffs)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12685", "Disp_Access_No" : "2002.1128", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1626", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1636", "Disp_Title" : "Jan Brueghel, the elder, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Jan Brueghel, the elder, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "22.1 cm x 15.4 cm (8 11/16 in. x 6 1/16 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "15.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Son of Pieter Brueghel, Jan was a celebrated landscape and seascape painter. He often collaborated with other artists, including Peter Paul Rubens. Brueghel provided the landscape while Rubens furnished the narrative compositions with figures.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12687", "Disp_Access_No" : "2002.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.1 cm x 15.3 cm (9 1/2 in. x 6 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Momper gestures to the rocky landscape in the background, signaling his reputation as an accomplished landscape painter during the transition from Mannerism to Realism.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1130.tif", "IsPrimary" : "1", "_SurrogateID" : "5965", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12689, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12689", "Disp_Access_No" : "2002.1132", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adam van Noort, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Adam van Noort, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "37 cm x 23.3 cm (14 9/16 in. x 9 3/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (and engraving by another hand)", "Support" : "", "Disp_Medium" : "Etching (and engraving by another hand)", "Info_Page_Comm" : "This print is one of the fifteen etched by Van Dyck himself. The set of fifteen were not included in the first publication. They have little to no background and seem unfinished when compared to the engraved plates. It has been suggested that Van Dyck planned to etch the face and the basic shape of the composition then pass the plate to an engraver to add detail in the same way that a painted portrait was produced in a workshop. However, only a few plates were embellished with the burin leaving Van Dyck’s etchings untouched. An inventory of Rembrandt’s paper collection included a book of portrait prints by Van Dyck; it is highly likely that he owned a few of Van Dyck’s pure etchings. Van Noort married the daughter of a wealthy merchant and became a member of Antwerp’s high society. A successful historical painter, Van Noort’s pupils included Peter Paul Rubens and Jacob Jordaens. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12690, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12690", "Disp_Access_No" : "2002.1134", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Paul de Vos, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Paul de Vos, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "23.3 cm x 15.3 cm (9 3/16 in. x 6 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching by Van Dyck and Joannes Meyssens and engraving by Schelte à Bolswert", "Support" : "", "Disp_Medium" : "Etching by Van Dyck and Joannes Meyssens and engraving by Schelte à Bolswert", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12691", "Disp_Access_No" : "2002.1135", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jan de Wael, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Jan de Wael, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.4 cm x 17.3 cm (9 5/8 in. x 6 13/16 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (and engraving by unknown hand)", "Support" : "", "Disp_Medium" : "Etching (and engraving by unknown hand)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 18636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18636", "Disp_Access_No" : "2006.217", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.5 cm x 16.9 cm (10 1/16 in. x 6 5/8 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.217.tif", "IsPrimary" : "1", "_SurrogateID" : "4798", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }