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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4266", "Disp_Access_No" : "G1964.1.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "James Anderson Rose, after Frederick Sandys", "Alt_Title" : "", "Obj_Title" : "James Anderson Rose, after Frederick Sandys", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "26.7 cm x 21.25 cm (10 1/2 in. x 8 3/8 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "21.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4277", "Disp_Access_No" : "G1966.2.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Ernest Renan", "Alt_Title" : "", "Obj_Title" : "Ernest Renan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "34.6 cm x 48.5 cm (13 5/8 in. x 19 1/8 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "48.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Zorn’s stark portrait marked the death of an intellectual who had done much to secularize France. Renan (1823-1892) was born to a Breton woman, raised Catholic, and educated in seminaries with the intention of becoming a priest. The more he learned of his faith, however, the more doubtful of it he became. Renan was best known for his book The Life of Christ, a positivist biography of Jesus as an historical figure, which infuriated the Catholic Church. He was liberal in his politics and supported democratic forms of government. In 1882, he defined a nation as a group of people living together who “have done great things together and want to do more.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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After three failed attempts at winning the Prix de Rome, he abandoned the official art establishment. He met Symbolist writers and developed a style of painting and printmaking that was equivalent to their evocative and dreamlike manner in literature. This is the first in a series of portrait prints depicting his contemporaries. Working with tusche -- ink brushed onto the lithographic stone -- he scraped and scratched the surface to achieve a form that simultaneously emerges from and dissolves into the velvety ground. Alphonse Daudet (1840-1897) was a novelist often compared with the British author Charles Dickens. His Christ-like features were not lost on the writer and critic Edmond de Goncourt (1822-1896), who called it “A portrait of Daudet crucified.” . ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1964.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1964.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1964.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1964.tif", "IsPrimary" : "1", "_SurrogateID" : "1878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4290", "Disp_Access_No" : "1992.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paolo Salviati, No. 5 in North Italian Set", "Alt_Title" : "", "Obj_Title" : "Paolo Salviati, No. 5 in North Italian Set", "Series_Title" : "", "Disp_Maker_1" : "Sir David Young Cameron", "Sort_Artist" : "Cameron, Sir David Young", "Disp_Dimen" : "36.2 cm x 22.4 cm (14 1/4 in. x 8 13/16 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4293", "Disp_Access_No" : "G1966.2.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "Paul Verlaine II, from Pan", "Alt_Title" : "", "Obj_Title" : "Paul Verlaine II, from Pan", "Series_Title" : "", "Disp_Maker_1" : "Anders Leonard Zorn", "Sort_Artist" : "Zorn, Anders Leonard", "Disp_Dimen" : "37.1 cm x 27.6 cm (14 5/8 in. x 10 7/8 in.)", "Disp_Height" : "37.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Verlaine was a recognized leader of Symbolism, and his blatant, extra-marital, affair with poet Arthur Rimbaud epitomized the decadent lifestyle. After their violent break-up and an eighteen-month jail sentence, Verlaine converted to Catholicism. His behavior in public, however, remained eccentric. His poetry in the 1890s was highly erotic and many of his earlier works were celebrated in new editions and anthologies. In 1894 his colleagues named him the “Prince of Poets,” two years before his death at the age of 52.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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"This drypoint shows Berthe Morisot and Eugène Manet’s daughter, Julie. 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 10989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10989", "Disp_Access_No" : "2002.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1820", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Silhouette of George III, after J. Gear, Sr.", "Alt_Title" : "", "Obj_Title" : "Silhouette of George III, after J. Gear, Sr.", "Series_Title" : "", "Disp_Maker_1" : "L.W. Gear, Jr.", "Sort_Artist" : "Gear, Jr., L.W.", "Disp_Dimen" : "28 cm x 22 cm (11 in. x 8 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11365", "Disp_Access_No" : "1999.19", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1818", "_Disp_Start_Dat" : "1813", "_Disp_End_Date" : "1823", "Disp_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Alt_Title" : "", "Obj_Title" : "Desgenettes, médecin en chef de l'armée d'Egypte, S'inocule la peste en présence des soldats malades afin de calmer leur imagination, plate XXVII from Galerie Militaire.", "Series_Title" : "", "Disp_Maker_1" : "Pierre Vafflard", "Sort_Artist" : "Vafflard, Pierre", "Disp_Dimen" : "43.2 cm x 57.6 cm (17 in. x 22 11/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "57.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.19.tif", "IsPrimary" : "1", "_SurrogateID" : "9076", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11397", "Disp_Access_No" : "1998.153", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1861", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1866", "Disp_Title" : "Camille Corot", "Alt_Title" : "", "Obj_Title" : "Camille Corot", "Series_Title" : "", "Disp_Maker_1" : "Félix Bracquemond", "Sort_Artist" : "Bracquemond, Félix", "Disp_Dimen" : "45.2 cm x 31.4 cm (17 13/16 in. x 12 3/8 in.)", "Disp_Height" : "45.2 cm", "Disp_Width" : "31.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11404", "Disp_Access_No" : "G1966.2.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880-1881", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1881", "Disp_Title" : "Portrait of Whistler in White Ducks", "Alt_Title" : "", "Obj_Title" : "Portrait of Whistler in White Ducks", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Menpes", "Sort_Artist" : "Menpes, Mortimer", "Disp_Dimen" : "33.95 cm x 25.55 cm (13 3/8 in. x 10 1/16 in.)", "Disp_Height" : "33.95 cm", "Disp_Width" : "25.55 cm", "Dimen_Extent" : "Sheet", "Medium" : "Drypoint and chine collé", "Support" : "", "Disp_Medium" : "Drypoint and chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81.tif", "IsPrimary" : "1", "_SurrogateID" : "6315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8200", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.81 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.81 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.81 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.81 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8201", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11405", "Disp_Access_No" : "1999.187", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Pope Leo XIII", "Alt_Title" : "", "Obj_Title" : "Pope Leo XIII", "Series_Title" : "", "Disp_Maker_1" : "Claude-Ferdinand Gaillard", "Sort_Artist" : "Gaillard, Claude-Ferdinand", "Disp_Dimen" : "59.3 cm x 42.9 cm (23 3/8 in. x 16 7/8 in.)", "Disp_Height" : "59.3 cm", "Disp_Width" : "42.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11406", "Disp_Access_No" : "G1964.1.87", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "William Makepeace Thackeray", "Alt_Title" : "", "Obj_Title" : "William Makepeace Thackeray", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "29.85 cm x 21.9 cm (11 3/4 in. x 8 5/8 in.)", "Disp_Height" : "29.85 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11409", "Disp_Access_No" : "1982.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Daniel M. Tredwell", "Alt_Title" : "", "Obj_Title" : "Daniel M. Tredwell", "Series_Title" : "", "Disp_Maker_1" : "William Merritt Chase", "Sort_Artist" : "Chase, William Merritt", "Disp_Dimen" : "21.6 cm x 15 cm (8 1/2 in. x 5 7/8 in.)", "Disp_Height" : "21.6 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Undetermined Source", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11415", "Disp_Access_No" : "1999.186", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Pere Hubin", "Alt_Title" : "", "Obj_Title" : "Pere Hubin", "Series_Title" : "", "Disp_Maker_1" : "Claude-Ferdinand Gaillard", "Sort_Artist" : "Gaillard, Claude-Ferdinand", "Disp_Dimen" : "27.9 cm x 19.2 cm (11 in. x 7 9/16 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "19.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11418", "Disp_Access_No" : "P1961.91", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1890", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1895", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Camille Pissarro", "Sort_Artist" : "Pissarro, Camille", "Disp_Dimen" : "32.7 cm x 22.5 cm (12 7/8 in. x 8 7/8 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Unlike others of the Impressionists who had to be coaxed into making prints and then usually made only copies of their paintings, Pissarro embraced etching early as a means of producing original work. 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