{ "objects" : [ { "embark_ID" : 11315, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11315", "Disp_Access_No" : "1992.260", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1764-1770", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1770", "Disp_Title" : "James Paine, Sr. and James Paine, Jnr., after Joshua Reynolds", "Alt_Title" : "", "Obj_Title" : "James Paine, Sr. and James Paine, Jnr., after Joshua Reynolds", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "47.3 cm x 34.5 cm (18 5/8 in. x 13 9/16 in.)", "Disp_Height" : "47.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Paine was an architect in the prevailing style of the sixteenth-century Italian Andrea Palladio. Here he holds a drawing of the elevation of a palace façade. For Reynolds’s house in London, Paine designed several rooms and a chimney. Executed shortly after, Reynolds’s painting is in the Ashmolean Museum at Oxford.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 19578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19578", "Disp_Access_No" : "2010.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1780", "_Disp_Start_Dat" : "1780", "_Disp_End_Date" : "1780", "Disp_Title" : "Rubens and Family, after Jacob Jordaens", "Alt_Title" : "", "Obj_Title" : "Rubens and Family, after Jacob Jordaens", "Series_Title" : "", "Disp_Maker_1" : "James Watson", "Sort_Artist" : "Watson, James", "Disp_Dimen" : "63.4 cm x 47.8 cm (24 15/16 in. x 18 13/16 in.)", "Disp_Height" : "63.4 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "In 1779 the famous collection of Old Masters formed by the great English statesman Robert Walpole was sold by his descendents to Catherine the Great of Russia. To record what was regarded as a departing national treasure, the publisher John Boydell commissioned a series of mezzotints after the collection’s most important paintings. Named for Walpole’s residence, the Houghton Gallery was one of the major print projects in late eighteenth century Britain. Noted for its subject and geniality, Jordaens’s painting remains in the Hermitage, St. Petersburg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.79.tif", "IsPrimary" : "1", "_SurrogateID" : "7259", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }