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Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1340.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1340.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1340.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1340.tif", "IsPrimary" : "1", "_SurrogateID" : "4982", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16087, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16087", "Disp_Access_No" : "2017.916", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1650s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Biscaino", "Sort_Artist" : "Biscaino, Bartolomeo", "Disp_Dimen" : "25.5 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Brush and brown wash over red chalk with touches of black chalk and gray wash on cream antique laid paper", "Info_Page_Comm" : "Biscaino’s style was determined by the more stylized and lyrical painters in Genoa, Valerio Castello in particular, then further shaped by Castiglione. Drawings and etchings represent most of his brief activity. Their forms tend to be elastic in structure, iridescent in surface, and delicate in touch. This late drawing, explicit in its dependence upon Parmigianino’s types and Castiglione’s innovative techniques, is unusually bold. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.916.tif", "IsPrimary" : "0", "_SurrogateID" : "5213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16093", "Disp_Access_No" : "2017.1094", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Gaspare Diziani", "Sort_Artist" : "Diziani, Gaspare", "Disp_Dimen" : "26.1 cm x 57.4 cm (10 1/4 in. x 22 5/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash on cream antique laid paper squared in black chalk, laid down", "Info_Page_Comm" : "Diziani was a distinguished follower of Sebastiano Ricci who took the master’s style toward a more angular design, compact form, and subdued palette. Always active for his native Belluno and throughout the northern Veneto, he became the leading painter in Venice itself in the 1750s, after the demise of the school’s great first generation and Tiepolo’s work abroad. Diziani was a fecund draftsman in a style also derived form Ricci, but with a more filigreed line and concentrated use of wash to define form. This is an impressive example of his mature style, rendering a subject he treated on numerous occasions in painting and drawing, but not directly related to any.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1094.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1094.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1094.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1094.tif", "IsPrimary" : "1", "_SurrogateID" : "5899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16152", "Disp_Access_No" : "2017.1120", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "29.3 cm x 21.6 cm (11 9/16 in. x 8 1/2 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink on cream antique laid paper", "Info_Page_Comm" : "Fontebasso was, with Gaspare Diziani, the most interesting of the secondary masters in 18th-century Venice. His style was based upon Sebastiano Ricci’s extroverted color and drama, but simplified in design, infused with a more textured realism gathered from early experiences in Rome and Bologna, and touched by the lighter palette of Tiepolo. Monumental in construction yet charming and vibrant, with its trademark hatching recalling Fontebasso’s significant activity as an etcher, this is one of his finest drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1120.tif", "IsPrimary" : "1", "_SurrogateID" : "5212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16431", "Disp_Access_No" : "2017.897", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Woman with Her Son", "Alt_Title" : "", "Obj_Title" : "Portrait of a Woman with Her Son", "Series_Title" : "", "Disp_Maker_1" : "Leandro Bassano", "Sort_Artist" : "Bassano, Leandro", "Disp_Dimen" : "89 cm x 72 cm (35 1/16 in. x 28 3/8 in.)", "Disp_Height" : "89 cm", "Disp_Width" : "72 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Can''t put up until fully restored. Status due to conservation issues. Down the line, could be 2+. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879.tif", "IsPrimary" : "1", "_SurrogateID" : "6983", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }