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I have reproduced it in the plate. The Liner shown I believe to be the 'Vaterland' of the North German Lloyd...". 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American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1943.1.15-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1943.1.15-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1943.1.15-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1943.1.15-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "20157", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1943.1.15-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1943.1.15-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1943.1.15-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1943.1.15-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "20158", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14225", "Disp_Access_No" : "G1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "After the Storm", "Alt_Title" : "", "Obj_Title" : "After the Storm", "Series_Title" : "", "Disp_Maker_1" : "Michael Frary", "Sort_Artist" : "Frary, Michael", "Disp_Dimen" : "122 cm x 152.3 cm (48 1/16 in. x 59 15/16 in.)", "Disp_Height" : "122 cm", "Disp_Width" : "152.3 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on masonite", "Info_Page_Comm" : "Michael Frary spent the early part of his career working in the film industry in Los Angeles. In 1949, he moved to San Antonio, and then joined the faculty at The University of Texas Art Department in 1952. He held a full professorship from 1970 to 1989. His modernist style was strongly influenced by Cubism and Surrealism. Frary also had a keen eye for architecture, and loved to treat it with a blocky and reductive geometry, as he does here. Locally, he is best known for his watercolors and his devotion to the theme of the Texas landscape, as in his series Impressions of the The Big Thicket, Watercolors of the Rio Grande, and Impressions of the Texas Panhandle, each published as books by The University of Texas Press and Texas A&M University Press.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of D.D. Feldman, 1964", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.27.tif", "IsPrimary" : "1", "_SurrogateID" : "2300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.327.tif", "IsPrimary" : "1", "_SurrogateID" : "1572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14500", "Disp_Access_No" : "1991.251", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Approaching Storm, Lane's Cove", "Alt_Title" : "", "Obj_Title" : "Approaching Storm, Lane's Cove", "Series_Title" : "", "Disp_Maker_1" : "Abraham Leon Kroll", "Sort_Artist" : "Kroll, Abraham Leon", "Disp_Dimen" : "66.8 cm x 107.4 cm (26 5/16 in. x 42 5/16 in.)", "Disp_Height" : "66.8 cm", "Disp_Width" : "107.4 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.251.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.251.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.251.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.251.tif", "IsPrimary" : "1", "_SurrogateID" : "1544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14501", "Disp_Access_No" : "1991.250", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Captain and Crew", "Alt_Title" : "", "Obj_Title" : "Captain and Crew", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "104.5 cm x 150.5 cm (41 1/8 in. x 59 1/4 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.tif", "IsPrimary" : "1", "_SurrogateID" : "7340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.250.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.250.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.250.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.250.mp3", "IsPrimary" : "0", "_SurrogateID" : "8507", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14509", "Disp_Access_No" : "1991.243", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Highball on the Redball Manifest", "Alt_Title" : "", "Obj_Title" : "Highball on the Redball Manifest", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "152.4 cm x 127 cm (60 in. x 50 in.)", "Disp_Height" : "152.4 cm", "Disp_Width" : "127 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Indiana has characterized the iconic text and numberfilled canvases he produced in the 1960s as paintings of “the American scene.” Indeed, their fonts and formats are reminiscent of quintessentially American subjects such as midcentury roadside signs, pinball machines, or roulette wheels. The large circle emblazoned on this canvas resembles the front of an old-fashioned steam train and contains stenciled letters with arcane locomotive terminology. Although Indiana’s paintings are visually arresting, the phrases he chooses are often more complex and layered than they initially appear. “Highball,” for example, refers to a signal used to start a train, usually given by lights or a hand gesture. It also refers to a cocktail served in a tall glass historically served on trains. Similarly, the number in the center—“25”—suggests the number of the train but may also serve as a nod to his address at the time: 25 Coenties Slip. While words have long been Indiana’s chosen medium, he only began to incorporate bold colors and hard edges into his paintings after a romantic relationship with artist Ellsworth Kelly. The two met in 1956 in New York when Kelly purchased a Matisse postcard that Indiana had displayed in the window of a store where he worked at the time. They subsequently became neighbors in a building on the Coenties Slip in the southeastern edge of lower Manhattan where a community of artists, including Agnes Martin and James Rosenquist, lived. Indiana later explained: "My painting life began with Ellsworth. Before Coenties Slip, I was aesthetically at sea. With Ellsworth, my whole life perspective changed. All of a sudden I was in the twentieth century. . . . I never thought about color until I knew Ellsworth.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "approved web site; all other uses must be approved on case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.243.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.243.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.243.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.243.tif", "IsPrimary" : "1", "_SurrogateID" : "3353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.243.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.243.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.243.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.243.mp3", "IsPrimary" : "0", "_SurrogateID" : "8504", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14522", "Disp_Access_No" : "1991.231", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "St. Tropez", "Alt_Title" : "", "Obj_Title" : "St. Tropez", "Series_Title" : "", "Disp_Maker_1" : "Samuel Halpert", "Sort_Artist" : "Halpert, Samuel", "Disp_Dimen" : "87.4 cm x 112.5 cm (34 7/16 in. x 44 5/16 in.)", "Disp_Height" : "87.4 cm", "Disp_Width" : "112.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.231.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.231.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.231.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1991.231.TIF", "IsPrimary" : "1", "_SurrogateID" : "9552", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14620, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14620", "Disp_Access_No" : "1988.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Pursuit of Happiness", "Alt_Title" : "", "Obj_Title" : "Pursuit of Happiness", "Series_Title" : "", "Disp_Maker_1" : "Jane Dickson", "Sort_Artist" : "Dickson, Jane", "Disp_Dimen" : "175.26 cm x 312.4 cm (69 in. x 123 in.)", "Disp_Height" : "175.26 cm", "Disp_Width" : "312.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1988", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.8.tif", "IsPrimary" : "1", "_SurrogateID" : "6405", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14859", "Disp_Access_No" : "1985.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "The Rectangular Format", "Alt_Title" : "", "Obj_Title" : "The Rectangular Format", "Series_Title" : "", "Disp_Maker_1" : "Lee N. Smith III", "Sort_Artist" : "Smith III, Lee N.", "Disp_Dimen" : "177.8 cm x 152.7 cm (70 in. x 60 1/8 in.)", "Disp_Height" : "177.8 cm", "Disp_Width" : "152.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas with construction", "Support" : "canvas", "Disp_Medium" : "Oil on canvas with construction on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.166.tif", "IsPrimary" : "1", "_SurrogateID" : "1314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15008", "Disp_Access_No" : "1982.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Casa con vista al mar [House With a View of the Sea]", "Alt_Title" : "House with a View of the Sea", "Obj_Title" : "Casa con vista al mar [House With a View of the Sea]", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sánchez", "Sort_Artist" : "Sánchez, Emilio", "Disp_Dimen" : "121.7 cm x 183 cm (47 15/16 in. x 72 1/16 in.)", "Disp_Height" : "121.7 cm", "Disp_Width" : "183 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "all approved.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.3.tif", "IsPrimary" : "1", "_SurrogateID" : "3173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15059", "Disp_Access_No" : "1981.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Constructif en rouge et ocre [Construction in Red and Ochre]", "Alt_Title" : "Construction in Red and Ochre", "Obj_Title" : "Constructif en rouge et ocre [Construction in Red and Ochre]", "Series_Title" : "", "Disp_Maker_1" : "Joaquín Torres-García", "Sort_Artist" : "Torres-García, Joaquín", "Disp_Dimen" : "86.5 cm x 58.9 cm (34 1/16 in. x 23 3/16 in.)", "Disp_Height" : "86.5 cm", "Disp_Width" : "58.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Joaquín Torres-García characteristically organized his works using an underlying grid containing universal archetypes. The figure, temple, heart, clock, hammer, bottle, and vessel with its anchor symbolize different aspects of human existence, ranging from the natural, emotional, intellectual, and spiritual. "Constructif en rouge et ocre" also demonstrates Torres-García’s understanding of abstraction as a process of simplification, accomplished in part through the use of a limited palette. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Eugene McDermott Foundation in honor of Barbara Duncan, 1981", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Uruguay", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14375", "Rel_Obj_Title" : "Sueño de las alturas [Dream of the Heights]" },{ "Rel_Obj_ID" : "9573", "Rel_Obj_Title" : "Untitled" },{ "Rel_Obj_ID" : "5092", "Rel_Obj_Title" : "Composición [Composition]" },{ "Rel_Obj_ID" : "9989", "Rel_Obj_Title" : "Untitled" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.40.tif", "IsPrimary" : "1", "_SurrogateID" : "1194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15063", "Disp_Access_No" : "1981.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "The Unending Story [Historia sin fin]", "Alt_Title" : "[Historia sin fin]", "Obj_Title" : "Historia sin fin [The Unending Story]", "Series_Title" : "", "Disp_Maker_1" : "Liliana Porter", "Sort_Artist" : "Porter, Liliana", "Disp_Dimen" : "158 cm x 214.7 cm (62 3/16 in. x 84 1/2 in.)", "Disp_Height" : "158 cm", "Disp_Width" : "214.7 cm", "Dimen_Extent" : "Sight", "Medium" : "Acrylic, silkscreen, drawing, and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic, silkscreen, drawing, and collage on canvas", "Info_Page_Comm" : "Liliana Porter’s art is traversed by a deep concern for language, which shapes works like this one in unexpected ways. Her favorite writer is her compatriot Jorge Luis Borges, known for blurring the line between reality and illusion in his stories. Porter plays with this idea by combining two-dimensional images with three-dimensional objects glued onto the canvas, the latter demanding close observation to be perceived as volumetric. She further challenges our perception of the real by visually quoting another writer, Lewis Carroll. The main character in "Alice in Wonderland" grapples with a confusing dreamlike world she found on the other side of the mirror. Such interest in language also shaped the way Porter arranged objects on the canvas, as if they were a sentence written on a page whose corner lifts slightly near the bottom edge. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Barbara Duncan Fund in memory of Rocío Duncan, 1981", "Copyright_Type" : "All", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "1", "_SurrogateID" : "1192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.31.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.31.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.31.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.31.tif", "IsPrimary" : "0", "_SurrogateID" : "4222", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15126", "Disp_Access_No" : "1977.73", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Magic Bark", "Alt_Title" : "", "Obj_Title" : "Magic Bark", "Series_Title" : "", "Disp_Maker_1" : "Enrique Climent", "Sort_Artist" : "Climent, Enrique", "Disp_Dimen" : "29.8 cm x 61 cm (11 3/4 in. x 24 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "61 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1977", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 16862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16862", "Disp_Access_No" : "2003.89.3/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "¡...Oh dios!... Nada se compara a la mierda de pato que me hiciste saborear a orillas de Rhin, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "¡...Oh dios!... Nada se compara a la mierda de pato que me hiciste saborear a orillas de Rhin, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book ", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "40.5 cm x 29.7 cm (15 15/16 in. x 11 11/16 in.)", "Disp_Height" : "40.5 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.3-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.3-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.3-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.3-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2958", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16867", "Disp_Access_No" : "2003.89.5/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1999", "_Disp_Start_Dat" : "1999", "_Disp_End_Date" : "1999", "Disp_Title" : "Free-Falling Vancouver-Havana, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Alt_Title" : "", "Obj_Title" : "Free-Falling Vancouver-Havana, from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book", "Series_Title" : "", "Disp_Maker_1" : "Tonel", "Sort_Artist" : "Tonel", "Disp_Dimen" : "42.2 cm x 29.5 cm (16 5/8 in. x 11 5/8 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "This print from a series of lithographs grew out of the artist’s first experiences of winter as he traveled through Canada and Europe in the 1990s. In the artist’s own words, “Like the texts, the images (all self-portraits) speak of loss, mutilation, encounter, and rupture. The accompanying boleros—a form of Caribbean music intertwined with the lure and sleeplessness of erotic passion, requited or not—set up a virtually sonorous cultural counterpoint with the images of gray, wintry landscapes and bitter, frustrated figures. The bolero supplies a sugary sweet, abundantly smooth musical background to the sordid experiences and disagreements depicted here in hostile cities or messy rooms—locations marked by grotesque and tragic qualities—or in landscapes sketched under lead-gray clouds.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.89.5-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.89.5-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.89.5-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.89.5-12.tif", "IsPrimary" : "1", "_SurrogateID" : "2960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16916", "Disp_Access_No" : "2003.111", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Elbe Landscape with Ships", "Alt_Title" : "", "Obj_Title" : "Elbe Landscape with Ships", "Series_Title" : "", "Disp_Maker_1" : "Ernst Ludwig Kirchner", "Sort_Artist" : "Kirchner, Ernst Ludwig", "Disp_Dimen" : "29.4 cm x 34.7 cm (11 9/16 in. x 13 11/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.111.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.111.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.111.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.111.tif", "IsPrimary" : "1", "_SurrogateID" : "2109", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16929", "Disp_Access_No" : "2003.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Lenin Train", "Alt_Title" : "", "Obj_Title" : "The Lenin Train", "Series_Title" : "", "Disp_Maker_1" : "José Raúl Quintanilla Armijo", "Sort_Artist" : "Quintanilla Armijo, José Raúl", "Disp_Dimen" : "11.4 cm x 21.6 cm (4 1/2 in. x 8 1/2 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "plate", "Medium" : "Collograph", "Support" : "", "Disp_Medium" : "Collograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of David Craven, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Nicaraguan", "Department" : "Prints and Drawings; 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