{ "objects" : [ { "embark_ID" : 1521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1521", "Disp_Access_No" : "G1966.2.197", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Granaries to Babylon/Babylon to Omaha/Railroad Yards", "Alt_Title" : "", "Obj_Title" : "Granaries to Babylon/Babylon to Omaha/Railroad Yards", "Series_Title" : "", "Disp_Maker_1" : "Louis Lozowick", "Sort_Artist" : "Lozowick, Louis", "Disp_Dimen" : "37.3 cm x 26.7 cm (14 11/16 in. x 10 1/2 in.)", "Disp_Height" : "37.3 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5748, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5748", "Disp_Access_No" : "1982.916", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "El tren elevado [The Elevated Train]", "Alt_Title" : "The Elevated Train", "Obj_Title" : "El tren elevado [The Elevated Train]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "31.7 cm x 47.6 cm (12 1/2 in. x 18 3/4 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "47.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.916.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.916.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.916.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.916.tif", "IsPrimary" : "1", "_SurrogateID" : "1263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9706", "Disp_Access_No" : "G1969.6.312", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "The Big Shovel", "Alt_Title" : "", "Obj_Title" : "The Big Shovel", "Series_Title" : "", "Disp_Maker_1" : "Otto August Kuhler", "Sort_Artist" : "Kuhler, Otto August", "Disp_Dimen" : "27 cm x 34 cm (10 5/8 in. x 13 3/8 in.)", "Disp_Height" : "27 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching won First Prize at the Chicago International Graphic Exhibition, 1929. (Kennedy 10)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.312.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.312.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.312.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.312.TIF", "IsPrimary" : "1", "_SurrogateID" : "10443", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9788", "Disp_Access_No" : "G1969.6.404", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Point Bridge or Building Bridges", "Alt_Title" : "", "Obj_Title" : "Point Bridge or Building Bridges", "Series_Title" : "", "Disp_Maker_1" : "Otto August Kuhler", "Sort_Artist" : "Kuhler, Otto August", "Disp_Dimen" : "40.5 cm x 26 cm (15 15/16 in. x 10 1/4 in.)", "Disp_Height" : "40.5 cm", "Disp_Width" : "26 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Point Bridge, Pittsburgh, under construction. (Kennedy 13)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Humanities Research Center, The University of Texas at Austin, 1969", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1969.6.404.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1969.6.404.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1969.6.404.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1969.6.404.TIF", "IsPrimary" : "1", "_SurrogateID" : "10447", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10692", "Disp_Access_No" : "G1970.6.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Freight Cars", "Alt_Title" : "", "Obj_Title" : "Freight Cars", "Series_Title" : "", "Disp_Maker_1" : "Shigeru Kimura", "Sort_Artist" : "Kimura, Shigeru", "Disp_Dimen" : "25 cm x 30.8 cm (9 13/16 in. x 12 1/8 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Amy Freeman Lee, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Japanese", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 14437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14437", "Disp_Access_No" : "1991.327", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Across the Tracks", "Alt_Title" : "", "Obj_Title" : "Across the Tracks", "Series_Title" : "", "Disp_Maker_1" : "Niles Spencer", "Sort_Artist" : "Spencer, Niles", "Disp_Dimen" : "90.8 x 125.4 cm (35 3/4 x 49 3/8 in.)", "Disp_Height" : "90.8 cm", "Disp_Width" : "125.4 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An industrial complex appears frozen in utter silence and stillness. In Across the Tracks, Niles Spencer presents an industrial scene composed of simple geometric forms deriving from the cylinder and cube. The artist has removed all that is superfluous, which, along with his application of monochromatic grays and browns, shortens the painting’s field of depth", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.327.tif", "IsPrimary" : "1", "_SurrogateID" : "1572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14509", "Disp_Access_No" : "1991.243", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Highball on the Redball Manifest", "Alt_Title" : "", "Obj_Title" : "Highball on the Redball Manifest", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "152.4 cm x 127 cm (60 in. x 50 in.)", "Disp_Height" : "152.4 cm", "Disp_Width" : "127 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Indiana has characterized the iconic text and numberfilled canvases he produced in the 1960s as paintings of “the American scene.” Indeed, their fonts and formats are reminiscent of quintessentially American subjects such as midcentury roadside signs, pinball machines, or roulette wheels. The large circle emblazoned on this canvas resembles the front of an old-fashioned steam train and contains stenciled letters with arcane locomotive terminology. Although Indiana’s paintings are visually arresting, the phrases he chooses are often more complex and layered than they initially appear. “Highball,” for example, refers to a signal used to start a train, usually given by lights or a hand gesture. It also refers to a cocktail served in a tall glass historically served on trains. Similarly, the number in the center—“25”—suggests the number of the train but may also serve as a nod to his address at the time: 25 Coenties Slip. While words have long been Indiana’s chosen medium, he only began to incorporate bold colors and hard edges into his paintings after a romantic relationship with artist Ellsworth Kelly. The two met in 1956 in New York when Kelly purchased a Matisse postcard that Indiana had displayed in the window of a store where he worked at the time. They subsequently became neighbors in a building on the Coenties Slip in the southeastern edge of lower Manhattan where a community of artists, including Agnes Martin and James Rosenquist, lived. Indiana later explained: "My painting life began with Ellsworth. Before Coenties Slip, I was aesthetically at sea. With Ellsworth, my whole life perspective changed. All of a sudden I was in the twentieth century. . . . I never thought about color until I knew Ellsworth.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mari and James A. Michener, 1991", "Copyright_Type" : "approved web site; all other uses must be approved on case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.243.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.243.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.243.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.243.tif", "IsPrimary" : "1", "_SurrogateID" : "3353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.243.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.243.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.243.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.243.mp3", "IsPrimary" : "0", "_SurrogateID" : "8504", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "This is an excerpt from a tape James Michener made commenting on the source of paintings in his collection, probably recorded around 1968.", "View" : "" } , ] },{ "embark_ID" : 14859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14859", "Disp_Access_No" : "1985.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "The Rectangular Format", "Alt_Title" : "", "Obj_Title" : "The Rectangular Format", "Series_Title" : "", "Disp_Maker_1" : "Lee N. Smith III", "Sort_Artist" : "Smith III, Lee N.", "Disp_Dimen" : "177.8 cm x 152.7 cm (70 in. x 60 1/8 in.)", "Disp_Height" : "177.8 cm", "Disp_Width" : "152.7 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil on canvas with construction", "Support" : "canvas", "Disp_Medium" : "Oil on canvas with construction on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Michener Acquisitions Fund, 1985", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.166.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.166.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.166.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.166.tif", "IsPrimary" : "1", "_SurrogateID" : "1314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16929, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16929", "Disp_Access_No" : "2003.121", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Lenin Train", "Alt_Title" : "", "Obj_Title" : "The Lenin Train", "Series_Title" : "", "Disp_Maker_1" : "José Raúl Quintanilla Armijo", "Sort_Artist" : "Quintanilla Armijo, José Raúl", "Disp_Dimen" : "11.4 cm x 21.6 cm (4 1/2 in. x 8 1/2 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "plate", "Medium" : "Collograph", "Support" : "", "Disp_Medium" : "Collograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of David Craven, 2003", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Nicaraguan", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.121.tif", "IsPrimary" : "0", "_SurrogateID" : "2114", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.121-crop-rescan.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.121-crop-rescan.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.121-crop-rescan.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.121-crop-rescan.tif", "IsPrimary" : "1", "_SurrogateID" : "18130", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "new scan of transparency to correct color", "View" : "" } , ] },{ "embark_ID" : 17144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17144", "Disp_Access_No" : "2004.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Homeward Bound (The Race)", "Alt_Title" : "", "Obj_Title" : "Homeward Bound (The Race)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "28.9 cm x 40.8 cm (11 3/8 in. x 16 1/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Susan Garwood in memory of Sue Ann Reagan, 2004", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.97.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.97.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.97.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.97.TIF", "IsPrimary" : "1", "_SurrogateID" : "10996", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }