{ "objects" : [ { "embark_ID" : 3996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3996", "Disp_Access_No" : "P1961.71", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "The 'Adam and Eve,' Old Chelsea, from The Thames Set", "Alt_Title" : "", "Obj_Title" : "The 'Adam and Eve,' Old Chelsea, from The Thames Set", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "21.8 cm x 33 cm (8 9/16 in. x 13 in.)", "Disp_Height" : "21.8 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.71.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.71.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.71.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.71.tif", "IsPrimary" : "1", "_SurrogateID" : "3946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3997", "Disp_Access_No" : "1989.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1859", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1859", "Disp_Title" : "Billingsgate", "Alt_Title" : "", "Obj_Title" : "Billingsgate", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "17.7 cm x 24.8 cm (6 15/16 in. x 9 3/4 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "24.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.159.tif", "IsPrimary" : "1", "_SurrogateID" : "8306", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4143", "Disp_Access_No" : "1997.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Nocturne: The River at Battersea", "Alt_Title" : "", "Obj_Title" : "Nocturne: The River at Battersea", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "28.2 cm x 37 cm (11 1/8 in. x 14 9/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithotint with scraping, printed in grayish-black ink on grayish-blue laid paper, mounted on wove paper", "Support" : "", "Disp_Medium" : "Lithotint with scraping, printed in grayish-black ink on grayish-blue laid paper, mounted on wove paper", "Info_Page_Comm" : "James McNeill Whistler spent much of his career working in London, whose dense urban landscapes were a frequent theme for this master of evocative realism. From his home in the riverside neighborhood of Chelsea, he could easily see the industrial tracts of Battersea on the opposite shore. During the 1870s he developed the type of image for which he became best known—the evening landscape, or nocturne—in scores of oil paintings and lithographs. Nocturne: The River at Battersea is among his first and most successful experiments in lithography, which allows both fluidity of expressionistic effects and the rendering of specific detail. Whistler and his printer, Thomas Way and Son, pushed the limits of lithography’s expressive potential when they developed the lithotint, a method that produces subtle areas of tone by applying a fine aerosol spray of lithographic ink directly on the stone. The atmospheric effects of this haunting image, in which buildings seem to reflect and dissolve in the dusky light, were enhanced by the new technique. 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