{ "objects" : [ { "embark_ID" : 2537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2537", "Disp_Access_No" : "P1961.27.3/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1622", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1622", "Disp_Title" : "Le Joueur de vielle [Hurdy-Gurdy Player], from Les Gueux [The Beggars]", "Alt_Title" : "", "Obj_Title" : "Le Joueur de vielle [Hurdy-Gurdy Player], from Les Gueux [The Beggars]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "14.9 cm x 9.6 cm (5 7/8 in. x 3 3/4 in.)", "Disp_Height" : "14.9 cm", "Disp_Width" : "9.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.27.3-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.27.3-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.27.3-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.27.3-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6090", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2866", "Disp_Access_No" : "2000.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1655", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1655", "Disp_Title" : "The Goldsmith", "Alt_Title" : "", "Obj_Title" : "The Goldsmith", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "7.6 cm x 5.6 cm (3 in. x 2 3/16 in.)", "Disp_Height" : "7.6 cm", "Disp_Width" : "5.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "This etching was a late meditation on the life and activity of the artist. Amid humble surroundings, the fire in his foundary colling, an old craftsman seems lost in thought, one hand patiently striking an anvil, the other gently encircling a statuette of Charity. The small size of the print and the special warmth of this impression enhance the sense of extraordinary tenderness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of an anonymous donor, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.37.tif", "IsPrimary" : "1", "_SurrogateID" : "6206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2894", "Disp_Access_No" : "2002.2632", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "The Two Horses with the Plow", "Alt_Title" : "", "Obj_Title" : "The Two Horses with the Plow", "Series_Title" : "", "Disp_Maker_1" : "Karel Dujardin", "Sort_Artist" : "Dujardin, Karel", "Disp_Dimen" : "22.8 cm x 23.8 cm (9 in. x 9 3/8 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2632.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2632.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2632.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2632.tif", "IsPrimary" : "0", "_SurrogateID" : "1970", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8270, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8270", "Disp_Access_No" : "1998.381", "_AccNumSort1" : "", "Disp_Create_DT" : "1619-1620", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1620", "Disp_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 29.8 cm (8 1/16 in. x 11 3/4 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of sixteen commissioned by Cosimo II de' Medici to honor his father, Ferdinando I, who had died five years earlier. Ten of the scenes depict military scenes, while the others show public works or political events. All are based on designs by the Florentine painter Matteo Rosselli with substantial elaboration by Callot. Conceived as an extension of the Life of the Medici designed by Stradanus and engraved in Antwerp, the series maintains their format and the technique of pure engraving, which is exceptional for Callot.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.381.tif", "IsPrimary" : "1", "_SurrogateID" : "6038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8345", "Disp_Access_No" : "1996.183", "_AccNumSort1" : "", "Disp_Create_DT" : "1634-1635", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1635", "Disp_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Alt_Title" : "", "Obj_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.1 cm x 33.7 cm (10 1/4 in. x 13 1/4 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "33.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.183.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.183.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.183.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.183.tif", "IsPrimary" : "1", "_SurrogateID" : "2708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11197, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11197", "Disp_Access_No" : "1998.69", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "The Village Surgeon, after Adriaen Brouwer", "Alt_Title" : "", "Obj_Title" : "The Village Surgeon, after Adriaen Brouwer", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "28.7 cm x 36.3 cm (11 5/16 in. x 14 5/16 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.69.tif", "IsPrimary" : "1", "_SurrogateID" : "9072", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11248", "Disp_Access_No" : "2002.2424", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "Title page from The Drawing-Book of Abraham Bloemaert, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Frederick Bloemaert", "Sort_Artist" : "Bloemaert, Frederick", "Disp_Dimen" : "30.7 cm x 22.1 cm (12 1/16 in. x 8 11/16 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Etching and chiaroscuro woodcut from two blocks printed in ochre and brown", "Info_Page_Comm" : "Exquisitely refined and widely influential, Abraham Bloemaert was the last great figure of Dutch Mannerism. Around 1650 his son, Frederick, published a collection of prints after his father’s drawings. The use of chiaroscuro, unusual by that time, was an additional tribute to the period of his father’s activity and the work of contemporaries like Hendrick Goltzius. On the other hand, Frederick replaced the line block with an etched plate, which better conveyed the elegant line and complicated rhythm of his father’s pen work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2424.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2424.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2424.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2424.tif", "IsPrimary" : "1", "_SurrogateID" : "8173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11251", "Disp_Access_No" : "2002.388", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1651", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1656", "Disp_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Alt_Title" : "", "Obj_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20 cm x 26.3 cm (7 7/8 in. x 10 3/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. No etcher in seventeenth-century Italy took greater advantage of the technique’s opportunities for creative experiment. The museum possesses sixteen etchings by Claude. The six in the Leo Steinberg Collection are all very early, fine, and today rare. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.388.tif", "IsPrimary" : "1", "_SurrogateID" : "2052", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11253", "Disp_Access_No" : "1997.290", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1642", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1647", "Disp_Title" : "The Pigkillers", "Alt_Title" : "", "Obj_Title" : "The Pigkillers", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "11.5 cm (4 1/2 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "", "Dimen_Extent" : "plate diameter", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.290.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.290.tif", "PreviewPath" : 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Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.375.tif", "IsPrimary" : "1", "_SurrogateID" : "9230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12238", "Disp_Access_No" : "2002.479", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1618", "_Disp_Start_Dat" : "1613", "_Disp_End_Date" : "1623", "Disp_Title" : "Frontispiece to Varie Figure [Various Figures]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Varie Figure [Various Figures]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "8.8 cm x 9.7 cm (3 7/16 in. x 3 13/16 in.)", "Disp_Height" : "8.8 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.479.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.479.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.479.tif", "IIIF_URL": 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