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Smith, 1985", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-Detail-Stretcher Inscrip", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-Detail-Stretcher Inscrip", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-Detail-Stretcher Inscrip", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-Detail-Stretcher Inscrip", "IsPrimary" : "0", "_SurrogateID" : "10347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.170-2016new.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.170-2016new.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.170-2016new.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.170-2016new.tif", "IsPrimary" : "1", "_SurrogateID" : "14663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15054", "Disp_Access_No" : "1981.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Trabajador [Worker]", "Alt_Title" : "[Worker]", "Obj_Title" : "Trabajador [Worker]", "Series_Title" : "", "Disp_Maker_1" : "Pablo O'Higgins", "Sort_Artist" : "O'Higgins, Pablo", "Disp_Dimen" : "63.9 cm x 38 cm (25 3/16 in. x 14 15/16 in.)", "Disp_Height" : "63.9 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr.,1981", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Mexican", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.67.tif", "IsPrimary" : "1", "_SurrogateID" : "3155", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15108", "Disp_Access_No" : "1978.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Soy el hijo del limpiaventanas que se asomó desde el abismo", "Alt_Title" : "I Am the Son of the Window Cleaner Who Peeked from the Abyss", "Obj_Title" : "Soy el hijo del limpiaventanas que se asomó desde el abismo [I Am the Son of the Window Cleaner Who Peeked from the Abyss]", "Series_Title" : "", "Disp_Maker_1" : "José Antonio Dávila", "Sort_Artist" : "Dávila, José Antonio", "Disp_Dimen" : "150.4 cm x 150.3 cm (59 3/16 in. x 59 3/16 in.)", "Disp_Height" : "150.4 cm", "Disp_Width" : "150.3 cm", "Dimen_Extent" : "Canvas", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Venezuelan", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1978.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1978.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1978.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1978.79.tif", "IsPrimary" : "1", "_SurrogateID" : "3104", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15121", "Disp_Access_No" : "1977.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Mediodía [Noontime]", "Alt_Title" : "[Mediodía]", "Obj_Title" : "Mediodía [Noontime]", "Series_Title" : "", "Disp_Maker_1" : "Antonio Berni", "Sort_Artist" : "Berni, Antonio", "Disp_Dimen" : "198.7 cm x 199 cm (78 1/4 in. x 78 3/8 in.)", "Disp_Height" : "198.7 cm", "Disp_Width" : "199 cm", "Dimen_Extent" : "canvas", "Medium" : "Acrylic and collage", "Support" : "canvas", "Disp_Medium" : "Acrylic and collage on canvas", "Info_Page_Comm" : "Antonio Berni was one of the great painters of social themes and critical commentary in the twentieth century. Although less known internationally, his work merits comparison with that of the Mexican Muralists. Unlike the Muralists, Berni was never part of a large government-sponsored art program. And while he remained committed to themes of social justice shared with the Muralists, he adopted a range of different artistic styles, from his experiments with Surrealism and Socialist Realism in the 1930s, to his subversion of Pop art in the 1960s and 1970s. Like many Latin American artists, Berni moved to New York in the 1970s, escaping political uncertainty and persecution at home in Argentina. He painted Mediodía in New York, and while the subject is clearly Argentine (the sign is in Spanish), the treatment of the professionally painted advertising sign indicates his awareness of American and European Pop art. However, the stark contrast between the brightly colored sign advertising new cars and the humble black and white used in depicting the workers who produce those consumer goods shows an explicit political conscience missing in much American Pop art of the period.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1977", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1977.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1977.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1977.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1977.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1166", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16334", "Disp_Access_No" : "2017.1338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700-1710", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1710", "Disp_Title" : "Landscape with Fishermen and Washerwomen", "Alt_Title" : "", "Obj_Title" : "Landscape with Fishermen and Washerwomen", "Series_Title" : "", "Disp_Maker_1" : "Marco and Sebastiano Ricci", "Sort_Artist" : "Ricci, Marco and Sebastiano", "Disp_Dimen" : "48.9 cm x 36.83 cm (19 1/4 in. x 14 1/2 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sebastiano’s nephew and regular collaborator, Marco, is an important figure in the development of landscape painting. Generally within the classical tradition of Carracci and Domenichino, he built upon the more moody and textured interpretations of it in the second half of the 17th century, while bringing to bear the luminosity of his native tradition. The result was a new style of pure landscape painting, paralleling and complementing the school’s celebrated view paintings. Marco worked in the major centers of North Italy as well as Venice, twice visited London, and affected the course of the genre across Europe. His work was an important source of picturesque landscape painting in the later 18th century. With its high viewpoint, articulated structure, heavier palette, and lively touch, this landscape recalls earlier, more subjective Baroque landscapes, like those of Salvator Rosa and Alessandro Magnasco. The particularly animated drawing and loaded brushwork in the figures have led to the probable suggestion that they were painted by Sebastiano. One should also note the picture’s exceptionally fine and fresh condition. 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