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Franziskus [Stigmatization of St. Francis], from Bauhaus Drucke - Neue Europäische Graphik 5te Mappe: Deutsche Künstler [Bauhaus Prints - New European Graphics, 5th Portfolio: German Artists]", "Alt_Title" : "Stigmatization of St. Francis, from Bauhaus Prints - New European Graphics, 5th Portfolio: German Artists", "Obj_Title" : "Stigmatisierung des Hl. 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Still the Collection includes notable examples by each. The “Great” or “Large Passion”, the most dramatic of the three series Dürer devoted to the subject, began with seven compositions in 1497-98. The Flagellation is one of another four in a more equilibrated manner that were added in 1511. This is a fine, proof impression, with little wear to the block and before the edition with text on the reverse of each sheet.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2328.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2328.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2328.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2328.tif", "IsPrimary" : "1", "_SurrogateID" : "1926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2043", "Disp_Access_No" : "1996.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "The Entombment, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "The Entombment, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.6 cm (4 5/8 in. x 3 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.147.tif", "IsPrimary" : "1", "_SurrogateID" : "3840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2045", "Disp_Access_No" : "2002.2327", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12 cm x 7.5 cm (4 3/4 in. x 2 15/16 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2327.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2327.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2327.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2327.TIF", "IsPrimary" : "1", "_SurrogateID" : "5641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2047", "Disp_Access_No" : "2002.766", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1513", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1518", "Disp_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.5 cm x 5.1 cm (2 15/16 in. x 2 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Altdorfer’s series consists of forty blocks rendering the fundamental Christian narrative, from Original Sin through the Last Judgment, with most devoted to the Life of Christ. Distinctively, they bring the miniature scale, pictorial values, and technical refinement of some of Dürer’s engravings to woodcut. The Steinberg Collection includes three other prints from the series, and the later engraving of Hercules and a Muse. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.766.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.766.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.766.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.766.tif", "IsPrimary" : "1", "_SurrogateID" : "2079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "G1966.2.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.55 cm x 7.3 cm (4 9/16 in. x 2 11/16 in.)", "Disp_Height" : "11.55 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Thomas was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.150.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.150.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.150.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.150.TIF", "IsPrimary" : "1", "_SurrogateID" : "5644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. Whereas Dürer employed mostly long, parallel hatchings to describe the earlier Virgin and Child, in this engraving he uses a diverse combination of strokes to suggest a warm fall of light and a wide variety of textures. Most notable is the artist’s ability to render the Virgin’s luminous silk mantle resting over her knee. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2052", "Disp_Access_No" : "2002.828", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Paul", "Alt_Title" : "", "Obj_Title" : "Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.5 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Paul was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.828.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.828.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.828.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.828.tif", "IsPrimary" : "1", "_SurrogateID" : "2084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "P1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1515", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1515", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "22 cm x 15.7 cm (8 11/16 in. x 6 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Dürer was one of the first printmakers to experiment with etching. To produce an etching, a metal plate is first covered with an acid-resistant ground, through which the artist draws with a sharp, fine point. The plate is then bathed in acid, which bites the exposed drawing to form the grooves that receive the printing ink. Whereas the engraver’s burin demands great discipline and labor, the etching needle allows a spontaneity and freedom comparable to that of a pen and ink sketch. Recognizing the technique’s expressive potential, Dürer produced six etchings of intense emotional drama.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2068", "Disp_Access_No" : "2002.830", "_AccNumSort1" : "", "Disp_Create_DT" : "1521", "_Disp_Start_Dat" : "1521", "_Disp_End_Date" : "1521", "Disp_Title" : "Saint Christopher ", "Alt_Title" : "", "Obj_Title" : "Saint Christopher ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The cult of Saint Christopher, patron saint of travelers, was particularly strong between the thirteenth and sixteenth centuries. According to popular tradition, Christopher was a man of giant stature who assisted Christ across a river, and in doing so, felt the weight of the world on his shoulders. Night scenes such as this lent themselves well to the restricted tonal scale of Dürer’s late engraving style. Long parallel lines define the water, hilly landscape and sky surrounding the saint. Rather than altering the density of these lines to create gradations of tone, Dürer distinguishes these passages through their directional orientation. Once searchingly descriptive, the fall of light is now mystical and expressive. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.830.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.830.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.830.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.830.tif", "IsPrimary" : "1", "_SurrogateID" : "2085", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2071", "Disp_Access_No" : "2002.829", "_AccNumSort1" : "", "Disp_Create_DT" : "1523", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1523", "Disp_Title" : "Saint Simon", "Alt_Title" : "", "Obj_Title" : "Saint Simon", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Simon was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.829.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.829.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.829.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.829.TIF", "IsPrimary" : "1", "_SurrogateID" : "5642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2078", "Disp_Access_No" : "2002.2045", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Saint Luke Painting the Virgin", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Dirk Vellert", "Sort_Artist" : "Vellert, Dirk", "Disp_Dimen" : "26.9 cm x 20.2 cm (10 9/16 in. x 7 15/16 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2045.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2045.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2045.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2045.tif", "IsPrimary" : "1", "_SurrogateID" : "1890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "P1961.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "The Virgin and Child at the Foot of a Tree", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child at the Foot of a Tree", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "7.5 cm x 5.3 cm (2 15/16 in. x 2 1/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.79.tif", "IsPrimary" : "1", "_SurrogateID" : "9038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2084", "Disp_Access_No" : "2002.2063", "_AccNumSort1" : "", "Disp_Create_DT" : "1530", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Lot and His Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "18.5 cm x 23.9 cm (7 5/16 in. x 9 7/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2063.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2063.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2063.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2063.tif", "IsPrimary" : "1", "_SurrogateID" : "1894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2101", "Disp_Access_No" : "2002.1677", "_AccNumSort1" : "", "Disp_Create_DT" : "1540", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "David and Goliath, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Goliath, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Scultori", "Sort_Artist" : "Scultori, Giovanni Battista", "Disp_Dimen" : "40.3 cm x 50.3 cm (15 7/8 in. x 19 13/16 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "When Giulio Romano brought recent Roman style to the service and pleasure of the Gonzaga family at Mantua, he included the newly coined system of reproductive engraving. As Raphael had collaborated with Raimondi and his pupils, so Giulio employed Scultori to interpret and disseminate his designs. Scultori in turn trained the next generation of engravers, including Giorgio Ghisi, and established Mantua as a disproportionately influential center of the medium. This print interprets a fresco lunette in Giulio’s decoration of the Palazzo del Te, the ducal villa on the outskirts of the city. It is not only the largest and most dramatic of Scultori’s prints, but in this impression, stunning in its sculptural force and lustrous surface. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1677.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1677.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1677.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1677.tif", "IsPrimary" : "1", "_SurrogateID" : "1826", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2109", "Disp_Access_No" : "2002.1714", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "School of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, School of Marcantonio", "Disp_Dimen" : "27.6 cm x 43 cm (10 7/8 in. x 16 15/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1714.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1714.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1714.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1714.tif", "IsPrimary" : "1", "_SurrogateID" : "5480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2110", "Disp_Access_No" : "2002.1720", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolo della Casa", "Sort_Artist" : "della Casa, Nicolo", "Disp_Dimen" : "44.6 cm x 56.1 cm (17 9/16 in. x 22 1/16 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "56.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving from ten plates", "Support" : "", "Disp_Medium" : "Engraving from ten plates", "Info_Page_Comm" : "Unveiled in November 1541, the Last Judgment on the west wall of the Sistine Chapel stired tremendous excitement. Before the end of the decade, there would be three mounumental reproductive engravings of the composition. Della Casa's was the first, printed on ten plates. This is an impression of the top center section, with the resurrected Christ and the interceding Virgin. Even before his virtually certain trip to Rome, circa 1546-47, Cambiaso could have known the composition from such engravings, and after his return he may well have referred to them. In Cambiaso's own Last Judgment in Santa Maria delle Grazie at Chiavari (dated 1550), the upper part of the fresco depends upon precisely this section of Michelangleo's composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1720.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1720.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1720.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1720.tif", "IsPrimary" : "1", "_SurrogateID" : "3644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2118", "Disp_Access_No" : "2001.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "53.3 cm x 92.3 cm (21 in. x 36 5/16 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "92.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on two sheets", "Support" : "", "Disp_Medium" : "Engraving on two sheets", "Info_Page_Comm" : "Encouraged by success in Rome, Salviati returned to his native Florence in the early 1540s. For a brief period he challenged the artistic supremacy of Angelo Bronzino at the court of Cosimo de’ Medici. This extraordinary engraving, dedicated on the stone in the left foreground to “the generosity of Cosimo de’ Medici”, was part of his efforts to bolster his position. Pietro Aretino, a prominent literary figure, praised the print’s “stupendous composition” and “sublime invention” in a long letter to Salviati. In this impression, the printing of the right-hand plate is weaker and the effect somewhat unbalanced.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2119", "Disp_Access_No" : "2002.794", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Hans Brosamer", "Sort_Artist" : "Brosamer, Hans", "Disp_Dimen" : "8 cm x 9.7 cm (3 1/8 in. x 3 13/16 in.)", "Disp_Height" : "8 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2141", "Disp_Access_No" : "2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1345.tif", "IsPrimary" : "1", "_SurrogateID" : "4985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2144", "Disp_Access_No" : "2002.2273", "_AccNumSort1" : "", "Disp_Create_DT" : "1548", "_Disp_Start_Dat" : "1548", "_Disp_End_Date" : "1548", "Disp_Title" : "Entombment", "Alt_Title" : "", "Obj_Title" : "Entombment", "Series_Title" : "", "Disp_Maker_1" : "Lambert Suavius", "Sort_Artist" : "Suavius, Lambert", "Disp_Dimen" : "17.5 cm x 20.4 cm (6 7/8 in. x 8 1/16 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2273.tif", "IsPrimary" : "1", "_SurrogateID" : "1924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2191", "Disp_Access_No" : "2002.1175.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1561", "_Disp_Start_Dat" : "1556", "_Disp_End_Date" : "1566", "Disp_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "28.2 cm x 36.3 cm (11 1/8 in. x 14 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1175.6-6.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1175.6-6.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1175.6-6.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1175.6-6.TIF", "IsPrimary" : "1", "_SurrogateID" : "9396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2256", "Disp_Access_No" : "2002.1346", "_AccNumSort1" : "", "Disp_Create_DT" : "1569", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1569", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Martino Rota", "Sort_Artist" : "Rota, Martino", "Disp_Dimen" : "32 cm x 23.4 cm (12 5/8 in. x 9 3/16 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1346.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1346.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1346.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1346.tif", "IsPrimary" : "1", "_SurrogateID" : "4141", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2259", "Disp_Access_No" : "2002.2096", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence (First Version), after Titian", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.7 cm x 35 cm (19 9/16 in. x 13 3/4 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The first version of the Martyrdom of Saint Lawrence was painted for the church of Santa Maria dei Crociferi, Venice, between 1548 and 1557. It survives in the church of the Gesuiti. The second was ordered by Philip II in 1564 for the church of his Escorial Palace, delivered in 1571, and passed to the Prado. Coincident with the completion of the second version, Titian engaged Cort to engrave a composition that incorporates elements of both versions and likely depended upon a separate drawing by Titian. Cort also created a second, practically identical version (exhibited adjacent), perhaps to allow more than one publisher to issue the reproduction simultaneously. The reputation of the paintings and the popularity of the print are underscored by the existence of numerous contemporary copies. The third version exhibited is one of the most accomplished. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2096.tif", "IsPrimary" : "1", "_SurrogateID" : "1898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2260", "Disp_Access_No" : "2002.2097", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.4 cm x 35 cm (19 7/16 in. x 13 3/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The most innovative and influential engraver of mid-century, Cort reconciled the emphasis on design and ideal appearance with descriptive variety and the approximation of pictorial effects. In Italy from 1565, he became Titian’s preferred interpreter. The Martyrdom of Saint Lawrence combines elements from two painted versions, the earlier in the church of the Gesuiti at Venice, the later for Philip II of Spain. A measure of success, it was immediately repeated by Cort himself, then copied by another printmaker. The Collection includes very fine impressions of both, and another seven major plates by Cort. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2097.tif", "IsPrimary" : "1", "_SurrogateID" : "1899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2261", "Disp_Access_No" : "2002.2098", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cornelis Cort", "Sort_Artist" : "Cort, Copy after Cornelis", "Disp_Dimen" : "48.9 cm x 34.7 cm (19 1/4 in. x 13 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2098.tif", 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The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.51.tif", "IsPrimary" : "1", "_SurrogateID" : "5436", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2273", "Disp_Access_No" : "2002.1749", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Alt_Title" : "", "Obj_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "32.6 cm x 56.6 cm (12 13/16 in. x 22 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "56.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving made of 7 sheets", "Support" : "", "Disp_Medium" : "Engraving made of 7 sheets", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1749.tif", "ThumbnailPath" : 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cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2280", "Disp_Access_No" : "2002.1775", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "55.3 cm x 34.5 cm (21 3/4 in. x 13 9/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Federico Barocci, a painter of extreme sensitivity and incipient naturalism, had a fundamental role as a precursor of the Baroque. Although they are still essentially idealized, his works built upon the innovations of Titian and especially Correggio to achieve unprecedented optical sensation and affecting sentiment. Later in his career, he experimented with printmaking, making four etchings. This, one of two large and complex plates, reproduces his own altarpiece of 1576 for the church of San Francesco at Urbino. Its subject is Saint Francis’s vision of Christ granting indulgences to the pilgrims who would visit the saint’s chapel at Portiuncola. The etching translates not just the composition but the vibrance and ecstatic feeling of the prototype. Extremely important despite being few in number, Barocci’s prints set the course of Italian Baroque etching. Combining the plastic values of late-century engraving with the graphic freedom of etching, they were the first to accommodate the naturalism and inherent expressiveness of the emergent style of painting. Immediately, they helped reinforce and further Barocci’s influence. More generally, they established the proposition of painters conveying their full style, not merely their composition or drawing, through printmaking. Most of the etchers of the next century would be painters first, and many of their finest plates would interpret their own works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1775.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1775.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1775.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1775.tif", "IsPrimary" : "1", "_SurrogateID" : "1849", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2289", "Disp_Access_No" : "2002.1700", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Pietà with an Angel, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Pietà with an Angel, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "39.9 cm x 28.6 cm (15 11/16 in. x 11 1/4 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "During the 1580s both Agostino and Annibale Carracci traveled regularly to Venice. As part of their reckoning with of the school’s painting, Agostino engraved numerous works after Veronese and Tintoretto––no less advanced or significant than Cort’s works after Titian a generation earlier. This engraving, of a painting extant in the Hermitage, is one of six after Veronese that he created in the same year.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1700.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1700.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1700.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1700.tif", "IsPrimary" : "1", "_SurrogateID" : "4995", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2326", "Disp_Access_No" : "1993.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "The Holy Family, after Bartholomaeus Spranger", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Bartholomaeus Spranger", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "28.8 cm x 21.6 cm (11 5/16 in. x 8 1/2 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Trained in Antwerp, inspired by Italian Mannerism, Bartholomaeus Spranger cultivated a brilliantly artificial and highly subjective style. In long service to Rudolf II, he gave shape to the emperor’s erudite taste and more than any other artist defined the School of Prague’s extravagant style. By the late 1580s Hendrick Goltzius was celebrated as the greatest engraver of his time. He developed a commanding burin stroke, a strict organization of mark, and an unprecedented ability to convey pictorial properties. In reasserting the intellectual dimension of engraving, Goltzius’s style was itself one of the major developments of late Mannerism. One of the last of Spranger and Goltzius’s seven collaborations, this engraving is relatively simple in iconography and obviously Parmigianinesque in vocabulary. Identical in size, its contours indented from transferring the design, the drawing is the very sheet from which the plate was prepared. This superb impression of the print matches the rarified beauty of its prototype. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "11120", "Rel_Obj_Title" : "The Holy Family" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.176.tif", "IsPrimary" : "1", "_SurrogateID" : "1626", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2327, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2327", "Disp_Access_No" : "1995.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.5 cm x 12 cm (6 1/2 in. x 4 3/4 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", 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Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.55.tif", "IsPrimary" : "1", "_SurrogateID" : "1645", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2371", "Disp_Access_No" : "2002.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Alt_Title" : "", "Obj_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "37.5 cm x 25.9 cm (14 3/4 in. x 10 3/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.242.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.242.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.242.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.242.tif", "IsPrimary" : "1", "_SurrogateID" : "9342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2373", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Pietà", "Alt_Title" : "", "Obj_Title" : "Pietà", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.73 cm x 14.6 cm (8 3/16 in. x 5 3/4 in.)", "Disp_Height" : "20.73 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The pietà was a common theme in religious art during the 1500s. In this print, the Virgin is praying while she weeps. The cross upon which Christ was crucified stands in the background as a reminder of the sacrifice that Christ made for mankind and that the Virgin made by giving up her son.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.56.tif", "IsPrimary" : "1", "_SurrogateID" : "7196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2381", "Disp_Access_No" : "2002.2183", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Saint Jerome, after Palma Giovane", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Palma Giovane", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.7 cm x 27.7 cm (16 7/16 in. x 10 7/8 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In 1590 Goltzius traveled to Italy, stopping first in Venice. 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Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.16.tif", "IsPrimary" : "1", "_SurrogateID" : "9121", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2421", "Disp_Access_No" : "2002.1773", "_AccNumSort1" : "", "Disp_Create_DT" : "1609", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1609", "Disp_Title" : "Noli me tangere, after Barocci", "Alt_Title" : "", "Obj_Title" : "Noli me tangere, after Barocci", "Series_Title" : "", "Disp_Maker_1" : "Luca Ciamberlano", "Sort_Artist" : "Ciamberlano, Luca", "Disp_Dimen" : "38 cm x 26.8 cm (14 15/16 in. x 10 9/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1773.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1773.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1773.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1773.tif", "IsPrimary" : "1", "_SurrogateID" : "6203", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2432", "Disp_Access_No" : "1998.393", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.6 cm x 8.8 cm (4 9/16 in. x 3 7/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.393.tif", "IsPrimary" : "1", "_SurrogateID" : "6043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2433, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2433", "Disp_Access_No" : "1998.395", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Chute de Simon Magus [The Fall of Simon Magus], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "La Chute de Simon Magus [The Fall of Simon Magus], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.4 cm x 8.1 cm (4 7/8 in. x 3 3/16 in.)", "Disp_Height" : "12.4 cm", "Disp_Width" : "8.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.395.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.395.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.395.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.395.tif", "IsPrimary" : "1", "_SurrogateID" : "6044", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2434", "Disp_Access_No" : "1998.398", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "St. Basile célébrant le sacrifice de la messe [St. Basil Celebrating the Sacrifice of the Mass], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "St. Basile célébrant le sacrifice de la messe [St. Basil Celebrating the Sacrifice of the Mass], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.1 cm x 7.6 cm (4 3/4 in. x 3 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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"https://webkiosk.gallerysystems.com/Media/images/2002.463.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.463.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.463.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.463.tif", "IsPrimary" : "1", "_SurrogateID" : "6160", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2673, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2673", "Disp_Access_No" : "2002.1849", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "La Tentation de St. Antoine [The Temptation of St. Anthony]", "Alt_Title" : "", "Obj_Title" : "La Tentation de St. Antoine [The Temptation of St. Anthony]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "36.3 cm x 47.3 cm (14 5/16 in. x 18 5/8 in.)", "Disp_Height" : "36.3 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Callot’s etching presents the tormenting of the hermit saint, at lower right, as fantastic theater. Actual stagings of the kind, thin in narrative but spectacular in effect, entertained during the intermissions in the most sophisticated musical performances of the late 16th century. A staple at the Medici court, these intermezzi are the ancestors of modern opera, if not a recent trend on Broadway. The largest and most elaborate etchings of Callot’s maturity attain a fully Baroque light and movement, but persist in the compositional structures, moreover the spirit of sheer entertainment, of these intermezzi. The Temptation of Saint Anthony is the most extravagant and celebrated.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1849.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1849.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1849.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1849.tif", "IsPrimary" : "1", "_SurrogateID" : "1865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2676", "Disp_Access_No" : "1998.358", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Frontispiece to Les Images des Saints [Images of Saints] ", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Les Images des Saints [Images of Saints] ", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "21.9 cm x 12.8 cm (8 5/8 in. x 5 1/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.358.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.358.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.358.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.358.TIF", "IsPrimary" : "1", "_SurrogateID" : "6091", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2678", "Disp_Access_No" : "2002.2225", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Alt_Title" : "", "Obj_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Series_Title" : "", "Disp_Maker_1" : "Jan Gerritsz. van Bronchorst", "Sort_Artist" : "Bronchorst, Jan Gerritsz. van", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Poelenburgh, along with Bartholomaeus Breenburgh, was the first of a number of Dutch painters who went to Italy and developed an idiom reconciling more realistic topography with the arcadian vision of Claude Lorrain. Their paintings were reproduced by various etchers in a delicately drawn, lightly bitten, therefore appropriately luminous manner. Bronchorst was the principal interpreter of Poelenburgh. Most of his forty etchings reproduce the artist’s Italianate landscapes. This very rare print brings the same exquisite touch, delicate tonality, and ideal mood to a religious subject. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2225.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2225.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2225.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2225.tif", "IsPrimary" : "1", "_SurrogateID" : "1921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2681, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2681", "Disp_Access_No" : "1998.119", "_AccNumSort1" : "", "Disp_Create_DT" : "1637", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1637", "Disp_Title" : "Saint Jerome, after Guido Reni", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Guido Reni", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Coriolano", "Sort_Artist" : "Coriolano, Bartolomeo", "Disp_Dimen" : "29.5 cm x 22 cm (11 5/8 in. x 8 11/16 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from three blocks, printed in ochre, brown and black", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks, printed in ochre, brown and black", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.119.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.119.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.119.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.119.tif", "IsPrimary" : "1", "_SurrogateID" : "9127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2684", "Disp_Access_No" : "2002.1317", "_AccNumSort1" : "", "Disp_Create_DT" : "1637", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1637", "Disp_Title" : "Saint Jerome, after Guido Reni", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Guido Reni", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Coriolano", "Sort_Artist" : "Coriolano, Bartolomeo", "Disp_Dimen" : "29.6 cm x 22.1 cm (11 5/8 in. x 8 11/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from three blocks,tone blocks printed in green and blue-gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks,tone blocks printed in green and blue-gray", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2688, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2688", "Disp_Access_No" : "1997.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "Venus and Adonis, after Simon Vouet", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Simon Vouet", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "15.8 cm x 20.9 cm (6 1/4 in. x 8 1/4 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.185.tif", "IsPrimary" : "1", "_SurrogateID" : "9691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2719", "Disp_Access_No" : "2002.2353", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "The Raising of Lazarus", "Alt_Title" : "", "Obj_Title" : "The Raising of Lazarus", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.1 cm x 11.4 cm (5 15/16 in. x 4 1/2 in.)", "Disp_Height" : "15.1 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Raising of Lazarus is an evenly composed, regularly drawn, and level-tempered work from the middle period and most classical moment of Rembrandt's development. This is an especially fine impression of a more common print from the middle years of Rembrandt's activity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2353.tif", "IsPrimary" : "1", "_SurrogateID" : "1930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2724", "Disp_Access_No" : "2000.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "Christ in Emmaus, after Pieter Claesz Soutman, after Peter Paul Rubens ", "Alt_Title" : "", "Obj_Title" : "Christ in Emmaus, after Pieter Claesz Soutman, after Peter Paul Rubens ", "Series_Title" : "", "Disp_Maker_1" : "Pieter Van Sompel", "Sort_Artist" : "Van Sompel, Pieter", "Disp_Dimen" : "38 cm x 34.5 cm (14 15/16 in. x 13 9/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print is after an unknown painting by Rubens and a drawing in the Musée du Louvre, Paris.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.11.tif", "IsPrimary" : "1", "_SurrogateID" : "5953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2742, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2742", "Disp_Access_No" : "1998.320", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "Le Cardinal de Richelieu, agenouillé [Cardinal Richelieu, kneeling], frontispiece from Armand-Jean Du Plessis, cardinal de Richelieu, Traité de la perfection du chrétien...[Treatise of the Perfection of Christians...]", "Alt_Title" : "", "Obj_Title" : "Le Cardinal de Richelieu, agenouillé [Cardinal Richelieu, kneeling], frontispiece from Armand-Jean Du Plessis, cardinal de Richelieu, Traité de la perfection du chrétien...[Treatise of the Perfection of Christians...]", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "21.8 cm x 16.1 cm (8 9/16 in. x 6 5/16 in.)", "Disp_Height" : "21.8 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.320.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.320.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.320.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.320.tif", "IsPrimary" : "1", "_SurrogateID" : "1692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2752, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2752", "Disp_Access_No" : "2002.1199", "_AccNumSort1" : "", "Disp_Create_DT" : "1647", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1647", "Disp_Title" : "Saint Barbara, after Hans Holbein, the younger", "Alt_Title" : "", "Obj_Title" : "Saint Barbara, after Hans Holbein, the younger", "Series_Title" : "", "Disp_Maker_1" : "Wenzel Hollar", "Sort_Artist" : "Hollar, Wenzel", "Disp_Dimen" : "19.9 cm x 13.2 cm (7 13/16 in. x 5 3/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "13.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Saint Barbara reproduces one of the Earl of Arundel’s many drawings by Holbein (now at Windsor Castle). This superb impression underscores Hollar’s great diligence and particular gift for describing textures. His original etchings include studies of costume, objects of natural history, and illustrations of every kind of text. Greatest in economy, graphic freedom, and influence were his topographic views. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Bohemian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1199.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1199.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1199.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1199.tif", "IsPrimary" : "1", "_SurrogateID" : "1762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2761", "Disp_Access_No" : "2002.1767", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "The Genius of Castiglione", "Alt_Title" : "", "Obj_Title" : "The Genius of Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "37 cm x 24.6 cm (14 9/16 in. x 9 11/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2766, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2766", "Disp_Access_No" : "2002.1878", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "La Sainte Face [The Holy Face]", "Alt_Title" : "", "Obj_Title" : "La Sainte Face [The Holy Face]", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "43.8 cm x 32 cm (17 1/4 in. x 12 5/8 in.)", "Disp_Height" : "43.8 cm", "Disp_Width" : "32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Sudarium was the cloth with which the Magdalene wiped perspiration from Christ’s face on the road to Calvary. It is believed by the faithful to have miraculously retained the image of Christ’s face. Mellan’s engraving is illusionistic, almost trompe l’oeuil, in its format, but highly intellectual, practically abstract, in its execution. The image is in fact generated by a single line that starts at the tip of Christ’s nose and moves in concentric circles out to the edge of the plate. Every feature, every tone, is produced by shifts in the weight and inflection of this line. The engraving has always been admired as one of the great technical feats. The symbolic implications of Mellan’s line –– the miraculous existence of the image, the singular nature of the Trinity –– are, however, equally significant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1878.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1878.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1878.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1878.tif", "IsPrimary" : "1", "_SurrogateID" : "1867", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2800", "Disp_Access_No" : "1998.353", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "St. Lebuin, from Saints of the North and South Netherlands, after Pieter Soutman", "Alt_Title" : "", "Obj_Title" : "St. Lebuin, from Saints of the North and South Netherlands, after Pieter Soutman", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Visscher", "Sort_Artist" : "Visscher, Cornelis", "Disp_Dimen" : "47 cm x 33.2 cm (18 1/2 in. x 13 1/16 in.)", "Disp_Height" : "47 cm", "Disp_Width" : "33.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2845", "Disp_Access_No" : "P1961.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.3 cm x 16.5 cm (8 3/8 in. x 6 1/2 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "In this impression, the shadows are wearing thin and the contrasts are becoming stark. It retains little of the character of printing or the profundity of expression seen in the collection's extremely early impression of the same subject. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.11.tif", "IsPrimary" : "1", "_SurrogateID" : "3672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2846", "Disp_Access_No" : "P1961.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Flight into Egypt: Crossing a Brook", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt: Crossing a Brook", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.8 cm x 14.4 cm (3 7/8 in. x 5 11/16 in.)", "Disp_Height" : "9.8 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.18.tif", "IsPrimary" : "1", "_SurrogateID" : "3799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2847, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2847", "Disp_Access_No" : "1996.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "The Circumcision in the Stable", "Alt_Title" : "", "Obj_Title" : "The Circumcision in the Stable", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "10 cm x 15 cm (3 15/16 in. x 5 7/8 in.)", "Disp_Height" : "10 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.137.tif", "IsPrimary" : "1", "_SurrogateID" : "6205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2853", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "20.7 cm x 16.3 cm (8 1/8 in. x 6 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint on heavy Japanese paper", "Support" : "", "Disp_Medium" : "Etching and drypoint on heavy Japanese paper", "Info_Page_Comm" : "Iconographically unprecedented, this print combines a traditional Deposition with the Lamentation as it prefigures the Entombment. Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. With a second, later 17th-century printing on standard antique laid paper (acquired in 1961), it also forms the most telling comparison of impressions in the entire collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase in honor of Jonathan Bober's tenth anniversary as Curator of Prints and Drawings through the generosity of David Armstrong, Carolyn Bullard, Dr. and Mrs. Paul Burns, George and Jo Anne Christian, Marian Davis, Susan Garwood, M.K. Hage, Jr., Helen Lea, John A. Robertson, Helmut and Petra Rumbler, Susan Thomas, Elgin W. Ware, Jr., Gerturde Weber, Stephen and Julia Wilkinson, Dave and Reba Williams, an anonymous donor, and members of the Print Study Group1998*", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.72.tif", "IsPrimary" : "1", "_SurrogateID" : "1695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2856", "Disp_Access_No" : "2002.2442", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Venus Lamenting Over Adonis' Death, plate 6 from The Story of Adonis", "Alt_Title" : "", "Obj_Title" : "Venus Lamenting Over Adonis' Death, plate 6 from The Story of Adonis", "Series_Title" : "", "Disp_Maker_1" : "Herman van Swanevelt", "Sort_Artist" : "Swanevelt, Herman van", "Disp_Dimen" : "25.3 cm x 34.2 cm (9 15/16 in. x 13 7/16 in.)", "Disp_Height" : "25.3 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2442.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2442.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2442.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2442.tif", "IsPrimary" : "1", "_SurrogateID" : "9701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2907", "Disp_Access_No" : "1989.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1659", "_Disp_Start_Dat" : "1659", "_Disp_End_Date" : "1659", "Disp_Title" : "La Montée au Calvaire [The Walk to Calvary]", "Alt_Title" : "", "Obj_Title" : "La Montée au Calvaire [The Walk to Calvary]", "Series_Title" : "", "Disp_Maker_1" : "Claude Mellan", "Sort_Artist" : "Mellan, Claude", "Disp_Dimen" : "45.4 cm x 31.1 cm (17 7/8 in. x 12 1/4 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "31.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Mr. and Mrs. Mellon C. Baird, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.23.tif", "IsPrimary" : "1", "_SurrogateID" : "6207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2932", "Disp_Access_No" : "1991.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1662", "_Disp_Start_Dat" : "1662", "_Disp_End_Date" : "1662", "Disp_Title" : "Victor Bouthillier, Archbishop of Tours", "Alt_Title" : "", "Obj_Title" : "Victor Bouthillier, Archbishop of Tours", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "37.9 cm x 47.8 cm (14 15/16 in. x 18 13/16 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Victor Bouthillier (1596-1670) was bishop of Boulogne from 1630, then archbishop of Tours from 1641. He also served as chaplain to Marie de' Medici and to Gaston d'Orléans, brother of Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.11.tif", "IsPrimary" : "1", "_SurrogateID" : "4873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2955", "Disp_Access_No" : "2002.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1664", "_Disp_Start_Dat" : "1664", "_Disp_End_Date" : "1664", "Disp_Title" : "Adoration of the Shepherds, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Mauro Oddi", "Sort_Artist" : "Oddi, Mauro", "Disp_Dimen" : "21.5 cm x 27.3 cm (8 7/16 in. x 10 3/4 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Oddi’s etching is based upon a drawing at Frankfurt, which had already been interpreted in a chiaroscuro woodcut by Niccolò Vicentino. The print is not only extremely rare but unusual in kind: most Italian artists of the seventeenth century were concerned with applying and extending the principles, rather than reproducing the appearance, of Parmigianino’s graphic works. 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"Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1736.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1736.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1736.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1736.tif", "IsPrimary" : "1", "_SurrogateID" : "4957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3731", "Disp_Access_No" : "G1966.2.210", "_AccNumSort1" : "", "Disp_Create_DT" : "1797-1799 (p. 1890-1900)", "_Disp_Start_Dat" : "1797", "_Disp_End_Date" : "1799", "Disp_Title" : "Devota profesion [Devout Profession], plate 70 from Los Caprichos", "Alt_Title" : "", "Obj_Title" : "Devota profesion [Devout Profession], plate 70 from Los Caprichos", "Series_Title" : "", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "34.3 cm x 24.3 cm (13 1/2 in. x 9 9/16 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, aquatint and drypoint", "Support" : "", "Disp_Medium" : "Etching, aquatint and drypoint", "Info_Page_Comm" : "The earliest of Goya’s four major print series by more than decade, the Caprichos were created in 1797-98. Free inventions, thus “caprices,” their eighty plates comment upon the tension between society and the individual, between ideals and realities, between belief and reason. Injustice, hypocrisy, and superstition are Goya’s principal targets; caricature, satire, and sarcasm his favorite weapons. In addition to the printed titles, a manuscript in the Prado Museum purportedly written by Goya elucidates the meaning of individual prints. The imagery of the Caprichos is rich with references, from established iconography to folk literature, songs, and sayings. But the series is above all original in the modern sense: the product of an individual and unfettered imagination. The Caprichos are also the first great demonstration of the expressive possibilities of aquatint, which had previously been used for reproducing the appearance of drawings. First published in 1799 they along with the Tauromaquia were the only series released during the artist’s lifetime. Retaining the plates, the Royal Academy in Madrid issued eleven more editions between 1855 and 1937, making the Caprichos the most widely circulated and best known of Goya’s prints. The Prado manuscript gives a detailed script of this scene of witchcraft: “Will you swear to obey and respect your masters and superiors, to sweep the garrets, to spin, to ring bells, to howl, to yell, to fly, to cook, to grease, to suck, to bake, to blow, to fry, everything and whatever time you are ordered to?” “I swear.” “Well then, my girl, you are now a witch. Congratulations.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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He made some 254 prints, exclusively after the Old Masters. With the exactness of his drawing and the variety of his hatching, he achieved tonal gradations so subtle as to verge on the photographic. His skill earned him the praise of connoisseurs and colleagues throughout Europe. This reproduction of The Last Supper was his most celebrated and influential achievement. As distinguished art historian Leo Steinberg describes in his recent, searching study of the fresco, no good home in the nineteenth century lacked an impression. Morghen’s engraving, which was the basis for many more reproductions made well into the nineteenth century, helped shape the understanding and determine the popularity of Leonardo da Vinci’s masterpiece through successive generations. Since the rise of photography and the triumph of modernism, the aesthetic interest of this and all such engravings has usually been dismissed. 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"Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.96.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.96.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.96.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.96.tif", "IsPrimary" : "1", "_SurrogateID" : "3140", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "2002.836", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.8 cm x 21.1 cm (11 3/4 in. x 8 5/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.836.tif", "ThumbnailPath" : 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"", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.174.tif", "IsPrimary" : "1", "_SurrogateID" : "7004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8117", "Disp_Access_No" : "2002.1723", "_AccNumSort1" : "", "Disp_Create_DT" : "1550's", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Annunciation, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Annunciation, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "30.4 cm x 42.6 cm (11 15/16 in. x 16 3/4 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a presentation drawing by Michelangelo, probably of the late 1530s. Beatrizet's print, and at least two painted versions by Marcello Venusti, are the only known records of this design. The setting is unusually articulated as an interior space, with a series of frames that surround the top of the room, the back wall, and an impossibly narrow doorway. Rather than creating a sense of coherent perspective, these elements generate a surface pattern characteristic of Beatrizet. Because of the quality of this impression, therefore the strength of its contrasts, this pattern becomes dazzling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1723.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1723.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1723.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1723.tif", "IsPrimary" : "1", "_SurrogateID" : "1835", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8123", "Disp_Access_No" : "1994.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.6 cm x 22.5 cm (12 1/16 in. x 8 7/8 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching elaborates upon a drawing that is preserved in the Metropolitan Museum. This impression was printed before the extensive additional work to the plate, like the dense hatching to convey shadow that is seen in the second impression, on the right.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.41.tif", "IsPrimary" : "1", "_SurrogateID" : "5312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8124", "Disp_Access_No" : "1994.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.2 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print interprets is an interpretation of a drawing by Parmigianino that is today in the Metropolitan Museum.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.42.tif", "IsPrimary" : "1", "_SurrogateID" : "5313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8125", "Disp_Access_No" : "1994.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.1 cm x 30.8 cm (11 7/8 in. x 12 1/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.43.tif", "IsPrimary" : "1", "_SurrogateID" : "5314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8130", "Disp_Access_No" : "1995.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Three Muses and a Putto with Cymbals, after Francesco Primaticcio", "Alt_Title" : "", "Obj_Title" : "Three Muses and a Putto with Cymbals, after Francesco Primaticcio", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "29.3 cm x 17.3 cm (11 9/16 in. x 6 13/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.105.tif", "IsPrimary" : "1", "_SurrogateID" : "7770", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8139", "Disp_Access_No" : "P1961.87", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1619", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1618", "Disp_Title" : "The Virgin Suckling the Child", "Alt_Title" : "", "Obj_Title" : "The Virgin Suckling the Child", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "8.55 cm x 6.35 cm (3 3/8 in. x 2 1/2 in.)", "Disp_Height" : "8.55 cm", "Disp_Width" : "6.35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.87.tif", "IsPrimary" : "1", "_SurrogateID" : "9039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8168, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8168", "Disp_Access_No" : "1997.384", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ of the Misericordia", "Alt_Title" : "", "Obj_Title" : "Christ of the Misericordia", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "8.3 cm x 6.4 cm (3 1/4 in. x 2 1/2 in.)", "Disp_Height" : "8.3 cm", "Disp_Width" : "6.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.384.tif", "IsPrimary" : "1", "_SurrogateID" : "1683", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8183", "Disp_Access_No" : "2002.221", "_AccNumSort1" : "", "Disp_Create_DT" : "1587-1590", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1590", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "22 cm x 26.9 cm (8 11/16 in. x 10 9/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print represents the Holy Family on their journey into Egypt. Resting only long enough for Mary to nurse her child, Joseph waits nearby. He communicates with the viewer, directing the viewer’s gaze toward the Virgin nurturing Christ. 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"http://iiif.gallerysystems.com/1990.156.tif", "IsPrimary" : "1", "_SurrogateID" : "5949", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8332", "Disp_Access_No" : "1982.21", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Saint John the Baptist Preaching, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Studies of Saint John the Baptist Preaching, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Frederick Bloemaert", "Sort_Artist" : "Bloemaert, Frederick", "Disp_Dimen" : "15.3 cm x 18.4 cm (6 in. x 7 1/4 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "18.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with chiaroscuro woodcut in light and dark brown", "Support" : "", "Disp_Medium" : "Etching with chiaroscuro woodcut in light and dark brown", "Info_Page_Comm" : "Frederick Bloemaert, son of the late Mannerist Abraham, collaborated with his father to create a collection of prints reproducing drawings they considered exemplary. Plates like this one were among the first to combine etching with chiaroscuro woodcut. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.21.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.21.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.21.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1982.21.TIF", "IsPrimary" : "1", "_SurrogateID" : "10977", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8338", "Disp_Access_No" : "2002.142", "_AccNumSort1" : "", "Disp_Create_DT" : "1630's", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Saint Roch", "Alt_Title" : "", "Obj_Title" : "Saint Roch", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Caletti", "Sort_Artist" : "Caletti, Giuseppe", "Disp_Dimen" : "21.9 cm x 16.1 cm (8 5/8 in. x 6 5/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Caletti was a minor Ferrarese painter inspired principally by Guercino. His etchings are delightful in their witty characterization, bristly description, and delicate biting. They are, however, quite rare and little known to this day. Steinberg took special pleasure in discovering and pursuing such distinctive but unfamiliar personalities. There are four other etchings by Caletti in the Collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.142.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.142.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.142.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.142.tif", "IsPrimary" : "1", "_SurrogateID" : "1785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8349", "Disp_Access_No" : "2000.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1660s", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Madonna and Child in Glory with Saints", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Saints", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "20 cm x 11.9 cm (7 7/8 in. x 4 11/16 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "11.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper", "Info_Page_Comm" : "Carpioni’s painting combines the sensual themes and vibrant color of 16th-century Venetian painting with the compositional rigor and more precise drawing of Baroque classicism and of Poussin in particular. Consistent with this conception, his drawing are unusually numerous and distinctive for a 17th-century Venetian. Most of these are pronounced in contour, regular in hatching, and executed in red chalk. When they relate to a painting, it is usually a mythological subject. This drawing was acquired with a generic attribution to the Venetian school. But its discrete composition, narrow tonal range, soft light, even morphology––delicate and elongated figures, large and flattened patterns of drapery––correspond exactly to a late series of altarpieces by Carpioni. And the touch and types are precisely those of his more familiar drawings. As a preparatory study in black chalk for a religious work, it is apparently unique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.70.tif", "IsPrimary" : "1", "_SurrogateID" : "4073", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8361, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8361", "Disp_Access_No" : "2002.2802", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1630", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1630", "Disp_Title" : "Last Supper, after Peter Paul Rubens, after Leonardo da Vinci", "Alt_Title" : "", "Obj_Title" : "Last Supper, after Peter Paul Rubens, after Leonardo da Vinci", "Series_Title" : "", "Disp_Maker_1" : "Pieter Claesz Soutman", "Sort_Artist" : "Soutman, Pieter Claesz", "Disp_Dimen" : "29.2 cm x 98.6 cm (11 1/2 in. x 38 13/16 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "98.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on two sheets", "Support" : "", "Disp_Medium" : "Etching on two sheets", "Info_Page_Comm" : "Soutman's plates were often etched, extremely flexible in their drawing, and unusually subtle in their tones. As a result, they wore more quickly than the pure and systematic engravings. For their inherent artistic quality and relative rarity they have always been the most prized prints after Rubens. A late work in pure etching, this is the most spectacular of the five in the Steinberg Collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2802.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2802.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2802.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2802.tif", "IsPrimary" : "1", "_SurrogateID" : "4143", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8388", "Disp_Access_No" : "1995.98", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Adonis", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Diamantini", "Sort_Artist" : "Diamantini, Giuseppe", "Disp_Dimen" : "22 cm x 15.8 cm (8 11/16 in. x 6 1/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.98.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.98.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.98.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.98.tif", "IsPrimary" : "1", "_SurrogateID" : "9690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8398", "Disp_Access_No" : "2000.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1646", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1651", "Disp_Title" : "Christ and the Centurion", "Alt_Title" : "", "Obj_Title" : "Christ and the Centurion", "Series_Title" : "", "Disp_Maker_1" : "Valerio Castello", "Sort_Artist" : "Castello, Valerio", "Disp_Dimen" : "14 cm x 21.9 cm (5 1/2 in. x 8 5/8 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite, squared in red chalk", "Info_Page_Comm" : "Valerio Castello’s paintings represent the extreme expression of a subjective and lyrical current in Genoese painting, in turn the farthest and most poetical exploration of Baroque style within a persistently Mannerist framework. Relatively rare––about 50 are known––his drawings are commensurately fluent and vague studies in pen and ink. The Suida-Manning Collection includes a fine painting by the artist, but surprisingly no drawing of certain attribution––the most significant lacuna in its 17th-century Genoese riches. This study corresponds to one of two paintings of around 1647 for the church of Santa Croce and San Camillo at Genoa. It is typical in its shimmering forms, Parmigianesque delicacy, and function as an advanced compositional study despite the appearance of a preliminary idea. Indeed, since the resulting painting was executed partly by an assistant and cut down in an 18th-century renovation of the church, the drawing gives the best idea of Castello’s intention. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's, Australia, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.48.tif", "IsPrimary" : "1", "_SurrogateID" : "4064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8403, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8403", "Disp_Access_No" : "1997.33", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1660-1685", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1685", "Disp_Title" : "Elijah in the Desert Fed by an Angel, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Elijah in the Desert Fed by an Angel, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Conrad Lauwers", "Sort_Artist" : "Lauwers, Conrad", "Disp_Dimen" : "65.2 cm x 51.7 cm (25 11/16 in. x 20 3/8 in.)", "Disp_Height" : "65.2 cm", "Disp_Width" : "51.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.33.tif", "IsPrimary" : "1", "_SurrogateID" : "3994", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8513", "Disp_Access_No" : "2000.21", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Le Baptême [The Baptism]", "Alt_Title" : "", "Obj_Title" : "Le Baptême [The Baptism]", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Charles Trémolières", "Sort_Artist" : "Trémolières, Pierre-Charles", "Disp_Dimen" : "29.9 cm x 43.9 cm (11 3/4 in. x 17 5/16 in.)", "Disp_Height" : "29.9 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.21.tif", "IsPrimary" : "1", "_SurrogateID" : "8321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8588, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8588", "Disp_Access_No" : "1997.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1760's", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Saint Jerome in Penitence, after Pietro da Cortona", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence, after Pietro da Cortona", "Series_Title" : "", "Disp_Maker_1" : "James McArdell", "Sort_Artist" : "McArdell, James", "Disp_Dimen" : "51.4 cm x 36.5 cm (20 1/4 in. x 14 3/8 in.)", "Disp_Height" : "51.4 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Irish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.53.tif", "IsPrimary" : "1", "_SurrogateID" : "4860", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8589, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8589", "Disp_Access_No" : "1997.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1760's", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Saint Jerome in Penitence, after Pietro da Cortona", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence, after Pietro da Cortona", "Series_Title" : "", "Disp_Maker_1" : "James McArdell", "Sort_Artist" : "McArdell, James", "Disp_Dimen" : "61.4 cm x 47 cm (24 3/16 in. x 18 1/2 in.)", "Disp_Height" : "61.4 cm", "Disp_Width" : "47 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Irish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.54.tif", "IsPrimary" : "1", "_SurrogateID" : "3996", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8600, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8600", "Disp_Access_No" : "2000.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Shepherds, after Guercino", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys", "Sort_Artist" : "Saint-Morys, Charles Paul Jean-Baptiste de Bourgevin Vialart de", "Disp_Dimen" : "21.5 cm x 27.1 cm (8 7/16 in. x 10 11/16 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and lavis", "Support" : "", "Disp_Medium" : "Etching and lavis", "Info_Page_Comm" : "This is one of the reproductive etchings that the artist made after drawings in his own collection. There are no more than a few impressions of each.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.27.tif", "IsPrimary" : "1", "_SurrogateID" : "4861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8621, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8621", "Disp_Access_No" : "2001.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1770's", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Saint Irene and Companions Tending Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Saint Irene and Companions Tending Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni David", "Sort_Artist" : "David, Giovanni", "Disp_Dimen" : "39.8 cm x 26.7 cm (15 11/16 in. x 10 1/2 in.)", "Disp_Height" : "39.8 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "David’s etchings are numerous, but because their editions were small – intended for a small circle of Genoese nobles and collectors -- few were recorded in the 19th-century repertories, and most are very rare. Conspicuous in its debt to 17th-century Genoese artists, this idiosyncratic nocturne is known in only one other impression, in Berlin. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.14.tif", "IsPrimary" : "1", "_SurrogateID" : "5316", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8641", "Disp_Access_No" : "1996.141", "_AccNumSort1" : "", "Disp_Create_DT" : "1790's", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Fall of the Rebel Angels", "Alt_Title" : "", "Obj_Title" : "Fall of the Rebel Angels", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "23 cm x 13.9 cm (9 1/16 in. x 5 1/2 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite on paper", "Support" : "", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.141.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.141.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.141.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.141.tif", "IsPrimary" : "1", "_SurrogateID" : "4706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8658", "Disp_Access_No" : "1997.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1795-1796", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1796", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "83 cm x 62 cm (32 11/16 in. x 24 7/16 in.)", "Disp_Height" : "83 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print reproduces Raphael’s painting of 1520 for San Pietro in Montorio, at that time in the Louvre, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.34.tif", "IsPrimary" : "1", "_SurrogateID" : "3841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8700, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8700", "Disp_Access_No" : "1989.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1810-1811", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1811", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "99.2 cm x 63 cm (39 1/16 in. x 24 13/16 in.)", "Disp_Height" : "99.2 cm", "Disp_Width" : "63 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Morghen’s reputation as one of the last great reproductive engravers is evident in this engraving after Raphael’s last work, the familiar Renaissance masterpiece now in the Vatican. The engraver has captured the shining radiance that reflects onto the figures from the bright cloud that surrounds Christ in Raphael’s interpretation of the Transfiguration. The composition conflates two consecutive incidents from Matthew 17. At the top of the print is the Transfiguration, the occasion when Christ revealed his divine nature to the disciples Peter, James, and John. Christ took the disciples up Mt. Tabor in Galilee and became transfigured: his face shone like the sun and his clothes became dazzling white. After Moses and Elijah appeared on either side of Christ, a voice from heaven said, “This is my son.” The apostles then fell prostrate before the vision. On the bottom of the print appears the event in which the divine healing power of Christ is manifest. Immediately following the descent down the mountain, a father brings his epileptic son to Christ to be cured. Here, one of these apostles gestures toward the earlier vision of Christ above, tying him to the latter narrative below. By looking at Peter at the center of the group of the apostles, a viewer might also be reminded of the healing powers that Peter inherits from Christ. This is an excellent example of how twentieth-century medical practitioners assist the art historian by interpreting and diagnosing from even the greatest artistic works. By looking at the print, modern doctors have identified the late stage of the seizure the boy is experiencing, locating the exact moment in these narrative events. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.26.tif", "IsPrimary" : "1", "_SurrogateID" : "2865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8719", "Disp_Access_No" : "G1966.2.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1823-1825", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1825", "Disp_Title" : ""I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job", "Alt_Title" : "", "Obj_Title" : ""I have heard thee with the hearing of the Ear but now my Eye seeth thee," plate 17 from the Illustrations of The Book of Job", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "41.1 cm x 27.6 cm (16 3/16 in. x 10 7/8 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153.tif", "IsPrimary" : "1", "_SurrogateID" : "4799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "19966", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.153-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.153-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.153-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.153-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19967", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8720", "Disp_Access_No" : "G1966.2.154", "_AccNumSort1" : "", "Disp_Create_DT" : "1823-1825", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1825", "Disp_Title" : ""And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job", "Alt_Title" : "", "Obj_Title" : ""And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "40.9 cm x 27.6 cm (16 1/8 in. x 10 7/8 in.)", "Disp_Height" : "40.9 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154.tif", "IsPrimary" : "1", "_SurrogateID" : "4515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "19968", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19969", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8721", "Disp_Access_No" : "1996.256", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Alt_Title" : "", "Obj_Title" : "The Fall of the Rebel Angels, from John Milton's Paradise Lost, Book 1, line 44", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "35.3 cm x 25.3 cm (13 7/8 in. x 9 15/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and etching with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and etching with rocker", "Info_Page_Comm" : "After the great battle of angels, God hurls Satan and his followers into the depths of hell—bottomless, black, and terrifying. In the text Milton tells how the angels will endure “adamantine chains and penal fire,” but here we see an abyss made of shadow—a hell we can invent for ourselves.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.256.tif", "IsPrimary" : "1", "_SurrogateID" : "5474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8723", "Disp_Access_No" : "1996.261", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Alt_Title" : "", "Obj_Title" : "The Conflict between Satan and Death, from John Milton's Paradise Lost, Book 2, line 727", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "27.7 cm x 37.3 cm (10 7/8 in. x 14 11/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint", "Info_Page_Comm" : "From the gates of hell Sin leaps up to stop these two demons—Satan and Death—from annihilating each other. Satan, with his bat-like wings, stands poised to thrust his spear, while a toad-like Death emerges shrouded in black fog. Martin hints at Death’s form, burnishing out only the whites of its eyes, unable or unwilling to define it for us.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.261.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.261.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.261.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.261.tif", "IsPrimary" : "1", "_SurrogateID" : "5476", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8725, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8725", "Disp_Access_No" : "1996.263", "_AccNumSort1" : "", "Disp_Create_DT" : "1824-1825", "_Disp_Start_Dat" : "1824", "_Disp_End_Date" : "1825", "Disp_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Alt_Title" : "", "Obj_Title" : "Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501", "Series_Title" : "", "Disp_Maker_1" : "John Martin", "Sort_Artist" : "Martin, John", "Disp_Dimen" : "37.4 cm x 27.6 cm (14 3/4 in. x 10 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint and drypoint with rocker", "Support" : "", "Disp_Medium" : "Mezzotint and drypoint with rocker", "Info_Page_Comm" : "From afar, Satan scowls at the sight of angels ascending the stairs of heaven, enveloped in extraordinary formations of clouds. Milton writes that they “ascend by degrees, magnificent” with a “frontispiece of diamond and gold embellished.” Heaven and its entry are “inimitable on earth by model, or by shading pencil, drawn.” Martin takes on the challenge and succeeds in rendering what Milton proclaims impossible: the sublime transition from earth to heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.263.tif", "IsPrimary" : "1", "_SurrogateID" : "3988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8854", "Disp_Access_No" : "2000.22", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1867-1873", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1873", "Disp_Title" : "Christ Healing the Possessed Boy, after Alexandre Bida", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Possessed Boy, after Alexandre Bida", "Series_Title" : "", "Disp_Maker_1" : "Félix Bracquemond", "Sort_Artist" : "Bracquemond, Félix", "Disp_Dimen" : "22.1 cm x 34.9 cm (8 11/16 in. x 13 3/4 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "34.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on chine appliqué", "Support" : "", "Disp_Medium" : "Etching on chine appliqué", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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"Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.177-178.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.177-178.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.177-178.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.177-178.TIF", "IsPrimary" : "1", "_SurrogateID" : "9794", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : 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As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11002", "Disp_Access_No" : "1996.288", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1498", "_Disp_Start_Dat" : "1488", "_Disp_End_Date" : "1497", "Disp_Title" : "Saint John before God and the Elders, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "Saint John before God and the Elders, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 27.7 cm (15 3/8 in. x 10 7/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "General source for background of Marco Dente", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.288.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.288.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.288.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.288.TIF", "IsPrimary" : "1", "_SurrogateID" : "5653", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11014", "Disp_Access_No" : "2002.260", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1470 (printed circa 1600)", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1475", "Disp_Title" : "Temptacio dyaboli de fide [The Test of Faith by the Devil], from Ars Moriendi [The Art of Dying]", "Alt_Title" : "", "Obj_Title" : "Temptacio dyaboli de fide [The Test of Faith by the Devil], from Ars Moriendi [The Art of Dying]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "19.3 cm x 14.5 cm (7 5/8 in. x 5 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "A spiritual guide to preparing for death, Ars Moriendi was one of the most popular texts of the late Middle Ages. Beginning in the Netherlands around 1465 there appeared abbreviated printed editions with eleven woodcut illustrations. This subject, the first, represents a dying man beset by demons and proffered pagan faith in the form of the column, but protected by Christ, the Virgin and a saint who appear behind the headboard. It comes from a very early Latin edition and, although a later printing, is one of only three known examples.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.260.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.260.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.260.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.260.tif", "IsPrimary" : "1", "_SurrogateID" : "1969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11016", "Disp_Access_No" : "2002.799", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1475-1490", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1490", "Disp_Title" : "Descent into Limbo, after Martin Schongauer", "Alt_Title" : "", "Obj_Title" : "Descent into Limbo, after Martin Schongauer", "Series_Title" : "", "Disp_Maker_1" : "Master A.G. (Albrecht Glockendon)", "Sort_Artist" : "Master A.G. (Albrecht Glockendon)", "Disp_Dimen" : "14.8 cm x 10.6 cm (5 13/16 in. x 4 3/16 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.799.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.799.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.799.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.799.tif", "IsPrimary" : "1", "_SurrogateID" : "5395", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11017", "Disp_Access_No" : "P1964.12", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1480", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1485", "Disp_Title" : "Christ before Annas, from The Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Martin Schongauer", "Sort_Artist" : "Schongauer, Martin", "Disp_Dimen" : "16.3 cm x 11.4 cm (6 7/16 in. x 4 1/2 in.)", "Disp_Height" : "16.3 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.12.tif", "IsPrimary" : "1", "_SurrogateID" : "3141", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11018", "Disp_Access_No" : "1980.57", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1490", "_Disp_Start_Dat" : "1485", "_Disp_End_Date" : "1495", "Disp_Title" : "Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Jacopo de Barbari", "Sort_Artist" : "Barbari, Jacopo de", "Disp_Dimen" : "18.55 cm x 12.7 cm (7 5/16 in. x 5 in.)", "Disp_Height" : "18.55 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.57.tif", "IsPrimary" : "1", "_SurrogateID" : "5204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11020", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1498", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1498", "Disp_Title" : "Martyrdom of Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39 cm x 28.7 cm (15 3/8 in. x 11 5/16 in.)", "Disp_Height" : "39 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Martyrdom of Saint Catherine combines the stages of the saint’s execution: a first attempt with a spiked wheel, its thwarting by divine intervention, and a second, successful attempt at the hand of a swordsman. Albrecht Dürer crowded the composition with an extraordinary amount of information. He missed no opportunity for conspicuous invention, from the exploding heavens to the splendid executioner, and boasted an unprecedented variety of mark and complexity of effect. Prior to Dürer’s activity, woodcut had been bound by simple conventions and popular functions. Flush with creative as well as commercial ambition, the young artist applied his singular imagination and audacious skill to the technique, single-handedly elevating it to the level of high art. The success of such woodcuts spread Dürer’s compositions and fame across Europe. He went on to explore possibilities of the medium––first pictorial, then schematic, and finally abstract. These experiments would dominate sixteenth-century production and, long after woodcut had returned to its basic tendencies, remain the measure of artistic achievement in the medium. Woodcut, however, was by no means Dürer’s primary graphic technique. His command of the burin, an engraving tool, is masterful and the focus and detail in his engravings approach hyperrealism. The museum houses over 38 etchings, engravings, and woodcuts by the Northern Renaissance master, offering an opportunity to observe the scope of Dürer’s expertise in the graphic arts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.36.tif", "IsPrimary" : "1", "_SurrogateID" : "1655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11022", "Disp_Access_No" : "P1961.9", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Seven Trumpets, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "The Seven Trumpets, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 28.2 cm (15 3/8 in. x 11 1/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.9.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.9.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.9.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.9.TIF", "IsPrimary" : "1", "_SurrogateID" : "5663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11027", "Disp_Access_No" : "2002.827", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Man of Sorrows", "Alt_Title" : "", "Obj_Title" : "Man of Sorrows", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 6.8 cm (4 5/8 in. x 2 11/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Rather than a distinct episode of the Passion narrative, the “Man of Sorrows” is an iconic image used to evoke sympathy for Christ’s suffering. For Dürer, the subject also provided a pretext for depicting an ideally proportioned male figure. As Dürer would later write, “For in the same way as the ancients attributed the most beautiful form to their God Apollo, so we must use the same measure to reproduce the body of Christ our Lord…” Indeed, Christ’s classical proportions and contrapposto anticipates Dürer’s famous Adam of 1504, and the schematic placement of the cross and instruments of the passion resemble the measuring lines used in his Book of Human Proportions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.827.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.827.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.827.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.827.TIF", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11028", "Disp_Access_No" : "G1966.2.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "The Virgin and Child with Saint Anne", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "5643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11029", "Disp_Access_No" : "1982.699", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500 - 1510", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "Monks Attending a Sick Brother", "Alt_Title" : "", "Obj_Title" : "Monks Attending a Sick Brother", "Series_Title" : "", "Disp_Maker_1" : "Pseudo-Ortkens", "Sort_Artist" : "Pseudo-Ortkens", "Disp_Dimen" : "22.8 cm x 22.8 cm (9 in. x 9 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.95.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.95.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.95.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.95.TIF", "IsPrimary" : "1", "_SurrogateID" : "5660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11035", "Disp_Access_No" : "1989.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 21.6 cm (11 11/16 in. x 8 1/2 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Raimondi attempted to capture the subtleties of Dürer’s woodcut style by using the more precise medium of engraving. In contrast to Dürer’s variegated tones and animated, angular lines, Raimondi’s burin strokes produce uniform parallel strokes, creating a homogeneous grey tone that contrasts sharply with the areas left white. The copy also loses most of the specificity of detail and texture found in Dürer’s original. Note, for example, Riamondi’s mechanical rendering of the hole in the wall just above the Virgin’s head. 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Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11037", "Disp_Access_No" : "1989.145", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.4 cm x 22.9 cm (11 15/16 in. x 9 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.145.tif", "IsPrimary" : "1", "_SurrogateID" : "5946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11040", "Disp_Access_No" : "1989.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.1 cm x 21.2 cm (11 7/16 in. x 8 3/8 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Active primarily in Rome, Raimondi made over 300 engraving over the course of his career, most of which reproduced designs by Raphael as well as recently excavated antique sculptures. His engraved copies of the Life of the Virgin woodcuts were created almost immediately after the publication of Dürer’s originals. Raimondi’s inclusion of Dürer’s monogram was not uncommon for the period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.149.tif", "IsPrimary" : "1", "_SurrogateID" : "6005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11043", "Disp_Access_No" : "1992.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "19.6 cm x 14.5 cm (7 11/16 in. x 5 11/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a perfect example of the qualities that place Lucas van Leyden among the greatest engravers of the sixteenth century. Its lovely invention, the Holy Family sharing a bite on the outskirts of a town, blurs the boundaries between a traditional Rest on the Flight into Egypt and a generic devotional image. The observation of the world is searching and minute, like that of early Netherlandish painting. Tender, quietly absorbed, unassuming despite their bulk and rather heavy proportions, the figures and their interaction communicate a harmonious and intimate domesticity. In van Leyden’s later development, the influence of Italian style would inhibit this whimsy and sincerity, which, undiluted in early works like this, lies at the root of Dutch realism. Van Leyden’s technique was just as singular in conception and nuanced in effect. His engraving tool, or burin, seems to have barely grazed the plate, leaving exceptionally shallow strokes that yield mere filament lines. Built in gossamer layers, his textures appear silken, light soft, tone silvery and almost continuous in gradation. Again, these properties are most pronounced in the early engravings and are evident in only the earliest impressions. These properties also indicate a distinctive source of van Leyden’s style in the appearance of metalpoint drawing, as they point to tendencies of engraving in the north Netherlands through the century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M. K. Hage, Jr., Helen Lea, Marvin Vexler, ’48, the Friends of the Archer M. Huntington Art Gallery, and the Dean’s Associates of the College of Fine Arts, 1992", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.2.tif", "IsPrimary" : "1", "_SurrogateID" : "1600", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11045", "Disp_Access_No" : "1988.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-11", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Christ Crowned with Thorns, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.7 cm x 11.5 cm (5 13/16 in. x 4 1/2 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.64.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.64.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.64.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1988.64.TIF", "IsPrimary" : "1", "_SurrogateID" : "5651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11047", "Disp_Access_No" : "1995.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1512", "_Disp_Start_Dat" : "1507", "_Disp_End_Date" : "1517", "Disp_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach", "Sort_Artist" : "Cranach, Lucas", "Disp_Dimen" : "16 cm x 12.7 cm (6 5/16 in. x 5 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.143.tif", "IsPrimary" : "1", "_SurrogateID" : "3133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11048", "Disp_Access_No" : "2002.1710", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1520", "Disp_Title" : "Poetry, after Raphael", "Alt_Title" : "", "Obj_Title" : "Poetry, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "18 cm x 15.1 cm (7 1/16 in. x 5 15/16 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1710.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1710.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1710.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1710.tif", "IsPrimary" : "1", "_SurrogateID" : "6011", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11051", "Disp_Access_No" : "2002.1705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Death of Ananias, after Raphael", "Alt_Title" : "", "Obj_Title" : "Death of Ananias, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "26.5 cm x 39.8 cm (10 7/16 in. x 15 11/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1705.tif", "IsPrimary" : "1", "_SurrogateID" : "1829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11052", "Disp_Access_No" : "2002.1706", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1517-1520", "_Disp_Start_Dat" : "1517", "_Disp_End_Date" : "1520", "Disp_Title" : "Saint Paul Preaching in Athens, after Raphael", "Alt_Title" : "", "Obj_Title" : "Saint Paul Preaching in Athens, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "26.7 cm x 35.4 cm (10 1/2 in. x 13 15/16 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "35.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1706.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1706.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1706.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1706.tif", "IsPrimary" : "1", "_SurrogateID" : "1830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11057", "Disp_Access_No" : "2002.1708", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "David and Goliath, after Raphael", "Alt_Title" : "", "Obj_Title" : "David and Goliath, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "26.6 cm x 39 cm (10 1/2 in. x 15 3/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The composition derives from one of Raphael’s frescoes in the vaults of the Vatican Logge, although it may depend immediately upon a drawn version by one of his pupils. Bartsch and Passavant praise the engraving as one of Raimondi’s “most considerable”, its pictorial effects especially coherent, at the same time its line unusually fluent, thus predicting the next stage in the development of reproductive engraving. Impressions like this one, before the addition of Raimondi’s signature tablet were according to Bartsch, already “extremely rare”. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1708.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1708.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1708.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1708.tif", "IsPrimary" : "1", "_SurrogateID" : "1831", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11058", "Disp_Access_No" : "1986.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "40.2 cm x 26.8 cm (15 13/16 in. x 10 9/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of William and Sally Parsons, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.337.tif", "IsPrimary" : "1", "_SurrogateID" : "5944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11064", "Disp_Access_No" : "1994.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Series_Title" : "", "Disp_Maker_1" : "Camillo Boccaccino", "Sort_Artist" : "Boccaccino, Camillo", "Disp_Dimen" : "18.5 cm x 16.1 cm (7 5/16 in. x 6 5/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Info_Page_Comm" : "Boccaccino was the leading figure of a progressive school of painting at Cremona. An early work, this drawing was a preparatory study for an altarpiece that has not been identified. Its synthetic style incorporates the elegant rhythms and calligraphic line of Parmigianino’s pen drawings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "1", "_SurrogateID" : "3682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "0", "_SurrogateID" : "3685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11065", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "32.9 cm x 23.8 cm (12 15/16 in. x 9 3/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Frank C. Guthrie, Carolyn Frost Keenan, and Isaac C. Kerridge, Jr., in honor of Ruth Stewart Kerridge, 1999", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16076", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.42.tif", "IsPrimary" : "1", "_SurrogateID" : "3364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11069", "Disp_Access_No" : "1987.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Alt_Title" : "", "Obj_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "24.8 cm x 18.2 cm (9 3/4 in. x 7 3/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4966", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11082", "Disp_Access_No" : "1998.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "The Marriage of Tobias and Sarah", "Alt_Title" : "", "Obj_Title" : "The Marriage of Tobias and Sarah", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.9 cm x 10.6 cm (2 11/16 in. x 4 3/16 in.)", "Disp_Height" : "6.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the Old Testament, a demon possessed Sarah, widowing her seven times, each on the night of her wedding. The Angel Raphael instructed Tobias to rid her of the demon by burning the organs of a fish in the conjugal bedchamber. Here, the rabbi joins the couple's hands reminiscent of an ancient hand-fasting tradition. The witness behind Sarah covers her nose, foreshadowing the stench of the fish. As late as 1875, bridal bed blessings invoked the holy couple: Lord, bless the bed and those you find there; bless these dear children as you have blessed Toby and Sara. Deign to bless them also, Lord, to the end that in your name they will live and grow old and multiply by Christ, our Lord. Amen. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.337.tif", "IsPrimary" : "1", "_SurrogateID" : "2916", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11083, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11083", "Disp_Access_No" : "1998.338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Tobias and the Archangel Raphael", "Alt_Title" : "", "Obj_Title" : "Tobias and the Archangel Raphael", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.6 cm x 10.5 cm (2 5/8 in. x 4 1/8 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.338.tif", "IsPrimary" : "1", "_SurrogateID" : "2917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11088", "Disp_Access_No" : "1990.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543-circa 1547", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1547", "Disp_Title" : "Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jean Mignon", "Sort_Artist" : "Mignon, Circle of Jean", "Disp_Dimen" : "32.6 cm x 28.7 cm (12 13/16 in. x 11 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Marian B. Davis, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.13.tif", "IsPrimary" : "1", "_SurrogateID" : "7003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11090", "Disp_Access_No" : "1981.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544-1547", "_Disp_Start_Dat" : "1544", "_Disp_End_Date" : "1547", "Disp_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Alt_Title" : "", "Obj_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.7 cm x 44.4 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "44.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.44.tif", "IsPrimary" : "1", "_SurrogateID" : "8207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11091", "Disp_Access_No" : "2002.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1551", "Disp_Title" : "Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Ancestors: Jesse, David, Solomon, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "20.6 cm x 30.7 cm (8 1/8 in. x 12 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1353.tif", "IsPrimary" : "1", "_SurrogateID" : "4939", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11094", "Disp_Access_No" : "1997.94", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "23.9 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11116", "Disp_Access_No" : "2002.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1580", "_Disp_Start_Dat" : "1575", "_Disp_End_Date" : "1585", "Disp_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Alt_Title" : "", "Obj_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "31.6 cm x 22.4 cm (12 7/16 in. x 8 13/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.23.tif", "IsPrimary" : "1", "_SurrogateID" : "6034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11117", "Disp_Access_No" : "2002.1752", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585-1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1590", "Disp_Title" : "The Virgin and Child with Saint Joseph", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Joseph", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "26.5 cm x 32.7 cm (10 7/16 in. x 12 7/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a superb impression of Lodovico Carracci’s first and most elaborate print. His paintings, relative to those of his cousins Agostino and Annibale, essay less rational and classically conditioned approaches to visually convincing and sentimentally affecting representation. This engraving strains the conventions of its technique with lyrical forms and an eccentric syntax –- the arbitrary shape and luminous facets of the Virgin’s drapery –- that achieve a similarly personal expressiveness.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1752.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1752.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1752.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1752.tif", "IsPrimary" : "1", "_SurrogateID" : "1843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11120", "Disp_Access_No" : "1982.710", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1587", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1592", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "26.3 cm x 20 cm (10 3/8 in. x 7 7/8 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on c", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on cream laid paper indented for transfer, laid down", "Info_Page_Comm" : "Trained in Antwerp, inspired by Italian Mannerism, Bartholomaeus Spranger cultivated a brilliantly artificial and highly subjective style. In long service to Rudolf II, he gave shape to the emperor’s erudite taste and more than any other artist defined the School of Prague’s extravagant style. By the late 1580s Hendrick Goltzius was celebrated as the greatest engraver of his time. He developed a commanding burin stroke, a strict organization of mark, and an unprecedented ability to convey pictorial properties. In reasserting the intellectual dimension of engraving, Goltzius’s style was itself one of the major developments of late Mannerism. One of the last of Spranger and Goltzius’s seven collaborations, this engraving is relatively simple in iconography and obviously Parmigianinesque in vocabulary. Identical in size, its contours indented from transferring the design, the drawing is the very sheet from which the plate was prepared. This superb impression of the print matches the rarified beauty of its prototype. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2326", "Rel_Obj_Title" : "The Holy Family, after Bartholomaeus Spranger" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.710.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.710.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.710.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.710.tif", "IsPrimary" : "1", "_SurrogateID" : "3183", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11122", "Disp_Access_No" : "1999.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589-1590", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1590", "Disp_Title" : "The Transfiguration", "Alt_Title" : "", "Obj_Title" : "The Transfiguration", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "57.2 cm x 34.2 cm (22 1/2 in. x 13 7/16 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (reworked with pen)", "Support" : "", "Disp_Medium" : "Etching (reworked with pen)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1999", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.79.tif", "IsPrimary" : "1", "_SurrogateID" : "4039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11127", "Disp_Access_No" : "1989.58", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591-1593", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1593", "Disp_Title" : "Angelica and Medoro, after Carlo Caliari", "Alt_Title" : "", "Obj_Title" : "Angelica and Medoro, after Carlo Caliari", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler II", "Sort_Artist" : "Sadeler II, Aegidius", "Disp_Dimen" : "31.2 cm x 41.2 cm (12 5/16 in. x 16 1/4 in.)", "Disp_Height" : "31.2 cm", "Disp_Width" : "41.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.58.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.58.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.58.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.58.tif", "IsPrimary" : "1", "_SurrogateID" : "6562", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11129", "Disp_Access_No" : "2002.241", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1600", "Disp_Title" : "Ecstasy of Saint Francis", "Alt_Title" : "", "Obj_Title" : "Ecstasy of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "23.6 cm x 17.9 cm (9 5/16 in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. Any anxiety the viewer might feel is assuaged by the ebullience of the angel.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "1", "_SurrogateID" : "1149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "0", "_SurrogateID" : "1940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11135", "Disp_Access_No" : "1995.162", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.4 cm x 15.5 cm (8 1/16 in. x 6 1/8 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.162.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.162.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.162.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.162.tif", "IsPrimary" : "1", "_SurrogateID" : "6548", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11137", "Disp_Access_No" : "1988.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1600s", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Deposition of Christ with the Three Maries", "Alt_Title" : "", "Obj_Title" : "Deposition of Christ with the Three Maries", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Maganza", "Sort_Artist" : "Maganza, Alessandro", "Disp_Dimen" : "23.3 cm (9 3/16 in.)", "Disp_Height" : "", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Alessandro Maganza was the first and most accomplished of a family of artists that dominated late sixteenth- and early seventeenth-century Vicenza. Their paintings generally offer a prosaic interpretation of Tintoretto’s dynamic design, dazzling illumination and broad execution. More distinctive and convincing, their drawings give an angular path a sharper edge to Veronese’s pen work. Recalling both Tintoretto and Veronese’s treatments of the Deposition, this sheet is a fine example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11156", "Disp_Access_No" : "2002.222", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610-1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1615", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Guido Reni", "Sort_Artist" : "Reni, Guido", "Disp_Dimen" : "22.8 cm x 14.7 cm (9 in. x 5 13/16 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.222.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.222.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.222.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.222.tif", "IsPrimary" : "1", "_SurrogateID" : "1920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11159", "Disp_Access_No" : "1997.157", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1612-1620", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1620", "Disp_Title" : "Le Massacre des innocents [Massacre of the Innocents], 1st plate", "Alt_Title" : "", "Obj_Title" : "Le Massacre des innocents [Massacre of the Innocents], 1st plate", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "13.9 cm x 10.5 cm (5 1/2 in. x 4 1/8 in.)", "Disp_Height" : "13.9 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.157.tif", "IsPrimary" : "1", "_SurrogateID" : "7771", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11161", "Disp_Access_No" : "1993.113", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint James the Greater", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater", "Series_Title" : "", "Disp_Maker_1" : "Jacques Bellange", "Sort_Artist" : "Bellange, Jacques", "Disp_Dimen" : "28.2 cm x 16.3 cm (11 1/8 in. x 6 7/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Bellange, active principally as a printmaker, was one of the last distinctive exponents of Mannerism. His extravagant compositions, lyrical figures, and strange feeling derive in large measure from his study of Parmigianino’s etchings. This Saint James, from an incomplete series of Apostles, makes the debt especially clear in its pure line work, light biting, and silvery tonality. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.113.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.113.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.113.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.113.tif", "IsPrimary" : "1", "_SurrogateID" : "8953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11163", "Disp_Access_No" : "2002.1769", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint Christopher", "Alt_Title" : "", "Obj_Title" : "Saint Christopher", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "39.1 cm x 29.3 cm (15 3/8 in. x 11 9/16 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Borgianni, principally a Caravaggesque painter, made two original etchings just before his death. Bold in massing, dramatic in light, and vigorous in mark, they are among the very few prints to evoke the physical presence and intense feeling of the new realism. Related to several painted versions of the subject, the Saint Christopher is the larger, more audacious in the hulking form and foreshortened stride of the giant, and painterly in its printing. The Collection includes an equally fine impression of the other etching, a Lamentation of Christ.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1769.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1769.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1769.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1769.tif", "IsPrimary" : "1", "_SurrogateID" : "1848", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11171", "Disp_Access_No" : "1996.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "35.5 cm x 26.5 cm (14 in. x 10 7/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase by exchange, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.154.tif", "IsPrimary" : "1", "_SurrogateID" : "3962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11175", "Disp_Access_No" : "1997.409", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1633", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1633", "Disp_Title" : "La Fuite en Egypte [Flight into Egypt]", "Alt_Title" : "", "Obj_Title" : "La Fuite en Egypte [Flight into Egypt]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "10.2 cm x 16.8 cm (4 in. x 6 5/8 in.)", "Disp_Height" : "10.2 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.409.tif", "IsPrimary" : "1", "_SurrogateID" : "4630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11192", "Disp_Access_No" : "2002.1776", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1631-1637", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1637", "Disp_Title" : "Venus and Adonis", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis", "Series_Title" : "", "Disp_Maker_1" : "Pietro Testa", "Sort_Artist" : "Testa, Pietro", "Disp_Dimen" : "36.2 cm x 45.9 cm (14 1/4 in. x 18 1/16 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "45.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1776.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1776.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1776.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1776.TIF", "IsPrimary" : "1", "_SurrogateID" : "9776", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11193", "Disp_Access_No" : "1992.230", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633-1636", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1636", "Disp_Title" : "Susanna and the Elders, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Susanna and the Elders, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Christoffel Jegher", "Sort_Artist" : "Jegher, Christoffel", "Disp_Dimen" : "44.5 cm x 58.6 cm (17 1/2 in. x 23 1/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "58.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Ruben’s print enterprise was not limited to engraving. For a short period he engaged the printmaker Christoffel Jegher to translate some of his compositions into woodcut. The results are among the technique’s most audacious achievements. They could not, however, accommodate the range and subtlety of effects in similarly intended engravings and therefore were a short-lived endeavor.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.230.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.230.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.230.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.230.tif", "IsPrimary" : "1", "_SurrogateID" : "5950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11238", "Disp_Access_No" : "1997.139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1649", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1654", "Disp_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "16.6 cm x 15.3 cm (6 9/16 in. x 6 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.139.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.139.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.139.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.139.tif", "IsPrimary" : "1", "_SurrogateID" : "7267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11242", "Disp_Access_No" : "1992.256", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "The Sacrifice of Abraham", "Alt_Title" : "", "Obj_Title" : "The Sacrifice of Abraham", "Series_Title" : "", "Disp_Maker_1" : "Ferdinand Bol", "Sort_Artist" : "Bol, Ferdinand", "Disp_Dimen" : "40.8 cm x 32.5 cm (16 1/16 in. x 12 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "32.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The 1992 Friends of the Archer M. Huntington Art Gallery Purchase", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.256.tif", "IsPrimary" : "1", "_SurrogateID" : "3948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11247", "Disp_Access_No" : "2002.1768", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Noah and the Animals Entering the Ark", "Alt_Title" : "", "Obj_Title" : "Noah and the Animals Entering the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "20.3 cm x 39.9 cm (8 in. x 15 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "39.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "By origin and periodic association, Giovanni Benedetto Castiglione was Genoese. His style thoroughly reconciles the school’s residual Mannerism with its naturalism of Netherlandish cast. At the same time, spending much of the 1630s and 1640s in Rome, he assimilated Nicolas Poussin and Pietro Testa’s highly intellectual and idealized Baroque. Castiglione’s curiosity and openness are confirmed by his ceaseless exploration of the graphic arts and by his late activity across northern Italy. More than any other figure, he transcended conventional Baroque categories and predicted the dominant tendencies of eighteenth-century style. Combining noble theme with a pretext for genre, the journeys of the patriarchs in the Book of Genesis were a constant subject in Castiglione’s art. With the added appeal of a menagerie, Noah and the loading of the Ark was a particular favorite. The many versions include an early oil on paper in the Suida-Manning Collection. Here, the procession is organized with the simple structure and slow cadence of an ancient relief, but brought to life by the busy hand, textured light, and even bawdy accent of Rembrandt’s early etchings. Castiglione’s etchings are the finest of the period in Italy. This is perhaps his most pictorial and coherent. Characterized by great clarity, a silvery tone, and dense polishing scratches, this is an especially early impression. The museum possesses forty etchings by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1768.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1768.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1768.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1768.tif", "IsPrimary" : "1", "_SurrogateID" : "1847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11252", "Disp_Access_No" : "1995.46", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1652", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1657", "Disp_Title" : "Christ Preaching (La Petite Tombe)", "Alt_Title" : "", "Obj_Title" : "Christ Preaching (La Petite Tombe)", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.5 cm x 20.6 cm (6 1/8 in. x 8 1/8 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin on Japanese paper", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin on Japanese paper", "Info_Page_Comm" : "Christ Preaching is one of Rembrandt’s most famous and beautiful etchings. Its traditional title, La Petite Tombe, refers to the pedestal beneath Christ—a “little tomb”—but derives from a misunderstanding of an early reference to Pieter de la Tombe, for whom Rembrandt probably created the print. The scene conflates the events in Matthew 19, the culmination of Christ’s ministry, in which he explains the sanctity of marriage, orders his disciples to “let the children come to me,” and describes the virtue of poverty. The composition, conceived in light of works by Raphael, is unusually explicit in structure. Christ’s alignment with its axes and his gesture, arms upraised, hands oversized, effectively prefigure the Crucifixion. At the same time, this rigor and this content are relieved by wonderfully observed human incidents, from the unmoved Pharisees to the children, one dumb and led by the hand, another oblivious as he draws with a finger. All are subjected to a mysterious shadow that fuses the theological and human meanings of the scene. These meanings emerge in any impression, but no more than a handful so thoroughly express the artist’s aesthetic intention. With the work in drypoint vivid, a veil of ink tone unifying the surface, and a slightly translucent Japanese paper imparting a faint glow, this would have been among the very first printed by Rembrandt himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, The Dean of the College of Fine Arts, and the Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.46.tif", "IsPrimary" : "1", "_SurrogateID" : "1658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11256", "Disp_Access_No" : "1997.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "Ornament with bat and putti, from Ornamenti o grottesche [Ornaments or Grotesques]", "Alt_Title" : "", "Obj_Title" : "Ornament with bat and putti, from Ornamenti o grottesche [Ornaments or Grotesques]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "16.9 cm x 7.1 cm (6 5/8 in. x 2 13/16 in.)", "Disp_Height" : "16.9 cm", "Disp_Width" : "7.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.144.tif", "IsPrimary" : "1", "_SurrogateID" : "7554", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11268", "Disp_Access_No" : "2002.1415", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680-1691", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1691", "Disp_Title" : "Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]", "Alt_Title" : "", "Obj_Title" : "Flying Cherubim", "Series_Title" : "", "Disp_Maker_1" : "José Garcia Hidalgo", "Sort_Artist" : "Hidalgo, José Garcia", "Disp_Dimen" : "12.9 cm x 17.6 cm (5 1/16 in. x 6 15/16 in.)", "Disp_Height" : "12.9 cm", "Disp_Width" : "17.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Principios para estudiar el nobilísimo y real arte de la pintura facsimile edition published in 1965. [HB]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1415.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1415.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1415.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1415.tif", "IsPrimary" : "1", "_SurrogateID" : "3704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1415.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1415.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1415.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1415.tif", "IsPrimary" : "0", "_SurrogateID" : "3722", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11288, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11288", "Disp_Access_No" : "2000.72", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1733", "_Disp_Start_Dat" : "1728", "_Disp_End_Date" : "1738", "Disp_Title" : "Penitent Magdalen in a Landscape", "Alt_Title" : "", "Obj_Title" : "Penitent Magdalen in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Carlo Antonio Tavella", "Sort_Artist" : "Tavella, Carlo Antonio", "Disp_Dimen" : "36.2 cm x 27 cm (14 1/4 in. x 10 5/8 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper with an oval paper window", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper with an oval paper window", "Info_Page_Comm" : "From around the time he settled in Genoa (1691), Tavella recorded his painted compositions in meticulous outline drawings, usually bearing annotations about the size and circumstance of the work. Many of these drawings survive, including a major example of 1716 in the Suida-Manning Collection. Very few, however, can be connected with extant works. The rare case, the present drawing corresponds to a painting (at left) in the museum of the Accademia Ligustica, Genoa. The principal 19th-century artistic guide to the city calls the painting and its pendant “ovali bellissimi.” With two other paintings of the same format and conception, one of which is dated 1733, they represent the artist’s latest style. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.154.tif", "IsPrimary" : "1", "_SurrogateID" : "8950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11320", "Disp_Access_No" : "1999.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770's", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "The Holy Family, after Ubaldo Gandolfi", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Ubaldo Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Zaoli", "Sort_Artist" : "Zaoli, Gaetano", "Disp_Dimen" : "22.2 cm x 14.8 cm (8 3/4 in. x 5 13/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Printed recto and verso ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11340", "Disp_Access_No" : "1993.80", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1790-1800", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Satan, Sin, and Death, with a Study of the Head of Satan, from Paradise Lost, Book II (recto), Two Angels and Combat Scene (verso)", "Alt_Title" : "Studies for Ithuriel and Zephon Surprising Satan at the Ear of Eve, from Book IV (verso)", "Obj_Title" : "Satan, Sin, and Death, with a Study of the Head of Satan, from Paradise Lost, Book II (recto)", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "14.1 cm x 22.9 cm (5 9/16 in. x 9 in.)", "Disp_Height" : "14.1 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite", "Support" : "", "Disp_Medium" : "Graphite", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.80.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.80.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.80.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.80.tif", "IsPrimary" : "1", "_SurrogateID" : "4705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11345", "Disp_Access_No" : "1993.81", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Assassination of a Cleric (recto)", "Alt_Title" : "Figure Studies (verso)", "Obj_Title" : "Assassination of a Cleric (recto)", "Series_Title" : "", "Disp_Maker_1" : "Thomas Stothard", "Sort_Artist" : "Stothard, Thomas", "Disp_Dimen" : "10.3 cm x 8.6 cm (4 1/16 in. x 3 3/8 in.)", "Disp_Height" : "10.3 cm", "Disp_Width" : "8.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink, gray and brown washes, over graphite (recto); graphite and pen and black ink (verso)", "Support" : "", "Disp_Medium" : "Pen and black ink, gray and brown washes, over graphite (recto); graphite and pen and black ink (verso)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.81_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.81_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.81_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.81_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "4709", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.81_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.81_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.81_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.81_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "4710", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11352", "Disp_Access_No" : "1987.18", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1802-1819", "_Disp_Start_Dat" : "1802", "_Disp_End_Date" : "1819", "Disp_Title" : "Monks Entering a Cloister", "Alt_Title" : "", "Obj_Title" : "Monks Entering a Cloister", "Series_Title" : "", "Disp_Maker_1" : "François-Marius Granet", "Sort_Artist" : "Granet, François-Marius", "Disp_Dimen" : "17.8 cm x 24.5 cm (7 in. x 9 5/8 in.)", "Disp_Height" : "17.8 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brown and gray washes on ivory wove paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brown and gray washes on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.18.tif", "IsPrimary" : "1", "_SurrogateID" : "3081", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.18.tif", "IsPrimary" : "0", "_SurrogateID" : "3088", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11402", "Disp_Access_No" : "1985.10", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1875", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1880", "Disp_Title" : "Study for the Head of the Virgin", "Alt_Title" : "", "Obj_Title" : "Study for the Head of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Edward Coley Burne-Jones", "Sort_Artist" : "Burne-Jones, Edward Coley", "Disp_Dimen" : "27.3 cm x 16.8 cm (10 3/4 in. x 6 5/8 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite on white wove paper", "Support" : "", "Disp_Medium" : "Graphite on white wove paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11413", "Disp_Access_No" : "G1964.1.106", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1884", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1889", "Disp_Title" : "The Vision of St. Helena, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Vision of St. Helena, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Charles William Sherborn", "Sort_Artist" : "Sherborn, Charles William", "Disp_Dimen" : "42.85 cm x 32.7 cm (16 7/8 in. x 12 7/8 in.)", "Disp_Height" : "42.85 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.106.tif", "IsPrimary" : "1", "_SurrogateID" : "6568", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11534", "Disp_Access_No" : "1986.60", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1930-circa 1940", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Angel", "Alt_Title" : "", "Obj_Title" : "Angel", "Series_Title" : "", "Disp_Maker_1" : "Jesús Reyes Ferreira, called Chucho Reyes", "Sort_Artist" : "Reyes Ferreira, called Chucho Reyes, Jesús", "Disp_Dimen" : "75.8 cm x 49.5 cm (29 13/16 in. x 19 1/2 in.)", "Disp_Height" : "75.8 cm", "Disp_Width" : "49.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor on tissue", "Support" : "", "Disp_Medium" : "Watercolor on tissue", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.60.tif", "IsPrimary" : "1", "_SurrogateID" : "3419", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.60.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.60.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.60.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.60.tif", "IsPrimary" : "0", "_SurrogateID" : "3425", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1652.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1652.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1652.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1652.tif", "IsPrimary" : "1", "_SurrogateID" : "4194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2002.1740", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Jeremiah, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Jeremiah, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "30 cm x 43.2 cm (11 13/16 in. x 17 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1740.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1740.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1740.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1740.tif", "IsPrimary" : "1", "_SurrogateID" : "1838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2002.1743", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570's", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Joel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Joel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "25 cm x 40 cm (9 13/16 in. x 15 3/4 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ghisi’s engravings invest the grand design of mid-century Italian printmaking with the meticulous craft of Northern production. His rendering of six pendentives in the Sistine Ceiling, although likely an incomplete project, was the first substantial and worthy reproduction of Michelangelo's great invention. Each consists of two plates, which in the earliest impressions were printed on separate sheets, then trimmed and joined. This impression, from the top plate of one, is an extremely rare proof before the engraving was finished, therefore a fascinating demonstration of working method.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1743.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1743.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1743.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1743.tif", "IsPrimary" : "1", "_SurrogateID" : "1839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "1988.12", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1510's", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Angel Holding a Tablet, after Raphael", "Alt_Title" : "", "Obj_Title" : "Angel Holding a Tablet, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Gaudenzio Ferrari", "Sort_Artist" : "Ferrari, Gaudenzio", "Disp_Dimen" : "30.8 cm x 21 cm (12 1/8 in. x 8 1/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Info_Page_Comm" : "This drawing copies a motif in Raphael’s fresco decoration of the Chigi Chapel, 1514, in Santa Maria della Pace, Rome.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.12.tif", "IsPrimary" : "1", "_SurrogateID" : "6323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "1997.135", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18 century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Alt_Title" : "", "Obj_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Guillaume Allabre", "Sort_Artist" : "Allabre, Attributed to Guillaume", "Disp_Dimen" : "50.3 cm x 40.8 cm (19 13/16 in. x 16 1/16 in.)", "Disp_Height" : "50.3 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "The oldest and most enduring kind of printmaking was associated with pilgrimage sites and offered visitors inexpensive devotional images as souvenirs. Distinctive to Chartres, one of the major destinations in France, in the late 18th century was a school of woodcut that combined the simple design and bold cutting of popular prints with the large scale and elaborate flourish of loftier genres. In this combination, and the generation of new aesthetic meaning out of formal and sociological transgression, these prints also prefigure an important pursuit of the Romantics and the later avant garde. They are, however, very rare and largely unrecognized. This is an especially fine and well preserved example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.135.tif", "IsPrimary" : "1", "_SurrogateID" : "4788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11855", "Disp_Access_No" : "2002.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin and Child on the Clouds, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child on the Clouds, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "18.6 cm x 14.9 cm (7 5/16 in. x 5 7/8 in.)", "Disp_Height" : "18.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Catholics believe that when the Virgin Mary’s body was assumed into Heaven, she was venerated there as queen because of her participation in the redemption of mankind – by allowing her body to be a vessel for God. The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. The audience for these particular images was probably a wealthier one, more likely to venerate a regal Virgin than a peasant mother of God.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.18.tif", "IsPrimary" : "1", "_SurrogateID" : "6030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11856", "Disp_Access_No" : "2002.19", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Christ in the House of Simon the Pharisee, after Raphael", "Alt_Title" : "", "Obj_Title" : "Christ in the House of Simon the Pharisee, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "21.3 cm x 34.7 cm (8 3/8 in. x 13 11/16 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.19.tif", "IsPrimary" : "1", "_SurrogateID" : "6032", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11865", "Disp_Access_No" : "2002.30", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520 - 1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "God Appearing to Noah, after Raphael", "Alt_Title" : "", "Obj_Title" : "God Appearing to Noah, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "30.2 cm x 24.7 cm (11 7/8 in. x 9 3/4 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.30.tif", "IsPrimary" : "1", "_SurrogateID" : "2037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11871", "Disp_Access_No" : "2002.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "25.6 cm x 23.2 cm (10 1/16 in. x 9 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati is most distinctive and best known of the group of early painter-etchers in Verona. Inspired by the activity of Giulio Romano in nearby Mantua, his ponderous forms and emphatic contour were readily translated into etchings by the artist himself and those in a virtually identical style by his son, Orazio. 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