{ "objects" : [ { "embark_ID" : 2029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2029", "Disp_Access_No" : "P1961.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.6 cm (11 5/8 in. x 8 1/8 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.8.tif", "IsPrimary" : "1", "_SurrogateID" : "4811", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2035", "Disp_Access_No" : "1980.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Madonna with the Pear", "Alt_Title" : "", "Obj_Title" : "Madonna with the Pear", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15.9 cm x 10.6 cm (6 1/4 in. x 4 3/16 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Dürer returned to the theme of the Virgin and Child throughout his career. Executed in 1511, this engraving is one of Dürer’s most curious and disconcerting treatments of the subject. Most striking is the contradiction of the tender, maternal scene between mother and child by the artist’s formal choices. The oppressive city gate towering above the viewer’s eye level; the Virgin’s off-center, twisting pose; and the contorted pattern of lines that compose the large tree: all induce a feeling of isolation that seems to portend Christ’s future suffering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.53.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.53.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.53.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1980.53.TIF", "IsPrimary" : "1", "_SurrogateID" : "5637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2036", "Disp_Access_No" : "1996.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ on the Cross, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.9 cm x 7.6 cm (4 11/16 in. x 3 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.146.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.146.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.146.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.146.TIF", "IsPrimary" : "1", "_SurrogateID" : "5640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2037", "Disp_Access_No" : "2002.831", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "The Mocking of Christ, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.6 cm x 9.6 cm (4 15/16 in. x 3 3/4 in.)", "Disp_Height" : "12.6 cm", "Disp_Width" : "9.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.831.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.831.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.831.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.831.TIF", "IsPrimary" : "1", "_SurrogateID" : "5655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2038", "Disp_Access_No" : "2002.832", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "The Descent from the Cross, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.8 cm x 9.8 cm (5 1/16 in. x 3 7/8 in.)", "Disp_Height" : "12.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.832.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.832.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.832.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.832.TIF", "IsPrimary" : "1", "_SurrogateID" : "5656", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2039", "Disp_Access_No" : "2002.833", "_AccNumSort1" : "", "Disp_Create_DT" : "1509 - 1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.833.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.833.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.833.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.833.TIF", "IsPrimary" : "1", "_SurrogateID" : "5657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2043", "Disp_Access_No" : "1996.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "The Entombment, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "The Entombment, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.6 cm (4 5/8 in. x 3 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.147.tif", "IsPrimary" : "1", "_SurrogateID" : "3840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2045", "Disp_Access_No" : "2002.2327", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12 cm x 7.5 cm (4 3/4 in. x 2 15/16 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2327.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2327.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2327.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2327.TIF", "IsPrimary" : "1", "_SurrogateID" : "5641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2047", "Disp_Access_No" : "2002.766", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1513", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1518", "Disp_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.5 cm x 5.1 cm (2 15/16 in. x 2 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Altdorfer’s series consists of forty blocks rendering the fundamental Christian narrative, from Original Sin through the Last Judgment, with most devoted to the Life of Christ. Distinctively, they bring the miniature scale, pictorial values, and technical refinement of some of Dürer’s engravings to woodcut. The Steinberg Collection includes three other prints from the series, and the later engraving of Hercules and a Muse. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.766.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.766.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.766.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.766.tif", "IsPrimary" : "1", "_SurrogateID" : "2079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "G1966.2.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.55 cm x 7.3 cm (4 9/16 in. x 2 11/16 in.)", "Disp_Height" : "11.55 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Thomas was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.150.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.150.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.150.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.150.TIF", "IsPrimary" : "1", "_SurrogateID" : "5644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. Whereas Dürer employed mostly long, parallel hatchings to describe the earlier Virgin and Child, in this engraving he uses a diverse combination of strokes to suggest a warm fall of light and a wide variety of textures. Most notable is the artist’s ability to render the Virgin’s luminous silk mantle resting over her knee. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2052", "Disp_Access_No" : "2002.828", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Paul", "Alt_Title" : "", "Obj_Title" : "Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.5 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Paul was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.828.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.828.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.828.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.828.tif", "IsPrimary" : "1", "_SurrogateID" : "2084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "P1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1515", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1515", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "22 cm x 15.7 cm (8 11/16 in. x 6 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Dürer was one of the first printmakers to experiment with etching. To produce an etching, a metal plate is first covered with an acid-resistant ground, through which the artist draws with a sharp, fine point. The plate is then bathed in acid, which bites the exposed drawing to form the grooves that receive the printing ink. Whereas the engraver’s burin demands great discipline and labor, the etching needle allows a spontaneity and freedom comparable to that of a pen and ink sketch. Recognizing the technique’s expressive potential, Dürer produced six etchings of intense emotional drama.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2068", "Disp_Access_No" : "2002.830", "_AccNumSort1" : "", "Disp_Create_DT" : "1521", "_Disp_Start_Dat" : "1521", "_Disp_End_Date" : "1521", "Disp_Title" : "Saint Christopher ", "Alt_Title" : "", "Obj_Title" : "Saint Christopher ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The cult of Saint Christopher, patron saint of travelers, was particularly strong between the thirteenth and sixteenth centuries. According to popular tradition, Christopher was a man of giant stature who assisted Christ across a river, and in doing so, felt the weight of the world on his shoulders. Night scenes such as this lent themselves well to the restricted tonal scale of Dürer’s late engraving style. Long parallel lines define the water, hilly landscape and sky surrounding the saint. Rather than altering the density of these lines to create gradations of tone, Dürer distinguishes these passages through their directional orientation. Once searchingly descriptive, the fall of light is now mystical and expressive. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.830.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.830.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.830.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.830.tif", "IsPrimary" : "1", "_SurrogateID" : "2085", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2071", "Disp_Access_No" : "2002.829", "_AccNumSort1" : "", "Disp_Create_DT" : "1523", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1523", "Disp_Title" : "Saint Simon", "Alt_Title" : "", "Obj_Title" : "Saint Simon", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Simon was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.829.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.829.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.829.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.829.TIF", "IsPrimary" : "1", "_SurrogateID" : "5642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2078", "Disp_Access_No" : "2002.2045", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Saint Luke Painting the Virgin", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Dirk Vellert", "Sort_Artist" : "Vellert, Dirk", "Disp_Dimen" : "26.9 cm x 20.2 cm (10 9/16 in. x 7 15/16 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2045.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2045.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2045.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2045.tif", "IsPrimary" : "1", "_SurrogateID" : "1890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "P1961.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "The Virgin and Child at the Foot of a Tree", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child at the Foot of a Tree", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "7.5 cm x 5.3 cm (2 15/16 in. x 2 1/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.79.tif", "IsPrimary" : "1", "_SurrogateID" : "9038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2084", "Disp_Access_No" : "2002.2063", "_AccNumSort1" : "", "Disp_Create_DT" : "1530", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Lot and His Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "18.5 cm x 23.9 cm (7 5/16 in. x 9 7/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2063.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2063.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2063.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2063.tif", "IsPrimary" : "1", "_SurrogateID" : "1894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2101", "Disp_Access_No" : "2002.1677", "_AccNumSort1" : "", "Disp_Create_DT" : "1540", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "David and Goliath, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Goliath, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Scultori", "Sort_Artist" : "Scultori, Giovanni Battista", "Disp_Dimen" : "40.3 cm x 50.3 cm (15 7/8 in. x 19 13/16 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "When Giulio Romano brought recent Roman style to the service and pleasure of the Gonzaga family at Mantua, he included the newly coined system of reproductive engraving. As Raphael had collaborated with Raimondi and his pupils, so Giulio employed Scultori to interpret and disseminate his designs. Scultori in turn trained the next generation of engravers, including Giorgio Ghisi, and established Mantua as a disproportionately influential center of the medium. This print interprets a fresco lunette in Giulio’s decoration of the Palazzo del Te, the ducal villa on the outskirts of the city. It is not only the largest and most dramatic of Scultori’s prints, but in this impression, stunning in its sculptural force and lustrous surface. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1677.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1677.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1677.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1677.tif", "IsPrimary" : "1", "_SurrogateID" : "1826", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2109", "Disp_Access_No" : "2002.1714", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Abigail, after Baccio Bandinelli or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "School of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, School of Marcantonio", "Disp_Dimen" : "27.6 cm x 43 cm (10 7/8 in. x 16 15/16 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1714.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1714.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1714.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1714.tif", "IsPrimary" : "1", "_SurrogateID" : "5480", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2110", "Disp_Access_No" : "2002.1720", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolo della Casa", "Sort_Artist" : "della Casa, Nicolo", "Disp_Dimen" : "44.6 cm x 56.1 cm (17 9/16 in. x 22 1/16 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "56.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving from ten plates", "Support" : "", "Disp_Medium" : "Engraving from ten plates", "Info_Page_Comm" : "Unveiled in November 1541, the Last Judgment on the west wall of the Sistine Chapel stired tremendous excitement. Before the end of the decade, there would be three mounumental reproductive engravings of the composition. Della Casa's was the first, printed on ten plates. This is an impression of the top center section, with the resurrected Christ and the interceding Virgin. Even before his virtually certain trip to Rome, circa 1546-47, Cambiaso could have known the composition from such engravings, and after his return he may well have referred to them. In Cambiaso's own Last Judgment in Santa Maria delle Grazie at Chiavari (dated 1550), the upper part of the fresco depends upon precisely this section of Michelangleo's composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1720.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1720.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1720.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1720.tif", "IsPrimary" : "1", "_SurrogateID" : "3644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2118", "Disp_Access_No" : "2001.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "53.3 cm x 92.3 cm (21 in. x 36 5/16 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "92.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on two sheets", "Support" : "", "Disp_Medium" : "Engraving on two sheets", "Info_Page_Comm" : "Encouraged by success in Rome, Salviati returned to his native Florence in the early 1540s. For a brief period he challenged the artistic supremacy of Angelo Bronzino at the court of Cosimo de’ Medici. This extraordinary engraving, dedicated on the stone in the left foreground to “the generosity of Cosimo de’ Medici”, was part of his efforts to bolster his position. Pietro Aretino, a prominent literary figure, praised the print’s “stupendous composition” and “sublime invention” in a long letter to Salviati. In this impression, the printing of the right-hand plate is weaker and the effect somewhat unbalanced.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2119", "Disp_Access_No" : "2002.794", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Hans Brosamer", "Sort_Artist" : "Brosamer, Hans", "Disp_Dimen" : "8 cm x 9.7 cm (3 1/8 in. x 3 13/16 in.)", "Disp_Height" : "8 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2141", "Disp_Access_No" : "2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1345.tif", "IsPrimary" : "1", "_SurrogateID" : "4985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2144", "Disp_Access_No" : "2002.2273", "_AccNumSort1" : "", "Disp_Create_DT" : "1548", "_Disp_Start_Dat" : "1548", "_Disp_End_Date" : "1548", "Disp_Title" : "Entombment", "Alt_Title" : "", "Obj_Title" : "Entombment", "Series_Title" : "", "Disp_Maker_1" : "Lambert Suavius", "Sort_Artist" : "Suavius, Lambert", "Disp_Dimen" : "17.5 cm x 20.4 cm (6 7/8 in. x 8 1/16 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2273.tif", "IsPrimary" : "1", "_SurrogateID" : "1924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2191", "Disp_Access_No" : "2002.1175.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1561", "_Disp_Start_Dat" : "1556", "_Disp_End_Date" : "1566", "Disp_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jehu Commanding Jezebel's Death and the Dogs Eating Her Flesh, plate 6 from The Story of Ahab, Jezebel and Naboth, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "28.2 cm x 36.3 cm (11 1/8 in. x 14 5/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1175.6-6.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1175.6-6.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1175.6-6.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1175.6-6.TIF", "IsPrimary" : "1", "_SurrogateID" : "9396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2256", "Disp_Access_No" : "2002.1346", "_AccNumSort1" : "", "Disp_Create_DT" : "1569", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1569", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Martino Rota", "Sort_Artist" : "Rota, Martino", "Disp_Dimen" : "32 cm x 23.4 cm (12 5/8 in. x 9 3/16 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1346.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1346.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1346.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1346.tif", "IsPrimary" : "1", "_SurrogateID" : "4141", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2259", "Disp_Access_No" : "2002.2096", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence (First Version), after Titian", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.7 cm x 35 cm (19 9/16 in. x 13 3/4 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The first version of the Martyrdom of Saint Lawrence was painted for the church of Santa Maria dei Crociferi, Venice, between 1548 and 1557. It survives in the church of the Gesuiti. The second was ordered by Philip II in 1564 for the church of his Escorial Palace, delivered in 1571, and passed to the Prado. Coincident with the completion of the second version, Titian engaged Cort to engrave a composition that incorporates elements of both versions and likely depended upon a separate drawing by Titian. Cort also created a second, practically identical version (exhibited adjacent), perhaps to allow more than one publisher to issue the reproduction simultaneously. The reputation of the paintings and the popularity of the print are underscored by the existence of numerous contemporary copies. The third version exhibited is one of the most accomplished. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2096.tif", "IsPrimary" : "1", "_SurrogateID" : "1898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2260", "Disp_Access_No" : "2002.2097", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.4 cm x 35 cm (19 7/16 in. x 13 3/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The most innovative and influential engraver of mid-century, Cort reconciled the emphasis on design and ideal appearance with descriptive variety and the approximation of pictorial effects. In Italy from 1565, he became Titian’s preferred interpreter. The Martyrdom of Saint Lawrence combines elements from two painted versions, the earlier in the church of the Gesuiti at Venice, the later for Philip II of Spain. A measure of success, it was immediately repeated by Cort himself, then copied by another printmaker. The Collection includes very fine impressions of both, and another seven major plates by Cort. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2097.tif", "IsPrimary" : "1", "_SurrogateID" : "1899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2261", "Disp_Access_No" : "2002.2098", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cornelis Cort", "Sort_Artist" : "Cort, Copy after Cornelis", "Disp_Dimen" : "48.9 cm x 34.7 cm (19 1/4 in. x 13 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2098.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2098.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2098.tif", "IsPrimary" : "1", "_SurrogateID" : "1900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2263", "Disp_Access_No" : "2002.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "Parable of the Blind", "Alt_Title" : "", "Obj_Title" : "Parable of the Blind", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "19.3 cm x 29.7 cm (7 5/8 in. x 11 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.51.tif", "IsPrimary" : "1", "_SurrogateID" : "5436", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2273", "Disp_Access_No" : "2002.1749", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Alt_Title" : "", "Obj_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "32.6 cm x 56.6 cm (12 13/16 in. x 22 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "56.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving made of 7 sheets", "Support" : "", "Disp_Medium" : "Engraving made of 7 sheets", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1749.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1749.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1749.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1749.tif", "IsPrimary" : "1", "_SurrogateID" : "9346", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2280", "Disp_Access_No" : "2002.1775", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "55.3 cm x 34.5 cm (21 3/4 in. x 13 9/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Federico Barocci, a painter of extreme sensitivity and incipient naturalism, had a fundamental role as a precursor of the Baroque. Although they are still essentially idealized, his works built upon the innovations of Titian and especially Correggio to achieve unprecedented optical sensation and affecting sentiment. Later in his career, he experimented with printmaking, making four etchings. This, one of two large and complex plates, reproduces his own altarpiece of 1576 for the church of San Francesco at Urbino. Its subject is Saint Francis’s vision of Christ granting indulgences to the pilgrims who would visit the saint’s chapel at Portiuncola. The etching translates not just the composition but the vibrance and ecstatic feeling of the prototype. Extremely important despite being few in number, Barocci’s prints set the course of Italian Baroque etching. Combining the plastic values of late-century engraving with the graphic freedom of etching, they were the first to accommodate the naturalism and inherent expressiveness of the emergent style of painting. Immediately, they helped reinforce and further Barocci’s influence. More generally, they established the proposition of painters conveying their full style, not merely their composition or drawing, through printmaking. Most of the etchers of the next century would be painters first, and many of their finest plates would interpret their own works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1775.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1775.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1775.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1775.tif", "IsPrimary" : "1", "_SurrogateID" : "1849", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2289", "Disp_Access_No" : "2002.1700", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Pietà with an Angel, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Pietà with an Angel, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "39.9 cm x 28.6 cm (15 11/16 in. x 11 1/4 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "During the 1580s both Agostino and Annibale Carracci traveled regularly to Venice. As part of their reckoning with of the school’s painting, Agostino engraved numerous works after Veronese and Tintoretto––no less advanced or significant than Cort’s works after Titian a generation earlier. This engraving, of a painting extant in the Hermitage, is one of six after Veronese that he created in the same year.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1700.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1700.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1700.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1700.tif", "IsPrimary" : "1", "_SurrogateID" : "4995", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2326", "Disp_Access_No" : "1993.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "The Holy Family, after Bartholomaeus Spranger", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Bartholomaeus Spranger", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "28.8 cm x 21.6 cm (11 5/16 in. x 8 1/2 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Trained in Antwerp, inspired by Italian Mannerism, Bartholomaeus Spranger cultivated a brilliantly artificial and highly subjective style. In long service to Rudolf II, he gave shape to the emperor’s erudite taste and more than any other artist defined the School of Prague’s extravagant style. By the late 1580s Hendrick Goltzius was celebrated as the greatest engraver of his time. He developed a commanding burin stroke, a strict organization of mark, and an unprecedented ability to convey pictorial properties. In reasserting the intellectual dimension of engraving, Goltzius’s style was itself one of the major developments of late Mannerism. One of the last of Spranger and Goltzius’s seven collaborations, this engraving is relatively simple in iconography and obviously Parmigianinesque in vocabulary. Identical in size, its contours indented from transferring the design, the drawing is the very sheet from which the plate was prepared. This superb impression of the print matches the rarified beauty of its prototype. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "11120", "Rel_Obj_Title" : "The Holy Family" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.176.tif", "IsPrimary" : "1", "_SurrogateID" : "1626", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2327, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2327", "Disp_Access_No" : "1995.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.5 cm x 12 cm (6 1/2 in. x 4 3/4 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.153.tif", "IsPrimary" : "1", "_SurrogateID" : "6541", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2328", "Disp_Access_No" : "1995.154", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.8 cm x 12.4 cm (6 5/8 in. x 4 7/8 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "12.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.154.tif", "IsPrimary" : "1", "_SurrogateID" : "6542", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2329", "Disp_Access_No" : "1995.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Bartholomew, plate 6 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Bartholomew, plate 6 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.6 cm x 12.2 cm (6 9/16 in. x 4 13/16 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "12.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.155.tif", "IsPrimary" : "1", "_SurrogateID" : "6543", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2330, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2330", "Disp_Access_No" : "1995.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Thomas, plate 8 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Thomas, plate 8 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.6 cm x 12.2 cm (6 9/16 in. x 4 13/16 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "12.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.156.tif", "IsPrimary" : "1", "_SurrogateID" : "6544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2331, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2331", "Disp_Access_No" : "1995.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. James Minor, plate 10 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. James Minor, plate 10 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.7 cm x 11.7 cm (6 9/16 in. x 4 5/8 in.)", "Disp_Height" : "16.7 cm", "Disp_Width" : "11.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.157.tif", "IsPrimary" : "1", "_SurrogateID" : "6545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2332", "Disp_Access_No" : "1995.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Simon, plate 11 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Simon, plate 11 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.8 cm x 12 cm (6 5/8 in. x 4 3/4 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.158.tif", "IsPrimary" : "1", "_SurrogateID" : "6546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2333", "Disp_Access_No" : "1995.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Judas Thaddeus, plate 12 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Judas Thaddeus, plate 12 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.9 cm x 12 cm (6 5/8 in. x 4 3/4 in.)", "Disp_Height" : "16.9 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.159.tif", "IsPrimary" : "1", "_SurrogateID" : "6547", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2334", "Disp_Access_No" : "1995.160", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Matthias, plate 13 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Matthias, plate 13 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.8 cm x 12 cm (6 5/8 in. x 4 3/4 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "12 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.160.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.160.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.160.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.160.tif", "IsPrimary" : "1", "_SurrogateID" : "7197", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2337", "Disp_Access_No" : "1999.202", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Paul, plate 14 from Christ and the Apostles", "Alt_Title" : "", "Obj_Title" : "St. Paul, plate 14 from Christ and the Apostles", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "12.4 cm x 10.4 cm (4 7/8 in. x 4 1/8 in.)", "Disp_Height" : "12.4 cm", "Disp_Width" : "10.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.202.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.202.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.202.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.202.tif", "IsPrimary" : "1", "_SurrogateID" : "7261", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2339", "Disp_Access_No" : "2000.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Alt_Title" : "", "Obj_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "48.5 cm x 37.8 cm (19 1/8 in. x 14 7/8 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2340", "Disp_Access_No" : "2002.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "21.1 cm x 14.7 cm (8 5/16 in. x 5 13/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Marriage of the Virgin is one of seven etchings Salimbeni created between 1589 and 1594. The elongated figures and strict composition betray his mannerist tendencies, but the deep, black shadows anticipate the mysticism of the Baroque.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.190.tif", "IsPrimary" : "1", "_SurrogateID" : "2919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2341", "Disp_Access_No" : "2002.234", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "La destination de la Vierge [The Destiny of the Virgin]", "Alt_Title" : "", "Obj_Title" : "La destination de la Vierge", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "20.2 cm x 15.1 cm (7 15/16 in. x 5 15/16 in.)", "Disp_Height" : "20.2 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.234.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.234.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.234.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.234.tif", "IsPrimary" : "1", "_SurrogateID" : "7014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2342", "Disp_Access_No" : "2002.1759", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "35.2 cm x 25 cm (13 7/8 in. x 9 13/16 in.)", "Disp_Height" : "35.2 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1759.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1759.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1759.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1759.tif", "IsPrimary" : "1", "_SurrogateID" : "7036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2344, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2344", "Disp_Access_No" : "2002.1730", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "Saint John the Baptist, from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist, from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cherubino Alberti", "Sort_Artist" : "Alberti, Copy after Cherubino", "Disp_Dimen" : "41.5 cm x 22 cm (16 5/16 in. x 8 11/16 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Typical of Alberti’s reproductive engravings, this print interprets a figure from the Last Judgment in the Sistine Chapel. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1730.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1730.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1730.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1730.tif", "IsPrimary" : "1", "_SurrogateID" : "4953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2361, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2361", "Disp_Access_No" : "1994.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48.1 cm x 36.5 cm (18 15/16 in. x 14 3/8 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.55.tif", "IsPrimary" : "1", "_SurrogateID" : "1645", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2371", "Disp_Access_No" : "2002.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Alt_Title" : "", "Obj_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "37.5 cm x 25.9 cm (14 3/4 in. x 10 3/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.242.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.242.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.242.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.242.tif", "IsPrimary" : "1", "_SurrogateID" : "9342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2373", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Pietà", "Alt_Title" : "", "Obj_Title" : "Pietà", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.73 cm x 14.6 cm (8 3/16 in. x 5 3/4 in.)", "Disp_Height" : "20.73 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The pietà was a common theme in religious art during the 1500s. In this print, the Virgin is praying while she weeps. The cross upon which Christ was crucified stands in the background as a reminder of the sacrifice that Christ made for mankind and that the Virgin made by giving up her son.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.56.tif", "IsPrimary" : "1", "_SurrogateID" : "7196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2381", "Disp_Access_No" : "2002.2183", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Saint Jerome, after Palma Giovane", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Palma Giovane", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.7 cm x 27.7 cm (16 7/16 in. x 10 7/8 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In 1590 Goltzius traveled to Italy, stopping first in Venice. There he obtained a drawing by Palma Giovane that he later translated into this engraving. It is one of the works that marks Goltzius’s transition from an extravagant Mannerist working after Flemish models to a more controlled virtuoso capable of translating any style and evoking any pictorial effect.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2183.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2183.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2183.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2183.tif", "IsPrimary" : "1", "_SurrogateID" : "1913", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "2002.836", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.8 cm x 21.1 cm (11 3/4 in. x 8 5/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.836.tif", "IsPrimary" : "1", "_SurrogateID" : "4805", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8109", "Disp_Access_No" : "1993.174", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Mars Served at Table by Cupid, circa 1547, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Venus and Mars Served at Table by Cupid, circa 1547, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "31.9 cm x 44.9 cm (12 9/16 in. x 17 11/16 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "44.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.174.tif", "IsPrimary" : "1", "_SurrogateID" : "7004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8117", "Disp_Access_No" : "2002.1723", "_AccNumSort1" : "", "Disp_Create_DT" : "1550's", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Annunciation, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Annunciation, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "30.4 cm x 42.6 cm (11 15/16 in. x 16 3/4 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a presentation drawing by Michelangelo, probably of the late 1530s. Beatrizet's print, and at least two painted versions by Marcello Venusti, are the only known records of this design. The setting is unusually articulated as an interior space, with a series of frames that surround the top of the room, the back wall, and an impossibly narrow doorway. Rather than creating a sense of coherent perspective, these elements generate a surface pattern characteristic of Beatrizet. Because of the quality of this impression, therefore the strength of its contrasts, this pattern becomes dazzling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1723.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1723.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1723.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1723.tif", "IsPrimary" : "1", "_SurrogateID" : "1835", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8123", "Disp_Access_No" : "1994.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.6 cm x 22.5 cm (12 1/16 in. x 8 7/8 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching elaborates upon a drawing that is preserved in the Metropolitan Museum. This impression was printed before the extensive additional work to the plate, like the dense hatching to convey shadow that is seen in the second impression, on the right.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.41.tif", "IsPrimary" : "1", "_SurrogateID" : "5312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8124", "Disp_Access_No" : "1994.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.2 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print interprets is an interpretation of a drawing by Parmigianino that is today in the Metropolitan Museum.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.42.tif", "IsPrimary" : "1", "_SurrogateID" : "5313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8125", "Disp_Access_No" : "1994.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.1 cm x 30.8 cm (11 7/8 in. x 12 1/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.43.tif", "IsPrimary" : "1", "_SurrogateID" : "5314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8130", "Disp_Access_No" : "1995.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Three Muses and a Putto with Cymbals, after Francesco Primaticcio", "Alt_Title" : "", "Obj_Title" : "Three Muses and a Putto with Cymbals, after Francesco Primaticcio", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "29.3 cm x 17.3 cm (11 9/16 in. x 6 13/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.105.tif", "IsPrimary" : "1", "_SurrogateID" : "7770", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8194", "Disp_Access_No" : "1990.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1590's", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Active in Bologna around the time of the Carracci’s reaction against Mannerist style, Faccini persisted in its arbitrary design and subjective feeling. Equally distinctive as a printmaker, he resuscitated the forms and technique of Parmigianino’s etchings. In this, his major plate, the image of the Virgin is practically a quotation of the earlier artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.159.tif", "IsPrimary" : "1", "_SurrogateID" : "4084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10922", "Disp_Access_No" : "1990.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "48.2 cm x 34 cm (19 in. x 13 3/8 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5290", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11027", "Disp_Access_No" : "2002.827", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Man of Sorrows", "Alt_Title" : "", "Obj_Title" : "Man of Sorrows", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 6.8 cm (4 5/8 in. x 2 11/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Rather than a distinct episode of the Passion narrative, the “Man of Sorrows” is an iconic image used to evoke sympathy for Christ’s suffering. For Dürer, the subject also provided a pretext for depicting an ideally proportioned male figure. As Dürer would later write, “For in the same way as the ancients attributed the most beautiful form to their God Apollo, so we must use the same measure to reproduce the body of Christ our Lord…” Indeed, Christ’s classical proportions and contrapposto anticipates Dürer’s famous Adam of 1504, and the schematic placement of the cross and instruments of the passion resemble the measuring lines used in his Book of Human Proportions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.827.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.827.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.827.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.827.TIF", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11028", "Disp_Access_No" : "G1966.2.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "The Virgin and Child with Saint Anne", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "5643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11029", "Disp_Access_No" : "1982.699", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500 - 1510", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "Monks Attending a Sick Brother", "Alt_Title" : "", "Obj_Title" : "Monks Attending a Sick Brother", "Series_Title" : "", "Disp_Maker_1" : "Pseudo-Ortkens", "Sort_Artist" : "Pseudo-Ortkens", "Disp_Dimen" : "22.8 cm x 22.8 cm (9 in. x 9 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.699.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.699.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.699.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1982.699.TIF", "IsPrimary" : "1", "_SurrogateID" : "9275", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.699-color.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.699-color.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.699-color.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1982.699-color.TIF", "IsPrimary" : "0", "_SurrogateID" : "9294", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11030", "Disp_Access_No" : "P1961.5", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1502", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1507", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.95 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.95 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.5.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.5.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.5.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.5.TIF", "IsPrimary" : "1", "_SurrogateID" : "5661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11031", "Disp_Access_No" : "P1961.100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Alt_Title" : "The Nativity ", "Obj_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.75 cm (11 5/8 in. x 8 3/16 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.100.tif", "IsPrimary" : "1", "_SurrogateID" : "4516", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11032", "Disp_Access_No" : "P1965.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Visitation, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.15 cm x 20.75 cm (11 7/8 in. x 8 3/16 in.)", "Disp_Height" : "30.15 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11033", "Disp_Access_No" : "G1966.2.95", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1505", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.9 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.95.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.95.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.95.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.95.TIF", "IsPrimary" : "1", "_SurrogateID" : "5660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11035", "Disp_Access_No" : "1989.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 21.6 cm (11 11/16 in. x 8 1/2 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Raimondi attempted to capture the subtleties of Dürer’s woodcut style by using the more precise medium of engraving. In contrast to Dürer’s variegated tones and animated, angular lines, Raimondi’s burin strokes produce uniform parallel strokes, creating a homogeneous grey tone that contrasts sharply with the areas left white. The copy also loses most of the specificity of detail and texture found in Dürer’s original. Note, for example, Riamondi’s mechanical rendering of the hole in the wall just above the Virgin’s head. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.143.tif", "IsPrimary" : "1", "_SurrogateID" : "6003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11036", "Disp_Access_No" : "1989.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.2 cm x 21.6 cm (11 1/2 in. x 8 1/2 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Annunciation illustrates the moment when the Angel Gabriel tells the Virgin that she will bear Christ. Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11037", "Disp_Access_No" : "1989.145", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.4 cm x 22.9 cm (11 15/16 in. x 9 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.145.tif", "IsPrimary" : "1", "_SurrogateID" : "5946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11040", "Disp_Access_No" : "1989.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Nativity, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.1 cm x 21.2 cm (11 7/16 in. x 8 3/8 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Active primarily in Rome, Raimondi made over 300 engraving over the course of his career, most of which reproduced designs by Raphael as well as recently excavated antique sculptures. His engraved copies of the Life of the Virgin woodcuts were created almost immediately after the publication of Dürer’s originals. Raimondi’s inclusion of Dürer’s monogram was not uncommon for the period. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.149.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.149.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.149.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.149.tif", "IsPrimary" : "1", "_SurrogateID" : "6005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11043", "Disp_Access_No" : "1992.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "19.6 cm x 14.5 cm (7 11/16 in. x 5 11/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a perfect example of the qualities that place Lucas van Leyden among the greatest engravers of the sixteenth century. Its lovely invention, the Holy Family sharing a bite on the outskirts of a town, blurs the boundaries between a traditional Rest on the Flight into Egypt and a generic devotional image. The observation of the world is searching and minute, like that of early Netherlandish painting. Tender, quietly absorbed, unassuming despite their bulk and rather heavy proportions, the figures and their interaction communicate a harmonious and intimate domesticity. In van Leyden’s later development, the influence of Italian style would inhibit this whimsy and sincerity, which, undiluted in early works like this, lies at the root of Dutch realism. Van Leyden’s technique was just as singular in conception and nuanced in effect. His engraving tool, or burin, seems to have barely grazed the plate, leaving exceptionally shallow strokes that yield mere filament lines. Built in gossamer layers, his textures appear silken, light soft, tone silvery and almost continuous in gradation. Again, these properties are most pronounced in the early engravings and are evident in only the earliest impressions. These properties also indicate a distinctive source of van Leyden’s style in the appearance of metalpoint drawing, as they point to tendencies of engraving in the north Netherlands through the century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M. K. Hage, Jr., Helen Lea, Marvin Vexler, ’48, the Friends of the Archer M. Huntington Art Gallery, and the Dean’s Associates of the College of Fine Arts, 1992", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.2.tif", "IsPrimary" : "1", "_SurrogateID" : "1600", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11045", "Disp_Access_No" : "1988.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-11", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Christ Crowned with Thorns, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.7 cm x 11.5 cm (5 13/16 in. x 4 1/2 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.64.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.64.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.64.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1988.64.TIF", "IsPrimary" : "1", "_SurrogateID" : "5651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11047", "Disp_Access_No" : "1995.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1512", "_Disp_Start_Dat" : "1507", "_Disp_End_Date" : "1517", "Disp_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach", "Sort_Artist" : "Cranach, Lucas", "Disp_Dimen" : "16 cm x 12.7 cm (6 5/16 in. x 5 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.143.tif", "IsPrimary" : "1", "_SurrogateID" : "3133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11051", "Disp_Access_No" : "2002.1705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Death of Ananias, after Raphael", "Alt_Title" : "", "Obj_Title" : "Death of Ananias, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "26.5 cm x 39.8 cm (10 7/16 in. x 15 11/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1705.tif", "IsPrimary" : "1", "_SurrogateID" : "1829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11064", "Disp_Access_No" : "1994.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Series_Title" : "", "Disp_Maker_1" : "Camillo Boccaccino", "Sort_Artist" : "Boccaccino, Camillo", "Disp_Dimen" : "18.5 cm x 16.1 cm (7 5/16 in. x 6 5/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Info_Page_Comm" : "Boccaccino was the leading figure of a progressive school of painting at Cremona. An early work, this drawing was a preparatory study for an altarpiece that has not been identified. Its synthetic style incorporates the elegant rhythms and calligraphic line of Parmigianino’s pen drawings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "1", "_SurrogateID" : "3682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "0", "_SurrogateID" : "3685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11065", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "32.9 cm x 23.8 cm (12 15/16 in. x 9 3/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Frank C. Guthrie, Carolyn Frost Keenan, and Isaac C. Kerridge, Jr., in honor of Ruth Stewart Kerridge, 1999", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16076", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.42.tif", "IsPrimary" : "1", "_SurrogateID" : "3364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11069", "Disp_Access_No" : "1987.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Alt_Title" : "", "Obj_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "24.8 cm x 18.2 cm (9 3/4 in. x 7 3/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4966", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11082", "Disp_Access_No" : "1998.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "The Marriage of Tobias and Sarah", "Alt_Title" : "", "Obj_Title" : "The Marriage of Tobias and Sarah", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.9 cm x 10.6 cm (2 11/16 in. x 4 3/16 in.)", "Disp_Height" : "6.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the Old Testament, a demon possessed Sarah, widowing her seven times, each on the night of her wedding. The Angel Raphael instructed Tobias to rid her of the demon by burning the organs of a fish in the conjugal bedchamber. Here, the rabbi joins the couple's hands reminiscent of an ancient hand-fasting tradition. The witness behind Sarah covers her nose, foreshadowing the stench of the fish. As late as 1875, bridal bed blessings invoked the holy couple: Lord, bless the bed and those you find there; bless these dear children as you have blessed Toby and Sara. Deign to bless them also, Lord, to the end that in your name they will live and grow old and multiply by Christ, our Lord. Amen. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.337.tif", "IsPrimary" : "1", "_SurrogateID" : "2916", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11083, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11083", "Disp_Access_No" : "1998.338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Tobias and the Archangel Raphael", "Alt_Title" : "", "Obj_Title" : "Tobias and the Archangel Raphael", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.6 cm x 10.5 cm (2 5/8 in. x 4 1/8 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.338.tif", "IsPrimary" : "1", "_SurrogateID" : "2917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11088", "Disp_Access_No" : "1990.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543-circa 1547", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1547", "Disp_Title" : "Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jean Mignon", "Sort_Artist" : "Mignon, Circle of Jean", "Disp_Dimen" : "32.6 cm x 28.7 cm (12 13/16 in. x 11 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Marian B. Davis, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.13.tif", "IsPrimary" : "1", "_SurrogateID" : "7003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11090", "Disp_Access_No" : "1981.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544-1547", "_Disp_Start_Dat" : "1544", "_Disp_End_Date" : "1547", "Disp_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Alt_Title" : "", "Obj_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.7 cm x 44.4 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "44.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.44.tif", "IsPrimary" : "1", "_SurrogateID" : "8207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11091", "Disp_Access_No" : "2002.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1551", "Disp_Title" : "Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Ancestors: Jesse, David, Solomon, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "20.6 cm x 30.7 cm (8 1/8 in. x 12 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1353.tif", "IsPrimary" : "1", "_SurrogateID" : "4939", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11094", "Disp_Access_No" : "1997.94", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "23.9 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.94.tif", "IsPrimary" : "1", "_SurrogateID" : "4791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11102", "Disp_Access_No" : "2002.1629", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Tobias and the Angel, plate 8 from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Tobias and the Angel, plate 8 from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.7 cm x 18.5 cm (4 5/8 in. x 7 5/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1629.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1629.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1629.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1629.tif", "IsPrimary" : "1", "_SurrogateID" : "8289", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11103, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11103", "Disp_Access_No" : "2002.1627", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Abraham and Isaac on the Way to the Sacrifice, plate 4 from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Abraham and Isaac on the Way to the Sacrifice, plate 4 from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.7 cm x 18.2 cm (4 5/8 in. x 7 3/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1627.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1627.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1627.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1627.tif", "IsPrimary" : "1", "_SurrogateID" : "8287", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11104", "Disp_Access_No" : "2002.1626", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Hagar in the Wilderness, Plate 3,from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Hagar in the Wilderness, Plate 3,from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "Landscapes with Scenes from the Bible and Ovid", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.5 cm x 18.2 cm (4 1/2 in. x 7 3/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1626.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1626.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1626.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1626.tif", "IsPrimary" : "1", "_SurrogateID" : "8286", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11105", "Disp_Access_No" : "2002.1628", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Abraham's Sacrifice, plate 5, from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Abraham's Sacrifice, plate 5, from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.5 cm x 18.3 cm (4 1/2 in. x 7 3/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1628.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1628.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1628.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1628.tif", "IsPrimary" : "1", "_SurrogateID" : "8288", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11111", "Disp_Access_No" : "2002.1635", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Plate 25, from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Plate 25, from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.4 cm x 18.3 cm (4 1/2 in. x 7 3/16 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1635.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1635.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1635.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1635.tif", "IsPrimary" : "1", "_SurrogateID" : "8295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11112", "Disp_Access_No" : "2002.1636", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "The Story of Jonah, plate 30, from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "The Story of Jonah, plate 28, from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.4 cm x 18.2 cm (4 1/2 in. x 7 3/16 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1636.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1636.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1636.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1636.tif", "IsPrimary" : "1", "_SurrogateID" : "8296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11113", "Disp_Access_No" : "2002.1637", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "The Story of Jonah, plate 30, from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "The Story of Jonah, plate 30, from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "16.4 cm x 25.7 cm (6 7/16 in. x 10 1/8 in.)", "Disp_Height" : "16.4 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1637.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1637.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1637.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1637.tif", "IsPrimary" : "1", "_SurrogateID" : "8297", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11114", "Disp_Access_No" : "1989.107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1575", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1580", "Disp_Title" : "Holy House of Loreto", "Alt_Title" : "", "Obj_Title" : "Holy House of Loreto", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.8 cm x 11.5 cm (6 5/8 in. x 4 1/2 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Holy House of Loreto was another popular pilgrimage site in the Middle Ages. It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11116", "Disp_Access_No" : "2002.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1580", "_Disp_Start_Dat" : "1575", "_Disp_End_Date" : "1585", "Disp_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Alt_Title" : "", "Obj_Title" : "Title page with the Madonna and Child and Saints Cosmos and Damianus, with the Medici Coat of Arms", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "31.6 cm x 22.4 cm (12 7/16 in. x 8 13/16 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.23.tif", "IsPrimary" : "1", "_SurrogateID" : "6034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11120", "Disp_Access_No" : "1982.710", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1587", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1592", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "26.3 cm x 20 cm (10 3/8 in. x 7 7/8 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on c", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brown and gray washes, white and sanguine gouaches, on cream laid paper indented for transfer, laid down", "Info_Page_Comm" : "Trained in Antwerp, inspired by Italian Mannerism, Bartholomaeus Spranger cultivated a brilliantly artificial and highly subjective style. In long service to Rudolf II, he gave shape to the emperor’s erudite taste and more than any other artist defined the School of Prague’s extravagant style. By the late 1580s Hendrick Goltzius was celebrated as the greatest engraver of his time. He developed a commanding burin stroke, a strict organization of mark, and an unprecedented ability to convey pictorial properties. In reasserting the intellectual dimension of engraving, Goltzius’s style was itself one of the major developments of late Mannerism. One of the last of Spranger and Goltzius’s seven collaborations, this engraving is relatively simple in iconography and obviously Parmigianinesque in vocabulary. Identical in size, its contours indented from transferring the design, the drawing is the very sheet from which the plate was prepared. This superb impression of the print matches the rarified beauty of its prototype. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2326", "Rel_Obj_Title" : "The Holy Family, after Bartholomaeus Spranger" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.710.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.710.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.710.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.710.tif", "IsPrimary" : "1", "_SurrogateID" : "3183", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11122", "Disp_Access_No" : "1999.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589-1590", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1590", "Disp_Title" : "The Transfiguration", "Alt_Title" : "", "Obj_Title" : "The Transfiguration", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "57.2 cm x 34.2 cm (22 1/2 in. x 13 7/16 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (reworked with pen)", "Support" : "", "Disp_Medium" : "Etching (reworked with pen)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1999", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.79.tif", "IsPrimary" : "1", "_SurrogateID" : "4039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11129", "Disp_Access_No" : "2002.241", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1600", "Disp_Title" : "Ecstasy of Saint Francis", "Alt_Title" : "", "Obj_Title" : "Ecstasy of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "23.6 cm x 17.9 cm (9 5/16 in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. Any anxiety the viewer might feel is assuaged by the ebullience of the angel.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "1", "_SurrogateID" : "1149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "0", "_SurrogateID" : "1940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11135", "Disp_Access_No" : "1995.162", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.4 cm x 15.5 cm (8 1/16 in. x 6 1/8 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.162.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.162.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.162.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.162.tif", "IsPrimary" : "1", "_SurrogateID" : "6548", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1652.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1652.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1652.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1652.tif", "IsPrimary" : "1", "_SurrogateID" : "4194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2002.1740", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Jeremiah, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Jeremiah, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "30 cm x 43.2 cm (11 13/16 in. x 17 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1740.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1740.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1740.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1740.tif", "IsPrimary" : "1", "_SurrogateID" : "1838", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2002.1743", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570's", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Joel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Joel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "25 cm x 40 cm (9 13/16 in. x 15 3/4 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ghisi’s engravings invest the grand design of mid-century Italian printmaking with the meticulous craft of Northern production. His rendering of six pendentives in the Sistine Ceiling, although likely an incomplete project, was the first substantial and worthy reproduction of Michelangelo's great invention. Each consists of two plates, which in the earliest impressions were printed on separate sheets, then trimmed and joined. This impression, from the top plate of one, is an extremely rare proof before the engraving was finished, therefore a fascinating demonstration of working method.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1743.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1743.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1743.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1743.tif", "IsPrimary" : "1", "_SurrogateID" : "1839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "1988.12", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1510's", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Angel Holding a Tablet, after Raphael", "Alt_Title" : "", "Obj_Title" : "Angel Holding a Tablet, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Gaudenzio Ferrari", "Sort_Artist" : "Ferrari, Gaudenzio", "Disp_Dimen" : "30.8 cm x 21 cm (12 1/8 in. x 8 1/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Info_Page_Comm" : "This drawing copies a motif in Raphael’s fresco decoration of the Chigi Chapel, 1514, in Santa Maria della Pace, Rome.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.12.tif", "IsPrimary" : "1", "_SurrogateID" : "6323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11855", "Disp_Access_No" : "2002.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin and Child on the Clouds, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child on the Clouds, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "18.6 cm x 14.9 cm (7 5/16 in. x 5 7/8 in.)", "Disp_Height" : "18.6 cm", "Disp_Width" : "14.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Catholics believe that when the Virgin Mary’s body was assumed into Heaven, she was venerated there as queen because of her participation in the redemption of mankind – by allowing her body to be a vessel for God. The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. The audience for these particular images was probably a wealthier one, more likely to venerate a regal Virgin than a peasant mother of God.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.18.tif", "IsPrimary" : "1", "_SurrogateID" : "6030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11865", "Disp_Access_No" : "2002.30", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520 - 1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "God Appearing to Noah, after Raphael", "Alt_Title" : "", "Obj_Title" : "God Appearing to Noah, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "30.2 cm x 24.7 cm (11 7/8 in. x 9 3/4 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.30.tif", "IsPrimary" : "1", "_SurrogateID" : "2037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11873", "Disp_Access_No" : "2002.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Triumph of Bacchus", "Alt_Title" : "", "Obj_Title" : "Triumph of Bacchus", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "15.5 cm x 22 cm (6 1/8 in. x 8 11/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.38.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.38.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.38.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.38.tif", "IsPrimary" : "1", "_SurrogateID" : "8211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11903", "Disp_Access_No" : "2002.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "33 cm x 24.3 cm (13 in. x 9 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11912", "Disp_Access_No" : "2002.83", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-26", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "This etching is one of Parmigianino’s many interpretations of the theme. Its small size, seeming informality, and sketchy articulation dramatize his appreciation of etching’s conceptual and procedural relation to drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.83.tif", "IsPrimary" : "1", "_SurrogateID" : "5268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11920", "Disp_Access_No" : "2002.91", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Roch, after Raphael", "Alt_Title" : "", "Obj_Title" : "Saint Roch, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "8.3 cm x 4.9 cm (3 1/4 in. x 1 15/16 in.)", "Disp_Height" : "8.3 cm", "Disp_Width" : "4.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.91.tif", "IsPrimary" : "1", "_SurrogateID" : "6036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11928", "Disp_Access_No" : "2002.99", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1581", "_Disp_Start_Dat" : "1576", "_Disp_End_Date" : "1586", "Disp_Title" : "Madonna and Child on the Clouds", "Alt_Title" : "", "Obj_Title" : "Madonna and Child on the Clouds", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "12.5 cm x 10.6 cm (4 15/16 in. x 4 3/16 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.99.tif", "IsPrimary" : "1", "_SurrogateID" : "5437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11951", "Disp_Access_No" : "2002.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Alt_Title" : "", "Obj_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "25 cm x 18.5 cm (9 13/16 in. x 7 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving, with red chalk on verso", "Support" : "", "Disp_Medium" : "Engraving, with red chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Red chalk sketch on verso shows artist copying composition on recto. Will be displayed double-sided.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.129.tif", "IsPrimary" : "1", "_SurrogateID" : "9333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11952", "Disp_Access_No" : "2002.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "The Crucifixion, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "30.5 cm x 22 cm (12 in. x 8 11/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.130.tif", "IsPrimary" : "1", "_SurrogateID" : "6564", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11972", "Disp_Access_No" : "2002.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "The Madonna of the Swallow (La Madonna della Rondinella)", "Alt_Title" : "", "Obj_Title" : "The Madonna of the Swallow (La Madonna della Rondinella)", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "15.6 cm x 12.1 cm (6 1/8 in. x 4 3/4 in.)", "Disp_Height" : "15.6 cm", "Disp_Width" : "12.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.156.tif", "IsPrimary" : "1", "_SurrogateID" : "7011", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11978", "Disp_Access_No" : "2002.163", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "15 cm x 10.9 cm (5 7/8 in. x 4 5/16 in.)", "Disp_Height" : "15 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.163.tif", "IsPrimary" : "1", "_SurrogateID" : "9339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11979", "Disp_Access_No" : "2002.164", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Lot and His Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "15.5 cm x 10.9 cm (6 1/8 in. x 4 5/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.164.tif", "IsPrimary" : "1", "_SurrogateID" : "9340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12035", "Disp_Access_No" : "2002.235", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Vision of Joachim and Anna", "Alt_Title" : "", "Obj_Title" : "The Vision of Joachim and Anna", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "20.5 cm x 15.1 cm (8 1/16 in. x 5 15/16 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.235.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.235.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.235.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.235.tif", "IsPrimary" : "1", "_SurrogateID" : "7015", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12039", "Disp_Access_No" : "2002.240", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "36.1 cm x 25.3 cm (14 3/16 in. x 9 15/16 in.)", "Disp_Height" : "36.1 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.240.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.240.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.240.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.240.tif", "IsPrimary" : "1", "_SurrogateID" : "5257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12444, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12444", "Disp_Access_No" : "2002.765", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1513", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1518", "Disp_Title" : "Ascension of Christ, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Ascension of Christ, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.2 cm x 4.8 cm (2 13/16 in. x 1 7/8 in.)", "Disp_Height" : "7.2 cm", "Disp_Width" : "4.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.765.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.765.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.765.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.765.tif", "IsPrimary" : "1", "_SurrogateID" : "2078", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12475", "Disp_Access_No" : "2002.835", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1507", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1517", "Disp_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Alt_Title" : "Abschied", "Obj_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.1 cm (11 13/16 in. x 8 5/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.835.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.835.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.835.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.835.TIF", "IsPrimary" : "1", "_SurrogateID" : "5658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12476", "Disp_Access_No" : "2002.837", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1511", "_Disp_Start_Dat" : "1506", "_Disp_End_Date" : "1516", "Disp_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Alt_Title" : "", "Obj_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "19 cm x 12.8 cm (7 1/2 in. x 5 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This depiction of the story of Salome is one of Dürer’s lesser known prints. When John the Baptist condemned the marriage of Salome’s mother to King Herod, the young Salome seduced the King with a dance and convinced him to decapitate the saint. Dürer sets the episode in an intimate setting, similar to those of the Small Passion. The stirring exchange of glances between Salome, King Herod, and the decapitated head of Saint John provides the scene with a palpable feeling of discomfort.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.837.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.837.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.837.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.837.TIF", "IsPrimary" : "1", "_SurrogateID" : "5659", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12567", "Disp_Access_No" : "2002.985", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael Defeating Satan", "Alt_Title" : "", "Obj_Title" : "Saint Michael Defeating Satan", "Series_Title" : "", "Disp_Maker_1" : "Georg Pecham", "Sort_Artist" : "Pecham, Georg", "Disp_Dimen" : "21 cm x 15 cm (8 1/4 in. x 5 7/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2096", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12602, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12602", "Disp_Access_No" : "2002.1034", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ taken Captive, plate 3 from The Passion", "Alt_Title" : "", "Obj_Title" : "Christ taken Captive, plate 3 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.6 cm x 12.9 cm (7 11/16 in. x 5 1/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1034.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1034.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1034.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1034.tif", "IsPrimary" : "1", "_SurrogateID" : "6549", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12603", "Disp_Access_No" : "2002.1035", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ before Caiaphas, plate 4 from The Passion", "Alt_Title" : "", "Obj_Title" : "Christ before Caiaphas, plate 4 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13 cm (7 13/16 in. x 5 1/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1035.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1035.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1035.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1035.tif", "IsPrimary" : "1", "_SurrogateID" : "6550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12604", "Disp_Access_No" : "2002.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "The Last Supper, plate 1 from The Passion", "Alt_Title" : "", "Obj_Title" : "The Last Supper, plate 1 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.1 cm x 13.3 cm (7 15/16 in. x 5 1/4 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "13.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "6551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12605", "Disp_Access_No" : "2002.1037", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ on the Mount of Olives, plate 2 from The Passion", "Alt_Title" : "", "Obj_Title" : "Christ on the Mount of Olives, plate 2 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13 cm (7 13/16 in. x 5 1/8 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1037.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1037.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1037.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1037.tif", "IsPrimary" : "1", "_SurrogateID" : "6552", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12606, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12606", "Disp_Access_No" : "2002.1038", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ Before Pilate, plate 5 from The Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Pilate, plate 5 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.7 cm x 13.1 cm (7 3/4 in. x 5 3/16 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1038.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1038.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1038.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1038.tif", "IsPrimary" : "1", "_SurrogateID" : "6553", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12607", "Disp_Access_No" : "2002.1039", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "The Flagellation, plate 6 from The Passion", "Alt_Title" : "", "Obj_Title" : "The Flagellation, plate 6 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.9 cm x 13 cm (7 13/16 in. x 5 1/8 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1039.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1039.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1039.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1039.tif", "IsPrimary" : "1", "_SurrogateID" : "6554", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12608, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12608", "Disp_Access_No" : "2002.1040", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ Crowned with Thorns, plate 7 from The Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, plate 7 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13.1 cm (7 13/16 in. x 5 3/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1040.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1040.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1040.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1040.tif", "IsPrimary" : "1", "_SurrogateID" : "6555", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12609, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12609", "Disp_Access_No" : "2002.1041", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Ecce Homo, plate 8 from The Passion", "Alt_Title" : "", "Obj_Title" : "Ecce Homo, plate 8 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.8 cm x 13.9 cm (8 3/16 in. x 5 1/2 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1041.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1041.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1041.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1041.tif", "IsPrimary" : "1", "_SurrogateID" : "6556", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12610, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12610", "Disp_Access_No" : "2002.1042", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "Burial of Christ, plate 11 from The Passion", "Alt_Title" : "", "Obj_Title" : "Burial of Christ, plate 11 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13.1 cm (7 13/16 in. x 5 3/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1042.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1042.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1042.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1042.tif", "IsPrimary" : "1", "_SurrogateID" : "6557", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12611", "Disp_Access_No" : "2002.1043", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "The Resurrection, plate 12 from The Passion", "Alt_Title" : "", "Obj_Title" : "The Resurrection, plate 12 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13.1 cm (7 13/16 in. x 5 3/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1043.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1043.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1043.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1043.tif", "IsPrimary" : "1", "_SurrogateID" : "6558", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12613", "Disp_Access_No" : "2002.1045", "_AccNumSort1" : "", "Disp_Create_DT" : "1596-1599", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1599", "Disp_Title" : "The Crucifixion, plate 10 from The Passion", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, plate 10 from The Passion", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "19.8 cm x 13.1 cm (7 13/16 in. x 5 3/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "13.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1045.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1045.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1045.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1045.tif", "IsPrimary" : "1", "_SurrogateID" : "6559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12625, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12625", "Disp_Access_No" : "2002.1057", "_AccNumSort1" : "", "Disp_Create_DT" : "1592", "_Disp_Start_Dat" : "1592", "_Disp_End_Date" : "1592", "Disp_Title" : "Isaiah, after Raphael", "Alt_Title" : "", "Obj_Title" : "Isaiah, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "31.3 cm x 19.4 cm (12 5/16 in. x 7 5/8 in.)", "Disp_Height" : "31.3 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1057.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1057.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1057.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1057.tif", "IsPrimary" : "1", "_SurrogateID" : "7236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12643", "Disp_Access_No" : "2002.1070", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1595", "Disp_Title" : "Allegory of Transitoriness, after Agostino Caracci", "Alt_Title" : "", "Obj_Title" : "Allegory of Transitoriness, after Agostino Caracci", "Series_Title" : "", "Disp_Maker_1" : "After Hendrick Goltzius", "Sort_Artist" : "Goltzius, After Hendrick", "Disp_Dimen" : "21.5 cm x 15.6 cm (8 7/16 in. x 6 1/8 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1070.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1070.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1070.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1070.tif", "IsPrimary" : "1", "_SurrogateID" : "7240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12741", "Disp_Access_No" : "2002.1183.7/7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1568", "_Disp_Start_Dat" : "1563", "_Disp_End_Date" : "1573", "Disp_Title" : "Saturn, plate 7 from The Seven Planets, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Saturn, plate 7 from The Seven Planets, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Muller", "Sort_Artist" : "Muller, Herman Jansz", "Disp_Dimen" : "30.5 cm x 38.4 cm (12 in. x 15 1/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1183.7-7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1183.7-7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1183.7-7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1183.7-7.tif", "IsPrimary" : "1", "_SurrogateID" : "9041", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12816", "Disp_Access_No" : "2002.1313", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martha Introducing Mary Magdalene to Christ, after Marcantonio Raimondi, after Raphael (or Giulio Romano)", "Alt_Title" : "", "Obj_Title" : "Martha Introducing Mary Magdalene to Christ, after Marcantonio Raimondi, after Raphael (or Giulio Romano)", "Series_Title" : "", "Disp_Maker_1" : "Georg Mattheus", "Sort_Artist" : "Mattheus, Georg", "Disp_Dimen" : "23.4 cm x 34.5 cm (9 3/16 in. x 13 9/16 in.)", "Disp_Height" : "23.4 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in ochre", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in ochre", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1313.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1313.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1313.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1313.tif", "IsPrimary" : "0", "_SurrogateID" : "9146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1313-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1313-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1313-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1313-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "18768", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12819", "Disp_Access_No" : "2002.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marriage of Saint Catherine, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Marriage of Saint Catherine, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Campi", "Sort_Artist" : "Campi, Antonio", "Disp_Dimen" : "17.9 cm x 16 cm (7 1/16 in. x 6 5/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "2899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12824", "Disp_Access_No" : "2002.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "29 cm x 18 cm (11 7/16 in. x 7 1/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "4935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12825", "Disp_Access_No" : "2002.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "1546", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1546", "Disp_Title" : "Pietà for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "35.5 cm x 20.4 cm (14 in. x 8 1/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By positioning the figures of the Virgin and Christ to echo the shape of the cross, this image accentuates the sacrificial connections of the crucifixion rather than the maternal connections of the traditional pietà scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "8213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12826, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12826", "Disp_Access_No" : "2002.1324", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sons of Noah, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Sons of Noah, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.5 cm x 11.2 cm (6 1/2 in. x 4 7/16 in.)", "Disp_Height" : "16.5 cm", "Disp_Width" : "11.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1324.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1324.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1324.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1324.tif", "IsPrimary" : "1", "_SurrogateID" : "4967", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12828, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12828", "Disp_Access_No" : "2002.1326", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Jeremiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Jeremiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.4 cm x 10.5 cm (5 11/16 in. x 4 1/8 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1326.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1326.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1326.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1326.tif", "IsPrimary" : "1", "_SurrogateID" : "4968", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12829", "Disp_Access_No" : "2002.1327", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Abraham-Isaac-Jacob-Judah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Abraham-Isaac-Jacob-Judas, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.2 cm x 10.5 cm (5 9/16 in. x 4 1/8 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1327.tif", "IsPrimary" : "1", "_SurrogateID" : "4969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12831, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12831", "Disp_Access_No" : "2002.1329", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14 cm x 10.1 cm (5 1/2 in. x 4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1329.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1329.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1329.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1329.tif", "IsPrimary" : "1", "_SurrogateID" : "4971", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12832", "Disp_Access_No" : "2002.1330", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.2 cm x 10.5 cm (5 9/16 in. x 4 1/8 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1330.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1330.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1330.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1330.tif", "IsPrimary" : "1", "_SurrogateID" : "4972", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12833, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12833", "Disp_Access_No" : "2002.1331", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Rehoboam-Abijah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Rehoboam-Abijah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14 cm x 10.2 cm (5 1/2 in. x 4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1331.tif", "IsPrimary" : "1", "_SurrogateID" : "4973", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12834, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12834", "Disp_Access_No" : "2002.1332", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Rehoboam-Abijah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Rehoboam-Abijah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.1 cm x 10.3 cm (5 9/16 in. x 4 1/16 in.)", "Disp_Height" : "14.1 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1332.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1332.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1332.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1332.tif", "IsPrimary" : "1", "_SurrogateID" : "4974", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12835, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12835", "Disp_Access_No" : "2002.1333", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14 cm x 10.4 cm (5 1/2 in. x 4 1/8 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1333.tif", "IsPrimary" : "1", "_SurrogateID" : "4975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12836, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12836", "Disp_Access_No" : "2002.1334", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Josiah-Jechoniah-Shealtiel, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Josiah-Jechoniah-Shealtiel, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "13.7 cm x 10 cm (5 3/8 in. x 3 15/16 in.)", "Disp_Height" : "13.7 cm", "Disp_Width" : "10 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1334.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1334.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1334.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1334.tif", "IsPrimary" : "1", "_SurrogateID" : "4976", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12837, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12837", "Disp_Access_No" : "2002.1335", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Hezekiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Hezekiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.5 cm x 11.1 cm (5 11/16 in. x 4 3/8 in.)", "Disp_Height" : "14.5 cm", "Disp_Width" : "11.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1335.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1335.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1335.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1335.tif", "IsPrimary" : "1", "_SurrogateID" : "4977", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12838, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12838", "Disp_Access_No" : "2002.1336", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Salmon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Salmon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "25.3 cm x 19.4 cm (9 15/16 in. x 7 5/8 in.)", "Disp_Height" : "25.3 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1336.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1336.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1336.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1336.tif", "IsPrimary" : "1", "_SurrogateID" : "4978", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12839, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12839", "Disp_Access_No" : "2002.1337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Rehoboam, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Rehoboam, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14 cm x 10.7 cm (5 1/2 in. x 4 3/16 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "10.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1337.tif", "IsPrimary" : "1", "_SurrogateID" : "4979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12840, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12840", "Disp_Access_No" : "2002.1338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Uzziah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Uzziah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.2 cm x 10.9 cm (5 9/16 in. x 4 5/16 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1338.tif", "IsPrimary" : "1", "_SurrogateID" : "4980", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12841", "Disp_Access_No" : "2002.1339", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Eleazar-Matthan, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Eleazar-Matthan, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "13.7 cm x 10.2 cm (5 3/8 in. x 4 in.)", "Disp_Height" : "13.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1339.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1339.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1339.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1339.tif", "IsPrimary" : "1", "_SurrogateID" : "4981", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12842, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12842", "Disp_Access_No" : "2002.1340", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Josiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Josiah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "25.2 cm x 19.7 cm (9 15/16 in. x 7 3/4 in.)", "Disp_Height" : "25.2 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1340.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1340.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1340.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1340.tif", "IsPrimary" : "1", "_SurrogateID" : "4982", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12844, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12844", "Disp_Access_No" : "2002.1342", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Creation of Eve, from the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Creation of Eve, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "17 cm x 21.8 cm (6 11/16 in. x 8 9/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "21.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1342.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1342.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1342.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1342.tif", "IsPrimary" : "1", "_SurrogateID" : "4937", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12845", "Disp_Access_No" : "2002.1343", "_AccNumSort1" : "", "Disp_Create_DT" : "1546", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1546", "Disp_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "27.9 cm x 42.5 cm (11 in. x 16 3/4 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1343.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1343.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1343.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1343.tif", "IsPrimary" : "1", "_SurrogateID" : "4984", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12850, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12850", "Disp_Access_No" : "2002.1351", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Fulcaro", "Sort_Artist" : "Fulcaro, Sebastiano", "Disp_Dimen" : "35.3 cm x 24.9 cm (13 7/8 in. x 9 13/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "24.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1351.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1351.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1351.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1351.tif", "IsPrimary" : "1", "_SurrogateID" : "4938", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13065", "Disp_Access_No" : "2002.1654", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1521", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1521", "Disp_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "40.8 cm x 57.9 cm (16 1/16 in. x 22 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "57.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This very large engraving of Herod’s slaughter of the newborn received special mention by Vasari, the early biographer of Italian artists and Bandinelli’s acquaintance. He observed that it “called attention to his command of drawing in the figures and his understanding of musculature and anatomy, bringing him great fame throughout Europe.” Recent scholarship has shown that at the time, an impression cost ten times as much as an ordinary engraving, one hundred times as much as a woodcut. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1654.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1654.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1654.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1654.tif", "IsPrimary" : "1", "_SurrogateID" : "1818", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13073", "Disp_Access_No" : "2002.1679", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Alt_Title" : "", "Obj_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "26.2 cm x 41.5 cm (10 5/16 in. x 16 5/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1679.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1679.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1679.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1679.tif", "IsPrimary" : "1", "_SurrogateID" : "5266", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13099", "Disp_Access_No" : "2002.1716", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mars Visiting Rhea Silvia", "Alt_Title" : "", "Obj_Title" : "Mars Visiting Rhea Silvia", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "30.1 cm x 43.6 cm (11 7/8 in. x 17 3/16 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1716.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1716.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1716.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1716.tif", "IsPrimary" : "1", "_SurrogateID" : "8214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13100, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13100", "Disp_Access_No" : "2002.1717", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marriage of the Virgin, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "46.4 cm x 23.2 cm (18 1/4 in. x 9 1/8 in.)", "Disp_Height" : "46.4 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a drawing in the Devonshire Collection at Chatsworth House. The drawing, which has long been admired, was the preparatory study for an altarpiece for the Cesi family chapel in the church of Santa Maria della Pace. For unknown reasons, the decoration of the chapel was never realized.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1717.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1717.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1717.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1717.tif", "IsPrimary" : "1", "_SurrogateID" : "2918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13102", "Disp_Access_No" : "2002.1721", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1568", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1567", "Disp_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista de Cavalieri", "Sort_Artist" : "Cavalieri, Giovanni Battista de", "Disp_Dimen" : "42.5 cm x 54.9 cm (16 3/4 in. x 21 5/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "54.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1721.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1721.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1721.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1721.tif", "IsPrimary" : "1", "_SurrogateID" : "5180", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13103, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13103", "Disp_Access_No" : "2002.1724", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "41 cm x 36.2 cm (16 1/8 in. x 14 1/4 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "36.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1724.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1724.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1724.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1724.tif", "IsPrimary" : "1", "_SurrogateID" : "6028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13104", "Disp_Access_No" : "2002.1728", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man with a Phrygian Cap ('Saint Paul'), from The Crucifixion of Saint Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Man with a Phrygian Cap ('Saint Paul'), from The Crucifixion of Saint Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "35.4 cm x 14.5 cm (13 15/16 in. x 5 11/16 in.)", "Disp_Height" : "35.4 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1728.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1728.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1728.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1728.tif", "IsPrimary" : "1", "_SurrogateID" : "4952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13105", "Disp_Access_No" : "2002.1729", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "A Soldier, from the Conversion of Saul, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "A Soldier, from the Conversion of Saul, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "27.7 cm x 14.1 cm (10 7/8 in. x 5 9/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1729.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1729.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1729.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1729.tif", "IsPrimary" : "1", "_SurrogateID" : "4940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13112", "Disp_Access_No" : "2002.1739", "_AccNumSort1" : "", "Disp_Create_DT" : "1554", "_Disp_Start_Dat" : "1554", "_Disp_End_Date" : "1554", "Disp_Title" : "Tomb of Julius II, after Michelangelo from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Alt_Title" : "", "Obj_Title" : "Tomb of Julius II, after Michelangelo from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "49.4 cm x 33.6 cm (19 7/16 in. x 13 1/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1739.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1739.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1739.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1739.tif", "IsPrimary" : "1", "_SurrogateID" : "4959", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13113", "Disp_Access_No" : "2002.1741", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Ezekiel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Ezekiel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "29.1 cm x 43.6 cm (11 7/16 in. x 17 3/16 in.)", "Disp_Height" : "29.1 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1741.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1741.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1741.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1741.tif", "IsPrimary" : "1", "_SurrogateID" : "4989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13114", "Disp_Access_No" : "2002.1742", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Delphic Sibyl, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Delphic Sibyl, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "26.6 cm x 43.4 cm (10 1/2 in. x 17 1/16 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "43.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1742.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1742.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1742.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1742.tif", "IsPrimary" : "1", "_SurrogateID" : "4990", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13115", "Disp_Access_No" : "2002.1744", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "46.6 cm x 31.9 cm (18 3/8 in. x 12 9/16 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1744.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1744.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1744.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1744.tif", "IsPrimary" : "1", "_SurrogateID" : "7780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13157", "Disp_Access_No" : "2002.1836", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Gloria, after Rosso Fiorentino", "Alt_Title" : "", "Obj_Title" : "Gloria, after Rosso Fiorentino", "Series_Title" : "", "Disp_Maker_1" : "Domenico del Barbiere", "Sort_Artist" : "Barbiere, Domenico del", "Disp_Dimen" : "28.5 cm x 22.3 cm (11 1/4 in. x 8 3/4 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This personification of Glory, or Fame, astride the globe records one of the figures that flanked a bust of François I in Rosso’s design for the centerpiece of Francois' palace, the grand galerie. Exceptionally nimble in stroke, plastic in form, and equilibrated in design –– poised between the figural and the ornamental –– it suggests why Zerner has called Domenico “one of the masters of printmaking.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1836.tif", "IsPrimary" : "1", "_SurrogateID" : "1858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13160", "Disp_Access_No" : "2002.1840", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "24 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on blue prepared paper", "Support" : "", "Disp_Medium" : "Etching on blue prepared paper", "Info_Page_Comm" : "This especially beautiful print reproduces a lost drawing. Davent was the most refined of the pioneering etchers working at Fontainebleau in the 1540s. Printed on a sheet covered with blue wash, this impression would have been intended for a knowledgeable collector. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1840.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1840.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1840.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1840.tif", "IsPrimary" : "1", "_SurrogateID" : "1861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13161", "Disp_Access_No" : "2002.1841", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John Preaching, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Saint John Preaching, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "32.7 cm x 45.7 cm (12 7/8 in. x 18 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1841.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1841.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1841.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1841.tif", "IsPrimary" : "1", "_SurrogateID" : "7039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13162", "Disp_Access_No" : "2002.1842", "_AccNumSort1" : "", "Disp_Create_DT" : "1530-1540", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1540", "Disp_Title" : "Pietà, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Pietà, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "23.1 cm x 20.4 cm (9 1/8 in. x 8 1/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1842.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1842.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1842.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1842.tif", "IsPrimary" : "1", "_SurrogateID" : "7040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13183", "Disp_Access_No" : "2002.1867", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "Terrestrial Paradise", "Alt_Title" : "", "Obj_Title" : "Terrestrial Paradise", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "31.4 cm x 43.7 cm (12 3/8 in. x 17 3/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1867.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1867.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1867.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1867.tif", "IsPrimary" : "1", "_SurrogateID" : "6031", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13284, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13284", "Disp_Access_No" : "2002.2051", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Penitence of Saint John Chrysostom, from Emblemata Nobilitati et vulgo scitu digna [Emblems with Worthy Men], after Hans Sebald Beham", "Alt_Title" : "", "Obj_Title" : "Penitence of Saint John Chrysostom, from Emblemata Nobilitati et vulgo scitu digna [Emblems with Worthy Men], after Hans Sebald Beham", "Series_Title" : "", "Disp_Maker_1" : "Theodor de Bry", "Sort_Artist" : "Bry, Theodor de", "Disp_Dimen" : "13.5 cm x 11.2 cm (5 5/16 in. x 4 7/16 in.)", "Disp_Height" : "13.5 cm", "Disp_Width" : "11.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2051.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2051.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2051.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2051.tif", "IsPrimary" : "1", "_SurrogateID" : "4142", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13328", "Disp_Access_No" : "2002.2124", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Paul in Corinth in the House of Aquila the Tent Maker, after Joos van Winghe", "Alt_Title" : "", "Obj_Title" : "Saint Paul in Corinth in the House of Aquila the Tent Maker, after Joos van Winghe", "Series_Title" : "", "Disp_Maker_1" : "Jan Sadeler I", "Sort_Artist" : "Sadeler I, Jan", "Disp_Dimen" : "34.9 cm x 45.6 cm (13 3/4 in. x 17 15/16 in.)", "Disp_Height" : "34.9 cm", "Disp_Width" : "45.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2124.tif", "IsPrimary" : "1", "_SurrogateID" : "1903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13345", "Disp_Access_No" : "2002.2146.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "King Nebukadnessar Receiving Daniel, plate 1 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "King Nebukadnessar Receiving Daniel, plate 1 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.2 cm (11 in. x 14 5/8 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13346", "Disp_Access_No" : "2002.2146.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "The Dream of Nebukadnessar, plate 2 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "The Dream of Nebukadnessar, plate 2 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8310", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13347", "Disp_Access_No" : "2002.2146.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "King Nebukadnessar and the Worship of the Golden Statue, plate 3 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "King Nebukadnessar and the Worship of the Golden Statue, plate 3 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8311", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13348", "Disp_Access_No" : "2002.2146.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "Daniel's Dream of the Four Animals, plate 4 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "Daniel's Dream of the Four Animals, plate 4 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.4-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.4-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.4-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.4-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13349", "Disp_Access_No" : "2002.2146.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "Daniel Feeding the Dragon, plate 5 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "Daniel Feeding the Dragon, plate 5 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13350, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13350", "Disp_Access_No" : "2002.2146.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1576", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1575", "Disp_Title" : "Belshazzar's Feast, plate 6 from Story of Daniel, after Hans Vredeman de Vries", "Alt_Title" : "", "Obj_Title" : "Belshazzar's Feast, plate 6 from Story of Daniel, after Hans Vredeman de Vries", "Series_Title" : "", "Disp_Maker_1" : "Jan and Lucas van Doetechum", "Sort_Artist" : "Doetechum, Jan and Lucas van", "Disp_Dimen" : "28 cm x 37.4 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2146.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2146.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2146.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2146.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "8314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13377", "Disp_Access_No" : "2002.2175.3/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Homage to Venus and Cupid, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Homage to Venus and Cupid, from Personification of Food, Love and Wine, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jan Saenredam", "Sort_Artist" : "Saenredam, Jan", "Disp_Dimen" : "44.5 cm x 31.9 cm (17 1/2 in. x 12 9/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2175.3-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2175.3-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2175.3-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2175.3-3.tif", "IsPrimary" : "1", "_SurrogateID" : "9145", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13379, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13379", "Disp_Access_No" : "2002.2177", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "The Visitation, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Visitation, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "52 cm x 36.7 cm (20 1/2 in. x 14 7/16 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2177.tif", "IsPrimary" : "1", "_SurrogateID" : "7271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13380", "Disp_Access_No" : "2002.2178", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Circumcision, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Circumcision, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.7 cm x 35.5 cm (18 3/4 in. x 14 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The great Dutch Mannerist engraver Hendrick Goltzius was one of the most historically aware engravers of the sixteenth century. At the apex of his printmaking career, he conceived a series of six, large-format engravings in the manner of different early masters of the technique. The Circumcision is his audacious homage to Dürer. While the crowded figure group and open architectural setting refers most closely to Dürer’s Circumcision from the Life of the Virgin, the variety of texture and brilliant light effects attempt to match mature engravings such as the Saint Jerome in His Study. According to Goltzius’s contemporary, Karel van Mander, the artist removed his monogram from several impressions. Thus disguised, the impressions were sent off to Venice, Rome, and Amsterdam, where they were prized by connoisseurs as a previously unknown masterpiece by Dürer. When Goltzius admitted that he was the artist, it was conceded the younger artist had surpassed his predecessor. Despite its apocryphal nature, the anecdote reveals Dürer’s enduring position as figure against whom subsequent generations of printmakers would inevitably be compared. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2178.tif", "IsPrimary" : "1", "_SurrogateID" : "7272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13381", "Disp_Access_No" : "2002.2179", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.9 cm x 35.6 cm (18 7/8 in. x 14 in.)", "Disp_Height" : "47.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2179.tif", "IsPrimary" : "1", "_SurrogateID" : "7273", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13382", "Disp_Access_No" : "2002.2180", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48 cm x 36 cm (18 7/8 in. x 14 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Known for his swelling burin lines and naturalistic subjects, Goltzius portrays the Holy Family in an intimate domestic setting. Mary, Joseph, Christ, and Saint John sit together outside a small house. In the window of the house, a cat reaches out to capture a bird with its paws. The humble scene does not depict the Virgin as a heavenly queen but rather as a mother with her child. This connects the holy figures to the viewer’s everyday experiences and so humanizes the religious subject. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2180.tif", "IsPrimary" : "1", "_SurrogateID" : "7274", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13383", "Disp_Access_No" : "2002.2181", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48 cm x 35 cm (18 7/8 in. x 13 3/4 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2181.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2181.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2181.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2181.tif", "IsPrimary" : "1", "_SurrogateID" : "7275", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13384, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13384", "Disp_Access_No" : "2002.2184", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Peter, plate 1 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Peter, plate 1 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.6 cm x 10.2 cm (5 3/4 in. x 4 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2184.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2184.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2184.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2184.tif", "IsPrimary" : "1", "_SurrogateID" : "7207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13385", "Disp_Access_No" : "2002.2185", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Andrew, plate 2 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "16.1 cm x 11.4 cm (6 5/16 in. x 4 1/2 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2185.tif", "IsPrimary" : "1", "_SurrogateID" : "7208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13386, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13386", "Disp_Access_No" : "2002.2186", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. James Major, plate 3 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. James Major, plate 3 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.6 cm x 10.3 cm (5 3/4 in. x 4 1/16 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2186.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2186.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2186.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2186.tif", "IsPrimary" : "1", "_SurrogateID" : "7209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13387", "Disp_Access_No" : "2002.2187", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.3 cm (5 13/16 in. x 4 1/16 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2187.tif", "IsPrimary" : "1", "_SurrogateID" : "7210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13388", "Disp_Access_No" : "2002.2188", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.2 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2188.tif", "IsPrimary" : "1", "_SurrogateID" : "7211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13389", "Disp_Access_No" : "2002.2189", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Bartholomew, plate 6 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Bartholomew, plate 6 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.4 cm x 9.9 cm (5 11/16 in. x 3 7/8 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "9.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2189.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2189.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2189.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2189.tif", "IsPrimary" : "1", "_SurrogateID" : "7212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13390", "Disp_Access_No" : "2002.2190", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Christ, plate 7 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "Christ, plate 7 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10 cm (5 13/16 in. x 3 15/16 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2190.tif", "IsPrimary" : "1", "_SurrogateID" : "7213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13391", "Disp_Access_No" : "2002.2191", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Thomas, plate 8 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Thomas, plate 8 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.2 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2191.tif", "IsPrimary" : "1", "_SurrogateID" : "7214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13392", "Disp_Access_No" : "2002.2192", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Matthew, plate 9 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Matthew, plate 9 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 9.9 cm (5 13/16 in. x 3 7/8 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "9.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2192.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2192.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2192.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2192.tif", "IsPrimary" : "1", "_SurrogateID" : "7215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13393", "Disp_Access_No" : "2002.2193", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. James Minor, plate 10 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. James Minor, plate 10 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.6 cm x 10.2 cm (5 3/4 in. x 4 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2193.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2193.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2193.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2193.tif", "IsPrimary" : "1", "_SurrogateID" : "7216", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13394, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13394", "Disp_Access_No" : "2002.2194", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Simon, plate 11 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Simon, plate 11 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.6 cm x 10.2 cm (5 3/4 in. x 4 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2194.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2194.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2194.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2194.tif", "IsPrimary" : "1", "_SurrogateID" : "7217", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13395", "Disp_Access_No" : "2002.2195", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Judas Thaddeus, plate 12 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Judas Thaddeus, plate 12 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.8 cm x 10.3 cm (5 13/16 in. x 4 1/16 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2195.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2195.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2195.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2195.tif", "IsPrimary" : "1", "_SurrogateID" : "7218", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13396", "Disp_Access_No" : "2002.2196", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St Matthias, plate 13 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St Matthias, plate 13 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.9 cm x 10.4 cm (5 7/8 in. x 4 1/8 in.)", "Disp_Height" : "14.9 cm", "Disp_Width" : "10.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2196.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2196.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2196.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2196.tif", "IsPrimary" : "1", "_SurrogateID" : "7219", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13397", "Disp_Access_No" : "2002.2197", "_AccNumSort1" : "", "Disp_Create_DT" : "1585", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1585", "Disp_Title" : "Magdalen", "Alt_Title" : "", "Obj_Title" : "Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "17.6 cm x 19.7 cm (6 15/16 in. x 7 3/4 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "19.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2197.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2197.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2197.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2197.tif", "IsPrimary" : "1", "_SurrogateID" : "7220", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13459", "Disp_Access_No" : "2002.2294.1/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "Orpha Leaving Ruth and Naomi, plate 1 from The Story of Ruth, after Adriaen de Weerdt", "Alt_Title" : "", "Obj_Title" : "Orpha Leaving Ruth and Naomi, plate 1 from The Story of Ruth, after Adriaen de Weerdt", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "27.6 cm x 36.2 cm (10 7/8 in. x 14 1/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "36.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2294.1-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2294.1-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2294.1-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2294.1-4.tif", "IsPrimary" : "1", "_SurrogateID" : "5482", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13460, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13460", "Disp_Access_No" : "2002.2294.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "Ruth Thanks Boaz for Letting her Glean his Fields, plate 2 from The Story of Ruth, after Adriaen de Weerdt", "Alt_Title" : "", "Obj_Title" : "Ruth Thanks Boaz for Letting her Glean his Fields, plate 2 from The Story of Ruth, after Adriaen de Weerdt", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "21.4 cm x 27.3 cm (8 7/16 in. x 10 3/4 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2294.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2294.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2294.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2294.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "5681", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13461", "Disp_Access_No" : "2002.2294.3/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "Ruth Places Herself at Boaz's Feet, plate 3 from The Story of Ruth, after Adriaen de Weerdt", "Alt_Title" : "", "Obj_Title" : "Ruth Places Herself at Boaz's Feet, plate 3 from The Story of Ruth, after Adriaen de Weerdt", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "21.4 cm x 27.1 cm (8 7/16 in. x 10 11/16 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2294.3-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2294.3-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2294.3-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2294.3-4.tif", "IsPrimary" : "1", "_SurrogateID" : "5483", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13462, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13462", "Disp_Access_No" : "2002.2294.4/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "Boaz and the Elders, plate 4 from The Story of Ruth, after Adriaen de Weerdt", "Alt_Title" : "", "Obj_Title" : "Boaz and the Elders, plate 4 from The Story of Ruth, after Adriaen de Weerdt", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "21.5 cm x 27 cm (8 7/16 in. x 10 5/8 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2294.4-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2294.4-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2294.4-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2294.4-4.tif", "IsPrimary" : "1", "_SurrogateID" : "5682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13796", "Disp_Access_No" : "2002.2698", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Christ in Emmaus, after Jacopo Bassano, from The Kitchen Scenes", "Alt_Title" : "", "Obj_Title" : "Christ in Emmaus, after Jacopo Bassano, from The Kitchen Scenes", "Series_Title" : "", "Disp_Maker_1" : "Raphael Sadeler I", "Sort_Artist" : "Sadeler I, Raphael", "Disp_Dimen" : "22.7 cm x 29.3 cm (8 15/16 in. x 11 9/16 in.)", "Disp_Height" : "22.7 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2698.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2698.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2698.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2698.tif", "IsPrimary" : "1", "_SurrogateID" : "9732", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14901", "Disp_Access_No" : "1984.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14903", "Rel_Obj_Title" : "Saint Margaret" },{ "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.53.tif", "IsPrimary" : "1", "_SurrogateID" : "1298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14902", "Disp_Access_No" : "1984.52", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Ursula", "Alt_Title" : "", "Obj_Title" : "Saint Ursula", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14903", "Rel_Obj_Title" : "Saint Margaret" },{ "Rel_Obj_ID" : "14901", "Rel_Obj_Title" : "Saint Catherine" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works or displayed in a case in the middle of the gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.52.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.52.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.52.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.52.tif", "IsPrimary" : "1", "_SurrogateID" : "1297", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14903", "Disp_Access_No" : "1984.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Margaret", "Alt_Title" : "", "Obj_Title" : "Saint Margaret", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" },{ "Rel_Obj_ID" : "14901", "Rel_Obj_Title" : "Saint Catherine" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works or displayed in a case in the middle of the gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.51.tif", "IsPrimary" : "1", "_SurrogateID" : "1296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15025", "Disp_Access_No" : "1982.1300", "_AccNumSort1" : "", "Disp_Create_DT" : "late 15th century - 1530s", "_Disp_Start_Dat" : "1467", "_Disp_End_Date" : "1530", "Disp_Title" : "Cope (Ecclesiastical Cape)", "Alt_Title" : "", "Obj_Title" : "Cope (Ecclesiastical Cape)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "135.9 cm x 278.8 cm (53 1/2 in. x 109 3/4 in.)", "Disp_Height" : "135.9 cm", "Disp_Width" : "278.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Velvet and silk embroidery", "Support" : "", "Disp_Medium" : "Velvet and silk embroidery", "Info_Page_Comm" : "Copes were worn by Catholic bishops and priests during religious processions. Decorated with embroidery, copes often had orphreys, or ornamental borders, that depicted scenes from the lives of holy figures. This work features an orphrey that represents seven popular episodes from Christ’s Passion, such as the Agony in the Garden, Kiss of Judas, Flagellation, Crowning of Thorns, Mocking, Road to Calvary, and finally the Crucifixion. In the lower part of the Crucifixion panel is a coat of arms that suggests this ecclesiastical garment probably belonged to a member of a Flemish family. The pattern and quality of the velvet, on the other hand, points to an Italian origin. It is likely that the orphrey and the velvet were sewn together in the twentieth century. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Vivian Merrin, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would need very low light levels. In good condition. (FC:jb 5/8/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1300.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1300.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1300.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1300.tif", "IsPrimary" : "1", "_SurrogateID" : "3228", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15878, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15878", "Disp_Access_No" : "2017.1180", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of Religion, with a Candle on a Table Flanked by an Angel and a Demon", "Alt_Title" : "", "Obj_Title" : "An Allegory of Religion, with a Candle on a Table Flanked by an Angel and a Demon", "Series_Title" : "", "Disp_Maker_1" : "Circle of Hans Holbein, the younger", "Sort_Artist" : "Holbein, the younger, Circle of Hans", "Disp_Dimen" : "8.89 cm x 6.67 cm (3 1/2 in. x 2 5/8 in.)", "Disp_Height" : "8.89 cm", "Disp_Width" : "6.67 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1180.tif", "IsPrimary" : "1", "_SurrogateID" : "3341", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15880", "Disp_Access_No" : "2017.1447", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "A Prophet and a Sibyl", "Alt_Title" : "", "Obj_Title" : "A Prophet and a Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "10.1 cm x 14.4 cm (4 in. x 5 11/16 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The Oratorio del Gonfalone was one of the two most important pictorial projects in Rome during the 1560s and 1570s. Half a dozen of the city’s leading young painters collaborated on a fresco cycle of scenes from the Passion of Christ with elaborate decorative surrounds. Zuccaro was responsible for the Flagellation and above it a prophet and sibyl whose texts prefigure the event. Characteristically confident in its plasticity and elegant in its line, this drawing is one of several preparatory studies for the group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1447.tif", "IsPrimary" : "1", "_SurrogateID" : "5721", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15892", "Disp_Access_No" : "2017.1331", "_AccNumSort1" : "", "Disp_Create_DT" : "1508-09", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Raffaello Sanzio, called Raphael", "Sort_Artist" : "Raphael, Raffaello Sanzio, called", "Disp_Dimen" : "11.7 cm x 10.2 cm (4 5/8 in. x 4 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Info_Page_Comm" : "First attributed to Raphael by Konrad Oberhuber, this is a characteristic and fine drawing of the artist’s early maturity. The subject is one explored with repertory insistence in a famous series of paintings and a parallel series of very swift, occasionally preliminary studies in pen-and-ink during his Florentine and early Ro-man periods. Perfectly consistent with this virtual research and the development of High Renaissance style are the solid spatial construction and powerful centripetal movement of this composition. And absolutely cognate with the other pen studies are the large gestures about the perimeter of the motif, changes in the position of the Child’s arm and Joseph’s head, and shorthand notations for the extremities, the Virgin’s profile, and the Child’s features. The only defects are the trimming of the sheet to a round-headed format, an obtrusive collector’s mark, and the modern scribble in graphite at the Virgin’s shoulder. In conception and handling, this is a drawing of the highest intelligence, confidence, and spontaneity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1331.tif", "IsPrimary" : "1", "_SurrogateID" : "5327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15894", "Disp_Access_No" : "2017.1349", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ at the Tomb with two Angels", "Alt_Title" : "", "Obj_Title" : "Christ at the Tomb with two Angels", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Girolamo Romanino", "Sort_Artist" : "Romanino, Attributed to Girolamo", "Disp_Dimen" : "12.07 cm x 9.21 cm (4 3/4 in. x 3 5/8 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "9.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1349.tif", "IsPrimary" : "1", "_SurrogateID" : "5714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15903", "Disp_Access_No" : "2017.912", "_AccNumSort1" : "", "Disp_Create_DT" : "1572", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1572", "Disp_Title" : "Study for the Angels of Justice", "Alt_Title" : "", "Obj_Title" : "Study for the Angels of Justice", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Zanguidi Bertoia", "Sort_Artist" : "Bertoia, Jacopo Zanguidi", "Disp_Dimen" : "14 cm x 9.5 cm (5 1/2 in. x 3 3/4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "9.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, over traces of black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, over traces of black chalk on cream antique laid paper", "Info_Page_Comm" : "The leading painter at Parma in the third quarter of the sixteenth century, Bertoia continued to elaborate upon Parmigianino’s deliberately artificial and extraordinarily beautiful style. The so-called Angels of Justice is one of a series of apocalyptic scenes that Bertoia frescoed in the Farnese palace at Caprarola. Typical in its delicate calligraphy, this drawing was an early idea for the upper part of the composition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.912.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.912.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.912.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.912.tif", "IsPrimary" : "1", "_SurrogateID" : "5693", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15907", "Disp_Access_No" : "2017.1272", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Apotheosis of a Jesuit Saint", "Alt_Title" : "", "Obj_Title" : "The Apotheosis of a Jesuit Saint", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "14.29 cm x 12.07 cm (5 5/8 in. x 4 3/4 in.)", "Disp_Height" : "14.29 cm", "Disp_Width" : "12.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1272.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1272.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1272.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1272.tif", "IsPrimary" : "1", "_SurrogateID" : "5702", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15909", "Disp_Access_No" : "2017.989", "_AccNumSort1" : "", "Disp_Create_DT" : "1510s", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Alt_Title" : "The Madonna and Child with Four Saints", "Obj_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Series_Title" : "", "Disp_Maker_1" : "Domenico Campagnola", "Sort_Artist" : "Campagnola, Domenico", "Disp_Dimen" : "14.6 cm x 27.8 cm (5 3/4 in. x 10 15/16 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Info_Page_Comm" : "Trained by his adoptive father, profoundly influenced by Giorgione and the early works of Titian, Campagnola was briefly the leading graphic artist in Ven-ice before taking up permanent residence in Padua (1523) and becoming its prin-cipal painter. His drawings depend closely upon Titian’s and are regularly con-fused with them and those of numerous followers and imitators. This drawing owes to Titian’s types, dynamism, and pen work of the early 1510s. Distinctive, and immature, are the adherence to a conservative Venetian format for the sacra conversazione, the odd spatial relationships, and the overcharacterization of types. It must be one of the precocious efforts that helped establish Campagnola’s fame.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.989.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.989.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.989.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.989.tif", "IsPrimary" : "1", "_SurrogateID" : "5684", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15911, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15911", "Disp_Access_No" : "2017.846", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Risen Christ", "Alt_Title" : "", "Obj_Title" : "The Risen Christ", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "14.92 cm x 7.3 cm (5 7/8 in. x 2 7/8 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.846.tif", "IsPrimary" : "1", "_SurrogateID" : "3299", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15912", "Disp_Access_No" : "2017.1350", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Putti Bearing the Cross", "Alt_Title" : "", "Obj_Title" : "Putti Bearing the Cross", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Romano", "Sort_Artist" : "Romano, Circle of Giulio", "Disp_Dimen" : "14.92 cm x 33.02 cm (5 7/8 in. x 13 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1350.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1350.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1350.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1350.tif", "IsPrimary" : "1", "_SurrogateID" : "5713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15920", "Disp_Access_No" : "2017.928", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Alt_Title" : "", "Obj_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Andrea Boscoli", "Sort_Artist" : "Boscoli, Andrea", "Disp_Dimen" : "15.8 cm x 9.8 cm (6 1/4 in. x 3 7/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Info_Page_Comm" : "An idiosyncratic late Mannerist, Boscoli was probably trained by the progressive Florentines of Venetian inspiration, but himself returned as an almost reactionary formalist, and repressed romantic, to the school’s first generation of Man-nerists, Pontormo and Rosso. His paintings and especially his drawings distill the styles of those artists to the threshold of geometric abstraction, but also compen-sate with an unusually coherent light and caricatural sentiment. This small study, characteristic in its visual strength and representational ambiguity, surely pre-pared the composition of an altarpiece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.928.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.928.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.928.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.928.tif", "IsPrimary" : "1", "_SurrogateID" : "5697", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15924", "Disp_Access_No" : "2017.1048", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Decollation of a Saint", "Alt_Title" : "", "Obj_Title" : "The Decollation of a Saint", "Series_Title" : "", "Disp_Maker_1" : "Circle of Domenico Cresti Passignano", "Sort_Artist" : "Circle of Domenico Cresti Passignano", "Disp_Dimen" : "15.88 cm x 13.65 cm (6 1/4 in. x 5 3/8 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1048.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1048.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1048.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1048.tif", "IsPrimary" : "1", "_SurrogateID" : "5706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15934", "Disp_Access_No" : "2017.834", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Andrew", "Alt_Title" : "", "Obj_Title" : "Saint Andrew", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "16.51 cm x 12.7 cm (6 1/2 in. x 5 in.)", "Disp_Height" : "16.51 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.834.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.834.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.834.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.834.tif", "IsPrimary" : "1", "_SurrogateID" : "5689", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15949, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15949", "Disp_Access_No" : "2017.844", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "17.78 cm x 23.5 cm (7 in. x 9 1/4 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Support" : "", "Disp_Medium" : "Black chalk, pen and black ink, gray wash, lightly squared in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.844.tif", "IsPrimary" : "1", "_SurrogateID" : "5668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15956", "Disp_Access_No" : "2017.920", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620s", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Saint John the Baptist Preaching", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist Preaching", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bloemaert", "Sort_Artist" : "Bloemaert, Abraham", "Disp_Dimen" : "18.1 cm x 29 cm (7 1/8 in. x 11 7/16 in.)", "Disp_Height" : "18.1 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The leading painter in his native Utrecht in the late 16th and early 17th century, Bloemaert was a refined late Mannerist of Italianate cast, then affected by that city’s flourishing school of Caravaggesque naturalism. He was an exceptionally accomplished and prolific draftsman in the preparation of designs for paintings and engravings as well as in the intimate recording of natural motifs. This is a characteristic landscape study, conventional in arrangement and stylized in handling, but with a diffuse atmosphere and select passages that portend the great age of Dutch landscape and genre. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.920.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.920.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.920.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.920.tif", "IsPrimary" : "1", "_SurrogateID" : "5675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15963", "Disp_Access_No" : "2017.1410", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1597", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1596", "Disp_Title" : "Scenes from the Life of Saint Catherine of Siena", "Alt_Title" : "", "Obj_Title" : "Scenes from the Life of Saint Catherine of Siena", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "18.7 cm x 26.7 cm (7 3/8 in. x 10 1/2 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1410.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1410.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1410.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1410.tif", "IsPrimary" : "1", "_SurrogateID" : "5717", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15981", "Disp_Access_No" : "2017.977", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1569", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1574", "Disp_Title" : "Annunciation", "Alt_Title" : "", "Obj_Title" : "Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "19.69 cm x 18.42 cm (7 3/4 in. x 7 1/4 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "18.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16001", "Disp_Access_No" : "2017.946", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1549", "Disp_Title" : "Saint Luke", "Alt_Title" : "", "Obj_Title" : "Saint Luke", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Luca", "Disp_Dimen" : "20.32 cm x 29.21 cm (8 in. x 11 1/2 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.946.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.946.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.946.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.946.tif", "IsPrimary" : "1", "_SurrogateID" : "2904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16007", "Disp_Access_No" : "2017.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Cristoforo Roncalli, called Pomarancio", "Sort_Artist" : "Pomarancio, Cristoforo Roncalli, called", "Disp_Dimen" : "20.6 cm x 37.3 cm (8 1/8 in. x 14 11/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with black, white, and gray oil paint over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Brush with black, white, and gray oil paint over traces of red chalk ", "Info_Page_Comm" : "Pomarancio led one of the busiest workshops in Rome. His vigorous and imposing style caught the eye of Clement VIII, and beginning in 1597 Pomarancio joined D’Arpino in the decoration of St. Peter’s and San Giovanni in Laterano. In 1599 Clement initiated a project for a grand sacristy at the sanctuary of Loreto, one of the most important pilgrimage sites in Christendom. This drawing prepared the composition for the ceiling’s central compartment. The effective illusionism and its figures’ plasticity, as well as oil technique, are typical of Pomarancio’s style. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "2758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16008", "Disp_Access_No" : "2017.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527", "_Disp_Start_Dat" : "1522", "_Disp_End_Date" : "1532", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "The Holy Family Surrounded by Worshipping Figures", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Polidoro Caldara, called Polidoro da Caravaggio", "Sort_Artist" : "Polidoro da Caravaggio, Polidoro Caldara, called", "Disp_Dimen" : "20.5 cm x 28.3 cm (8 1/16 in. x 11 1/8 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre washe", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre...", "Info_Page_Comm" : "Polidoro da Caravaggio was the most inventive and idiosyncratic of Raphael’s followers. From his earliest participation in the master workshop, his irregular and dramatic language was distinct. Later he created a new type of decoration for palace façades, with chiaroscuro frescoes suggesting low-relief sculpture in the style of ancient classical models, brought to life through eccentric form. His pioneering landscapes were similarly inspired by ancient Roman painting, interpreted with such vitality that they anticipate classical landscapes of the next century. After the sacking of Rome, he went to Naples, then Messina. Aggressively deformed, deliberately rude, and profoundly moving, the late works are fully expressionistic. This is a magnificent example of the artist’s most pictorial and dramatic style of drawing from the height of his activity. The composition still involves an underlying geometry and develops from a single plane like an antique low relief, but it is already swept by larger movements and charged with intense feeling. Similarly, the figures are still monumental and declamatory, but are beginning to slip from balance and to warp with individualized response. In terms of technique, form is defined through broad washes, limited pen-and-ink, and summary modeling, as opposed to the previous delicate description, in white heightening. With the reminiscences of Rome fresh and rather poignant, the drawing probably dates from the beginning of the Neapolitan sojourn. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "2640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16014", "Disp_Access_No" : "2017.1007", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Alt_Title" : "", "Obj_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Casolani", "Sort_Artist" : "Casolani, Alessandro", "Disp_Dimen" : "20.96 cm x 13.34 cm (8 1/4 in. x 5 1/4 in.)", "Disp_Height" : "20.96 cm", "Disp_Width" : "13.34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1007.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1007.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1007.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1007.tif", "IsPrimary" : "1", "_SurrogateID" : "5685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16018", "Disp_Access_No" : "2017.1273", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Creation of Eve", "Alt_Title" : "", "Obj_Title" : "The Creation of Eve", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "17.9 cm x 21.5 cm (7 1/16 in. x 8 7/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Palma Giovane’s style embodies late Mannerism in Venice. Countless, his paintings carry on Tintoretto’s difficult synthesis of painterly values and complex design with an automatic ease, reemergent naturalism, and self-conscious reference to earlier 16th-century examples, Titian in particular. Ceaseless as both pre-paratory activity and exercise, his draftsmanship is similarly predicated upon lin-ear procedure and rhythmic organization, but ultimately unconcerned with structure and instead dedicated to momentary optical properties. Inspired by a lost scene in Tintoretto’s celebrated History of Adam and Eve for the Scuola della Trinità, rendered in Palma’s most frequent technique, and especially vibrant despite a conspicuous loss, this is an excellent example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1273.tif", "IsPrimary" : "1", "_SurrogateID" : "5705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16020", "Disp_Access_No" : "2017.1280", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Feeding of the Five Thousand", "Alt_Title" : "", "Obj_Title" : "The Feeding of the Five Thousand", "Series_Title" : "", "Disp_Maker_1" : "Domenico Cresti, called Passignano", "Sort_Artist" : "Passignano, Domenico Cresti, called", "Disp_Dimen" : "21.59 cm x 16.51 cm (8 1/2 in. x 6 1/2 in.)", "Disp_Height" : "21.59 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and red wash, squared in black chalk", "Support" : "", "Disp_Medium" : "Red chalk and red wash, squared in black chalk", "Info_Page_Comm" : "The grid laid over Passignano’s preparatory drawing The Feeding of the Five Thousand reveals an underlying cosmos, despite the multitude of figures. By grouping the crowds into organized sections, Passignano, an indefatigable draftsman, brings order to a difficult composition, just as Christ brings spiritual fulfillment to the unruly crowds. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1280.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1280.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1280.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1280.tif", "IsPrimary" : "1", "_SurrogateID" : "5698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16027", "Disp_Access_No" : "2017.1182", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1590", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1600", "Disp_Title" : "Saint Jerome in the Wilderness", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Palma il Giovane", "Sort_Artist" : "Jacopo Palma il Giovane", "Disp_Dimen" : "22.1 cm x 16.8 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on copper, attached to wood panel", "Support" : "", "Disp_Medium" : "Oil on copper, attached to wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. Could get higher ranking if conserved. Top conservation list. Could go in display case. See what it looks like without the frame. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1182.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1182.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1182.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1182.TIF", "IsPrimary" : "1", "_SurrogateID" : "10663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16030", "Disp_Access_No" : "2017.1418", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of the Virgin", "Alt_Title" : "", "Obj_Title" : "Head of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "22.23 cm x 16.83 cm (8 3/4 in. x 6 5/8 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "16.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks with touches of red on blue paper", "Support" : "", "Disp_Medium" : "Black and white chalks with touches of red on blue paper", "Info_Page_Comm" : "Drawing played a conspicuous role in Veronese’s production. Detailed studies not only prepared his paintings but recorded their compositions and motifs for re-use in his workshop. This sheet is characteristic of the master in its pictorial use of chalk and the type of the Virgin. The cautious handling and superficial expression, however, betray its derivation from another work and the hand of an assistant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1418.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1418.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1418.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1418.tif", "IsPrimary" : "1", "_SurrogateID" : "5710", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16032", "Disp_Access_No" : "2017.949", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "22.5 cm x 34.2 cm (8 7/8 in. x 13 7/16 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.949.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.949.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.949.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.949.tif", "IsPrimary" : "1", "_SurrogateID" : "2909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16035", "Disp_Access_No" : "2017.947", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1582-1600", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1600", "Disp_Title" : "The Holy Family with Saint Anne by a Fireplace", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint Anne by a Fireplace", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Orazio Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Orazio", "Disp_Dimen" : "22.6 cm x 29.8 cm (8 7/8 in. x 11 3/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This is an apocryphal scene from the infancy of Christ. Such charming, anecdotal variations were inspired by the popularity of Netherlandish genre paintings and conditioned by the Counter- Reformation’s imperative that religious imagery engage the viewer. In his late devotional paintings, Luca Cambiaso often used nocturnal settings to increase the sense of intimacy and mystery, and his late drawings include many versions of this subject. The combination of these elements in the present painting has led some to attribute the work to Cambiaso himself. Yet, the uncertain relation between the figures and the heavy touch indicate that it is instead the work of a close follower, possibly his son, Orazio", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.947.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.947.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.947.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.947.tif", "IsPrimary" : "1", "_SurrogateID" : "5988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16043", "Disp_Access_No" : "2017.1210", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Female Martyr Saint", "Alt_Title" : "", "Obj_Title" : "A Female Martyr Saint", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "22.86 cm x 16.51 cm (9 in. x 6 1/2 in.)", "Disp_Height" : "22.86 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1210.tif", "IsPrimary" : "1", "_SurrogateID" : "5692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16045", "Disp_Access_No" : "2017.1266", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "23.3 cm x 20 cm (9 3/16 in. x 7 7/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Info_Page_Comm" : "Paggi’s style was determined by Cambiaso, his first teacher, but given a more academic orientation and regular appearance during a twenty-year sojourn in Florence. Returning to Genoa in 1599, he was briefly the city’s most important painter and a leading teacher of the next generation. Long thought Cambiaso’s, this drawing has recently been recognized by Mary Newcome as an early work of Paggi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1266.tif", "IsPrimary" : "1", "_SurrogateID" : "6453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16049", "Disp_Access_No" : "2017.1108", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "23.2 cm x 20.2 cm (9 1/8 in. x 7 15/16 in.)", "Disp_Height" : "23.2 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be cleaned. Not in great condition. Could be 2+ if cleaned. On copper, display case. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1108.tif", "IsPrimary" : "1", "_SurrogateID" : "3429", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16064", "Disp_Access_No" : "2017.1270", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "24 cm x 15.7 cm (9 7/16 in. x 6 3/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and pale brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and pale brown wash over black chalk on beige paper", "Info_Page_Comm" : "In its relatively simplification of Tintoretto’s style and incipient naturalism, Palma’s became the dominant style of religious painting in the Veneto in the last quarter of the century. His devotional pictures were preceded by numerous studies in which motifs, their relative positions, even individual gestures under-went minute variations. While not directly preparatory, this rendering of the penitent Magdalene is typical of such studies, related in subject to at least two paintings, and suggestive of their repertory nature. Its hasty brushwork, bristly line, and rather garish hue bespeak a confidence and delight in this Venetian equivalent of Central Italian disegno.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1270.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1270.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1270.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1270.tif", "IsPrimary" : "1", "_SurrogateID" : "5704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16067", "Disp_Access_No" : "2017.950", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1555-60", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 34.29 cm (9 1/2 in. x 13 1/2 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.950.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.950.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.950.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.950.tif", "IsPrimary" : "1", "_SurrogateID" : "2893", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16068", "Disp_Access_No" : "2017.948", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cupid Riding a Lion", "Alt_Title" : "", "Obj_Title" : "Cupid Riding a Lion", "Series_Title" : "", "Disp_Maker_1" : "Circle of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Circle of Luca", "Disp_Dimen" : "24.13 cm x 22.86 cm (9 1/2 in. x 9 in.)", "Disp_Height" : "24.13 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "This drawing is literal in description and coarse in handling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.948.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.948.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.948.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.948.tif", "IsPrimary" : "1", "_SurrogateID" : "2906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16073", "Disp_Access_No" : "2017.985", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1579", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1589", "Disp_Title" : "Sacrifice of Abraham", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Abraham", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "24.6 cm x 25 cm (9 11/16 in. x 9 13/16 in.)", "Disp_Height" : "24.6 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of graphite", "Info_Page_Comm" : "In this replica of a drawing in the Louvre, the central group of Abraham and Isaac ascending the hill is displaced slightly to the left, and the figure of Isaac is unbalanced. The artist's hand is slower in essential description, like the contours of the figures in the foreground, but impatient in secondary areas, like the left background. While probably still autograph, this would have been the latest of the three replicas. Possibly by Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16076", "Disp_Access_No" : "2017.1274", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-1527", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1527", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "24.4 cm x 18.8 cm (9 5/8 in. x 7 3/8 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "11065", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1274.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1274.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1274.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1274.tif", "IsPrimary" : "1", "_SurrogateID" : "3360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16081, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16081", "Disp_Access_No" : "2017.1364", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venus and Cupid with River Gods", "Alt_Title" : "", "Obj_Title" : "Venus and Cupid with River Gods", "Series_Title" : "", "Disp_Maker_1" : "School of Fontainebleau", "Sort_Artist" : "School of Fontainebleau", "Disp_Dimen" : "25.4 cm x 39.37 cm (10 in. x 15 1/2 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash, heightened with white on brown laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1364.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1364.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1364.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1364.tif", "IsPrimary" : "1", "_SurrogateID" : "4291", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16085", "Disp_Access_No" : "2017.1319", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Kneeling Before a Bishop", "Alt_Title" : "", "Obj_Title" : "A Woman Kneeling Before a Bishop", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Poccetti", "Sort_Artist" : "Poccetti, Bernardino", "Disp_Dimen" : "25.4 cm x 17.78 cm (10 in. x 7 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1319.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1319.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1319.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1319.tif", "IsPrimary" : "1", "_SurrogateID" : "5708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16094", "Disp_Access_No" : "2017.1148", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1558", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1563", "Disp_Title" : "Allegory of Birth, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Allegory of Birth, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giorgio Ghisi", "Sort_Artist" : "Ghisi, Attributed to Giorgio", "Disp_Dimen" : "26.3 cm x 41.4 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidiz", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partially oxidized) on beige paper", "Info_Page_Comm" : "This composition corresponds in every major element and most details to an engraving by Giorgio Ghisi. The drawing’s highly finished technique, similar size, and of course reversal of direction indicate that even though its design lacks the usual signs of being transferred to a copper plate, it was the immediate model for the print. The ultimate source of the composition is a fresco of around 1531 in the Loggia of the Grotto in the Palazzo del Te, Giulio Romano’s principal project for Federigo Gonzaga at Mantua. Part of an allegorical life cycle, the subject involves a mother expiring after childbirth, a personification consigning the newborn to winged genii, a crouching woman lighting a new torch from an old, and Aurora bringing a new day with her chariot. The drawing’s elaboration of the fresco shows considerable inventiveness, the technique is generally that of other models for engraving by Raphael and his followers, and the handling is quite accomplished, particularly in the heightened modeling of the figures and the loose description of the background in wash. The likelihood, however, is that this is not a drawing by Romano, rather by an artist trained in his circle or conceivably Ghisi himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2181", "Rel_Obj_Title" : "Allegory of Birth, after Giulio Romano" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/518.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/518.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/518.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/518.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4867", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16096", "Disp_Access_No" : "2017.894", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1577", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1582", "Disp_Title" : "Sacrifice of Isaac", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Isaac", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "26.2 cm x 33.6 cm (10 5/16 in. x 13 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On the grassy knoll of a mountain, Abraham prepares to carry out a divine order to sacrifice his son, Isaac, who kneels with his hands bound behind his back. Suddenly, an angel appears to stay Abraham’s knife-wielding hand, saying that God is satisfied by the proof of Abraham’s fear and reverence. Jacopo Bassano’s mastery of dynamic contours appears in the lively, varied lines of Abraham’s outstretched arm and the clouds and dark mountains echoing it. His expressive brushstrokes and his playful use of perspective, animated by the figures’ diverse postures, also demonstrate his confidence as a painter. This work is probably a copy of a background scene from Bassano’s popular series depicting the four seasons. To meet popular demand, the artist and his workshop created numerous versions of the series. In fact, previous scholarship suggested that this might be a fragment from a lost painting in the series. Close examination of the painting disproved this theory, however; the painting’s edges are mostly untouched and not cut from a larger canvas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.894.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.894.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.894.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.894.tif", "IsPrimary" : "1", "_SurrogateID" : "2744", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16102", "Disp_Access_No" : "2017.866", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine or Lombard", "Sort_Artist" : "Anonymous, Florentine or Lombard", "Disp_Dimen" : "26.7 cm x 22.4 cm (10 1/2 in. x 8 13/16 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be restored. With conservation could be a nice addition (among top things that need to be conserved). (FC:jb 4/17/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.866.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.866.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.866.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.866.tif", "IsPrimary" : "1", "_SurrogateID" : "2743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16103, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16103", "Disp_Access_No" : "2017.986", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "26.67 cm x 17.15 cm (10 1/2 in. x 6 3/4 in.)", "Disp_Height" : "26.67 cm", "Disp_Width" : "17.15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.986.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.986.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.986.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.986.tif", "IsPrimary" : "1", "_SurrogateID" : "2894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16109", "Disp_Access_No" : "2017.1401", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Domenico Tintoretto", "Sort_Artist" : "Tintoretto, Domenico", "Disp_Dimen" : "27.2 cm x 37.7 cm (10 11/16 in. x 14 13/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1401.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1401.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1401.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1401.tif", "IsPrimary" : "1", "_SurrogateID" : "5716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16116", "Disp_Access_No" : "2017.973", "_AccNumSort1" : "", "Disp_Create_DT" : "1568-69", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Michael and the Damned Souls", "Alt_Title" : "", "Obj_Title" : "Saint Michael and the Damned Souls", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "27.6 cm x 21.3 cm (10 7/8 in. x 8 3/8 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk ", "Info_Page_Comm" : "Again in collaboration, Bergamasco and Cambiaso created a grand cycle of the Last Judgment in the apse of Santissima Annunziata di Portoria. This drawing is one of several preliminary ideas for the canvas of The Damned. It is an early in-stance of the singularly systematic and reductive style, often called “cubic”, that characterizes Cambiaso’s later compositional studies. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.973.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.973.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.973.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.973.tif", "IsPrimary" : "1", "_SurrogateID" : "2681", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16117", "Disp_Access_No" : "2017.1271", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Francis Receiving the Stigmata", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Stigmata", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "27.4 cm x 20.8 cm (10 13/16 in. x 8 3/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Support" : "", "Disp_Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1271.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1271.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1271.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1271.tif", "IsPrimary" : "1", "_SurrogateID" : "5703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16125", "Disp_Access_No" : "2017.979", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28 cm x 42.7 cm (11 in. x 16 13/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "42.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "The draftsman responsible for this replica was obviously much more concerned with light and shadow and the drama they could impart. These may have been present in a prototype by Cambiaso or applied here to distinguish the version. In any case, the description is overly specific and the touch heavy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.979.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.979.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.979.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.979.tif", "IsPrimary" : "1", "_SurrogateID" : "2873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16127", "Disp_Access_No" : "2017.1264", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saints Sebastian and Roch", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Sebastian and Roch", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "27.94 cm x 20.32 cm (11 in. x 8 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on brown washed paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on brown washed paper", "Info_Page_Comm" : "This is a very early example of Paggi's draftsmanship. The graphic habits depend completely upon Luca Cambiaso's, but the abbreviations–the circular, blank eyes and the large, amorphous hands–are already distinctive.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1264.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1264.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1264.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1264.tif", "IsPrimary" : "1", "_SurrogateID" : "2896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16129", "Disp_Access_No" : "2017.1104", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Alt_Title" : "", "Obj_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Chimenti, called Empoli", "Sort_Artist" : "Empoli, Attributed to Jacopo Chimenti, called", "Disp_Dimen" : "27.94 cm x 17.78 cm (11 in. x 7 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1104.tif", "IsPrimary" : "1", "_SurrogateID" : "4203", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16134, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16134", "Disp_Access_No" : "2017.1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Christ's Entry into Jerusalem", "Alt_Title" : "", "Obj_Title" : "Christ's Entry into Jerusalem", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Attributed to Giovanni Battista", "Disp_Dimen" : "28.26 cm x 36.83 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.26 cm", "Disp_Width" : "36.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This drawing is related to a composition by Luca Cambiaso and has long been attributed to him. The hand, however, appears to be that of Paggi around the time hd drew the Adoration of the Shepherds ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1262.tif", "IsPrimary" : "1", "_SurrogateID" : "2912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16139, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16139", "Disp_Access_No" : "2017.980", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565-66", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "28.9 cm x 42 cm (11 3/8 in. x 16 9/16 in.)", "Disp_Height" : "28.9 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "With its deep space, semicircular organization, and balletic figures, this composition seems contemporary with the Palazzo Grimaldi’s Return of Ulysses. From the large number of surviving replicas, it must have been one of Cambiaso’s most popular subjects. An autograph prototype has not, however, been identified. Of the three versions exhibited here, this is the most brisk in handling and confident in its abbreviations. The same swift, spiky hand is evident in other replicas from Cambiaso’s workshop. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2874", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16140, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16140", "Disp_Access_No" : "2017.1268", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Virgin Carrying the Christ Child", "Alt_Title" : "", "Obj_Title" : "Virgin Carrying the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "28.58 cm x 17.78 cm (11 1/4 in. x 7 in.)", "Disp_Height" : "28.58 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The iconography and composition of this drawing are obviously related to those of Luca Cambiaso. The artist, however, has little of Cambiaso's sense of structure, rather a preference for decorative flourish. These tendencies and the telltale abbreviation of the figures' eyes indicate that it is a very early drawing by Paggi. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1268.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1268.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1268.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1268.tif", "IsPrimary" : "1", "_SurrogateID" : "2903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16145", "Disp_Access_No" : "2017.960", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Christ Nailed to the Cross", "Alt_Title" : "", "Obj_Title" : "Christ Nailed to the Cross", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "21 cm x 29.6 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on antique laid paper", "Info_Page_Comm" : "This comes from a series of variations of the theme. They derive solely from the artist's imagination, not established iconography. From as far back as the Sibyls, Cambiaso has taken certain themes as an opportunity to express his virtuosity. At this last stage, with the cubic module reasserted and any material appeal suppressed, the virtuosity turned to invention alone, like a Jesuit's meditations on the life of Christ. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.960.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.960.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.960.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.960.tif", "IsPrimary" : "1", "_SurrogateID" : "2891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16161", "Disp_Access_No" : "2017.968", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.53 cm x 16.51 cm (11 5/8 in. x 6 1/2 in.)", "Disp_Height" : "29.53 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "Emphatic structure and extreme economy characterize Cambiaso's drawings toward the middle of the 1560s. This drawing is an excellent example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.968.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.968.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.968.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.968.tif", "IsPrimary" : "1", "_SurrogateID" : "2765", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16171", "Disp_Access_No" : "2017.893", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ Appearing to the Virgin and the Magdalen", "Alt_Title" : "", "Obj_Title" : "Christ Appearing to the Virgin and the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Copy after Federico Barocci", "Sort_Artist" : "Barocci, Copy after Federico", "Disp_Dimen" : "30.48 cm x 22.86 cm (12 in. x 9 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/617.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/617.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/617.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/617.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4173", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16177", "Disp_Access_No" : "2017.1263", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "31 cm x 21.6 cm (12 3/16 in. x 8 1/2 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Info_Page_Comm" : "During the 1560s, in religious works of more contemplative subject and gentler mood, Cambiaso often adopted a mode of more conventional description and inherent beauty. This drawing, muted in contrast, lyrical in stroke, and appeal-ing in sentiment, is a fine example of this mode.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1263.tif", "IsPrimary" : "1", "_SurrogateID" : "2871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16198", "Disp_Access_No" : "2017.978", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Christ and the Woman of Samaria", "Alt_Title" : "", "Obj_Title" : "Christ and the Woman of Samaria", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "33.02 cm x 24.45 cm (13 in. x 9 5/8 in.)", "Disp_Height" : "33.02 cm", "Disp_Width" : "24.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "There are many versions of this composition. This one is rendered with the darting, angular stroke of Luca Cambiaso's drawings of the mid 1560s. The figures, however, lack in structure, much of the surface articulation is random, and the hand is downright carless. The drawing is a fair replica from Cambiaso's workshop. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.978.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.978.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.978.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.978.tif", "IsPrimary" : "1", "_SurrogateID" : "2870", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16206, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16206", "Disp_Access_No" : "2017.984", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "34.29 cm x 24.13 cm (13 1/2 in. x 9 1/2 in.)", "Disp_Height" : "34.29 cm", "Disp_Width" : "24.13 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.984.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.984.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.984.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.984.tif", "IsPrimary" : "1", "_SurrogateID" : "2879", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16211", "Disp_Access_No" : "2017.954", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Triumph of Amphitrite", "Alt_Title" : "", "Obj_Title" : "The Triumph of Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "34.61 cm x 25.08 cm (13 5/8 in. x 9 7/8 in.)", "Disp_Height" : "34.61 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.954.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.954.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.954.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.954.tif", "IsPrimary" : "1", "_SurrogateID" : "2897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16212", "Disp_Access_No" : "2017.971", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "34.7 cm x 23.9 cm (13 11/16 in. x 9 7/16 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "23.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The certainty and velocity of the strokes in this drawing indicate Cambiaso's own hand. The Virgin's drapery, however, is renderedd as a busy surface with little volume, and the hatching in the background fills the area without suggesting depth. The drawing is probably a replica of another. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.971.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.971.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.971.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.971.tif", "IsPrimary" : "1", "_SurrogateID" : "2886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16234", "Disp_Access_No" : "2017.952", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Christ and the Samaritan Woman", "Alt_Title" : "", "Obj_Title" : "Christ and the Samaritan Woman", "Series_Title" : "", "Disp_Maker_1" : "Copy after Luca Cambiaso", "Sort_Artist" : "Cambiaso, Copy after Luca", "Disp_Dimen" : "37.15 cm x 25.4 cm (14 5/8 in. x 10 in.)", "Disp_Height" : "37.15 cm", "Disp_Width" : "25.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "The regular shapes, automatic hand, and polish of this drawing suggest that it is a later copy after another version, also in the collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.952.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.952.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.952.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.952.tif", "IsPrimary" : "1", "_SurrogateID" : "2878", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16241", "Disp_Access_No" : "2017.945", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Luca", "Disp_Dimen" : "38.6 cm x 26.7 cm (15 3/16 in. x 10 1/2 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "The Mannings proposed that this drawing and a Hercules in the same bizarre, rather unattractive hand were juvenile drawings by Cambiaso. While the attribution has not been seconded, it has great merit. The continuous, rhythmic pen work reflects a naïve understanding of the drawings of Perino del Vaga. And the identical isolated and quavering musculature, the hairpin articulation of the forearm, and the irregular fill of hatching characterize a very early drawing in the Prado that is closely related to Cambiaso’s frescoes in the palace of Antonio Doria and already unmistakable in certain mannerisms. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.945.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.945.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.945.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.945.tif", "IsPrimary" : "1", "_SurrogateID" : "2908", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16247", "Disp_Access_No" : "2017.1429", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bacchus and the Muses", "Alt_Title" : "", "Obj_Title" : "Bacchus and the Muses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Maarten de Vos", "Sort_Artist" : "Vos, Attributed to Maarten de", "Disp_Dimen" : "38.42 cm x 29.85 cm (15 1/8 in. x 11 3/4 in.)", "Disp_Height" : "38.42 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1429.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1429.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1429.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1429.tif", "IsPrimary" : "1", "_SurrogateID" : "5845", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16256", "Disp_Access_No" : "2017.875", "_AccNumSort1" : "", "Disp_Create_DT" : "late 16th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1599", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "39.3 cm x 33.1 cm (15 1/2 in. x 13 1/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Terrible craquelure. (FC:jb 4/21/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.875.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.875.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.875.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.875.TIF", "IsPrimary" : "1", "_SurrogateID" : "10786", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16262", "Disp_Access_No" : "2017.1431", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Nativity", "Alt_Title" : "", "Obj_Title" : "The Nativity", "Series_Title" : "", "Disp_Maker_1" : "Maarten de Vos", "Sort_Artist" : "Vos, Maarten de", "Disp_Dimen" : "39.4 cm x 31.7 cm (15 1/2 in. x 12 1/2 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black...", "Info_Page_Comm" : "Vos was the leading history painter in Antwerp in the late 16th century. In his work the increasingly dry conventions of the school’s Mannerist painters were transformed by the dynamic compositions and saturated color that he had gathered from his early training in Italy, and especially from the Venetians. With their clear narration and incipient naturalism, his altarpieces dominated artistic production for the Counter-Reformation in the South Netherlands. This draw-ing is closely related to a late altarpiece in Antwerp’s Koninklijk Museum, although its variations in the background, cautious finish, and monogram suggest less a preparatory study than a model for an alternative project or possibly an engraving.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1431.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1431.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1431.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1431.tif", "IsPrimary" : "1", "_SurrogateID" : "5846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16263", "Disp_Access_No" : "2017.1448", "_AccNumSort1" : "", "Disp_Create_DT" : "1568", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1568", "Disp_Title" : "Christ Healing the Blind Man", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Blind Man", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "39.4 cm x 27.3 cm (15 1/2 in. x 10 3/4 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Info_Page_Comm" : "In his encyclopedic style and substantial intellectual activity, Federico Zuccaro is a fundamental figure of late Mannerism. His initial graphic language was a synthesis of developments in central Italy, with a vital accent from Venetian painting and Correggio. Principally in Rome, his later work became more deliberately classicizing and formulaic. His thought was also expressed in the founding of the Roman academy and his publication of Idea de’ pittori, scultori, ed architetti (1607), the most articulate statement of the period’s artistic theory. In 1568 Zuccaro was commissioned for a pair of altarpieces for the Duomo at Orvieto. This drawing corresponds to a preliminary stage of one composition. It differs from the painting in the kneeling figure at the lower left and in a few minor details. Another version of the drawing (Louvre, Paris) is identical in size, technique, and virtually every mark, but its revisions are more logical and its line is more responsive. The Suida-Manning drawing is an autograph replica. It may have had a functional role in the project, as suggested by the squaring of one figure for transfer, or it may have been intended for a collector. The Suida-Manning Collection includes two more compositional studies for major frescoes: The Adoration of the Magi in San Francesco della Vigna, Venice (1563–1564), and the Prophet and Sibyl in the Oratorio del Gonfalone, Rome (1573). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1448.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1448.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1448.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1448.tif", "IsPrimary" : "1", "_SurrogateID" : "2675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16275", "Disp_Access_No" : "2017.972", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Saint Benedict Enthroned between Saint John the Baptist and Saint Luke", "Alt_Title" : "", "Obj_Title" : "Saint Benedict Enthroned between Saint John the Baptist and Saint Luke", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "40.8 cm x 29 cm (16 1/16 in. x 11 7/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "In 1562 Luca Spinola commissioned Cambiaso to decorate his family’s chapel in the church of Santa Caterina dei Monaci. The one element to survive the church’s demolition in the 19th century is the altarpiece, which was transferred to Genoa’s cathedral. This drawing, identical in style to the Persephone, is an early design for the altarpiece, establishing the basic format and distribution of ele-ments but preceding changes in each figure’s attitude and the elimination of the monk in the foreground. Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.972.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.972.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.972.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.972.tif", "IsPrimary" : "1", "_SurrogateID" : "2875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16276, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16276", "Disp_Access_No" : "2017.1416", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1568", "Disp_Title" : "Head of Saint Michael", "Alt_Title" : "", "Obj_Title" : "Head of Saint Michael", "Series_Title" : "", "Disp_Maker_1" : "Paolo Veronese", "Sort_Artist" : "Veronese, Paolo", "Disp_Dimen" : "41 cm x 32.1 cm (16 1/8 in. x 12 5/8 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "32.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a fragment of a fifteen-foot-tall altarpiece painted for the church of San Francesco at Lendinara, a small town near Padua, Italy. Commissioned by the cousins Antonio and Girolamo Petrobelli, the painting was one of the major projects of Paolo Veronese’s career. By 1785 the church was abandoned and demolished, and the altarpiece was cut and sold in pieces in 1788 to maximize profits. Four fragments have been identified to date. The original canvas had the body of Jesus supported by angels in the upper register and the two donors with their respective patrons—Saint Anthony Abbot and Saint Jerome—in the lower register. Saint Michael stood in the center, holding in his right hand a spear pointed at the demon and in his left scales to weigh souls on Judgment Day. The upright form of the archangel figure connects the upper and lower sections of the composition, while also reflecting the intermediary role of the much-venerated saint.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Needs illustration of the larger image from which it was cut (FC:jb 4/2/15) Possibly higher up (FC:jb 4/2/15) Medallion (FC:jb 4/2/15) Possible pair with other Veroneses, distinct palette (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-2.tif", "IsPrimary" : "1", "_SurrogateID" : "2761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-recon1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-recon1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-recon1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-recon1.tif", "IsPrimary" : "0", "_SurrogateID" : "7902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-install.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-install.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-install.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-install.tif", "IsPrimary" : "0", "_SurrogateID" : "7903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16290", "Disp_Access_No" : "2017.839", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Birth of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Birth of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "42.55 cm x 23.18 cm (16 3/4 in. x 9 1/8 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "23.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.839.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.839.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.839.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.839.tif", "IsPrimary" : "1", "_SurrogateID" : "5869", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16298", "Disp_Access_No" : "2017.921", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Madonna and Child under a Tree", "Alt_Title" : "", "Obj_Title" : "Madonna and Child under a Tree", "Series_Title" : "", "Disp_Maker_1" : "Circle of Abraham Bloemaert", "Sort_Artist" : "Bloemaert, Circle of Abraham", "Disp_Dimen" : "43.18 cm x 34.93 cm (17 in. x 13 3/4 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "34.93 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.921.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.921.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.921.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.921.tif", "IsPrimary" : "1", "_SurrogateID" : "8887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16342", "Disp_Access_No" : "2017.1450", "_AccNumSort1" : "", "Disp_Create_DT" : "1564", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1564", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "50.17 cm x 31.75 cm (19 3/4 in. x 12 1/2 in.)", "Disp_Height" : "50.17 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, heightened with white, on brown paper", "Info_Page_Comm" : "In 1563 Federico Zuccaro was called to Venice to complete the decoration of the Grimani Chapel in San Francesco della Vigna as well as that of the family’s palace. His sojourn was a rare but influential case of the penetration of advanced Central Italian style into Venetian art. Significant despite its damage, this drawing corresponds to the fresco that serves as chapel’s altarpiece. Like many of Federico’s seemingly preparatory studies, it is probably an autograph replica, intended for collectors who were coming to appreciate drawings that reflect the creative process and graphic personality.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1450.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1450.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1450.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1450.tif", "IsPrimary" : "1", "_SurrogateID" : "2674", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16345", "Disp_Access_No" : "2017.988", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "Visitation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "50.9 cm x 35.6 cm (20 1/16 in. x 14 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Support" : "", "Disp_Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Info_Page_Comm" : "This is another spectacular and well known example of draftsmanship from Cambiaso’s early maturity. Probably the result of Bergamasco’s influence, he has devised a very personal interpretation of the subject, complicated the spatial arrangement, and thorough interwoven the figures to create a single, seamless fabric. At the same time, his line has become more predictable in its ellipses and regular in its distribution without sacrificing any of its energy. Jonathan Bober changed to Workshop of Luca Cambiaso 5/13/11.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.988.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.988.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.988.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.988.tif", "IsPrimary" : "1", "_SurrogateID" : "2890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16364", "Disp_Access_No" : "2017.976", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562", "_Disp_Start_Dat" : "1557", "_Disp_End_Date" : "1567", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "56.9 cm x 41.8 cm (22 3/8 in. x 16 7/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Luca Cambiaso is the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The Martyrdom of Saint Sebastian is a masterpiece of Cambiaso’s early maturity. His forms, although still in the style of Michelangelo, have been disciplined, smoothed into more regular shapes, and given more elegant proportion than in his earlier work. Around this time he began to employ lines whose varied weight, length, and velocity allowed more elliptic description and flexible structure. This drawing also demonstrates a new level of spatial mastery. While the archers define a horizontal concavity, the saint and angels create a vertical convexity. These intersecting curves involve the entire composition in an energizing tension and virtuoso resolution. Finally, the drawing conveys a consonantly refined and lyrical expression of the saint’s pathos, conspicuous in his face yet woven through the fabric of the entire work. The Martyrdom of Saint Sebastian is no less sophisticated in function. Cambiaso’s earlier drawings still pertain to the graphic system of the early sixteenth century. This later example, rendered at high speed, emulates the summary notation of an advanced compositional study within that system. However, it was not preparatory, but conceived and executed as an autonomous work of art, as confirmed by its remarkable size. Such drawings enjoyed a tremendous success with the ambitious patrons of the artist’s paintings. The resulting production established the very idea of an independent market for drawings in which graphic character and individual personality are the commodities. The Blanton’s seven paintings and over a dozen autograph drawings by Cambiaso represent the most significant holdings of his work outside Genoa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.976.tif", "IsPrimary" : "1", "_SurrogateID" : "2577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16422", "Disp_Access_No" : "2017.896", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "David and Goliath", "Alt_Title" : "", "Obj_Title" : "David and Goliath", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Gerolamo Bassano", "Sort_Artist" : "Bassano, Attributed to Gerolamo", "Disp_Dimen" : "78.74 cm x 58.42 cm (31 in. x 23 in.)", "Disp_Height" : "78.74 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/26.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "2609", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16432", "Disp_Access_No" : "2017.957", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "90.3 cm x 47.3 cm (35 9/16 in. x 18 5/8 in.)", "Disp_Height" : "90.3 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On several occasions, beginning with the great altarpiece for San Domenico in Bologna, Cambiaso rendered the Adoration of the Shepherds as a nocturne. With its extreme simplificaiton of composition and articulation of individual figures, this is a late version, of a size suited for private devotion. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Can pull if we need something, only one from R91A in play Very dark picture, sweet but not our best Cambiaso Could be used in diamond hang of Cambiasos (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.957.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.957.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.957.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.957.tif", "IsPrimary" : "1", "_SurrogateID" : "2726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16437", "Disp_Access_No" : "2017.966", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with Saint Anne", "Alt_Title" : "", "Obj_Title" : "Holy Family with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92.8 cm x 73.2 cm (36 9/16 in. x 28 13/16 in.)", "Disp_Height" : "92.8 cm", "Disp_Width" : "73.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent had proposed systematic reform of the Catholic Church and responses to the Reformation. Its provisions for religious art included decrees that the subjects of paintings be easily intelligible and that there be no distraction from overly characterized or intrinsically appealing style, rather that devout feelings be stirred in the viewer. At a far frontier of Mannerism, pushing the research of ideal form beyond conventional pictorial standards, Cambiaso was already inclined toward the kind of "styleless style" implied by the Council’s imperatives. In his mature religious works, he perfected a mode that is diagrammatic in subject and practically shorn of material appeal, but equipped with unprecedentedly naturalistic incidents, specifically the action of light, that relieve the abstractness and cue a sentimental response. This painting is an important early example of this religious mode, ideal in essence, while predicting features of the early Baroque, and anticipating features of Caravaggio and Georges de La Tour.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.966.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.966.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.966.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.966.tif", "IsPrimary" : "1", "_SurrogateID" : "2579", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16443", "Disp_Access_No" : "2017.964", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1569", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1574", "Disp_Title" : "Esther and Ahasuerus", "Alt_Title" : "", "Obj_Title" : "Esther and Ahasuerus", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "98.4 cm x 88.5 cm (38 3/4 in. x 34 13/16 in.)", "Disp_Height" : "98.4 cm", "Disp_Width" : "88.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Before the mid 16th century, Genoese patrons generally satisfied their artistic needs by importing works or artists themselves from elsewhere in Italy or even the North. The activity of Luca Cambiaso represents the foundation of a native and highly progressive school of painting. First trained locally by his father, Cambiaso then went to Rome, where he assimilated the current style based on Michelangelo’s painting. Returning to Genoa, he cultivated the geometry and ideality that underpin that style. This led to the development of what is perhaps the most abstract and intellectualized style of the entire Italian Renaissance. Its characteristics are an extreme simplification of form, opacity of expression, broadness of execution, and modality according to the subject and function of the painting. Rendering the Jewish queen’s courageous intercession with the Persian king to save her people, this painting is an outstanding example of Cambiaso’s most conventionally beautiful mode. Expressing the powerful conjunction of physical allure and moral force, the subject was a favorite from around this time through the 18th century. Typical of Cambiaso’s art, the composition is spare, schematic, and still. True to this mode, and appropriate to the subject, the description is relatively generous, the touch, especially in the ornament, delicate, and the tenor gentle. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Higher up (FC:jb 4/2/15) Ranking adjusted (JP 5/19/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.964.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.964.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.964.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.964.tif", "IsPrimary" : "1", "_SurrogateID" : "2578", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1419.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1419.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1419.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1419.tif", "IsPrimary" : "1", "_SurrogateID" : "2668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16450, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16450", "Disp_Access_No" : "2017.1417", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s (?)", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Three Cherubim", "Alt_Title" : "", "Obj_Title" : "Three Cherubim", "Series_Title" : "", "Disp_Maker_1" : "Paolo Veronese", "Sort_Artist" : "Veronese, Paolo", "Disp_Dimen" : "105.41 cm x 81.92 cm (41 1/2 in. x 32 1/4 in.)", "Disp_Height" : "105.41 cm", "Disp_Width" : "81.92 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a fragment from a much larger composition. Cherubim along with seraphim form the highest order of angels in the Christian celestial hierarchy. In Byzantine and medieval art they were represented as heads surrounded by six wings. Varied and humanized in the Renaissance, they evolved into the sweet-faced, two-winged creatures seen here, and further into the baby angels, or putti, that populate many paintings. Veronese used groups of cherubim, first in the background of the upper reaches of altarpieces, then more prominently at the boundary between heavenly and earthly zones in various religious works. The group just above Saint Michael in the Petrobelli Altarpiece is typical. Judging by the size of these heads, the heavy weave of canvas, and the broad handling of paint, this fragment must come from a comparably large work, probably an altarpiece. While the type and function of these cherubim are evident, their realization is problematic. The arrangement of the three heads seems awkward, with their foreshortening uncoordinated and the upper two badly crowded. The individual heads lack volume, tending to flatten into simple shapes with no connection to their wings. Even allowing for condition––moderate abrasion and scattered paint losses throughout––the brushwork seems coarse, the accents in heavy pigment––the curls of the cherub on the right––superficial, and the surface inert. The habits are those of Veronese, but the hand shows little understanding of structure or sensitivity. Whatever the source of this fragment, an assistant was responsible for its execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "Three Cherubim", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition, conservation issues: needs to be cleaned. Whites are yellow. 2+ with cleaning. Could go in medallion hang. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1417.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1417.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1417.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1417.tif", "IsPrimary" : "1", "_SurrogateID" : "2762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16451", "Disp_Access_No" : "2017.963", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "108 cm x 98 cm (42 1/2 in. x 38 9/16 in.)", "Disp_Height" : "108 cm", "Disp_Width" : "98 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""Ecce Homo," a Latin phrase meaning “behold the man,” represents a scene from the Passion. Pontius Pilate presents Jesus, bound and crowned with thorns, before a crowd demanding his crucifixion. Here the tumult of the scene is replaced with a quiet, almost meditative atmosphere. The simplicity of narrative closely reflects the religious and artistic environment in which Luca Cambiaso worked. Faced with the rise of Protestantism in the sixteenth century, the Catholic Church carried out a series of reforms, now referred to as the Counter-Reformation. During this period, the Catholic Church encouraged artists to make decorous images with minimal distractions, like this painting, to communicate the Catholic doctrines effectively. Through its simplified composition, Cambiaso’s "Ecce Homo" invites the viewer to focus on the suffering of Jesus. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.963.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.963.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.963.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.963.tif", "IsPrimary" : "1", "_SurrogateID" : "2727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16454", "Disp_Access_No" : "2017.895", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1542 - 1545", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1545", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "109.22 cm x 71.76 cm (43 in. x 28 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "71.76 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cut out from a larger canvas, this painting represents John the Baptist turning his gaze toward the spectator. The saint’s truncated forearm and the direction of his pose, among other elements, suggest that this fragment once formed the right part of a composition, which likely featured the Madonna and Child in the center; there would have been another saint on the left. The farmhouses with thatched roofs in the background demonstrate the painter’s well-known tendency to incorporate rustic elements in religious paintings. The figure’s right eye, left knee, and left foot are reconstructions completed in 2009.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.895-post-Res.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.895-post-Res.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.895-post-Res.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.895-post-Res.tif", "IsPrimary" : "1", "_SurrogateID" : "6465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16469", "Disp_Access_No" : "2017.967", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saint Catherine and an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "140.9 cm x 102.6 cm (55 1/2 in. x 40 3/8 in.)", "Disp_Height" : "140.9 cm", "Disp_Width" : "102.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent proposed the systematic reform of the Catholic Church, largely in response to the Protestant Reformation. The Council and its subsequent interpreters insisted that religious painting should be scripturally accurate, clearly legible, and stirring of devout feeling in the viewer. After a long collaboration with the brilliant architect Bergamasco and an increasing manufacture during the 1560s, Luca Cambiaso had already developed a more calculated, spare, and efficacious style. For the later religious works, consonant with, if not explicitly serving, the new ideals, he perfected a mode that is diagrammatic in subject and radically pared of obvious material appeal. To relieve the abstractness, to cue a sentimental response, and certainly also to satisfy his own instincts as a painter, Cambiaso equipped this mode with passages of stunning natural observation and tender human interaction. The most original and striking of these paintings are the nocturnes, concentrated in the early 1570s. This picture is the grandest of three examples in the Suida-Manning Collection. While the general conception and function of these nocturnes point toward Cambiaso’s last activity, as official painter to the Spanish king Philip II at the monastery of the Escorial, their coherent light and authentic feeling anticipate the tenebrism of the early Baroque, from Caravaggio to Georges de La Tour and Gerrit van Honthorst.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wonderful, lovely, should be upstairs (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.967.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.967.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.967.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.967.tif", "IsPrimary" : "1", "_SurrogateID" : "2581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16482", "Disp_Access_No" : "2017.1109", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "42.8 cm x 58 cm (16 7/8 in. x 22 13/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Info_Page_Comm" : "This drawing renders the vision of the Roman soldier Saul and his conversion to Christianity as a frieze of spectacular incident and stunning plasticity. This kind of arrangement, horizontal format with surging population, was typical of Farinati’s most imposing paintings. Here, dilated into a sweeping panorama and bound by sustained rhythms, the composition is especially dynamic and coherent. Similarly, the complicated surface, rich color, and elaborate finish are characteristic of Farinati’s preferred mode of drawing. This work reflects his latest graphic development, with relatively restrained heightening and varied washes animating the surface, even hinting at naturalism. So insistent in drawing but then so concentrated in pictorial effect, Farinati’s graphic style lent itself to the production of autonomous works for collectors. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1109.tif", "IsPrimary" : "1", "_SurrogateID" : "3359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16486", "Disp_Access_No" : "2017.1240", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Mombello", "Sort_Artist" : "Mombello, Attributed to Luca", "Disp_Dimen" : "44.4 cm x 36.8 cm (17 1/2 in. x 14 1/2 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1240.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1240.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1240.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1240.TIF", "IsPrimary" : "1", "_SurrogateID" : "10673", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16487", "Disp_Access_No" : "2017.1361", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Eustace", "Alt_Title" : "", "Obj_Title" : "St. Eustace", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ippolito Scarsella, called Scarsellino", "Sort_Artist" : "Scarsellino, Circle of Ippolito Scarsella, called", "Disp_Dimen" : "50.5 cm x 66.2 cm (19 7/8 in. x 26 1/16 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "66.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1361.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1361.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1361.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1361.TIF", "IsPrimary" : "1", "_SurrogateID" : "10560", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16493", "Disp_Access_No" : "2017.1157", "_AccNumSort1" : "", "Disp_Create_DT" : "late 16th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1599", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Circle of Hendrick Goltzius", "Sort_Artist" : "Goltzius, Circle of Hendrick", "Disp_Dimen" : "19.4 cm x 17.6 cm (7 5/8 in. x 6 15/16 in.)", "Disp_Height" : "19.4 cm", "Disp_Width" : "17.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157.TIF", "IsPrimary" : "1", "_SurrogateID" : "9819", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157-detail.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157-detail.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157-detail.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157-detail.TIF", "IsPrimary" : "0", "_SurrogateID" : "9821", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1157-detail2.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1157-detail2.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1157-detail2.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1157-detail2.TIF", "IsPrimary" : "0", "_SurrogateID" : "9823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16497", "Disp_Access_No" : "2017.965", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1568", "_Disp_Start_Dat" : "1563", "_Disp_End_Date" : "1573", "Disp_Title" : "God the Father and Putti", "Alt_Title" : "", "Obj_Title" : "God the Father and Putti", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "23.1 cm x 33.8 cm (9 1/8 in. x 13 5/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "33.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Info_Page_Comm" : "Related motifs of God-the-Father amidst putti appear in the upper reaches of several altarpieces executed during the 1560s. The indication of the line of a po-lygonal cornice, however, indicates that this drawing was an early idea for architectural decoration, probably the vault fresco in the Zoagli Chapel in the church of Santissima Annunziata di Portoria. Possibly early Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.965.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.965.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.965.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.965.tif", "IsPrimary" : "1", "_SurrogateID" : "2872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16512", "Disp_Access_No" : "2017.818", "_AccNumSort1" : "", "Disp_Create_DT" : "Circa 1520-30", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Figure of a Saint, Probably Saint Barbara", "Alt_Title" : "", "Obj_Title" : "Figure of a Saint, Probably Saint Barbara", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "108.6 cm (42 3/4 in.)", "Disp_Height" : "108.6 cm", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "none given, holding a chalice, possibly Styria, carved in the round", "Support" : "", "Disp_Medium" : "none given, holding a chalice, possibly Styria, carved in the round", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.818-back.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.818-back.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.818-back.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.818-back.tif", "IsPrimary" : "0", "_SurrogateID" : "11101", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.818-lft_qtr.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.818-lft_qtr.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.818-lft_qtr.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.818-lft_qtr.tif", "IsPrimary" : "0", "_SurrogateID" : "11103", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.818-rt_qtr.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.818-rt_qtr.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.818-rt_qtr.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.818-rt_qtr.tif", "IsPrimary" : "0", "_SurrogateID" : "11104", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.818.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.818.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.818.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.818.tif", "IsPrimary" : "1", "_SurrogateID" : "11105", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16515, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16515", "Disp_Access_No" : "2017.859.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1532", "Disp_Title" : "Fragmentary relief of the nativity", "Alt_Title" : "", "Obj_Title" : "Fragmentary relief of the nativity", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine", "Sort_Artist" : "Anonymous, Florentine", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terra-cotta", "Support" : "", "Disp_Medium" : "Terra-cotta", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be placed high up. (FC:jb 5/8/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.859.a-b-view_lft.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.859.a-b-view_lft.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.859.a-b-view_lft.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.859.a-b-view_lft.tif", "IsPrimary" : "0", "_SurrogateID" : "11115", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.859.a-b-view_rt.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.859.a-b-view_rt.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.859.a-b-view_rt.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.859.a-b-view_rt.tif", "IsPrimary" : "0", "_SurrogateID" : "11116", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.859.a-b.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.859.a-b.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.859.a-b.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.859.a-b.tif", "IsPrimary" : "1", "_SurrogateID" : "11117", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16775, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16775", "Disp_Access_No" : "2003.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "Saint John the Evangelist", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "27.8 cm x 18 cm (10 15/16 in. x 7 1/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati, a prolific painter, was also the leading etcher in late sixteenth-century Verona. His style combined the heavy, plastic form of the nearby school of Mantua with the elegant proportions and fine rhythms that he gathered from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence A. Lawver, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16824", "Disp_Access_No" : "2003.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint Ambrose, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint Ambrose, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.7 cm x 7.7 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.66.tif", "IsPrimary" : "1", "_SurrogateID" : "4175", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16825", "Disp_Access_No" : "2003.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint John, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint John, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.67.tif", "IsPrimary" : "1", "_SurrogateID" : "4176", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16826, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16826", "Disp_Access_No" : "2003.68", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint Paul, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint Paul, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "13 cm x 9.3 cm (5 1/8 in. x 3 11/16 in.)", "Disp_Height" : "13 cm", "Disp_Width" : "9.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.68.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.68.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.68.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.68.tif", "IsPrimary" : "1", "_SurrogateID" : "4177", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16827", "Disp_Access_No" : "2003.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint Peter, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint Peter, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.7 cm x 7.9 cm (4 5/8 in. x 3 1/8 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.69.tif", "IsPrimary" : "1", "_SurrogateID" : "4178", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16828, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16828", "Disp_Access_No" : "2003.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint Simon, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint Simon, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.7 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.70.tif", "IsPrimary" : "1", "_SurrogateID" : "4179", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17056, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17056", "Disp_Access_No" : "2003.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1575", "_Disp_Start_Dat" : "1575", "_Disp_End_Date" : "1575", "Disp_Title" : "The Conversion of Saint Paul, after Taddeo Zuccaro", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul, after Taddeo Zuccaro", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "47.2 cm x 34.2 cm (18 9/16 in. x 13 7/16 in.)", "Disp_Height" : "47.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.147.tif", "IsPrimary" : "1", "_SurrogateID" : "2823", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17141", "Disp_Access_No" : "2004.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "The Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "The Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "22.1 cm x 16.2 cm (8 11/16 in. x 6 3/8 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Claudine and Stephen Ostrow, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.94.tif", "IsPrimary" : "1", "_SurrogateID" : "7017", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17182", "Disp_Access_No" : "2004.131", "_AccNumSort1" : "", "Disp_Create_DT" : "1536-1537", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1537", "Disp_Title" : "The Annunciation, after Titian", "Alt_Title" : "", "Obj_Title" : "The Annunciation, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "45.4 cm x 34.8 cm (17 7/8 in. x 13 11/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving is the only record of the altarpiece that Titian executed for the Santa Maria degli Angeli, Murano, in 1537. When the convent could not meet the artist’s price, it refused the picture, and he gave it as a present to either Charles V or his wife, Queen Isabella. Last mentioned in Spain in 1794, the painting was apparently lost during the French occupation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.131.tif", "IsPrimary" : "1", "_SurrogateID" : "2184", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17378", "Disp_Access_No" : "2005.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1596", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1596", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "Visitation", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "213 cm x 146 cm (83 7/8 in. x 57 1/2 in.)", "Disp_Height" : "213 cm", "Disp_Width" : "146 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech. The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.33.tif", "IsPrimary" : "1", "_SurrogateID" : "2952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17580, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17580", "Disp_Access_No" : "2005.151", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92 cm x 80.5 cm (36 1/4 in. x 31 11/16 in.)", "Disp_Height" : "92 cm", "Disp_Width" : "80.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This is an early work by Luca Cambiaso, the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The monumentality of the Virgin, the thrust of the Child, and the bold plasticity of every form suggest study with the followers of Michelangelo in mid-century Rome. At the same time, this powerful description has been circumscribed by Cambiaso’s exaggerated regularity of shapes, as in the figures’ heads, and embellished with the unnatural grace of their extremities, which recalls the works that Raphael’s follower Perino del Vaga had created for Genoa. Throughout, from the luscious frosting of the Virgin’s white sleeve to the exquisite filaments about the eyes, there is evident delight in the sheer matter of paint and possibilities of the brush. This virtuosity is conspicuous because of the work’s execution on panel and the excellent preservation of most of its surface. The painting demonstrates the young artist’s startling ambition, explains his first synthesis of influences, and predicts his place among the major figures of Mannerism. The Suida-Manning Collection includes six paintings and at least two dozen autograph drawings by Cambiaso. These represent the most significant holdings of his work outside Genoa. Preceding the earliest Suida-Manning picture by some fifteen years, and the only example on panel, this painting is the cornerstone of the entire group.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of the Cain Foundation in honor of Charmaine Hooper Denius, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Important moment in early Cambiaso (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151.tif", "IsPrimary" : "1", "_SurrogateID" : "3061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.151_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.151_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.151_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.151_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "3063", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17388", "Disp_Access_No" : "2005.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1534", "_Disp_Start_Dat" : "1529", "_Disp_End_Date" : "1539", "Disp_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "28.8 cm x 20.4 cm (11 5/16 in. x 8 1/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19513", "Disp_Access_No" : "2010.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1552", "_Disp_Start_Dat" : "1552", "_Disp_End_Date" : "1552", "Disp_Title" : "The Dispute on the Holy Sacrament, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Dispute on the Holy Sacrament, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "51.6 cm x 40.1 cm (20 5/16 in. x 15 13/16 in.)", "Disp_Height" : "51.6 cm", "Disp_Width" : "40.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.20.tif", "IsPrimary" : "1", "_SurrogateID" : "7784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18209", "Disp_Access_No" : "2005.204.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1597", "_Disp_Start_Dat" : "1597", "_Disp_End_Date" : "1597", "Disp_Title" : "Piety, plate 6 from Skills of a Prince, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Piety, plate 6 from Skills of a Prince, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Raphael Sadeler I", "Sort_Artist" : "Sadeler I, Raphael", "Disp_Dimen" : "27.9 cm x 37.5 cm (11 in. x 14 3/4 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "37.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase by exchange and Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.204.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.204.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.204.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.204.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "3904", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18535", "Disp_Access_No" : "2006.135.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Jeremiah, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Jeremiah, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "58.1 cm x 44.3 cm (22 7/8 in. x 17 7/16 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "44.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "7544", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18536, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18536", "Disp_Access_No" : "2006.135.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Joel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Joel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "58.1 cm x 42.6 cm (22 7/8 in. x 16 3/4 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4809", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18540, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18540", "Disp_Access_No" : "2006.135.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Ezekiel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Ezekiel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "58 cm x 44.1 cm (22 13/16 in. x 17 3/8 in.)", "Disp_Height" : "58 cm", "Disp_Width" : "44.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "7547", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18808", "Disp_Access_No" : "2007.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "45.4 cm x 30.7 cm (17 7/8 in. x 12 1/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Formed among Michelangelo’s followers in Rome, Franco possessed the most disciplined and idealized drawing of any Venetian artist of the period. He was also the most prolific etcher in sixteenth-century Italy. Most of his prints include engraving and suggest the very regular appearance of works in that technique. This Saint Jerome is one of a number of late efforts that responded to painted examples––here, Titian––and employed etching alone to more varied and personal effect. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18890", "Disp_Access_No" : "2007.74", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ as the Good Shepherd", "Alt_Title" : "", "Obj_Title" : "Christ as the Good Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "28.5 cm x 19.8 cm (11 1/4 in. x 7 13/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18894", "Disp_Access_No" : "2007.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1516", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1516", "Disp_Title" : "The Sudarium Held by One Angel", "Alt_Title" : "", "Obj_Title" : "The Sudarium Held by One Angel", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "18.2 cm x 13.3 cm (7 3/16 in. x 5 1/4 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "13.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "An angel holds aloft the veil Veronica used to wipe Christ’s face on his way to Calvary and upon which his features were miraculously preserved. His unusual posture, the fluttering draperies, and the flashing light convey excited movement, therefore spiritual agitation. This print is one of Dürer’s six etchings. These are among the earliest examples of the technique, and the first in which its potential for individual, even eccentric expression was explored. This impression is distinguished by its printing before any corrosion of the plate and its especially rich inking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.78.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.78.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.78.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.78.tif", "IsPrimary" : "1", "_SurrogateID" : "4808", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19280", "Disp_Access_No" : "2008.133", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1515", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1520", "Disp_Title" : "Poetry, after Raphael", "Alt_Title" : "", "Obj_Title" : "Poetry, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "17.7 cm x 14.6 cm (6 15/16 in. x 5 3/4 in.)", "Disp_Height" : "17.7 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.133.tif", "IsPrimary" : "1", "_SurrogateID" : "6016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19281, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19281", "Disp_Access_No" : "2008.134", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-65", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Martyrdom of St. Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of St. Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Michele Greco, called Lucchese", "Sort_Artist" : "Lucchese, Michele Greco, called", "Disp_Dimen" : "42.1 cm x 32.8 cm (16 9/16 in. x 12 15/16 in.)", "Disp_Height" : "42.1 cm", "Disp_Width" : "32.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.134.tif", "IsPrimary" : "1", "_SurrogateID" : "4926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19282", "Disp_Access_No" : "2008.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called il Genovese", "Sort_Artist" : "Castello, called il Genovese, Giovanni Battista", "Disp_Dimen" : "24 cm x 18 cm (9 7/16 in. x 7 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Gouache heightened with gold on vellum", "Support" : "", "Disp_Medium" : "Gouache heightened with gold on vellum", "Info_Page_Comm" : "Castello was the last master of miniature painting in Italy. His specialty was the translation of famous works by other artists. Here the composition depends upon Dürer’s woodcut of the scene in his Life of the Virgin. With their meticulous attention to craft and their restrained style, such miniatures were very popular as luxurious objects of private devotion. Despite the limited scope of his art, Castello was the most successful artist in Genoa during the 1590s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.135.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.135.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.135.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.135.TIF", "IsPrimary" : "1", "_SurrogateID" : "4927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19532", "Disp_Access_No" : "2010.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "32.9 cm x 25.7 cm (12 15/16 in. x 10 1/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.40.tif", "IsPrimary" : "1", "_SurrogateID" : "8218", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19533", "Disp_Access_No" : "2010.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Fall of the Sinners, plate 8 from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Fall of the Sinners, plate 8 from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "31.5 cm x 29.9 cm (12 3/8 in. x 11 3/4 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.41.tif", "IsPrimary" : "1", "_SurrogateID" : "8219", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19538", "Disp_Access_No" : "2010.46", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sacrifice of Isaac (?)", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Isaac (?)", "Series_Title" : "", "Disp_Maker_1" : "Georg Lemberger (?)", "Sort_Artist" : "Lemberger (?), Georg", "Disp_Dimen" : "12.2 cm x 10.9 cm (4 13/16 in. x 4 5/16 in.)", "Disp_Height" : "12.2 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut on vellum", "Support" : "", "Disp_Medium" : "Woodcut on vellum", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.46.tif", "IsPrimary" : "1", "_SurrogateID" : "8164", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }