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"Curator" : "", "Images": [ ] },{ "embark_ID" : 21428, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21428", "Disp_Access_No" : "2016.215", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "La Asunción de la Virgen", "Alt_Title" : "", "Obj_Title" : "La Asunción de la Virgen", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "30 x 24 cm (11 13/16 x 9 7/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "24 cm", "Dimen_Extent" : "", "Medium" : "Oil on cedar panel", "Support" : "", "Disp_Medium" : "Oil on cedar panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Carolina Cisneros Phelps, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23226", "Disp_Access_No" : "2017.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "In Our Rememberance Is Our Resurrection", "Alt_Title" : "", "Obj_Title" : "In Our Rememberance In Our Resurrection", "Series_Title" : "", "Disp_Maker_1" : "Sister Karen Boccalero", "Sort_Artist" : "Boccalero, Sister Karen", "Disp_Dimen" : "86.8 x 56.4 cm (34 3/16 x 22 3/16 in.)", "Disp_Height" : "86.8 cm", "Disp_Width" : "56.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "This work, one of Sister Karen Boccalero’s rare prints, features abstracted motifs of an angelic figure, birds in flight, and tree branches. Although she was Italian American, Boccalero conceived Self Help Graphics to support the East L.A. Mexican American and Latinx neighborhood and particularly to connect local youth to artists and to their own Latinx heritage. An artist herself, Boccalero would sometimes participate creatively alongside Atelier members. Under her guidance and resourcefulness, Self Help grew to the institution it is today. Boccalero is remembered for her encouragement of artists to brainstorm and collaborate with one another and with their community. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.304.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.304.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.304.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.304.tif", "IsPrimary" : "1", "_SurrogateID" : "17137", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23238", "Disp_Access_No" : "2017.317", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Manifestations of Trinity", "Alt_Title" : "", "Obj_Title" : "Manifestations of Trinity", "Series_Title" : "", "Disp_Maker_1" : "Rudy Calderón", "Sort_Artist" : "Calderón, Rudy", "Disp_Dimen" : "95.6 x 66 cm (37 5/8 x 26 in.)", "Disp_Height" : "95.6 cm", "Disp_Width" : "66 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.317.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.317.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.317.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.317.tif", "IsPrimary" : "1", "_SurrogateID" : "20707", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23242", "Disp_Access_No" : "2017.319", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "La Virgen de los Pescados [The Virgin of the Fish]", "Alt_Title" : "", "Obj_Title" : "La Virgen de los Pescados [The Virgin of the Fish]", "Series_Title" : "", "Disp_Maker_1" : "Cristina Cárdenas", "Sort_Artist" : "Cárdenas, Cristina", "Disp_Dimen" : "111.8 x 76.4 cm (44 x 30 1/16 in.)", "Disp_Height" : "111.8 cm", "Disp_Width" : "76.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "A complex religious figure, "la Virgen" is a traditional female role model that embodies both purity and motherhood. She is simultaneously revered and reimagined by artists to fit contemporary notions of gender. Cristina Cárdenas maintains a relatively conventional depiction in "La Virgen de los Pescados", emphasizing the Virgin’s gold jewelry to match metallic highlights on her halo and the fish. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.319.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.319.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.319.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.319.tif", "IsPrimary" : "1", "_SurrogateID" : "17205", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23249", "Disp_Access_No" : "2017.329", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "El pueblo chicano con el pueblo centroamericano [The Chicano People with the Central American People]", "Alt_Title" : "", "Obj_Title" : "El pueblo chicano con el pueblo centroamericano [The Chicano People with the Central American People]", "Series_Title" : "", "Disp_Maker_1" : "Yreina D. Cervántez", "Sort_Artist" : "Cervántez, Yreina D.", "Disp_Dimen" : "97.1 x 63.4 cm (38 1/4 x 24 15/16 in.)", "Disp_Height" : "97.1 cm", "Disp_Width" : "63.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Many Chicanx artists draw from the rich visual reservoir of Mexico and Central American countries as a way of negotiating their lives and artistic practice in the United States and maintaining a link to their ancestral and community heritage. Yreina Cervántez’s print features well-known figures and motifs: Augusto César Sandino, Che Guevara, Quetzalcoatl, the Virgin of Guadalupe, and Indigenous people. Cervántez transforms these visual icons, lending them new meanings in the context of the struggle for social justice that took place in Central America during the 1980s. What seems at first like a dense collage reveals a clever logic: the viewer is positioned as if inside a car, looking out at a series of Chicanx murals painted along the freeway in support of the Nicaraguan Sandinista rebels fighting Anastasio Somoza’s dictatorial regime.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.329.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.329.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.329.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.329.tif", "IsPrimary" : "1", "_SurrogateID" : "17193", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23265", "Disp_Access_No" : "2017.345", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Virgen de la Sandía", "Alt_Title" : "", "Obj_Title" : "Virgen de la Sandía", "Series_Title" : "", "Disp_Maker_1" : "Margarita Cuaron", "Sort_Artist" : "Cuaron, Margarita", "Disp_Dimen" : "66.2 x 50.6 cm (26 1/16 x 19 15/16 in.)", "Disp_Height" : "66.2 cm", "Disp_Width" : "50.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.345.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.345.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.345.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.345.tif", "IsPrimary" : "1", "_SurrogateID" : "20731", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23278", "Disp_Access_No" : "2017.359", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "David and Delilah", "Alt_Title" : "", "Obj_Title" : "David and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Alex Donis", "Sort_Artist" : "Donis, Alex", "Disp_Dimen" : "102.1 x 71.5 cm (40 3/16 x 28 1/8 in.)", "Disp_Height" : "102.1 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; 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Romero takes a distinctive approach to the subject, incorporating elements of his hometown, such as the Langham building to the Virgin’s right and the monumental Pablo Picasso sculpture, Chicago, that she holds in her right hand.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.546-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.546-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.546-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.546-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19171", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23481", "Disp_Access_No" : "2017.558", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Angel Baby", "Alt_Title" : "", "Obj_Title" : "Angel Baby", "Series_Title" : "", "Disp_Maker_1" : "Teddy Sandoval", "Sort_Artist" : "Sandoval, Teddy", "Disp_Dimen" : "111.7 x 76.2 cm (44 x 30 in.)", "Disp_Height" : "111.7 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Working in a variety of media—including performance art under the drag persona Rosa de la Montaña—Teddy Sandoval employs symbols from his Mexican and Chicano background to address issues of sexual and ethnic identity. Largely ignored by galleries and museums in Los Angeles, he and other queer Latinx artists founded their own alternative art spaces and publications, such as the Butch Gardens School of Art—a Mail Art project named after a Latino gay bar in the neighborhood of Silver Lake—and the magazine "Homeboy Beautiful". In "Angel Baby", the hand of God confronts the Mesoamerican feathered serpent deity Quetzalcoatl, who is suspended above a winged boxer. The boxer, both hyper-masculine and angelic, bears a single teardrop tattoo and confronts the viewer with a soft, calm expression. Sandoval has presented this guardian angel as a boxer meant to protect against violence, AIDS, war, and discrimination of all kinds.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.558-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.558-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.558-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.558-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19138", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23504, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23504", "Disp_Access_No" : "2017.585", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "The Travel Back", "Alt_Title" : "", "Obj_Title" : "The Travel Back", "Series_Title" : "", "Disp_Maker_1" : "Arturo Urista", "Sort_Artist" : "Urista, Arturo", "Disp_Dimen" : "66.7 x 90.7 cm (26 1/4 x 35 11/16 in.)", "Disp_Height" : "66.7 cm", "Disp_Width" : "90.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23514", "Disp_Access_No" : "2017.593", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "The Dressing Table", "Alt_Title" : "", "Obj_Title" : "The Dressing Table", "Series_Title" : "", "Disp_Maker_1" : "Patssi Valdez", "Sort_Artist" : "Valdez, Patssi", "Disp_Dimen" : "95.5 x 63 cm (37 5/8 x 24 13/16 in.)", "Disp_Height" : "95.5 cm", "Disp_Width" : "63 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Typically seen as a feminine practice among Mexicans and Mexican Americans, altar making acts as a counterpoint to male-dominated ceremonies within Catholicism. For Valdez, the dressing table is a place to perform rituals: to dress, to pray, and to reflect.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.593-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.593-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.593-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.593-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19193", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23614", "Disp_Access_No" : "2017.447", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Espíritu De Olvera Street", "Alt_Title" : "", "Obj_Title" : "Espíritu De Olvera Street", "Series_Title" : "", "Disp_Maker_1" : "Léo Limón", "Sort_Artist" : "Limón, Léo", "Disp_Dimen" : "43.2 x 57.2 cm (17 x 22 1/2 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "57.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }