{ "objects" : [ { "embark_ID" : 16061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16061", "Disp_Access_No" : "2017.888", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1704", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1709", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "24 cm x 30.7 cm (9 7/16 in. x 12 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening over traces of black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Balestra was formed in the academic Baroque tradition of Carlo Maratta, but infused this drier, more formulaic style with the richer color, mobile light, and fluid handling of his own native Venetian tradition. In its sound organization but loose elaboration, this drawing suggests his synthesis. In subject, the central motif, and the artist’s development, it is closely related to a painting executed in 1704 for the church of San Zaccaria, Venice. 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The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 25.1999. Medallion hang or on either side of a door. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.890.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.890.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.890.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.890.tif", "IsPrimary" : "1", "_SurrogateID" : "2604", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16453", "Disp_Access_No" : "2017.891", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1703-1704", "_Disp_Start_Dat" : "1703", "_Disp_End_Date" : "1704", "Disp_Title" : "Saint Zeno Healing a Possessed Woman", "Alt_Title" : "", "Obj_Title" : "Saint Zeno Healing a Possessed Woman", "Series_Title" : "", "Disp_Maker_1" : "Antonio Balestra", "Sort_Artist" : "Balestra, Antonio", "Disp_Dimen" : "109.22 cm x 102.24 cm (43 in. x 40 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "102.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs to be cleaned. Pair with 24.1999. Medallion hang or on either side of a door (FC:jb 4/14/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.891.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.891.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.891.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.891.tif", "IsPrimary" : "1", "_SurrogateID" : "2606", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }