{ "objects" : [ { "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16012, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16012", "Disp_Access_No" : "2017.1011", "_AccNumSort1" : "", "Disp_Create_DT" : "1610s", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Parting of Abraham and Lot", "Alt_Title" : "", "Obj_Title" : "Parting of Abraham and Lot", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "20.9 cm x 30.7 cm (8 1/4 in. x 12 1/16 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1011.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1011.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1011.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1011.tif", "IsPrimary" : "1", "_SurrogateID" : "5209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }