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"Obj_Title" : "Pietà for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "35.5 cm x 20.4 cm (14 in. x 8 1/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By positioning the figures of the Virgin and Christ to echo the shape of the cross, this image accentuates the sacrificial connections of the crucifixion rather than the maternal connections of the traditional pietà scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"42.5 cm", "Disp_Width" : "54.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1721.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1721.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1721.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1721.tif", "IsPrimary" : "1", "_SurrogateID" : "5180", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13162", "Disp_Access_No" : "2002.1842", "_AccNumSort1" : "", "Disp_Create_DT" : "1530-1540", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1540", "Disp_Title" : "Pietà, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Pietà, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "23.1 cm x 20.4 cm (9 1/8 in. x 8 1/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1349.tif", "IsPrimary" : "1", "_SurrogateID" : "5714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15912", "Disp_Access_No" : "2017.1350", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Putti Bearing the Cross", "Alt_Title" : "", "Obj_Title" : "Putti Bearing the Cross", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Romano", "Sort_Artist" : "Romano, Circle of Giulio", "Disp_Dimen" : "14.92 cm x 33.02 cm (5 7/8 in. x 13 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1350.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1350.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1350.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1350.tif", "IsPrimary" : "1", "_SurrogateID" : "5713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16076", "Disp_Access_No" : "2017.1274", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-1527", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1527", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "24.4 cm x 18.8 cm (9 5/8 in. x 7 3/8 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "11065", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1274.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1274.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1274.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1274.tif", "IsPrimary" : "1", "_SurrogateID" : "3360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16145", "Disp_Access_No" : "2017.960", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Christ Nailed to the Cross", "Alt_Title" : "", "Obj_Title" : "Christ Nailed to the Cross", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "21 cm x 29.6 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash on antique laid paper", "Info_Page_Comm" : "This comes from a series of variations of the theme. They derive solely from the artist's imagination, not established iconography. From as far back as the Sibyls, Cambiaso has taken certain themes as an opportunity to express his virtuosity. At this last stage, with the cubic module reasserted and any material appeal suppressed, the virtuosity turned to invention alone, like a Jesuit's meditations on the life of Christ. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.960.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.960.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.960.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.960.tif", "IsPrimary" : "1", "_SurrogateID" : "2891", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }