{ "objects" : [ { "embark_ID" : 2432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2432", "Disp_Access_No" : "1998.393", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.6 cm x 8.8 cm (4 9/16 in. x 3 7/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.393.tif", "IsPrimary" : "1", "_SurrogateID" : "6043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2581", "Disp_Access_No" : "1997.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62 cm x 41.9 cm (24 7/16 in. x 16 1/2 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.314.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.314.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.314.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.314.tif", "IsPrimary" : "1", "_SurrogateID" : "5952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2605", "Disp_Access_No" : "2002.2581", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Boetius Adams Bolswert", "Sort_Artist" : "Bolswert, Boetius Adams", "Disp_Dimen" : "58.8 cm x 42.8 cm (23 1/8 in. x 16 7/8 in.)", "Disp_Height" : "58.8 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after a painting that Rubens created for the Franciscan Church in Antwerp. It is now in the Koninklijk Museum voor Schone Kunsten, Antwerp.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2581.tif", "IsPrimary" : "1", "_SurrogateID" : "5957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2607", "Disp_Access_No" : "1993.4.2/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "7.2 cm x 4.5 cm (2 13/16 in. x 1 3/4 in.)", "Disp_Height" : "7.2 cm", "Disp_Width" : "4.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.2-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.2-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.2-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.2-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2853", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "20.7 cm x 16.3 cm (8 1/8 in. x 6 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint on heavy Japanese paper", "Support" : "", "Disp_Medium" : "Etching and drypoint on heavy Japanese paper", "Info_Page_Comm" : "Iconographically unprecedented, this print combines a traditional Deposition with the Lamentation as it prefigures the Entombment. Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. With a second, later 17th-century printing on standard antique laid paper (acquired in 1961), it also forms the most telling comparison of impressions in the entire collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase in honor of Jonathan Bober's tenth anniversary as Curator of Prints and Drawings through the generosity of David Armstrong, Carolyn Bullard, Dr. and Mrs. Paul Burns, George and Jo Anne Christian, Marian Davis, Susan Garwood, M.K. Hage, Jr., Helen Lea, John A. Robertson, Helmut and Petra Rumbler, Susan Thomas, Elgin W. Ware, Jr., Gerturde Weber, Stephen and Julia Wilkinson, Dave and Reba Williams, an anonymous donor, and members of the Print Study Group1998*", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.72.tif", "IsPrimary" : "1", "_SurrogateID" : "1695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8269", "Disp_Access_No" : "2002.512", "_AccNumSort1" : "", "Disp_Create_DT" : "1618-1624", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1624", "Disp_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Alt_Title" : "", "Obj_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "9.6 cm x 20.9 cm (3 3/4 in. x 8 1/4 in.)", "Disp_Height" : "9.6 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.512.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.512.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.512.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.512.tif", "IsPrimary" : "1", "_SurrogateID" : "6061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11137", "Disp_Access_No" : "1988.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1600s", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1600", "Disp_Title" : "Deposition of Christ with the Three Maries", "Alt_Title" : "", "Obj_Title" : "Deposition of Christ with the Three Maries", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Maganza", "Sort_Artist" : "Maganza, Alessandro", "Disp_Dimen" : "23.3 cm (9 3/16 in.)", "Disp_Height" : "", "Disp_Width" : "23.3 cm", "Dimen_Extent" : "", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Alessandro Maganza was the first and most accomplished of a family of artists that dominated late sixteenth- and early seventeenth-century Vicenza. Their paintings generally offer a prosaic interpretation of Tintoretto’s dynamic design, dazzling illumination and broad execution. More distinctive and convincing, their drawings give an angular path a sharper edge to Veronese’s pen work. Recalling both Tintoretto and Veronese’s treatments of the Deposition, this sheet is a fine example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.13.tif", "IsPrimary" : "1", "_SurrogateID" : "6309", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. By 1600, Clement began to regulate printed works as well.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 12893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12893", "Disp_Access_No" : "2002.1408", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1624", "_Disp_Start_Dat" : "1614", "_Disp_End_Date" : "1623", "Disp_Title" : "Lamentation of Christ", "Alt_Title" : "", "Obj_Title" : "Lamentation of Christ", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "19.3 cm x 25.7 cm (7 5/8 in. x 10 1/8 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1408.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1408.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1408.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1408.tif", "IsPrimary" : "1", "_SurrogateID" : "3684", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1408.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1408.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1408.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1408.tif", "IsPrimary" : "0", "_SurrogateID" : "3687", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13101", "Disp_Access_No" : "2002.1719", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "The Crucifixion, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Philippe de Soye (Sytiens)", "Sort_Artist" : "Soye (Sytiens), Philippe de", "Disp_Dimen" : "54 cm x 37 cm (21 1/4 in. x 14 9/16 in.)", "Disp_Height" : "54 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1719.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1719.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1719.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1719.tif", "IsPrimary" : "1", "_SurrogateID" : "5203", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13127", "Disp_Access_No" : "2002.1770", "_AccNumSort1" : "", "Disp_Create_DT" : "1615", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1615", "Disp_Title" : "The Lamentation", "Alt_Title" : "", "Obj_Title" : "The Lamentation", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "23.6 cm x 22.2 cm (9 5/16 in. x 8 3/4 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1770.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1770.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1770.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1770.tif", "IsPrimary" : "1", "_SurrogateID" : "7037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16248, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16248", "Disp_Access_No" : "2017.1195", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "The Elevation of the Cross", "Alt_Title" : "", "Obj_Title" : "The Elevation of the Cross", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Raymond Lafage", "Sort_Artist" : "Lafage, Attributed to Raymond", "Disp_Dimen" : "38.74 cm x 27.31 cm (15 1/4 in. x 10 3/4 in.)", "Disp_Height" : "38.74 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink on laid paper mounted to another sheet", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink on laid paper mounted to another sheet", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1195.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1195.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1195.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1195.tif", "IsPrimary" : "1", "_SurrogateID" : "4276", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16397", "Disp_Access_No" : "2017.1341", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1694-1697", "_Disp_Start_Dat" : "1694", "_Disp_End_Date" : "1697", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "71.12 cm x 39.37 cm (28 in. x 15 1/2 in.)", "Disp_Height" : "71.12 cm", "Disp_Width" : "39.37 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting had long been attributed to the extravagant Genoese painter Alessandro Magnasco, whose Mythological Scene with Ruins is also in the Blanton's collections. Conservation treatment in 2005 revealed drawing that is firmer, light that is sharper, and a palette that is more varied than in Magnasco’s works. Between 1694 and 1697 Sebastiano Ricci was engaged in major projects in and around Milan. His influence upon Magnasco, long active inthe Lombard capital, is evident in many works and well known. This painting, on the other hand, represents the reciprocal but less recognized response of Ricci to the highly eccentric and deforming style of the Genoese master.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Very dark, difficult to read. Medallion hang possibility. (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1341.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1341.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1341.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1341.tif", "IsPrimary" : "1", "_SurrogateID" : "8861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16464, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16464", "Disp_Access_No" : "2017.1059", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1623", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1628", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Daniele Crespi", "Sort_Artist" : "Crespi, Daniele", "Disp_Dimen" : "127 cm x 97.8 cm (50 in. x 38 1/2 in.)", "Disp_Height" : "127 cm", "Disp_Width" : "97.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Had Crespi enjoyed a longer career, and were his works not largely confined to Lombardy, he would be widely known as a master of the first order. He was without doubt the finest painter of the second generation of Baroque painting in Milan. In his paintings the willful deformation and neurotic intensity of the first generation are subjected to a more disciplined design and a more rhetorical expression, which he gathered from contemporary Florentine painters as well as from the emerging school of Bologna. The resulting style is highly original in its staging, admirable in its action, and convincing in its feeling. This picture demonstrates Crespi’s rapid development toward a style of absolute coherence and exceptional theatricality. The composition is related to Caravaggio’s painting of the same subject, and the dramatic chiaroscuro generally reflects Crespi’s intensifying naturalism. The design, with bold rhythms and strong drawing, is conditioned by Florentine interpretations of early Baroque style. And both the palette and striking differentiation of paint handling—compare the rendering of Christ’s tremulous flesh with that of Pilate’s splendid sleeve—are freshly informed by Rubens’s example. But by now these elements have been thoroughly synthesized and reconciled with a persistently Milanese subjectivity. This, Crespi’s mature style, is at once rich in narration, declamatory in form, and charged in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1059.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1059.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1059.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1059.tif", "IsPrimary" : "1", "_SurrogateID" : "2739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19528", "Disp_Access_No" : "2010.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Entombment, after Guido Reni, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Entombment, after Guido Reni, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "28.8 cm x 20.8 cm (11 5/16 in. x 8 3/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.35.tif", "IsPrimary" : "1", "_SurrogateID" : "7889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }