{ "objects" : [ { "embark_ID" : 3477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3477", "Disp_Access_No" : "2002.612", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "The Disciples at the Tomb, after Tintoretto ", "Alt_Title" : "", "Obj_Title" : "The Disciples at the Tomb, after Tintoretto ", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.612.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.612.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.612.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.612.tif", "IsPrimary" : "1", "_SurrogateID" : "8375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10969", "Disp_Access_No" : "P1963.4.168/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Dra", "Alt_Title" : "", "Obj_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.168-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.168-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.168-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.168-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6588", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "1997.135", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18 century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Alt_Title" : "", "Obj_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Guillaume Allabre", "Sort_Artist" : "Allabre, Attributed to Guillaume", "Disp_Dimen" : "50.3 cm x 40.8 cm (19 13/16 in. x 16 1/16 in.)", "Disp_Height" : "50.3 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "The oldest and most enduring kind of printmaking was associated with pilgrimage sites and offered visitors inexpensive devotional images as souvenirs. Distinctive to Chartres, one of the major destinations in France, in the late 18th century was a school of woodcut that combined the simple design and bold cutting of popular prints with the large scale and elaborate flourish of loftier genres. In this combination, and the generation of new aesthetic meaning out of formal and sociological transgression, these prints also prefigure an important pursuit of the Romantics and the later avant garde. They are, however, very rare and largely unrecognized. This is an especially fine and well preserved example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.135.tif", "IsPrimary" : "1", "_SurrogateID" : "4788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15954", "Disp_Access_No" : "2017.1247", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ with the Crown of Thorns", "Series_Title" : "", "Disp_Maker_1" : "Francesco de Mura", "Sort_Artist" : "Mura, Francesco de", "Disp_Dimen" : "17.78 cm x 15.24 cm (7 in. x 6 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "15.24 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "On copper, could go in display case. (Case of great coppers in collection?) Condition issues, conservation: needs cleaning. 2+ if cleaned. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1247.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1247.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1247.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1247.tif", "IsPrimary" : "1", "_SurrogateID" : "4842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16496, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16496", "Disp_Access_No" : "2017.812", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Allegory of the Deposition", "Alt_Title" : "", "Obj_Title" : "An Allegory of the Deposition", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "22.54 cm x 22.54 cm (8 7/8 in. x 8 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "22.54 cm", "Dimen_Extent" : "Sheet", "Medium" : "Gray and brown wash", "Support" : "", "Disp_Medium" : "Gray and brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.812.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.812.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.812.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.812.tif", "IsPrimary" : "1", "_SurrogateID" : "3337", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19200", "Disp_Access_No" : "2008.126", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1771", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1770", "Disp_Title" : "The Entombment, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Entombment, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Andrea Scacciati II", "Sort_Artist" : "Scacciati II, Andrea", "Disp_Dimen" : "44 cm x 31.6 cm (17 5/16 in. x 12 7/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with burnished aquatint and roulette, printed in green", "Support" : "", "Disp_Medium" : "Etching with burnished aquatint and roulette, printed in green", "Info_Page_Comm" : "This plate reproduces the lower part of an altarpiece, now in the National Gallery of Scotland, that Tintoretto created for the church of San Francesco della Vigna in Venice. It comes from a collection of etchings after important sixteenth-century Venetian paintings. Apart from this series, Scacciati’s activity is poorly documented and little known. Nonetheless, his use of aquatint is remarkable for the very early date—the technique had been invented in France just a few years earlier—and for the fluency with which it is employed to suggest painterly effects.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Faith and Dewayne Perry, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21382", "Disp_Access_No" : "2016.234", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "Via Crucis. VII Esatción: Jesús por segunda vez", "Alt_Title" : "", "Obj_Title" : "Via Crucis. VII Esatción: Jesús por segunda vez", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "40 x 37 cm (15 9/16 x 14 9/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Milan R. Hughston, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 21413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21413", "Disp_Access_No" : "2016.236", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "San Luis Gonzaga", "Alt_Title" : "", "Obj_Title" : "San Luis Gonzaga", "Series_Title" : "", "Disp_Maker_1" : "Juan Pedro López", "Sort_Artist" : "López, Juan Pedro", "Disp_Dimen" : "42 x 28 cm (16 5/16 x 11 in.)", "Disp_Height" : "42 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Patricia Phelps de Cisneros in honor of Sebastian Cisneros-Santiago, 2016", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }