{ "objects" : [ { "embark_ID" : 2581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2581", "Disp_Access_No" : "1997.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62 cm x 41.9 cm (24 7/16 in. x 16 1/2 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.314.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.314.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.314.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.314.tif", "IsPrimary" : "1", "_SurrogateID" : "5952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2605", "Disp_Access_No" : "2002.2581", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Boetius Adams Bolswert", "Sort_Artist" : "Bolswert, Boetius Adams", "Disp_Dimen" : "58.8 cm x 42.8 cm (23 1/8 in. x 16 7/8 in.)", "Disp_Height" : "58.8 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after a painting that Rubens created for the Franciscan Church in Antwerp. It is now in the Koninklijk Museum voor Schone Kunsten, Antwerp.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2581.tif", "IsPrimary" : "1", "_SurrogateID" : "5957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }