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1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.833.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.833.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.833.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.833.TIF", "IsPrimary" : "1", "_SurrogateID" : "5657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2373", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Pietà", "Alt_Title" : "", "Obj_Title" : "Pietà", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "20.73 cm x 14.6 cm (8 3/16 in. x 5 3/4 in.)", "Disp_Height" : "20.73 cm", "Disp_Width" : "14.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The pietà was a common theme in religious art during the 1500s. In this print, the Virgin is praying while she weeps. The cross upon which Christ was crucified stands in the background as a reminder of the sacrifice that Christ made for mankind and that the Virgin made by giving up her son.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.56.tif", "IsPrimary" : "1", "_SurrogateID" : "7196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2432", "Disp_Access_No" : "1998.393", "_AccNumSort1" : "", "Disp_Create_DT" : "1611", "_Disp_Start_Dat" : "1611", "_Disp_End_Date" : "1611", "Disp_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Alt_Title" : "", "Obj_Title" : "La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.6 cm x 8.8 cm (4 9/16 in. x 3 7/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.393.tif", "IsPrimary" : "1", "_SurrogateID" : "6043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2581", "Disp_Access_No" : "1997.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Paulus Pontius", "Sort_Artist" : "Pontius, Paulus", "Disp_Dimen" : "62 cm x 41.9 cm (24 7/16 in. x 16 1/2 in.)", "Disp_Height" : "62 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.314.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.314.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.314.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.314.tif", "IsPrimary" : "1", "_SurrogateID" : "5952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2605", "Disp_Access_No" : "2002.2581", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Boetius Adams Bolswert", "Sort_Artist" : "Bolswert, Boetius Adams", "Disp_Dimen" : "58.8 cm x 42.8 cm (23 1/8 in. x 16 7/8 in.)", "Disp_Height" : "58.8 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after a painting that Rubens created for the Franciscan Church in Antwerp. It is now in the Koninklijk Museum voor Schone Kunsten, Antwerp.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2581.tif", "IsPrimary" : "1", "_SurrogateID" : "5957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2607", "Disp_Access_No" : "1993.4.2/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Les Petits Apôtres [The Little Apostles]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "7.2 cm x 4.5 cm (2 13/16 in. x 1 3/4 in.)", "Disp_Height" : "7.2 cm", "Disp_Width" : "4.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.4.2-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.4.2-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.4.2-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.4.2-16.tif", "IsPrimary" : "1", "_SurrogateID" : "7466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2853", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "20.7 cm x 16.3 cm (8 1/8 in. x 6 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint on heavy Japanese paper", "Support" : "", "Disp_Medium" : "Etching and drypoint on heavy Japanese paper", "Info_Page_Comm" : "Iconographically unprecedented, this print combines a traditional Deposition with the Lamentation as it prefigures the Entombment. Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. With a second, later 17th-century printing on standard antique laid paper (acquired in 1961), it also forms the most telling comparison of impressions in the entire collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase in honor of Jonathan Bober's tenth anniversary as Curator of Prints and Drawings through the generosity of David Armstrong, Carolyn Bullard, Dr. and Mrs. Paul Burns, George and Jo Anne Christian, Marian Davis, Susan Garwood, M.K. Hage, Jr., Helen Lea, John A. Robertson, Helmut and Petra Rumbler, Susan Thomas, Elgin W. Ware, Jr., Gerturde Weber, Stephen and Julia Wilkinson, Dave and Reba Williams, an anonymous donor, and members of the Print Study Group1998*", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.72.tif", "IsPrimary" : "1", "_SurrogateID" : "1695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3477", "Disp_Access_No" : "2002.612", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "The Disciples at the Tomb, after Tintoretto ", "Alt_Title" : "", "Obj_Title" : "The Disciples at the Tomb, after Tintoretto ", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.612.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.612.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.612.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.612.tif", "IsPrimary" : "1", "_SurrogateID" : "8375", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8269", "Disp_Access_No" : "2002.512", "_AccNumSort1" : "", "Disp_Create_DT" : "1618-1624", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1624", "Disp_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Alt_Title" : "", "Obj_Title" : "Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "9.6 cm x 20.9 cm (3 3/4 in. x 8 1/4 in.)", "Disp_Height" : "9.6 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.512.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.512.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.512.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.512.tif", "IsPrimary" : "1", "_SurrogateID" : "6061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10922", "Disp_Access_No" : "1990.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "48.2 cm x 34 cm (19 in. x 13 3/8 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5290", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10969", "Disp_Access_No" : "P1963.4.168/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Dra", "Alt_Title" : "", "Obj_Title" : "Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Gaspard Duchange", "Sort_Artist" : "Duchange, Gaspard", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.168-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.168-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.168-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.168-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6588", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous German (Bamberg and Regensburg)", "Sort_Artist" : "Anonymous German (Bamberg and Regensburg)", "Disp_Dimen" : "37.2 cm x 23.4 cm (14 5/8 in. x 9 3/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Info_Page_Comm" : "This, the central image of the Christian faith, commonly appeared before the Canon of the Mass in medieval manuscript missals, the books containing all that is said or sung at mass during the entire year. As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11088, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11088", "Disp_Access_No" : "1990.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543-circa 1547", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1547", "Disp_Title" : "Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jean Mignon", "Sort_Artist" : "Mignon, Circle of Jean", "Disp_Dimen" : "32.6 cm x 28.7 cm (12 13/16 in. x 11 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. Marian B. Davis, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.13.tif", "IsPrimary" : "1", "_SurrogateID" : "7003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11811", "Disp_Access_No" : "1997.135", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18 century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Alt_Title" : "", "Obj_Title" : "Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Guillaume Allabre", "Sort_Artist" : "Allabre, Attributed to Guillaume", "Disp_Dimen" : "50.3 cm x 40.8 cm (19 13/16 in. x 16 1/16 in.)", "Disp_Height" : "50.3 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "The oldest and most enduring kind of printmaking was associated with pilgrimage sites and offered visitors inexpensive devotional images as souvenirs. Distinctive to Chartres, one of the major destinations in France, in the late 18th century was a school of woodcut that combined the simple design and bold cutting of popular prints with the large scale and elaborate flourish of loftier genres. In this combination, and the generation of new aesthetic meaning out of formal and sociological transgression, these prints also prefigure an important pursuit of the Romantics and the later avant garde. They are, however, very rare and largely unrecognized. This is an especially fine and well preserved example. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.135.tif", "IsPrimary" : "1", "_SurrogateID" : "4788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11903", "Disp_Access_No" : "2002.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "33 cm x 24.3 cm (13 in. x 9 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11952", "Disp_Access_No" : "2002.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "The Crucifixion, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "30.5 cm x 22 cm (12 in. x 8 11/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.130.tif", "IsPrimary" : "1", "_SurrogateID" : "6564", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. 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"_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "29 cm x 18 cm (11 7/16 in. x 7 1/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Disp_Create_DT" : "1615", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1615", "Disp_Title" : "The Lamentation", "Alt_Title" : "", "Obj_Title" : "The Lamentation", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "23.6 cm x 22.2 cm (9 5/16 in. x 8 3/4 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1770.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1770.tif", 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Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1842.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1842.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1842.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1842.tif", "IsPrimary" : "1", "_SurrogateID" : "7040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17664, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17664", "Disp_Access_No" : "2005.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.3 cm x 50.1 cm (17 1/16 in. x 19 3/4 in.)", "Disp_Height" : "43.3 cm", "Disp_Width" : "50.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.157.tif", "IsPrimary" : "1", "_SurrogateID" : "4240", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17665, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17665", "Disp_Access_No" : "2005.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "La Passion", "Alt_Title" : "", "Obj_Title" : "La Passion", "Series_Title" : "", "Disp_Maker_1" : "Emile Bernard", "Sort_Artist" : "Bernard, Emile", "Disp_Dimen" : "43.4 cm x 55 cm (17 1/16 in. x 21 5/8 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with hand coloring", "Support" : "", "Disp_Medium" : "Pen lithograph with hand coloring", "Info_Page_Comm" : "While some artists and intellectuals rejected organized religion in general, and Catholicism in particular, others looked to the early Church as a period of genuine spirituality. Bernard was one of these neo-Catholics and his print returns to the linear, flat, static, iconic style characteristic of medieval art and evokes the tradition of hand-colored woodcut prints made for popular devotion in the fifteenth century. The artist attempts to recapture the innocence of an earlier time in the deliberately crude depiction of the Crucifixion.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.158.tif", "IsPrimary" : "1", "_SurrogateID" : "4241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19506", "Disp_Access_No" : "2010.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Title Page for Imitation de Jesus-Christ", "Alt_Title" : "", "Obj_Title" : "Title Page for Imitation de Jesus-Christ", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "19.8 cm x 14.2 cm (7 13/16 in. x 5 9/16 in.)", "Disp_Height" : "19.8 cm", "Disp_Width" : "14.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Chromolithograph", "Support" : "", "Disp_Medium" : "Chromolithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.13.tif", "IsPrimary" : "1", "_SurrogateID" : "8812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19200", "Disp_Access_No" : "2008.126", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1771", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1770", "Disp_Title" : "The Entombment, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Entombment, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Andrea Scacciati II", "Sort_Artist" : "Scacciati II, Andrea", "Disp_Dimen" : "44 cm x 31.6 cm (17 5/16 in. x 12 7/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with burnished aquatint and roulette, printed in green", "Support" : "", "Disp_Medium" : "Etching with burnished aquatint and roulette, printed in green", "Info_Page_Comm" : "This plate reproduces the lower part of an altarpiece, now in the National Gallery of Scotland, that Tintoretto created for the church of San Francesco della Vigna in Venice. It comes from a collection of etchings after important sixteenth-century Venetian paintings. Apart from this series, Scacciati’s activity is poorly documented and little known. Nonetheless, his use of aquatint is remarkable for the very early date—the technique had been invented in France just a few years earlier—and for the fluency with which it is employed to suggest painterly effects.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Faith and Dewayne Perry, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5353", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19528", "Disp_Access_No" : "2010.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Entombment, after Guido Reni, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Entombment, after Guido Reni, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "28.8 cm x 20.8 cm (11 5/16 in. x 8 3/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.35.tif", "IsPrimary" : "1", "_SurrogateID" : "7889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }