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During the 1970s and ’80s, advances in Mesoamerican scholarship facilitated Chicanx artists’ access to the art and culture of the Ancient Americas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.285-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.285-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.285-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.285-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19184", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23205", "Disp_Access_No" : "2017.286", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1978", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1983", "Disp_Title" : "[Dia De Los Muertos Poster]", "Alt_Title" : "", "Obj_Title" : "[Dia De Los Muertos Poster] ", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Self-Help Graphics", "Sort_Artist" : "Anonymous Self-Help Graphics", "Disp_Dimen" : "101.8 x 67.6 cm (40 1/16 x 26 5/8 in.)", "Disp_Height" : "101.8 cm", "Disp_Width" : "67.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.286.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.286.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.286.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.286.tif", "IsPrimary" : "1", "_SurrogateID" : "20753", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23217", "Disp_Access_No" : "2017.299", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Imágenes de la frontera: El coyote [Images of the Border: The Coyote]", "Alt_Title" : "", "Obj_Title" : "Imágenes de la frontera: El coyote [Images of the Border: The Coyote]", "Series_Title" : "", "Disp_Maker_1" : "Vicente Bautista", "Sort_Artist" : "Bautista, Vicente", "Disp_Dimen" : "50.9 x 71.4 cm (20 1/16 x 28 1/8 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "71.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "This print refers to the economic system that has arisen in response to border crossings. The U.S.-Mexico border is an obstacle for many Mexican and Central American undocumented migrants and refugees who move north in search of a peaceful life free from dictatorial regimes and civil wars. "Coyote" is the term used for the human smugglers who lead vulnerable migrants on the treacherous journey, often charging hefty fees. In Vicente Bautista’s print, the coyote’s American flag tongue and the dollar bills in his front pocket symbolize the possible high cost of improperly entering the U.S.: both the resources required to hire a human smuggler and the capital then needed to reside in the country. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.299.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.299.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.299.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.299.tif", "IsPrimary" : "1", "_SurrogateID" : "16911", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23232, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23232", "Disp_Access_No" : "2017.311", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Long Life to the Creative Force", "Alt_Title" : "", "Obj_Title" : "Long Life to the Creative Force", "Series_Title" : "", "Disp_Maker_1" : "David Botello", "Sort_Artist" : "Botello, David", "Disp_Dimen" : "65 x 97.4 cm (25 9/16 x 38 3/8 in.)", "Disp_Height" : "65 cm", "Disp_Width" : "97.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "Along with Wayne Healy, David Botello co-founded the East Los Streetscapers, an art collective that produced murals throughout Southern California. The painterly style he has applied to murals is also visible in his approach to printmaking. In ancient Mesoamerica, Botello finds a philosophical lesson: an elder achieves a peaceful status by balancing the creative force and sense of chaos that the plumed serpent Quetzalcoatl represents. Summarizing the message of the print, Botello has asserted, “We must remain in balance, rest and soothe our hearts, not succumb to desires around us.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.311.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.311.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.311.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.311.tif", "IsPrimary" : "1", "_SurrogateID" : "17163", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23237", "Disp_Access_No" : "2017.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Manto A Tamayo", "Alt_Title" : "", "Obj_Title" : "Manto A Tamayo", "Series_Title" : "", "Disp_Maker_1" : "Alfredo Calderón", "Sort_Artist" : "Calderón, Alfredo", "Disp_Dimen" : "111.9 x 76.4 cm (44 1/16 x 30 1/16 in.)", "Disp_Height" : "111.9 cm", "Disp_Width" : "76.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.315.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.315.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.315.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.315.tif", "IsPrimary" : "1", "_SurrogateID" : "20705", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23241", "Disp_Access_No" : "2017.320", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Mari Cardenas", "Sort_Artist" : "Cardenas, Mari", "Disp_Dimen" : "86.7 x 56.4 cm (34 1/8 x 22 3/16 in.)", "Disp_Height" : "86.7 cm", "Disp_Width" : "56.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.320.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.320.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.320.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.320.tif", "IsPrimary" : "1", "_SurrogateID" : "20711", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23242", "Disp_Access_No" : "2017.319", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "La Virgen de los Pescados [The Virgin of the Fish]", "Alt_Title" : "", "Obj_Title" : "La Virgen de los Pescados [The Virgin of the Fish]", "Series_Title" : "", "Disp_Maker_1" : "Cristina Cárdenas", "Sort_Artist" : "Cárdenas, Cristina", "Disp_Dimen" : "111.8 x 76.4 cm (44 x 30 1/16 in.)", "Disp_Height" : "111.8 cm", "Disp_Width" : "76.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "A complex religious figure, "la Virgen" is a traditional female role model that embodies both purity and motherhood. She is simultaneously revered and reimagined by artists to fit contemporary notions of gender. Cristina Cárdenas maintains a relatively conventional depiction in "La Virgen de los Pescados", emphasizing the Virgin’s gold jewelry to match metallic highlights on her halo and the fish. 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The prints, sponsored by Self Help Graphics and co-published by Galería Sin Fronteras, were produced at Taller Romero in Mexico City by printer Renato Esquivel Romero. According to Cárdenas, this series pays “homage to the perseverance and dignity of the new Latino immigrants as they struggle with the transition into American society.” He has also said that they are a reminder of “the role that immigration plays in enriching the economic vitality of our society and the contributions that the immigrants and their children will have in making American society a better community for tomorrow—a community ‘sin fronteras.’” Each of the five selected artists presents a distinctive take on politics, immigration, and the border. In his work Léo Limőn exposes political corruption on both sides of the border. His works illustrate voter suppression and government-supported exploitation on behalf of the agricultural and oil industries. In "La U.S.A. and the three diablos", he represented the Mexican government as a demonic monster, cozied up next to the PRI, the Institutional Revolutionary Party that held power from 1929 to 2000, and Pemex, the state-owned petroleum company. An equally monstrous personification of the United States is visible waiting for laborers to run across the river.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.605.6-sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.605.6-sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.605.6-sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.605.6-sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19146", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23391", "Disp_Access_No" : "2017.463", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "La Curandera", "Alt_Title" : "", "Obj_Title" : "La Curandera", "Series_Title" : "", "Disp_Maker_1" : "Gloria Longval", "Sort_Artist" : "Longval, Gloria", "Disp_Dimen" : "66.1 x 50.9 cm (26 x 20 1/16 in.)", "Disp_Height" : "66.1 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23392", "Disp_Access_No" : "2017.464", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Genesis Woman", "Alt_Title" : "", "Obj_Title" : "Genesis Woman", "Series_Title" : "", "Disp_Maker_1" : "Alma Lopez", "Sort_Artist" : "Lopez, Alma", "Disp_Dimen" : "66.3 x 50.8 cm (26 1/8 x 20 in.)", "Disp_Height" : "66.3 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23396", "Disp_Access_No" : "2017.468", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Koo Koo Roo", "Alt_Title" : "", "Obj_Title" : "Koo Koo Roo", "Series_Title" : "", "Disp_Maker_1" : "Daniel Lucas", "Sort_Artist" : "Lucas, Daniel", "Disp_Dimen" : "40.3 x 55.6 cm (15 7/8 x 21 7/8 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "55.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 23398, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23398", "Disp_Access_No" : "2017.469", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Cruising Turtle Island", "Alt_Title" : "", "Obj_Title" : "Cruising Turtle Island", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Luján", "Sort_Artist" : "Luján, Gilbert", "Disp_Dimen" : "63.5 x 97.3 cm (25 x 38 5/16 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "97.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "In "Cruising Turtle Island", Gilbert Luján—a member of Los Four, a foundational art collective in Los Angeles—explores the concept of Aztlán, the ancestral home of the Aztecs and the spiritual home of the Chicanx community. Many Indigenous groups in North America believed the world was suspended on the back of a mythic turtle. Activists defending Indigenous rights began calling the Americas “Turtle Island.” Luján imagines this place as an enclave with Mesoamerican-style temples in the shape of howling dogs and an ancient warrior driving a low-rider car crowned by Quetzalcoatl, the feathered serpent god.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.469-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.469-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.469-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.469-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19187", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23403, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23403", "Disp_Access_No" : "2017.474", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Lost Childhood", "Alt_Title" : "", "Obj_Title" : "Lost Childhood", "Series_Title" : "", "Disp_Maker_1" : "Ralph Maradiaga", "Sort_Artist" : "Maradiaga, Ralph", "Disp_Dimen" : "71.1 x 91.4 cm (28 x 36 in.)", "Disp_Height" : "71.1 cm", "Disp_Width" : "91.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.474-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.474-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.474-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.474-Sheet.tif", "IsPrimary" : "1", "_SurrogateID" : "19175", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23409", "Disp_Access_No" : "2017.480", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "In Memory of César Chávez [En memoria de César Chávez]", "Alt_Title" : "", "Obj_Title" : "In Memory of César Chávez [En memoria de César Chávez]", "Series_Title" : "", "Disp_Maker_1" : "Paul Martínez", "Sort_Artist" : "Martínez, Paul", "Disp_Dimen" : "48.7 x 66.2 cm (19 3/16 x 26 1/16 in.)", "Disp_Height" : "48.7 cm", "Disp_Width" : "66.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Gilberto Cárdenas, 2017", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.480-Crop.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.480-Crop.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.480-Crop.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.480-Crop.jpg", "IsPrimary" : "1", "_SurrogateID" : "22663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.480-sheet.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.480-sheet.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.480-sheet.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.480-sheet.jpg", "IsPrimary" : "0", "_SurrogateID" : "22664", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23448", "Disp_Access_No" : "2017.473", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Experimental Screenprint Atelier IV", "Alt_Title" : "", "Obj_Title" : "Experimental Screenprint Atelier IV", "Series_Title" : "", "Disp_Maker_1" : "Ralph Maradiaga, Lorraine Garcia-Nakata, Linda Vallejo, Willie F. 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The Atelier continues to this day, now with occasional themed exhibitions that highlight the experimental and diverse vision of new generations of artists. 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