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Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.140.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.140.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.140.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.140.tif", "IsPrimary" : "1", "_SurrogateID" : "4876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8663, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8663", "Disp_Access_No" : "1998.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1797-1799", "_Disp_Start_Dat" : "1797", "_Disp_End_Date" : "1799", "Disp_Title" : "De que mal morira? 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In addition to the printed titles, a manuscript in the Prado Museum purportedly written by Goya elucidates the meaning of individual prints. The imagery of the Caprichos is rich with references, from established iconography to folk literature, songs, and sayings. But the series is above all original in the modern sense: the product of an individual and unfettered imagination. The Caprichos are also the first great demonstration of the expressive possibilities of aquatint, which had previously been used for reproducing the appearance of drawings. First published in 1799 they along with the Tauromaquia were the only series released during the artist’s lifetime. Retaining the plates, the Royal Academy in Madrid issued eleven more editions between 1855 and 1937, making the Caprichos the most widely circulated and best known of Goya’s prints. A decrepit witch teaches a nubile one the art of flight and, implicitly, the sexuality associated with their kind. Observed and drawn with sensitivity, this plate is one of the most conventionally beautiful and sympathetic in the Caprichos. Goya comments, “The broom is one of the most necessary implements for witches; for besides being great sweepers, as the stories tell, they may be able to change the broom into a fast mule and go with it where the Devil cannot reach them.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1427.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1427.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1427.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1427.tif", "IsPrimary" : "1", "_SurrogateID" : "4917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12996", "Disp_Access_No" : "2002.1531", "_AccNumSort1" : "", "Disp_Create_DT" : "1835", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1835", "Disp_Title" : "Pacages du Limousin [Pastures in Limousin]", "Alt_Title" : "", "Obj_Title" : "Pacages du Limousin [Pastures in Limousin]", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "17.4 cm x 22.7 cm (6 7/8 in. x 8 15/16 in.)", "Disp_Height" : "17.4 cm", "Disp_Width" : "22.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1531.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1531.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1531.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1531.tif", "IsPrimary" : "1", "_SurrogateID" : "5422", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12998", "Disp_Access_No" : "2002.1533", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Vue prise en angleterre [View Taken in England]", "Alt_Title" : "", "Obj_Title" : "Vue prise en angleterre [View Taken in England]", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "21.4 cm x 28 cm (8 7/16 in. x 11 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "28 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Much influenced by Turner, Bonington, and Constable, whom he met in England, Dupré saw in nature a synchronicity between the eternal and the transitory – a theme that was later expanded by Charles Baudelaire and became the mantra of modernists. Like Constable, Dupré was interested in changing weather conditions and the shifting quality of light, but he was equally impressed by nature’s majesty and regarded trees as a mystical connection between earth and heaven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1533.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1533.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1533.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1533.tif", "IsPrimary" : "1", "_SurrogateID" : "5423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13107, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13107", "Disp_Access_No" : "2002.1732", "_AccNumSort1" : "", "Disp_Create_DT" : "1795", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1795", "Disp_Title" : "Tityos, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Tityos, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "24.8 cm x 35.1 cm (9 3/4 in. x 13 13/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "35.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Stipple engraving in brown ink", "Support" : "", "Disp_Medium" : "Stipple engraving in brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1732.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1732.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1732.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1732.tif", "IsPrimary" : "1", "_SurrogateID" : "4941", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13226", "Disp_Access_No" : "2002.1938", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "L'oiseau mort [The Dead Bird], after Jean-Baptiste Greuze", "Alt_Title" : "", "Obj_Title" : "L'oiseau mort [The Dead Bird], after Jean-Baptiste Greuze", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques Flipart", "Sort_Artist" : "Flipart, Jean-Jacques", "Disp_Dimen" : "38.9 cm x 29.2 cm (15 5/16 in. x 11 1/2 in.)", "Disp_Height" : "38.9 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1938.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1938.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1938.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1938.tif", "IsPrimary" : "1", "_SurrogateID" : "4673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13227", "Disp_Access_No" : "2002.1939", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Alt_Title" : "", "Obj_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Series_Title" : "", "Disp_Maker_1" : "Louis Binet", "Sort_Artist" : "Binet, Louis", "Disp_Dimen" : "32.3 cm x 42 cm (12 11/16 in. x 16 9/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Greuze maintained a stable of printmakers to interpret and market his designs. A pupil of Beauvarlet, one of his favorite engravers, Binet was a late participant. Le ménage captures the bold design and moralizing concern of a highly finished drawing that has been lost. An unrecorded proof, this impression is exceptionally strong but precedes an inscription underscoring the meaning: "These good folks carry everything with them.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1939.tif", "IsPrimary" : "1", "_SurrogateID" : "1873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13668", "Disp_Access_No" : "2002.2585", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1707-1709", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1709", "Disp_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean Audran", "Sort_Artist" : "Audran, Jean", "Disp_Dimen" : "50.6 cm x 34.5 cm (19 15/16 in. x 13 9/16 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This is one print from a series of 24 engravings after the designs of the Nattier brothers. The engravings are after a series of paintings by Rubens from 1622-1623 commissioned by Maria de'Medici, depicting allegorical scenes representing different episodes from her life. The paintings originally hung in a gallery in the Palais du Luxembourg and are now in the Musée du Louvre in Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2585.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2585.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2585.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2585.tif", "IsPrimary" : "1", "_SurrogateID" : "5942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14852", "Disp_Access_No" : "1985.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1740s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "63.5 cm x 76.2 cm (25 in. x 30 in.)", "Disp_Height" : "63.5 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Frost Brothers Benefit and Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not in play Could be next to Anton Kern because it uses the same pigments and color values; in great condition (FC:jb 4/6/15) Ranking changed, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1319", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16563", "Disp_Access_No" : "2002.2814", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "The Quacks", "Alt_Title" : "", "Obj_Title" : "The Quacks", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "25 cm x 35.2 cm (9 13/16 in. x 13 7/8 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2814.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2814.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2814.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2814.tif", "IsPrimary" : "1", "_SurrogateID" : "9062", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16625, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16625", "Disp_Access_No" : "2002.2844", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "The Cockpit", "Alt_Title" : "", "Obj_Title" : "The Cockpit", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "41 cm x 55.7 cm (16 1/8 in. x 21 15/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2844.tif", "IsPrimary" : "1", "_SurrogateID" : "4152", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16576", "Disp_Access_No" : "2002.2827", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "29.3 cm x 43.9 cm (11 9/16 in. x 17 5/16 in.)", "Disp_Height" : "29.3 cm", "Disp_Width" : "43.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "The Liber Veritatis [Book of Truth] is an album of drawings Claude Lorrain (1604-1682) created to document his own paintings and combat the already prevalent forgeries of his work. In England in the 1770s, printmaker Earlom reproduced the Liber Veritatis as a series of mezzotints, approximating the quality of light and variegated tones and textures of the master’s drawings. The publication and distribution of the French artist’s designs proved seminal to the British landscape school.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Agnes and William J. Crowley, Jr., 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "1", "_SurrogateID" : "4542", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2827.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2827.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2827.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2827.tif", "IsPrimary" : "0", "_SurrogateID" : "4562", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19518", "Disp_Access_No" : "2010.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Two Mules, after Karel Dujardin", "Alt_Title" : "", "Obj_Title" : "The Two Mules, after Karel Dujardin", "Series_Title" : "", "Disp_Maker_1" : "Johannes Janson", "Sort_Artist" : "Janson, Johannes", "Disp_Dimen" : "22.8 cm x 16.4 cm (9 in. x 6 7/16 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "16.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Softground etching", "Support" : "", "Disp_Medium" : "Softground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.25.tif", "IsPrimary" : "1", "_SurrogateID" : "7888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15899, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15899", "Disp_Access_No" : "2017.1406", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1724", "_Disp_Start_Dat" : "1719", "_Disp_End_Date" : "1729", "Disp_Title" : "Leda and the Swan", "Alt_Title" : "", "Obj_Title" : "Leda and the Swan", "Series_Title" : "", "Disp_Maker_1" : "Paul Troger", "Sort_Artist" : "Troger, Paul", "Disp_Dimen" : "13 cm x 19 cm (5 1/8 in. x 7 1/2 in.)", "Disp_Height" : "13 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over traces of black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over traces of black chalk on cream paper", "Info_Page_Comm" : "This study was probably executed in Rome during Troger’s longest sojourn in Italy (1722-26). Like many of his drawings, it was probably a pure graphic exercise. Elegant and fluent, such pen work is characteristic of the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1406.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1406.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1406.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1406.tif", "IsPrimary" : "1", "_SurrogateID" : "5677", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15922", "Disp_Access_No" : "2017.1063", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1695-1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1700", "Disp_Title" : "Sleeping Shepherdess Teased by a Boy", "Alt_Title" : "", "Obj_Title" : "Sleeping Shepherdess Teased by a Boy", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Maria Crespi", "Sort_Artist" : "Crespi, Giuseppe Maria", "Disp_Dimen" : "15.88 cm x 22.86 cm (6 1/4 in. x 9 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "Giuseppe Maria Crespi’s paintings are characterized by the masterful treatment of light achieved by free brushwork and sophisticated use of colors, which he learned from Venetian art. This luminous quality is most apparent in his small paintings on copper executed for private patrons. On the smooth surface, the painter’s virtuoso strokes create intimate and charming images that glisten against dark backgrounds. The depiction of contemporary life was a passion for Crespi throughout his career. These three small paintings of shepherdesses represent bucolic reveries, without specific literary sources attached to them. The works are meant to evoke a poetic mood rather than to communicate a message.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could pair with other Crespi(s). Louis Waldman thinks this is charming. (FC:jb 5/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1063.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1063.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1063.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1063.tif", "IsPrimary" : "1", "_SurrogateID" : "2595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15931", "Disp_Access_No" : "2017.1298", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1740s-1750s", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1750", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Marie Pierre", "Sort_Artist" : "Pierre, Jean-Baptiste-Marie", "Disp_Dimen" : "16.1 cm x 21.6 cm (6 5/16 in. x 8 1/2 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink and gray wash on paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink and gray wash on paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1298.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1298.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1298.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1298.tif", "IsPrimary" : "1", "_SurrogateID" : "4279", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15958", "Disp_Access_No" : "2017.1066", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1700", "_Disp_Start_Dat" : "1695", "_Disp_End_Date" : "1705", "Disp_Title" : "Family of Darius before Alexander the Great", "Alt_Title" : "", "Obj_Title" : "Family of Darius before Alexander the Great", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "18.2 cm x 24.2 cm (7 3/16 in. x 9 1/2 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "24.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper, laid down", "Info_Page_Comm" : "Reacting against the formulae of late Baroque painting, Creti attempted to return classicism to its first principles, in the art of Guido Reni. The result of this idiosyncratic conservatism, seen to advantage in the Collection’s Lady with a String of Pearls, is an extreme refinement of form and color, a suppression of affect, and a precarious beauty. The same ideality and relationship to Bolognese tradition are evident in Creti’s drawings. Mostly in pen-and-ink, they are admirable in structure and fluency, but unnatural, rather abstract, in their regularity and ellipses. An especially sure and synthetic study of a full composition, the present drawing is probably an alternative design for one of the frescoes of the life of Alexander the Great painted for the Duke of Novellara around 1700, but long lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1066.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1066.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1066.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1066.tif", "IsPrimary" : "1", "_SurrogateID" : "5773", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16000, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16000", "Disp_Access_No" : "2017.810", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Tavern Scene with Dogs in Human Guises", "Alt_Title" : "", "Obj_Title" : "A Tavern Scene with Dogs in Human Guises", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "20.32 cm x 32.39 cm (8 in. x 12 3/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "32.39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and grey ink over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and grey ink over traces of black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.810.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.810.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.810.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.810.tif", "IsPrimary" : "1", "_SurrogateID" : "3300", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16025", "Disp_Access_No" : "2017.1438", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1778-79", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Alt_Title" : "", "Obj_Title" : "Portraits of the Donors of the Monastery of Zábrdovice", "Series_Title" : "", "Disp_Maker_1" : "Joseph Johann Winterhalter", "Sort_Artist" : "Winterhalter, Joseph Johann", "Disp_Dimen" : "22.2 cm x 35.2 cm (8 3/4 in. x 13 7/8 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "35.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Info_Page_Comm" : "Winterhalter was active in south Moravia, a frequent collaborator of Maulbertsch, and one of the last major figures in the Central European tradition of grand decoration. This is a preparatory study for an illusionistic fresco of the founders of the Premonstratensian Monastery at Zabrdovice (Czech Republic). His only signed and dated drawing, it reveals Winterhalter’s debt to Maulbertsch in the broad description, mobile light and iridescent color. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1438.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1438.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1438.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1438.tif", "IsPrimary" : "1", "_SurrogateID" : "2673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16044", "Disp_Access_No" : "2017.1408", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Ignaz Unterberger", "Sort_Artist" : "Unterberger, Ignaz", "Disp_Dimen" : "22.86 cm x 34.29 cm (9 in. x 13 1/2 in.)", "Disp_Height" : "22.86 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk (recto), and black chalk (verso)", "Support" : "", "Disp_Medium" : "Black and red chalk (recto), and black chalk (verso)", "Info_Page_Comm" : "The two sides of this sheet, a second drawingin the Blanton's collection, and two more drawings in the Albertina, Vienna, are all slightly varying studies for the same composition. While no corresponding project has been identified, this meticulous graphic process is characteristic of the artist. Moreover, the very sweet types and gentle tenor of the subject recall that during a long period in Rome (1770-76), Unterberger specialized in copying Old Masters and in imitating Correggio with particular success. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1408.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1408.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1408.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1408.tif", "IsPrimary" : "1", "_SurrogateID" : "7787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16047", "Disp_Access_No" : "2017.1122", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1775-1799", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1799", "Disp_Title" : "A Roman Vault with a Cow Herd", "Alt_Title" : "", "Obj_Title" : "A Roman Vault with a Cow Herd", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Circle of Jean-Honoré", "Disp_Dimen" : "23.1 cm x 36.3 cm (9 1/8 in. x 14 5/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "36.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash, heightened with white on laid paper, laid down on card", "Support" : "", "Disp_Medium" : "Brown wash, heightened with white on laid paper, laid down on card", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1122.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1122.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1122.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1122.tif", "IsPrimary" : "1", "_SurrogateID" : "4272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16048", "Disp_Access_No" : "2017.1245", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return of Moses", "Alt_Title" : "", "Obj_Title" : "The Return of Moses", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco de Mura", "Sort_Artist" : "Mura, Attributed to Francesco de", "Disp_Dimen" : "23.18 cm x 44.45 cm (9 1/8 in. x 17 1/2 in.)", "Disp_Height" : "23.18 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash", "Support" : "", "Disp_Medium" : "Black chalk, gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1245.tif", "IsPrimary" : "1", "_SurrogateID" : "5880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16063", "Disp_Access_No" : "2017.1250", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1730s", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1735", "Disp_Title" : "Neptune and Amphitrite", "Alt_Title" : "", "Obj_Title" : "Neptune and Amphitrite", "Series_Title" : "", "Disp_Maker_1" : "Charles-Joseph Natoire", "Sort_Artist" : "Natoire, Charles-Joseph", "Disp_Dimen" : "23.9 cm x 37 cm (9 7/16 in. x 14 9/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and brown wash and white heightening on blue paper", "Support" : "", "Disp_Medium" : "Black chalk with brush and brown wash and white heightening on blue laid paper", "Info_Page_Comm" : "Like Boucher a pupil of François Lemoyne, and later a friendly rival, Natoire developed only modestly beyond his master’s style, inflecting it toward the Italians of the High Baroque, Pietro da Cortona in particular, and evolving a handsome decorative manner. This is one of two highly finished and signed drawings by Natoire in the Collection, both drawn at the beginning of his Roman period and intended for presentation. Despite some oxidation of its heightening, the drawing is extraordinarily well preserved.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1250.tif", "IsPrimary" : "1", "_SurrogateID" : "2630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16077", "Disp_Access_No" : "2017.1065", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Europa", "Alt_Title" : "", "Obj_Title" : "The Rape of Europa", "Series_Title" : "", "Disp_Maker_1" : "Circle of Donato Creti", "Sort_Artist" : "Creti, Circle of Donato", "Disp_Dimen" : "24.77 cm x 33.02 cm (9 3/4 in. x 13 in.)", "Disp_Height" : "24.77 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil in grisaille on canvas", "Support" : "", "Disp_Medium" : "Oil in grisaille on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1065.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1065.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1065.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1065.TIF", "IsPrimary" : "1", "_SurrogateID" : "10655", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16153", "Disp_Access_No" : "2017.1123", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Alt_Title" : "The Battle of Maxentius, after Peter Paul Rubens", "Obj_Title" : "The Reconciliation of the Romans and Sabines, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "29.21 cm x 43.82 cm (11 1/2 in. x 17 1/4 in.)", "Disp_Height" : "29.21 cm", "Disp_Width" : "43.82 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Support" : "", "Disp_Medium" : "Brown wash and black chalk on antique laid paper, the corners cropped on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1123.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1123.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1123.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1123.tif", "IsPrimary" : "1", "_SurrogateID" : "4271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16160", "Disp_Access_No" : "2017.1134", "_AccNumSort1" : "", "Disp_Create_DT" : "1760-65", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Design for a Door Handle with a Ship’s Prow", "Alt_Title" : "", "Obj_Title" : "Design for a Door Handle with a Ship’s Prow", "Series_Title" : "", "Disp_Maker_1" : "Ubaldo Gandolfi", "Sort_Artist" : "Gandolfi, Ubaldo", "Disp_Dimen" : "29.4 cm x 20.4 cm (11 9/16 in. x 8 1/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and two dilutions of wash over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1134.tif", "IsPrimary" : "1", "_SurrogateID" : "5788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16188, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16188", "Disp_Access_No" : "2017.1160", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "The Arms of a Girl Holding a Bird", "Alt_Title" : "", "Obj_Title" : "The Arms of a Girl Holding a Bird", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Greuze", "Sort_Artist" : "Greuze, Jean-Baptiste", "Disp_Dimen" : "31.9 cm x 27.3 cm (12 9/16 in. x 10 3/4 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk on cream laid paper", "Support" : "", "Disp_Medium" : "Red chalk on cream laid paper", "Info_Page_Comm" : "Greuze was the most important French painter of mid century. Frustrated as a history painter, acute as a portraitist, he was famed for his genre works of psychological astuteness, theatrical staging, and moralizing lesson. He was also the most systematic and enterprising about graphic processes of any artist of his time both in the preparation of his paintings and in the satisfaction of the huge demand for his art through reproductive engravings. Exceptionally focused and incisive red chalk studies of faces and hands comprise a special and large category of his drawings. These reflect an intensive, practically phrenological study of the expression of emotion and in turn the plotting of its translation into more developed drawings and paint. Although it has not been connected with another work, the present drawing is typical.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1160.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1160.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1160.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1160.tif", "IsPrimary" : "1", "_SurrogateID" : "2615", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16205", "Disp_Access_No" : "2017.1400", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1770s", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Storyteller", "Alt_Title" : "", "Obj_Title" : "The Storyteller", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "33.8 cm x 57.1 cm (13 5/16 in. x 22 1/2 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Standing on a chair before a crowd in a piazza, a storyteller points to a portable image that helps illustrate his story. The baroque guitar on his back and the triangle in his female assistant's hand suggest that their performance also involved music. Not everyone is absorbed in his story, however. The young lady in a bright orange dress turns her head to respond to the man in a mask, whose suspicious intentions seem to have been noticed by the wary dog in the foreground. The diverse gestures, facial expressions, and colorful attire of the audience offer a glimpse of a popular carnival activity in eighteenth-century Venice. The low viewpoint and the long horizontal format help the viewer to witness the event at the eye level of the depicted figures, which adds to the sense of reality of the painted scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Problematic but keeping in (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1400.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1400.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1400.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1400.tif", "IsPrimary" : "1", "_SurrogateID" : "2661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16210, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16210", "Disp_Access_No" : "2017.1283", "_AccNumSort1" : "", "Disp_Create_DT" : "1717", "_Disp_Start_Dat" : "1717", "_Disp_End_Date" : "1717", "Disp_Title" : "Justice Fulminating the Vices", "Alt_Title" : "", "Obj_Title" : "Justice Fulminating the Vices", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Pellegrini", "Sort_Artist" : "Pellegrini, Giovanni Antonio", "Disp_Dimen" : "34.6 cm x 32.3 cm (13 5/8 in. x 12 11/16 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Giovanni Antonio Pellegrini represents eighteenth-century Venetian painting at its most exuberant. He was first trained in Milan with the idiosyncratic Paolo Pagani, but his style depends more on the sensuous and decorative aspects of Sebastiano Ricci. Pellegrini’s drawing is broad and soft, his palette warm and pastel, and his paint handling dense and fluid. Defying gravity, bordering on the caricatural, this painterly virtuosity was a tremendous success across Europe, with the artist called to execute significant fresco cycles and numerous canvases in England, France, and Germany. During a year-long sojourn in Antwerp, Pellegrini carried out three major decorative projects. This painting is an unpublished oil sketch for one of these, a much-admired canvas for the ceiling of the Salle du Petit Collège in the city’s town hall. Appropriate to that setting, it represents the figures of Justice and Prudence crushing two male figures identifiable as Avarice and Deceit. Phosphorescent in color, practically sculpted in paint, this sketch dramatizes the material properties for which Pellegrini was so highly regarded. These properties are conspicuous in the wake of a recent cleaning and relining of the canvas. The Suida-Manning Collection includes two other paintings by Pellegrini: a comparably rich, half-length figure of Bellona from around 1713–1714, and a more summary Venus and Cupid, which may have come from a decorative ensemble. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Frame takes away from object Impressive brushwork Strong contrast between light and dark (FC:jb 4/6/15) Possible medallion hang with two Pellegrinis in middle, with this lower (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1283.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1283.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1283.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1283.tif", "IsPrimary" : "1", "_SurrogateID" : "2634", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16235, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16235", "Disp_Access_No" : "2017.1119", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Groom Leading a Horse with Three Figures", "Alt_Title" : "", "Obj_Title" : "Groom Leading a Horse with Three Figures", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fontebasso", "Sort_Artist" : "Fontebasso, Francesco", "Disp_Dimen" : "37.9 cm x 26.4 cm (14 15/16 in. x 10 3/8 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1119.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1119.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1119.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1119.tif", "IsPrimary" : "1", "_SurrogateID" : "5885", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16266", "Disp_Access_No" : "2017.827", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1780", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1785", "Disp_Title" : "Noah Leading the Animals into the Ark, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "Noah Leading the Animals into the Ark, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "39.69 cm x 55.25 cm (15 5/8 in. x 21 3/4 in.)", "Disp_Height" : "39.69 cm", "Disp_Width" : "55.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush with colored oils on antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush with colored oils on antique laid paper, laid down", "Info_Page_Comm" : "This is a copy of an oil sketch by Castiglione that is today in a New York private collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Castiglione drawing that served as a model for this sheet is currently in the National Gallery of Art in Washington, DC as is another copy by François Vincent. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/274.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/274.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/274.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/274.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16278", "Disp_Access_No" : "2017.1451", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760s", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Apollo, Mercury, and the Arts", "Alt_Title" : "", "Obj_Title" : "Apollo, Mercury, and the Arts", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "41.2 cm x 28.8 cm (16 1/4 in. x 11 5/16 in.)", "Disp_Height" : "41.2 cm", "Disp_Width" : "28.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique laid", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over graphite on cream antique...", "Info_Page_Comm" : "A follower and frequent collaborator of Giovanni Battista Tiepolo, Zugno was active across the Veneto in a style distinguished from that of his mentor by slacker design, a sweet palette, and a precious touch. Also responsive to pro-gressive French painting, this style can be seen in the Collection’s Young Noble Couple Playing Cards. From its subject, format, and foreshortening, it is clear that this drawing prepared the design of a ceiling decoration. The attenuated rhythms of the composition, the rounding contours of its figures, their scalloped modeling, and the generally refined handling are at once gentle deductions from Tiepolo’s pen-and-wash manner of the 1740s and precise equivalents of Zugno’s own habits in painting. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1451.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1451.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1451.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1451.tif", "IsPrimary" : "1", "_SurrogateID" : "5907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16312", "Disp_Access_No" : "2017.1005", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Pastoral Scene", "Alt_Title" : "", "Obj_Title" : "A Pastoral Scene", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "45.72 cm x 58.42 cm (18 in. x 23 in.)", "Disp_Height" : "45.72 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Support" : "", "Disp_Medium" : "Black chalk, brown wash, white heightening and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1005.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1005.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1005.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1005.tif", "IsPrimary" : "1", "_SurrogateID" : "5897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16324", "Disp_Access_No" : "2017.838", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "47.5 cm x 40.2 cm (18 11/16 in. x 15 13/16 in.)", "Disp_Height" : "47.5 cm", "Disp_Width" : "40.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Spanish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs work. 2 for condition, 2+ composition. Would be nice in oil sketch room. Also requires more research. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.838.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.838.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.838.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.838.TIF", "IsPrimary" : "1", "_SurrogateID" : "10638", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16363, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16363", "Disp_Access_No" : "2017.1321", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "The Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "The Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Francesco Polazzo", "Sort_Artist" : "Polazzo, Attributed to Francesco", "Disp_Dimen" : "56.52 cm x 34.29 cm (22 1/4 in. x 13 1/2 in.)", "Disp_Height" : "56.52 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: needs cleaning. 2+ when cleaned (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1321.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1321.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1321.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1321.tif", "IsPrimary" : "1", "_SurrogateID" : "10570", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16365", "Disp_Access_No" : "2017.1340", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1720", "_Disp_Start_Dat" : "1715", "_Disp_End_Date" : "1725", "Disp_Title" : "Return of the Prodigal Son", "Alt_Title" : "", "Obj_Title" : "Return of the Prodigal Son", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano Ricci", "Sort_Artist" : "Ricci, Sebastiano", "Disp_Dimen" : "57 cm x 50.8 cm (22 7/16 in. x 20 in.)", "Disp_Height" : "57 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a parable (Luke 15:11-32) Christ told of the younger son of a rich man who demanded his share of the patrimony, squandered it, and found himself in misery. Repenting, he returned to his father, who welcomed him back, telling the older brother, “to celebrate and rejoice, because this brother of yours was dead and has come to life; he was lost and has been found." Combining a critique of attachment to material well-being, with an affirmation of forgiveness and an allusion to eternal life, the culminating scene was a frequent subject of Baroque painting. This interpretation is a splendid example of Ricci’s mature style. The returning son kneels upon the threshold while the father extends open arms. While its small scale and rich touch might suggest a preparatory study, its compositional equilibration and regular finish indicate a completed work. Newly evident and impressive following conservation in 2001 are the clear tonality revived from Veronese, the pronounced chiaroscuro inspired by contemporary Bolognese painters, and the dramatic sweep despite its size. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition is very good Some aspects could be painted better (knee and right leg not very successful) Back of woman holding baby looks flat Architectural details are nice The way the figures are rendered is a problem Strong greens (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1340.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1340.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1340.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1340.tif", "IsPrimary" : "1", "_SurrogateID" : "2646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16378, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16378", "Disp_Access_No" : "2017.1453", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750-1755", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1755", "Disp_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Alt_Title" : "", "Obj_Title" : "Young Noble Couple Playing Cards on a Terrace with Attendants", "Series_Title" : "", "Disp_Maker_1" : "Francesco Zugno", "Sort_Artist" : "Zugno, Francesco", "Disp_Dimen" : "61.6 cm x 75.57 cm (24 1/4 in. x 29 3/4 in.)", "Disp_Height" : "61.6 cm", "Disp_Width" : "75.57 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Zugno was one of the closest and best followers of Giovanni Battista Tiepolo. His first training was with Sebastiano Ricci, but completely determining of his style was his long collaboration with the elder Tiepolo. Although his juvenile works have often been confused with the master’s, Zugno’s mature style is readily distinguished by its more delicate description, soft contour, and sweet color. Not just due to temper, this gentle and elegant manner probably reflects some knowledge of the school of Watteau. This lovely picture renders a young couple playing cards under the supervision of an older couple – her guardians? – and with the service of two pages. In such a context, the game serves as a metaphor for courtship. Formally, the picture depends upon Tiepolo’s style of the late 1740s and 1750s. In composition it may be compared with Tiepolo’s Banquet of Cleopatra in Moscow (1747), while in figural rhythm and lightening palette it recalls his frescoes of Henry III in Paris (1750) and canvases of Rinaldo and Armida in Chicago (1755). At just this time, 1754, Zugno was executing a History of Cleopatra in fresco for the Villa Soderini at Nervesa (practically destroyed in the Second World War), and would have been consulting the master’s recent history paintings closely. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1453.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1453.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1453.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1453.tif", "IsPrimary" : "1", "_SurrogateID" : "2676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16381", "Disp_Access_No" : "2017.1214", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasants by a Well", "Alt_Title" : "", "Obj_Title" : "Peasants by a Well", "Series_Title" : "", "Disp_Maker_1" : "Pietro Longhi", "Sort_Artist" : "Longhi, Pietro", "Disp_Dimen" : "62.2 cm x 49.7 cm (24 1/2 in. x 19 9/16 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1214.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1214.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1214.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1214.TIF", "IsPrimary" : "1", "_SurrogateID" : "10397", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16402", "Disp_Access_No" : "2017.1006", "_AccNumSort1" : "", "Disp_Create_DT" : "1760s", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Figures Fleeing a Fire", "Alt_Title" : "", "Obj_Title" : "Figures Fleeing a Fire", "Series_Title" : "", "Disp_Maker_1" : "Francesco Casanova", "Sort_Artist" : "Casanova, Francesco", "Disp_Dimen" : "72.2 cm x 91.5 cm (28 7/16 in. x 36 in.)", "Disp_Height" : "72.2 cm", "Disp_Width" : "91.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Alistair Laing commented on 10-19-07 that the execution seems too impasto for Casanova and that the painting could be by Loutherbourg.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : " ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1006.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1006.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1006.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1006.tif", "IsPrimary" : "1", "_SurrogateID" : "3423", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16459", "Disp_Access_No" : "2017.905", "_AccNumSort1" : "", "Disp_Create_DT" : "1730s", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "Portrait of a Lady with a Dog", "Alt_Title" : "", "Obj_Title" : "Portrait of a Lady with a Dog", "Series_Title" : "", "Disp_Maker_1" : "Marco Benefial", "Sort_Artist" : "Benefial, Marco", "Disp_Dimen" : "115.5 cm x 86 cm (45 1/2 in. x 33 7/8 in.)", "Disp_Height" : "115.5 cm", "Disp_Width" : "86 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Needs status Conservation issues: disintegration of pigment Similar to the Carriera (FC:jb 4/6/15) Status provisional; based on conversation with FC (JP 4/30/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.905.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.905.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.905.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.905.tif", "IsPrimary" : "1", "_SurrogateID" : "10691", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16472, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16472", "Disp_Access_No" : "2017.1071", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Aurora", "Alt_Title" : "", "Obj_Title" : "Aurora", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Crosato", "Sort_Artist" : "Crosato, Attributed to Giovanni Battista", "Disp_Dimen" : "27.1 cm x 36.4 cm (10 11/16 in. x 14 5/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "36.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not good enough to be in Venetian group (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1071.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1071.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1071.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1071.tif", "IsPrimary" : "1", "_SurrogateID" : "2599", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16778", "Disp_Access_No" : "2003.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1786", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1791", "Disp_Title" : "The Injured Count,,S-", "Alt_Title" : "", "Obj_Title" : "The Injured Count,,S-", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "28.2 cm x 42.5 cm (11 1/8 in. x 16 3/4 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and softground etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching and softground etching with hand-coloring", "Info_Page_Comm" : "Because of their subject matter, several of Gillray’s prints, including this one, were not in circulation; these “suppressed plates” were published in a separate volume circa 1850. Mary Eleanor Bowes is pictured drinking with her servants, suckling her precious cats and neglecting her crying children while her footman beacons her to bed. Her cruel and adulterous husband, Andrew Stoney-Bowes, on the far left of the image, examines a map of his wife’s estates. His behavior drove his wife to petition for divorce, something that was rarely granted to woman at this time. In order to hinder her success, he launched a smear campaign against her; her husband probably funded the production of this particularly slanderous print for this purpose. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19517, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19517", "Disp_Access_No" : "2010.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Two Mules, after Karel Dujardin", "Alt_Title" : "", "Obj_Title" : "The Two Mules, after Karel Dujardin", "Series_Title" : "", "Disp_Maker_1" : "Johannes Janson", "Sort_Artist" : "Janson, Johannes", "Disp_Dimen" : "21.4 cm x 16.9 cm (8 7/16 in. x 6 5/8 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Softground etching", "Support" : "", "Disp_Medium" : "Softground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.24.tif", "IsPrimary" : "1", "_SurrogateID" : "7887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19516, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19516", "Disp_Access_No" : "2010.23", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Two Mules, after Karel Dujardin", "Alt_Title" : "", "Obj_Title" : "The Two Mules, after Karel Dujardin", "Series_Title" : "", "Disp_Maker_1" : "Johannes Janson", "Sort_Artist" : "Janson, Johannes", "Disp_Dimen" : "21.4 cm x 16.5 cm (8 7/16 in. x 6 1/2 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Softground etching", "Support" : "", "Disp_Medium" : "Softground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.23.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.23.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.23.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.23.tif", "IsPrimary" : "1", "_SurrogateID" : "7886", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19511", "Disp_Access_No" : "2010.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1740", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Herd Being Driven Through an Arch", "Alt_Title" : "", "Obj_Title" : "The Herd Being Driven Through an Arch", "Series_Title" : "", "Disp_Maker_1" : "Christian Wilhelm Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian Wilhelm Ernst", "Disp_Dimen" : "18.6 cm x 27 cm (7 5/16 in. x 10 5/8 in.)", "Disp_Height" : "18.6 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.18.tif", "IsPrimary" : "1", "_SurrogateID" : "8151", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17706", "Disp_Access_No" : "2004.205", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Diana and Actaeon, after Filippo Lauri", "Alt_Title" : "", "Obj_Title" : "Diana and Actaeon, after Filippo Lauri", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "48.8 cm x 64.9 cm (19 3/16 in. x 25 9/16 in.)", "Disp_Height" : "48.8 cm", "Disp_Width" : "64.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.205.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.205.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.205.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.205.TIF", "IsPrimary" : "1", "_SurrogateID" : "9931", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17714, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17714", "Disp_Access_No" : "2004.213", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Alt_Title" : "", "Obj_Title" : "Macbeth Meeting the Witches, after Francesco Zuccarelli", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "45.1 cm x 55.7 cm (17 3/4 in. x 21 15/16 in.)", "Disp_Height" : "45.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. T. Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.213.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.213.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.213.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.213.TIF", "IsPrimary" : "1", "_SurrogateID" : "9860", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17721", "Disp_Access_No" : "2004.220", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Shooting, plate II from a Set of Four Sporting Subjects, after George Stubbs", "Alt_Title" : "", "Obj_Title" : "Shooting, plate II from a Set of Four Sporting Subjects, after George Stubbs", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "42.4 cm x 53.7 cm (16 11/16 in. x 21 1/8 in.)", "Disp_Height" : "42.4 cm", "Disp_Width" : "53.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of David C. 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Woollett, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.220.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.220.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.220.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.220.TIF", "IsPrimary" : "1", "_SurrogateID" : "9862", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19510, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19510", "Disp_Access_No" : "2010.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1740", "_Disp_Start_Dat" : "1740", "_Disp_End_Date" : "1740", "Disp_Title" : "The Herd Being Driven Through an Arch", "Alt_Title" : "", "Obj_Title" : "The Herd Being Driven Through an Arch", "Series_Title" : "", "Disp_Maker_1" : "Christian Wilhelm Ernst Dietrich", "Sort_Artist" : "Dietrich, Christian Wilhelm Ernst", "Disp_Dimen" : "19.5 cm x 27.6 cm (7 11/16 in. x 10 7/8 in.)", "Disp_Height" : "19.5 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.17.tif", "IsPrimary" : "1", "_SurrogateID" : "8150", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18924", "Disp_Access_No" : "2007.87", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Saint Agnes Holding a Lamb with a Putto", "Alt_Title" : "", "Obj_Title" : "Saint Agnes Holding a Lamb with a Putto", "Series_Title" : "", "Disp_Maker_1" : "Ignaz Unterberger", "Sort_Artist" : "Unterberger, Ignaz", "Disp_Dimen" : "15.45 cm x 22 cm (6 1/16 in. x 8 11/16 in.)", "Disp_Height" : "15.45 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk on cream antique laid paper", "Info_Page_Comm" : "This sheet, a second drawingin the Blanton's collection, and two more drawings in the Albertina, Vienna, are all slightly varying studies for the same composition. 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In this print, Prime Minister William Pitt commands the elements to destroy crops, specifically beer-brewing crops such as malt and hops, causing shortages and higher prices. 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