{ "objects" : [ { "embark_ID" : 6238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6238", "Disp_Access_No" : "1980.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Loriseo, Pears, Pomegranate, and Song Birds", "Alt_Title" : "", "Obj_Title" : "Loriseo, Pears, Pomegranate, and Song Birds", "Series_Title" : "", "Disp_Maker_1" : "Nicolás García Uriburu", "Sort_Artist" : "García Uriburu, Nicolás", "Disp_Dimen" : "40 cm x 31 cm (15 3/4 in. x 12 3/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink", "Support" : "", "Disp_Medium" : "Ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "All", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.93.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.93.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.93.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.93.tif", "IsPrimary" : "1", "_SurrogateID" : "3150", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6302", "Disp_Access_No" : "1982.935", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Serie: Pájaros de America [Birds of America]", "Alt_Title" : "Series: Birds of America", "Obj_Title" : "Serie: Pájaros de America [Birds of America]", "Series_Title" : "", "Disp_Maker_1" : "Vicente Forte", "Sort_Artist" : "Forte, Vicente", "Disp_Dimen" : "55 cm x 74 cm (21 5/8 in. x 29 1/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "74 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 6318, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6318", "Disp_Access_No" : "1982.934", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Pájaro de fuego [Fire Bird]", "Alt_Title" : "", "Obj_Title" : "Pájaro de fuego [Fire Bird]", "Series_Title" : "", "Disp_Maker_1" : "Vicente Forte", "Sort_Artist" : "Forte, Vicente", "Disp_Dimen" : "40.35 cm x 56.2 cm (15 7/8 in. x 22 1/8 in.)", "Disp_Height" : "40.35 cm", "Disp_Width" : "56.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 7325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7325", "Disp_Access_No" : "1994.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Proyecto para un guramí a cuerda 1 [Project for a Clockwork Gurami 1]", "Alt_Title" : "", "Obj_Title" : "Proyecto para un guramí a cuerda 1 [Project for a Clockwork Gurami 1]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "44.8 cm x 69.5 cm (17 5/8 in. x 27 3/8 in.)", "Disp_Height" : "44.8 cm", "Disp_Width" : "69.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pencil and watercolor on paper", "Support" : "", "Disp_Medium" : "Pencil and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.91.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.91.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.91.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.91.tif", "IsPrimary" : "1", "_SurrogateID" : "3871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7332", "Disp_Access_No" : "1986.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Proyecto para un pez a reacción 2 [Project for a Jet-Propelled Fish 2]", "Alt_Title" : "", "Obj_Title" : "Proyecto para un pez a reacción 2 [Project for a Jet-Propelled Fish 2]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "45 cm x 69.9 cm (17 11/16 in. x 27 1/2 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "69.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pencil and watercolor on paper", "Support" : "", "Disp_Medium" : "Pencil and watercolor on paper", "Info_Page_Comm" : "Luis Fernando Benedit, who trained and still practices as an architect, in the 1970s produced a large series of technical drawings, many of them prototypes for mechanized animals such as the jet-propelled fish shown here. Like many Conceptual artists in Argentina at this time, Benedit was interested in systems of information and communication. He was particularly interested in the natural world and how biological systems can provide a metaphor or model for human society. On the one hand, we can view this work as an ironic and humorous denunciation of the human need to control and improve upon nature. On the other hand, if we consider the widespread political violence and uncertainty that plagued Argentina during these years, the idea of meddling with nature and producing false mechanized creatures takes on more sinister overtones.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "all approved", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.65.tif", "IsPrimary" : "1", "_SurrogateID" : "1405", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7333, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7333", "Disp_Access_No" : "1986.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Proyecto para un Platy articulado 1 [Project for an Articulated Platy 1]", "Alt_Title" : "", "Obj_Title" : "Proyecto para un Platy articulado 1 [Project for an Articulated Platy 1]", "Series_Title" : "", "Disp_Maker_1" : "Luis Fernando Benedit", "Sort_Artist" : "Benedit, Luis Fernando", "Disp_Dimen" : "45 cm x 69.8 cm (17 11/16 in. x 27 1/2 in.)", "Disp_Height" : "45 cm", "Disp_Width" : "69.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pencil and watercolor on paper", "Support" : "", "Disp_Medium" : "Pencil and watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.66.tif", "IsPrimary" : "1", "_SurrogateID" : "3957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7761", "Disp_Access_No" : "1994.108", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Pájaros ambiguos", "Alt_Title" : "", "Obj_Title" : "Pájaros ambiguos", "Series_Title" : "", "Disp_Maker_1" : "Luis Felipe Noé", "Sort_Artist" : "Noé, Luis Felipe", "Disp_Dimen" : "50 cm x 65.5 cm (19 11/16 in. x 25 13/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "65.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Twenty-color screenprint", "Support" : "", "Disp_Medium" : "Twenty-color screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 7993, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7993", "Disp_Access_No" : "1998.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Sin título [Untitled]", "Alt_Title" : "", "Obj_Title" : "Sin título [Untitled]", "Series_Title" : "", "Disp_Maker_1" : "Carlos Carmona", "Sort_Artist" : "Carmona, Carlos", "Disp_Dimen" : "32.7 cm x 38.5 cm (12 7/8 in. x 15 3/16 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "38.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Ink on paper", "Support" : "", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Marcos Curi, 1998", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8008", "Disp_Access_No" : "1997.48.15/19", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "En 1626, les Indiens ont vendu Manhattan aux enzymes pour 200 F. [In 1626, The Indians Sold Manhattan to the Enzymes for 200 Francs], from Gráfica Latinoamericana portfolio", "Alt_Title" : "", "Obj_Title" : "En 1626, les Indiens ont vendu Manhattan aux enzymes pour 200 F. [In 1626, The Indians Sold Manhattan to the Enzymes for 200 Francs], from Gráfica Latinoamericana portfolio", "Series_Title" : "", "Disp_Maker_1" : "Antonio Seguí", "Sort_Artist" : "Seguí, Antonio", "Disp_Dimen" : "56.9 cm x 75.4 cm (22 3/8 in. x 29 11/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "75.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Screenprint", "Support" : "", "Disp_Medium" : "Screenprint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ms. Dana Ravel in memory of her husband, Mr. Gene Ravel, 1997", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.48.15-19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.48.15-19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.48.15-19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.48.15-19.tif", "IsPrimary" : "1", "_SurrogateID" : "8711", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17274", "Disp_Access_No" : "2004.176", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1993", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1998", "Disp_Title" : "Pulpo blanco [White Octopus]", "Alt_Title" : "", "Obj_Title" : "Pulpo blanco [White Octopus]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "241.3 cm x 213.4 cm (95 in. x 84 in.)", "Disp_Height" : "241.3 cm", "Disp_Width" : "213.4 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Acrylic", "Support" : "polyester blanket", "Disp_Medium" : "Acrylic on polyester blanket", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recently (and democratically) elected government and to the air of social tolerance that followed by creating works that were flamboyant and irreverent and that embodied progressive attitudes towards lifestyle and sexuality. Centurión was a central figure in the “Arte Light” movement, which came to symbolize this new spirit. By taking blankets, which were associated with poverty, and using them as the support for paintings of large, extravagant forms like this white octopus, Centurión sought a new type of beauty through the language of kitsch, humor, and theatricality. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.176.tif", "IsPrimary" : "1", "_SurrogateID" : "2951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17279", "Disp_Access_No" : "2004.181", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (preparatory drawing for Sacrifical Lamb)", "Alt_Title" : "", "Obj_Title" : "Untitled (preparatory drawing for Sacrifical Lamb)", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "28 cm x 22 cm (11 in. x 8 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Pencil", "Support" : "", "Disp_Medium" : "Pencil", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Argentinean", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.181.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.181.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.181.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.181.tif", "IsPrimary" : "1", "_SurrogateID" : "4452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18811", "Disp_Access_No" : "2007.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Buscando precios [Searching for Prices]", "Alt_Title" : "", "Obj_Title" : "Buscando precios [Searching for Prices]", "Series_Title" : "", "Disp_Maker_1" : "Benito Laren", "Sort_Artist" : "Laren, Benito", "Disp_Dimen" : "83.2 cm x 178.3 cm (32 3/4 in. x 70 3/16 in.)", "Disp_Height" : "83.2 cm", "Disp_Width" : "178.3 cm", "Dimen_Extent" : "sight", "Medium" : "Holographic paper, mirror and acrylic", "Support" : "glass", "Disp_Medium" : "Holographic paper, mirror and acrylic on glass", "Info_Page_Comm" : "This work was originally commissioned for the grocery store El Tigre (The Tiger), which is located in San Nicolás, a small city five hundred miles inland from Buenos Aires. Local products, the city hall, and the main church of San Nicolás flank the central animal figure. The consumer goods pictured throughout allude both to the grocery store’s advertisements and reproductions of manufactured objects by Pop artist Andy Warhol. Characteristic of Laren’s technique, this work combines holographic paper, acrylic paint, and a variety of glittering elements placed on the back of the glass pane. The artist removed the work from the store in 1991 (at the owner’s request) and transported it to the Argentine Consulate in New York City. Before the artist donated Searching for Prices to the Blanton Museum of Art, it remained in New York, virtually out of view, for more than fifteen years.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the artist, 2007", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18921", "Disp_Access_No" : "2007.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "La intrusa [The Intruder]", "Alt_Title" : "", "Obj_Title" : "La intrusa [The Intruder]", "Series_Title" : "", "Disp_Maker_1" : "Miguel Harte", "Sort_Artist" : "Harte, Miguel", "Disp_Dimen" : "294.6 cm x 208.3 cm x 322.6 cm (116 in. x 82 in. x 127 in.)", "Disp_Height" : "294.6 cm", "Disp_Width" : "208.3 cm", "Dimen_Extent" : "installed dimension", "Medium" : "Steel, glass, epoxy, quartz geodes, putty, insects and light", "Support" : "", "Disp_Medium" : "Steel, glass, epoxy, quartz geodes, putty, insects and light", "Info_Page_Comm" : "Like his contemporary Sebastián Gordín, Harte builds elaborate miniature models. He houses desiccated bugs and human/insect hybrid figurines within transparent industrial containers filled with organic materials, such as resin and eggshells. The light and glass globes of the The Intruder recall an old-fashioned scientific specimen display. 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