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Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.921.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.921.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.921.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.921.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "7046", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4942", "Disp_Access_No" : "1986.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Flower Market", "Alt_Title" : "", "Obj_Title" : "Flower Market", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "38.4 cm x 51 cm (15 1/8 in. x 20 1/16 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "Case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.97.tif", "IsPrimary" : "1", "_SurrogateID" : "7135", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4989", "Disp_Access_No" : "1986.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Bull Among Spectators", "Alt_Title" : "", "Obj_Title" : "Bull Among Spectators", "Series_Title" : "", "Disp_Maker_1" : "Leopoldo Méndez", "Sort_Artist" : "Méndez, Leopoldo", "Disp_Dimen" : "26.3 cm x 24.7 cm (10 3/8 in. x 9 3/4 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Linocut", "Support" : "", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.81.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.81.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.81.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1986.81.TIF", "IsPrimary" : "1", "_SurrogateID" : "10881", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5022", "Disp_Access_No" : "1986.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Zapata", "Alt_Title" : "", "Obj_Title" : "Zapata", "Series_Title" : "", "Disp_Maker_1" : "David Alfaro Siqueiros", "Sort_Artist" : "Siqueiros, David Alfaro", "Disp_Dimen" : "66.2 cm x 51 cm (26 1/16 in. x 20 1/16 in.)", "Disp_Height" : "66.2 cm", "Disp_Width" : "51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "David Alfaro Siqueiros, who considered himself primarily a political activist, was involved in organizing labor unions until 1930, when he was jailed and then confined to the town of Taxco. The fifteen months of internal exile that followed proved artistically fruitful. Siqueiros worked on many easel paintings and prints, including two portraits of Emiliano Zapata: an oil painting and this lithograph. Based on a famous photograph of the agrarian revolutionary leader, Siqueiros’s "Zapata" is as monumental and massive as the mountains that surround him. The lithograph was produced through the Weyhe Gallery in New York, an institution that helped introduce the work of the Mexican muralists to the U.S. public. Zapata remains a resonant figure among revolutionary groups in southern Mexico.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5415", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5030", "Disp_Access_No" : "1980.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Amazona blanca [White Horsewoman], also known as Caballista del circo [Circus Bareback Rider]", "Alt_Title" : "", "Obj_Title" : "Amazona blanca [White Horsewoman], also known as Caballista del circo [Circus Bareback Rider]", "Series_Title" : "", "Disp_Maker_1" : "María Izquierdo", "Sort_Artist" : "Izquierdo, María", "Disp_Dimen" : "27.9 cm x 21.5 cm (11 in. x 8 7/16 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor and gouache on paper", "Support" : "", "Disp_Medium" : "Watercolor and gouache on paper", "Info_Page_Comm" : "The figure depicted in "Amazona blanca" gracefully keeps her balance despite being posed precariously on a moving pony. She is a picture of confidence and courage. María Izquierdo admired the circus since her childhood, producing more than fifty paintings celebrating female circus performers. They functioned as a kind of alter ego for her. Images of strong and independent women such as this one challenged the many representations of male workers and heroes pervading Mexican painting in the decades that followed the Mexican Revolution.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.109.tif", "IsPrimary" : "1", "_SurrogateID" : "1186", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1982.766", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "Desnudo [Nude]", "Alt_Title" : "Nude", "Obj_Title" : "Desnudo [Nude]", "Series_Title" : "", "Disp_Maker_1" : "Emilio Amero", "Sort_Artist" : "Amero, Emilio", "Disp_Dimen" : "38.4 cm x 31.7 cm (15 1/8 in. x 12 1/2 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "31.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.766.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.766.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.766.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.766.tif", "IsPrimary" : "1", "_SurrogateID" : "6863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5111", "Disp_Access_No" : "1982.11", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "El Galope [The Gallop]", "Alt_Title" : "The Gallop", "Obj_Title" : "El Galope [The Gallop]", "Series_Title" : "", "Disp_Maker_1" : "José Chávez Morado", "Sort_Artist" : "Chávez Morado, José", "Disp_Dimen" : "44.5 cm x 58.25 cm (17 1/2 in. x 22 15/16 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "58.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Museum of Modern Art, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.11.tif", "IsPrimary" : "1", "_SurrogateID" : "7116", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5337", "Disp_Access_No" : "1982.968", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Woman with a Horse", "Alt_Title" : "Mujer con caballo, 1939", "Obj_Title" : "Woman with a Horse", "Series_Title" : "", "Disp_Maker_1" : "Lorenzo Gutiérrez", "Sort_Artist" : "Gutiérrez, Lorenzo", "Disp_Dimen" : "28 cm x 21.3 cm (11 in. x 8 3/8 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on grey paper", "Support" : "", "Disp_Medium" : "Etching on grey paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1969; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.968.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.968.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.968.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.968.tif", "IsPrimary" : "1", "_SurrogateID" : "6821", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5342", "Disp_Access_No" : "1979.32.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Que dicen Calandrias, cantan o les apachurro el nido, from Dichos populares [What Do You Say, Calandrias? 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Creel", "Sort_Artist" : "Creel, Alejandro R.", "Disp_Dimen" : "28 cm x 34.2 cm (11 in. x 13 7/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and ink and watercolor", "Support" : "", "Disp_Medium" : "Pen and ink and watercolor", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1973; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 10775, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10775", "Disp_Access_No" : "1982.726", "_AccNumSort1" : "", "Disp_Create_DT" : "1968?", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled (Two Horsemen)", "Alt_Title" : "", "Obj_Title" : "Untitled (Two Horsemen)", "Series_Title" : "", "Disp_Maker_1" : "Melecio Galván", "Sort_Artist" : "Galván, Melecio", "Disp_Dimen" : "30 cm x 54.6 cm (11 13/16 in. x 21 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and ink on paper with purple border", "Support" : "", "Disp_Medium" : "Pen and ink on paper with purple border", "Info_Page_Comm" : "Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal Basta Ya (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled Militarismo y represión (Militarism and Repression). Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (Melecio Galván: La ternura, la violencia, p. 13) ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of John Guion, 1980", "Copyright_Type" : "", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<span style="font-family:''Helvetica''">Melecio Galván (San Rafael, Mexico, 1945—1982) was a Mexican draughtsman who was little-known during his lifetime. This is principally because he was a socio-politically committed artist wary of the commercial gallery circuit as well as art institutions controlled by the state. He arose from a working-class family in San Rafael, on the outskirts of Mexico City, and died under mysterious circumstances in that town at the age of 37, just when he was reaching the apogee of his mature style. <br/>Galván studied at the Academia San Carlos in Mexico City between 1965 and 1968. His preferred medium was ink on paper, and he created page upon page of sketchbooks filled with drawings. The major themes he developed in his work were reinterpretations of classical drawings of the human figure and anatomy studies, explorations of the grotesque, and themes related to the socio-political situation in Mexico, especially following the 1968 Tlateloco Massacre. In 1971-72, he traveled to Northern California where he collaborated on a mural in Fresno and created illustrations for the Latino journal <span style="font-style:italic">Basta Ya</span> (Enough Already) in San Francisco. Back in Mexico City, from 1977 to 1981 he was a member of the Grupo MIRA, primarily comprised of printmakers who favored themes of politics and social justice. He is perhaps best known for a series of politically-engaged works from 1980 entitled <span style="font-style:italic">Militarismo y represión</span> (Militarism and Repression).<br/>Galván had solo exhibitions at the Antonio Souza Gallery in Mexico City in 1968 and 1969, as well as a one-man show of thirty-five drawings at the G. Gallery in Wichita, Kansas, in 1970. With the exception of solo exhibitions at the Librería Gandhi (Gandhi Bookstore) in 1972 and the Escuela de Diseño y Artesanía del Instituto Nacional de Bellas Artes (School of Design and Crafts of the National Institute of Fine Arts) in 1977 in Mexico City, as well as several collective exhibitions, he had no further showings of his work while living, outside of many illustrations in books, periodicals, print compilations, and labor union materials. In the catalogue of a posthumous retrospective exhibition held at the Palacio de Bellas Artes in Mexico City in 1983, leading Mexican art historian Ida Rodríguez Prampolini asserted that “[Galván] left us an exceptional body of work which, had he promoted it, would have converted him into the most important draughtsman in the country.” (<span style="font-style:italic">Melecio Galván: La ternura, la violencia,</span> p. 13) <br/></span>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.726.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.726.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.726.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.726.tif", "IsPrimary" : "1", "_SurrogateID" : "3185", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10782", "Disp_Access_No" : "1982.884", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Acercamiento", "Alt_Title" : "The Fence", "Obj_Title" : "Acercamiento", "Series_Title" : "", "Disp_Maker_1" : "Juan Manuel de la Rosa", "Sort_Artist" : "de la Rosa, Juan Manuel", "Disp_Dimen" : "8.6 cm x 16.5 cm (3 3/8 in. x 6 1/2 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Image", "Medium" : "Intaglio", "Support" : "", "Disp_Medium" : "Intaglio", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Thomas Cranfill, 1974; 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